Carmilla

by

Sheridan Le Fanu

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Carmilla Character Analysis

Carmilla, also known as Mircalla and Millarca, is the story’s eponymous antagonist. A vampire from an old aristocratic family, she appears eternally as a beautiful young woman and preys on vulnerable young women to whom she is sexually attracted. Carmilla uses her beauty and youth to deceive those around her, and as a result they often fail to see her true nature until it’s too late. This is the case when Carmilla comes to prey on the protagonist, Laura, by moving into Laura’s family home after a carriage accident. Carmilla grows close to Laura, taking advantage of her loneliness and naivety and making sexual advances on Laura that Laura somewhat reciprocates. However, Laura always feels a mixture of attraction and fear towards Carmilla, as Carmilla will reveal nothing about her past, she has strange reactions to hearing hymns, and she can be uncomfortably affectionate, making Laura wonder how Carmilla can have such strong emotions after only knowing Laura for a short time. Laura’s fear is well-founded, as Carmilla is secretly visiting Laura’s bedroom at night to bite her, which is slowly weakening Laura and would have eventually killed her if General Spielsdorf, the father of one of Carmilla’s previous victims, hadn’t intervened. While there are moments in the book in which it seems as if Carmilla genuinely does love Laura, the erotic nature of her bites makes her love for Laura inseparable from her desire to kill her. In this way, Carmilla represents an ambivalence about the Victorian era’s attitudes towards female sexuality. On the one hand, Carmilla’s vampiric lesbianism implies that female sexuality is dangerous and pathological, but on the other hand, Laura doesn’t wholly reject Carmilla, and she seems even to grow from their experiences together. Carmilla is forever defeated once General Spielsdorf, Laura’s father, and Baron Vordenburg drive a stake through her heart.

Carmilla Quotes in Carmilla

The Carmilla quotes below are all either spoken by Carmilla or refer to Carmilla. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Women and Sexuality Theme Icon
).
Chapter 1  Quotes

The first occurrence in my existence, which produced a terrible impression upon my mind, which, in fact, never has been effaced, was one of the very earliest incidents of my life which I can recollect….I saw a solemn, but very pretty face looking at me from the side of the bed. It was that of a young lady who was kneeling, with her hands under the coverlet. I looked at her with a kind of pleased wonder, and ceased whimpering. She caressed me with her hands, and lay down beside me on the bed, and drew me towards her….I was now for the first time frightened.

Related Characters: Laura (speaker), Carmilla
Related Symbols: Dreams
Related Literary Devices:
Page Number: 10
Explanation and Analysis:
Chapter 3  Quotes

I saw the very face which had visited me in my childhood at night, which remained so fixed in my memory, and on which I had for so many years often ruminated with horror, when no one suspected of what I was thinking.

Related Characters: Laura (speaker), Carmilla
Related Literary Devices:
Page Number: 26
Explanation and Analysis:

“If you were less pretty I think I should be very afraid of you, but being as you are, and you and I both so young, I feel only that I have made your acquaintance twelve years ago, and have already a right to your intimacy; at all events it does seem as if we were destined, from our earliest childhood, to be friends. I wonder whether you feel as strangely drawn towards me as I do to you…”

Related Characters: Carmilla (speaker), Laura
Page Number: 28
Explanation and Analysis:
Chapter 4 Quotes

In these mysterious moods I did not like her. I experienced a strange tumultuous excitement that was pleasurable, ever and anon, mingled with a vague sense of fear and disgust. I had no distinct thought about her while such scenes lasted, but I was conscious of a love growing into adoration, and also of abhorrence. This I know is paradox, but I can make no other attempt to explain the feeling.

Related Characters: Laura (speaker), Carmilla
Page Number: 33
Explanation and Analysis:

Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardor of a lover; it embarrassed me; it was hateful and yet over-powering; and with gloating eyes she drew me to her…” You are mine, you shall be mine, you and I are one forever.”

Related Characters: Laura (speaker), Carmilla (speaker)
Page Number: 34
Explanation and Analysis:

“You pierce my ears,” said Carmilla, almost angrily, and stopping her ears with her tiny fingers. “Besides, how can you tell that your religion and mine are the same; your forms wound me, and I hate funerals. What a fuss! Why you must die—everyone—must die; and all are happier when they do… I don’t trouble my head about peasants.”

Related Characters: Carmilla (speaker), Laura, Young peasant girl
Page Number: 36
Explanation and Analysis:

“We are in God’s hands: nothing can happen without his permission, and all will end well for those who love him. He is our faithful creator; He has made us all, and will take care of us.”
“Creator? Nature!” said the young lady in answer to my gentle father. “And this disease that invades the country is natural.”

Related Characters: Carmilla (speaker), Laura’s Father (speaker), Laura
Page Number: 40
Explanation and Analysis:
Chapter 5 Quotes

“And you asked for the picture you think like me, to hang in your room,” she murmured with a sigh, and let her pretty head sink upon my shoulder. “How romantic you are, Carmilla,” I said. “Whenever you tell me your story, it will be made up chiefly of some one great romance.”

Related Characters: Laura (speaker), Carmilla (speaker)
Related Symbols: The Portrait of Countess Mircalla
Page Number: 45
Explanation and Analysis:

“I have been in love with no one, and never shall,” she whispered, “unless it should be with you.” … I live in you; and you would die for me, I love you so.”

Related Characters: Laura (speaker), Carmilla (speaker)
Page Number: 45-46
Explanation and Analysis:
Chapter 6 Quotes

“The time is very near when you shall know everything. You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.”

Related Characters: Laura (speaker), Carmilla (speaker)
Page Number: 49-50
Explanation and Analysis:

“Love will have its sacrifices. No sacrifice without blood.”

Related Characters: Laura (speaker), Carmilla (speaker)
Related Symbols: Blood
Page Number: 50
Explanation and Analysis:
Chapter 8 Quotes

“I wish all mysteries were as easily and innocently explained as yours, Carmilla,” he said laughing. “And so we may congratulate ourselves on the certainty that the most natural explanation of the occurrence is the one that involves no drugging, no tampering with locks, no burglars, or poisoners, or witches—nothing that need alarm Carmilla, or anyone else, for our safety.”

Related Characters: Laura’s Father (speaker), Laura, Carmilla
Page Number: 63
Explanation and Analysis:
Chapter 12 Quotes

“At another time I should have told her to wait a little, until, at least, we knew who they were. But I had not a moment to think in. The two ladies assailed me together, and I must confess the refined and beautiful face of the young lady, about which there was something extremely engaging, as well as the elegance and fire of high birth, determined me; and, quite over-powered, I submitted, and undertook, too easily, the care of the young lady, whom her mother called Millarca.”

Related Characters: General Spielsdorf (speaker), Carmilla, Bertha Rheinfeldt, Carmilla’s Mother
Page Number: 82
Explanation and Analysis:
Chapter 15 Quotes

Here then, were all the admitted signs and proofs of vampirism. The body, therefore, in accordance with the ancient practice, was raised, and a sharp stake driven through the heart of the vampire, who uttered a piercing shriek at the moment, in all respects such as might escape from a living person in the last agony. Then the head was struck off, and a torrent of blood flowed from the severed neck….and that territory has never since been plagued by the visits of a vampire.

Related Characters: Laura (speaker), Carmilla
Related Symbols: Blood
Page Number: 102
Explanation and Analysis:
Chapter 16 Quotes

Its horrible lust for living blood supplies the vigor of its waking existence. The vampire is prone to become fascinated with an engrossing vehemence, resembling the passion of love, by particular persons. In pursuit of these it will exercise inexhaustible patience and stratagem, for access to a particular object may be obstructed in a hundred different ways. It will never desist until it has satiated its passion, and drained the very life of its coveted victims…. In these cases it seems to yearn for something like sympathy and consent.

Related Characters: Laura (speaker), Carmilla
Page Number: 105
Explanation and Analysis:

The following Spring my father took me a tour through Italy. We remained away for more than a year. It was long before the terror of recent events subsided; and to this hour the image of Carmilla returns to memory with ambiguous alternations—sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.

Related Characters: Laura (speaker), Carmilla
Page Number: 107-108
Explanation and Analysis:
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Carmilla PDF

Carmilla Quotes in Carmilla

The Carmilla quotes below are all either spoken by Carmilla or refer to Carmilla. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Women and Sexuality Theme Icon
).
Chapter 1  Quotes

The first occurrence in my existence, which produced a terrible impression upon my mind, which, in fact, never has been effaced, was one of the very earliest incidents of my life which I can recollect….I saw a solemn, but very pretty face looking at me from the side of the bed. It was that of a young lady who was kneeling, with her hands under the coverlet. I looked at her with a kind of pleased wonder, and ceased whimpering. She caressed me with her hands, and lay down beside me on the bed, and drew me towards her….I was now for the first time frightened.

Related Characters: Laura (speaker), Carmilla
Related Symbols: Dreams
Related Literary Devices:
Page Number: 10
Explanation and Analysis:
Chapter 3  Quotes

I saw the very face which had visited me in my childhood at night, which remained so fixed in my memory, and on which I had for so many years often ruminated with horror, when no one suspected of what I was thinking.

Related Characters: Laura (speaker), Carmilla
Related Literary Devices:
Page Number: 26
Explanation and Analysis:

“If you were less pretty I think I should be very afraid of you, but being as you are, and you and I both so young, I feel only that I have made your acquaintance twelve years ago, and have already a right to your intimacy; at all events it does seem as if we were destined, from our earliest childhood, to be friends. I wonder whether you feel as strangely drawn towards me as I do to you…”

Related Characters: Carmilla (speaker), Laura
Page Number: 28
Explanation and Analysis:
Chapter 4 Quotes

In these mysterious moods I did not like her. I experienced a strange tumultuous excitement that was pleasurable, ever and anon, mingled with a vague sense of fear and disgust. I had no distinct thought about her while such scenes lasted, but I was conscious of a love growing into adoration, and also of abhorrence. This I know is paradox, but I can make no other attempt to explain the feeling.

Related Characters: Laura (speaker), Carmilla
Page Number: 33
Explanation and Analysis:

Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardor of a lover; it embarrassed me; it was hateful and yet over-powering; and with gloating eyes she drew me to her…” You are mine, you shall be mine, you and I are one forever.”

Related Characters: Laura (speaker), Carmilla (speaker)
Page Number: 34
Explanation and Analysis:

“You pierce my ears,” said Carmilla, almost angrily, and stopping her ears with her tiny fingers. “Besides, how can you tell that your religion and mine are the same; your forms wound me, and I hate funerals. What a fuss! Why you must die—everyone—must die; and all are happier when they do… I don’t trouble my head about peasants.”

Related Characters: Carmilla (speaker), Laura, Young peasant girl
Page Number: 36
Explanation and Analysis:

“We are in God’s hands: nothing can happen without his permission, and all will end well for those who love him. He is our faithful creator; He has made us all, and will take care of us.”
“Creator? Nature!” said the young lady in answer to my gentle father. “And this disease that invades the country is natural.”

Related Characters: Carmilla (speaker), Laura’s Father (speaker), Laura
Page Number: 40
Explanation and Analysis:
Chapter 5 Quotes

“And you asked for the picture you think like me, to hang in your room,” she murmured with a sigh, and let her pretty head sink upon my shoulder. “How romantic you are, Carmilla,” I said. “Whenever you tell me your story, it will be made up chiefly of some one great romance.”

Related Characters: Laura (speaker), Carmilla (speaker)
Related Symbols: The Portrait of Countess Mircalla
Page Number: 45
Explanation and Analysis:

“I have been in love with no one, and never shall,” she whispered, “unless it should be with you.” … I live in you; and you would die for me, I love you so.”

Related Characters: Laura (speaker), Carmilla (speaker)
Page Number: 45-46
Explanation and Analysis:
Chapter 6 Quotes

“The time is very near when you shall know everything. You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature.”

Related Characters: Laura (speaker), Carmilla (speaker)
Page Number: 49-50
Explanation and Analysis:

“Love will have its sacrifices. No sacrifice without blood.”

Related Characters: Laura (speaker), Carmilla (speaker)
Related Symbols: Blood
Page Number: 50
Explanation and Analysis:
Chapter 8 Quotes

“I wish all mysteries were as easily and innocently explained as yours, Carmilla,” he said laughing. “And so we may congratulate ourselves on the certainty that the most natural explanation of the occurrence is the one that involves no drugging, no tampering with locks, no burglars, or poisoners, or witches—nothing that need alarm Carmilla, or anyone else, for our safety.”

Related Characters: Laura’s Father (speaker), Laura, Carmilla
Page Number: 63
Explanation and Analysis:
Chapter 12 Quotes

“At another time I should have told her to wait a little, until, at least, we knew who they were. But I had not a moment to think in. The two ladies assailed me together, and I must confess the refined and beautiful face of the young lady, about which there was something extremely engaging, as well as the elegance and fire of high birth, determined me; and, quite over-powered, I submitted, and undertook, too easily, the care of the young lady, whom her mother called Millarca.”

Related Characters: General Spielsdorf (speaker), Carmilla, Bertha Rheinfeldt, Carmilla’s Mother
Page Number: 82
Explanation and Analysis:
Chapter 15 Quotes

Here then, were all the admitted signs and proofs of vampirism. The body, therefore, in accordance with the ancient practice, was raised, and a sharp stake driven through the heart of the vampire, who uttered a piercing shriek at the moment, in all respects such as might escape from a living person in the last agony. Then the head was struck off, and a torrent of blood flowed from the severed neck….and that territory has never since been plagued by the visits of a vampire.

Related Characters: Laura (speaker), Carmilla
Related Symbols: Blood
Page Number: 102
Explanation and Analysis:
Chapter 16 Quotes

Its horrible lust for living blood supplies the vigor of its waking existence. The vampire is prone to become fascinated with an engrossing vehemence, resembling the passion of love, by particular persons. In pursuit of these it will exercise inexhaustible patience and stratagem, for access to a particular object may be obstructed in a hundred different ways. It will never desist until it has satiated its passion, and drained the very life of its coveted victims…. In these cases it seems to yearn for something like sympathy and consent.

Related Characters: Laura (speaker), Carmilla
Page Number: 105
Explanation and Analysis:

The following Spring my father took me a tour through Italy. We remained away for more than a year. It was long before the terror of recent events subsided; and to this hour the image of Carmilla returns to memory with ambiguous alternations—sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.

Related Characters: Laura (speaker), Carmilla
Page Number: 107-108
Explanation and Analysis: