Definition of Imagery
Cannery Row's prologue opens with a dense wall of metaphor-packed imagery:
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitants are, as the man once said, “whores, pimps, gamblers, and sons of bitches,” by which he meant Everybody. Had the man looked through another peephole he might have said, “Saints and angels and martyrs and holy men,” and he would have meant the same thing.
In Chapter 18, Doc is hunting for sea creatures along the shoreline in La Jolla when he stumbles upon the body of a dead woman. The scene's imagery is rich and startling:
Unlock with LitCharts A+A girl’s face looked up at him, a pretty, pale girl with dark hair. The eyes were open and clear and the face was firm and the hair washed gently about her head. The body was out of sight, caught in the crevice. The lips were slightly parted and the teeth showed and on the face was only comfort and rest. Just under water it was and the clear water made it very beautiful. It seemed to Doc that he looked at it for many minutes, and the face burned into his picture memory.