Doc Character Analysis

Doc swung his heavy sack of starfish to the ground and stood panting a little. “Nuts?” he asked. “Oh, yes, I guess so. Nuts about the same amount we are, only in a different way.”

Such a thing had never occurred to Hazel. He looked upon himself as a crystal pool of clarity and on his life as a troubled glass of misunderstood virtue. Doc’s last statement had outraged him a little.

“The remarkable thing,” said Doc, “isn’t that they put their tails up in the air—the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we’d probably be praying—so maybe they’re praying.”

We worked it out that we wanted to give Doc a party. So we come out here and have a hell of a lot of fun. Then we’ll go back and get the dough from Doc. There’s five of us, so we’ll drink five times as much liquor as he will. And I ain’t sure we’re doin’ it for Doc. I ain’t sure we ain’t doin’ it for ourselves. And Doc’s too nice a fella to do that to. Doc is the nicest fella I ever knew. I don’t want to be the kind of a guy that would take advantage of him.

In spite of his friendliness and his friends Doc was a lonely and a set-apart man. Mack probably noticed it more than anybody. In a group, Doc seemed always alone. When the lights were on and the curtains drawn, and the Gregorian music played on the great phonograph, Mack used to look down on the laboratory from the Palace Flophouse. He knew Doc had a girl in there, but Mack used to get a dreadful feeling of loneliness out of it. Even in the dear close contact with a girl Mack felt that Doc would be lonely.

Because he loved true things he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savor the country, and there was no other way to do it save on foot. And people didn’t like him for telling the truth. They scowled, or shook and tapped their heads, they laughed as though they knew it was a lie and they appreciated a liar. And some, afraid for their daughters or their pigs, told him to move on, to get going, just not to stop near their place if he knew what was good for him.

He sat down on the beach in the coarse dry sand and pulled off his boots. In the jar the little octopi were huddled up each keeping as far as possible from the others. Music sounded in Doc’s ears, a high thin piercingly sweet flute carrying a melody he could never remember, and against this, a pounding surf-like wood-wind section. The flute went up into regions beyond the hearing range and even there it carried its unbelievable melody. Goose pimples came out on Doc’s arms. He shivered and his eyes were wet the way they get in the focus of great beauty.

“We’ll pay for it, Doc.”

“No you won’t, Mack,” said Doc. “You’ll think about it and it’ll worry you for quite a long time, but you won’t pay for it. There’s maybe three hundred dollars in broken museum glass. Don’t say you’ll pay for it. That will just keep you uneasy. It might be two or three years before you forgot about it and felt entirely easy again. And you wouldn’t pay it anyway.”

Look at them. There are your true philosophers. I think […] that Mack and the boys know every thing that has ever happened in the world and possibly every­ thing that will happen. I think they survive in this particular world better than other people. In a time when people tear themselves to pieces with ambition and nervousness and covetousness, they are relaxed. All of our so-called successful men are sick men, with bad stomachs, and bad souls, but Mack and the boys are healthy and curiously clean. They can do what they want. They can satisfy their appetites without calling them something else.

“It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.”

It’s all right not to believe in luck and omens. Nobody believes in them. But it doesn’t do any good to take chances with them and no one takes chances. Cannery Row, like every place else, is not superstitious but will not walk under a ladder or open an umbrella in the house. Doc was a pure scientist and incapable of superstition and yet when he came in late one night and found a line of white flowers across the doorsill he had a bad time of it. But most people in Cannery Row simply do not believe in such things and then live by them.

Hazel was so taken by the sound of the words that he had not listened to their meaning. But a little world sadness had slipped over all of them. Every one was remembering a lost love, everyone a call.

Mack said, “Jesus, that’s pretty. Reminds me of a dame—” and he let it pass. They filled the wine glasses and became quiet. The party was slipping away in sweet sadness.

Doc swung his heavy sack of starfish to the ground and stood panting a little. “Nuts?” he asked. “Oh, yes, I guess so. Nuts about the same amount we are, only in a different way.”

Such a thing had never occurred to Hazel. He looked upon himself as a crystal pool of clarity and on his life as a troubled glass of misunderstood virtue. Doc’s last statement had outraged him a little.

“The remarkable thing,” said Doc, “isn’t that they put their tails up in the air—the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we’d probably be praying—so maybe they’re praying.”

We worked it out that we wanted to give Doc a party. So we come out here and have a hell of a lot of fun. Then we’ll go back and get the dough from Doc. There’s five of us, so we’ll drink five times as much liquor as he will. And I ain’t sure we’re doin’ it for Doc. I ain’t sure we ain’t doin’ it for ourselves. And Doc’s too nice a fella to do that to. Doc is the nicest fella I ever knew. I don’t want to be the kind of a guy that would take advantage of him.

In spite of his friendliness and his friends Doc was a lonely and a set-apart man. Mack probably noticed it more than anybody. In a group, Doc seemed always alone. When the lights were on and the curtains drawn, and the Gregorian music played on the great phonograph, Mack used to look down on the laboratory from the Palace Flophouse. He knew Doc had a girl in there, but Mack used to get a dreadful feeling of loneliness out of it. Even in the dear close contact with a girl Mack felt that Doc would be lonely.

Because he loved true things he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savor the country, and there was no other way to do it save on foot. And people didn’t like him for telling the truth. They scowled, or shook and tapped their heads, they laughed as though they knew it was a lie and they appreciated a liar. And some, afraid for their daughters or their pigs, told him to move on, to get going, just not to stop near their place if he knew what was good for him.

He sat down on the beach in the coarse dry sand and pulled off his boots. In the jar the little octopi were huddled up each keeping as far as possible from the others. Music sounded in Doc’s ears, a high thin piercingly sweet flute carrying a melody he could never remember, and against this, a pounding surf-like wood-wind section. The flute went up into regions beyond the hearing range and even there it carried its unbelievable melody. Goose pimples came out on Doc’s arms. He shivered and his eyes were wet the way they get in the focus of great beauty.

“We’ll pay for it, Doc.”

“No you won’t, Mack,” said Doc. “You’ll think about it and it’ll worry you for quite a long time, but you won’t pay for it. There’s maybe three hundred dollars in broken museum glass. Don’t say you’ll pay for it. That will just keep you uneasy. It might be two or three years before you forgot about it and felt entirely easy again. And you wouldn’t pay it anyway.”

Look at them. There are your true philosophers. I think […] that Mack and the boys know every thing that has ever happened in the world and possibly every­ thing that will happen. I think they survive in this particular world better than other people. In a time when people tear themselves to pieces with ambition and nervousness and covetousness, they are relaxed. All of our so-called successful men are sick men, with bad stomachs, and bad souls, but Mack and the boys are healthy and curiously clean. They can do what they want. They can satisfy their appetites without calling them something else.

“It has always seemed strange to me,” said Doc. “The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.”

It’s all right not to believe in luck and omens. Nobody believes in them. But it doesn’t do any good to take chances with them and no one takes chances. Cannery Row, like every place else, is not superstitious but will not walk under a ladder or open an umbrella in the house. Doc was a pure scientist and incapable of superstition and yet when he came in late one night and found a line of white flowers across the doorsill he had a bad time of it. But most people in Cannery Row simply do not believe in such things and then live by them.

Hazel was so taken by the sound of the words that he had not listened to their meaning. But a little world sadness had slipped over all of them. Every one was remembering a lost love, everyone a call.

Mack said, “Jesus, that’s pretty. Reminds me of a dame—” and he let it pass. They filled the wine glasses and became quiet. The party was slipping away in sweet sadness.