Candide

Candide is, above all, characterized by its rigorous satire of various aspects of European society in the 18th century. In the first chapter of the novella, Voltaire offers a satire of the German aristocracy through his depiction of the court where Candide was raised: 

The Baron was one of the most powerful lords in Westphalia, for his castle had not only a gate, but windows. His great hall, even, was hung with tapestry. All the dogs of his farmyards formed a pack of hounds at need; his grooms were his huntsmen; and the curate of the village was his grand almoner. They called him “My Lord,” and laughed at all his stories. The Baron’s lady weighed about three hundred and fifty pounds, and was therefore a person of great consideration, and she did the honours of the house with a dignity that commanded still greater respect.

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In his comedic depiction of upper-class French society, Voltaire employs metaphor, allusion, and satire. After leaving South America with some of the valuable gold and diamonds which he received in El Dorado, Candide travels to France, where, accompanied by Martin and the Abbé of Périgord, he visits a building where upper-class men engage in card-playing, debate, and prostitution. There, Candide asks a French scholar if he agrees with Pangloss’s argument, derived from Leibniz, that Earth is “the best of all possible worlds.” The scholar responds: 

“I know nothing of all that; I find that all goes awry with me; that no one knows either what is his rank, nor what is his condition, what he does nor what he ought to do; and that except supper, which is always gay, and where there appears to be enough concord, all the rest of the time is passed in impertinent quarrels; Jansenist against Molinist, Parliament against the Church, men of letters against men of letters, courtesans against courtesans, financiers against the people, wives against husbands, relatives against relatives—it is eternal war.”

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