Catching Teller Crow

by Ambelin Kwaymullina and Ezekiel Kwaymullina

Isobel Catching Character Analysis

Isobel Catching, an Aboriginal Australian teenager who goes by “Catching,” is the last victim of serial killers Alexander Sholt and Derek Bell, who hold girls captive in a secret bunker, abuse them, and murder them. When Catching comes to the town where Alexander and Derek operate, she is on a road trip with her mother, who has been teaching Catching to control her anger and access her supernatural strengths by reciting all the Catching women’s names, from Catching’s great-great-grandmother down to Catching herself. After a flash flood kills Catching’s mother and sweeps Catching away, Alexander and Derek’s accomplices, Director Cavanagh and Nurse Flint, find Catching and bring her to the bunker. There, Catching befriends Crow/Sarah Blue, the ghost of Alexander and Derek’s first victim. Despite the traumatic abuse that Alexander and Derek inflict on Catching (which is strongly implied to be sexual), she resolves to survive. When the girls realize that Catching’s supernatural powers allow Crow to influence the physical world, the girls resolve to escape together. They end up burning down the children’s home from which Alexander and Derek have been harvesting victims, where Crow also kills Alexander. When the burned remains bring detective Michael Teller and his ghost daughter, 15-year-old Beth Teller, to the town, Catching tells them about her abuse in a fantastical allegory in which Cavanagh and Flint are creatures called Fetchers, while Alexander and Derek are monsters called Feeds, which kill by eating all the bright colors out of their victims’ bodies until they turn gray and die. While Catching’s story helps Michael’s investigation, Catching really tells it to help Beth move on from the physical world. Ultimately, Catching—who can move between worlds—travels with Crow and Beth to the afterlife to visit their dead loved ones.

Isobel Catching Quotes in Catching Teller Crow

The Catching Teller Crow quotes below are all either spoken by Isobel Catching or refer to Isobel Catching. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Trauma and Grief Theme Icon
).

Chapter 1. Beth: The Town Quotes

Dad said his old man thought the law was there to protect some people and punish others. And Aboriginal people were the ‘others.’

Related Characters: Beth Teller (speaker), Gerry Bell, Beth’s Dad/Michael Teller, Alexander Sholt, Derek Bell, Isobel Catching, Crow/Sarah Blue
Page Number and Citation: 6
Explanation and Analysis:

Chapter 3. Beth: The Witness Quotes

“Maybe I didn’t see anything. Or maybe I did. Depends.”

“Depends on what?”

She looked at me—or, no, she didn’t, she looked into the space I was standing in for a second, then away again. “On if you’ll believe me.”

Related Characters: Isobel Catching (speaker), Beth’s Dad/Michael Teller (speaker), Beth Teller (speaker), Derek Bell, Alexander Sholt, Crow/Sarah Blue
Page Number and Citation: 23
Explanation and Analysis:

Chapter 4. Catching: The Sunset Quotes

When your Nanna was little the government took her away from her mum. They had a law back then that let them take Aboriginal kids just because they were Aboriginal . . .

Related Characters: Isobel Catching, Beth’s Dad/Michael Teller, Beth Teller, Alexander Sholt, Derek Bell
Page Number and Citation: 31
Explanation and Analysis:

Chapter 7. Beth: The Truths Quotes

“Catching wasn’t lying. I know she wasn’t.”

“I don’t think she was lying, precisely. Just telling the truth in a different way.”

Related Characters: Beth Teller (speaker), Beth’s Dad/Michael Teller (speaker), Isobel Catching, Director Tom Cavanagh/First Fetcher, Nurse Martin Flint/Second Fetcher
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 55
Explanation and Analysis:

“That’s your plan now? Hang about and hold your dad’s hand for the rest of his life?”

“No. Not exactly.” Even I could hear the lie in my voice.

She pointed to the door. “Get out of here, Teller. Come back if you ever want help doing what you’re supposed to be doing and move on.”

Related Characters: Isobel Catching (speaker), Beth Teller (speaker), Beth’s Dad/Michael Teller
Page Number and Citation: 62
Explanation and Analysis:

Chapter 8. Beth: The Station Quotes

“It seems to me he might be a little like my father—the kind of cop who thinks the rules don’t apply to everyone equally. He could’ve been too deferential to the Sholt family, given them special treatment . . . maybe let a few things slide about that home that he now sees he should have looked into.”

Related Characters: Beth’s Dad/Michael Teller (speaker), Alexander Sholt, Isobel Catching, Beth Teller, Derek Bell
Page Number and Citation: 72-73
Explanation and Analysis:

Chapter 10. Beth: The Deaths Quotes

“I told you what I thought about your dad, didn’t I?”

I wasn’t sure what that had to do with anything. “Yeah.”

“So we’re friends. Because friends always tell each other the truth. Even when it hurts.”

Related Characters: Isobel Catching (speaker), Beth Teller (speaker), Beth’s Dad/Michael Teller
Page Number and Citation: 94
Explanation and Analysis:

“I’m not telling you what happened to ask for help,” she said.

“Then why are you telling it?”

Catching drew her legs up to her chest and rested her chin on her knees. “To be heard.”

I was silent for a moment, thinking about that. Then I said, “Well, that kind of sounds like asking for help.”

Related Characters: Isobel Catching (speaker), Beth Teller (speaker), Beth’s Dad/Michael Teller
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 95
Explanation and Analysis:

Chapter 11. Catching: The Prisoner Quotes

“He eats what’s inside our insides. The colours that live in our spirits. Do you think I was always a grey girl?”

Related Characters: Crow/Sarah Blue (speaker), Isobel Catching, Alexander Sholt, Derek Bell
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 103
Explanation and Analysis:

Chapter 13. Catching: The Grey Quotes

“It is your grey. Like mine, but not. Everyone’s grey is their own.”

Related Characters: Crow/Sarah Blue (speaker), Isobel Catching, Alexander Sholt
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 110
Explanation and Analysis:

I can endure.

As long as I remember where I come from.

Who I come from.

Related Characters: Isobel Catching (speaker), Alexander Sholt
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 112
Explanation and Analysis:

Chapter 16. Beth: The Story Quotes

I couldn’t bear to say that the colours weren’t real.

Related Characters: Beth Teller (speaker), Beth’s Dad/Michael Teller, Isobel Catching
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 138
Explanation and Analysis:

Chapter 17. Catching: The Two Quotes

People can time travel inside their heads.

Remember into the past.

Imagine into the future.

But sometimes you can’t escape the now.

Related Characters: Isobel Catching (speaker), Director Tom Cavanagh/First Fetcher, Nurse Martin Flint/Second Fetcher, Beth Teller, Aunty June, Beth’s Dad/Michael Teller, Alexander Sholt
Page Number and Citation: 145
Explanation and Analysis:

If I’m dead inside, I’m free.

No.

If I’m dead inside I’m dead inside.

Related Characters: Isobel Catching (speaker), Crow/Sarah Blue, Alexander Sholt, Derek Bell
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 147
Explanation and Analysis:

Chapter 18. Catching: The Dream Quotes

“If you can name it, you can catch it,” she calls. “If you can catch it, you can fight it. Everything has its opposite. Remember!”

Related Characters: Isobel Catching (speaker), Alexander Sholt, Derek Bell, Crow/Sarah Blue, Beth Teller
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 151
Explanation and Analysis:

Chapter 19. Catching: The Catching Quotes

No ticking clocks.

Just choices.

They measure the distance between who we are and who we’re turning into.

Related Characters: Isobel Catching (speaker), Crow/Sarah Blue, Alexander Sholt, Derek Bell
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 159
Explanation and Analysis:

Chapter 20. Catching: The Escape Quotes

“This gray’s yours,” I say. “My colours are mine. I’m not carrying your shame for what you did. Only my pride. For surviving you.”

Related Characters: Isobel Catching (speaker), Crow/Sarah Blue, Alexander Sholt, Derek Bell
Related Symbols: Gray vs. Intense Colors
Page Number and Citation: 162
Explanation and Analysis:

Chapter 21. Beth: The End Quotes

Of course you’re here at the end. So what? It’s the beginning that hasn’t happened yet.”

Related Characters: Isobel Catching (speaker), Beth’s Dad/Michael Teller, Beth Teller
Page Number and Citation: 182
Explanation and Analysis:

Chapter 22. Beth: The Beginning Quotes

And wherever we went, we went together.

Related Characters: Beth Teller (speaker), Crow/Sarah Blue, Isobel Catching, Beth’s Dad/Michael Teller, Aunty Viv, Allie Hartley, Alexander Sholt, Derek Bell
Page Number and Citation: 190
Explanation and Analysis:
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Isobel Catching Character Timeline in Catching Teller Crow

The timeline below shows where the character Isobel Catching appears in Catching Teller Crow. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 3. Beth: The Witness
Storytelling and Truth Theme Icon
...a girl she thinks is the witness when a different girl (later revealed to be Catching)—pale with “sharp” features, dark-haired, and wearing a long sweater over her hospital gown—appears and asks... (full context)
Abuse of Power, Racism, and the Law Theme Icon
Beth’s dad says he’s a detective and asks whether the girl (Catching) is the witness to the fire. When she says yes, he asks whether he can... (full context)
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When Michael comments that Catching is an “unusual” name, Catching explains that the white employer of her great-great-grandmother named her... (full context)
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Though Catching’s tone annoys Beth, it doesn’t offend Michael. He just asks her whether she saw anything... (full context)
Chapter 4. Catching: The Sunset
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Catching stands on a “rocky hill” with her mom, whose hair is dyed “redder” than the... (full context)
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Catching and her mom hear thunder. They rush down to their car, parked on level ground... (full context)
Abuse of Power, Racism, and the Law Theme Icon
The seat belt unlatches. Water carries Catching away. She’s convinced she’ll drown until she recalls her mom saying that she inherited her... (full context)
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Catching swims “like a fish,” in the manner of her Nanna Sadie, to the water’s surface.... (full context)
Chapter 5. Catching: The Other-Place
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Catching cries beside the body, demanding her mom’s return, until she falls asleep. When she wakes,... (full context)
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Catching, feeling another surge of grief, wonders whether she’ll “fade away . . . Like the... (full context)
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Cornered, Catching drops her spear and climbs the cliff. She has almost reached the top when she... (full context)
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First and Second discuss Catching’s colors, “like a rainbow.” When Second asks whether there’s anyone with her, she says she’s... (full context)
Chapter 6. Catching: The Beneath
Abuse of Power, Racism, and the Law Theme Icon
The Fetchers fly, carrying Catching, over the trees. They dive toward the dirt between a tree and a rock that... (full context)
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Second pulls Catching into a room full of shelves holding cubes filled with what looks like “jelly.” Catching,... (full context)
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...blob drops from the air. Second declares that it’s medicine; when he puts it on Catching’s broken hand, her skin absorbs it. Her hand burns painfully and then heals. Second puts... (full context)
Chapter 7. Beth: The Truths
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Catching abruptly stops her story. Beth senses that Catching’s story is “true,” despite its unbelievable details;... (full context)
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As Michael and Beth leave, Beth sees Catching staring at her—but tells herself that Catching was staring “through” her. When Michael walks into... (full context)
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...parking lot, Beth asks how he can go when the hospital doesn’t even know that Catching’s mother has died. Michael says he doesn’t think her mother is dead. When Beth says... (full context)
Abuse of Power, Racism, and the Law Theme Icon
Storytelling and Truth Theme Icon
...and Cavanagh ran because he realized his misdeeds would be exposed in the ensuing investigation. Catching is a confused “runaway” coincidentally found during the search. (full context)
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Despite knowing it’s irrational, Beth gets angry with Catching for telling a false story and not giving Michael the illusion of a difficult case.... (full context)
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Time Theme Icon
Catching asks Beth whether Michael murdered her and, if not, why she’s haunting him. Beth, offended,... (full context)
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Time Theme Icon
Catching correctly intuits that Beth was moving toward the afterlife until she came back for “that... (full context)
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Time Theme Icon
Female Friendship Theme Icon
Catching dives under the bed and only emerges when the sparks from the bulb die. Beth... (full context)
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Catching asks Beth her name. When she learns that it’s Beth Teller, she asks whether a... (full context)
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Time Theme Icon
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Beth asks whether Catching’s mother knew of ghosts who could touch people. When Catching asks whether Beth wants to... (full context)
Chapter 8. Beth: The Station
Trauma and Grief Theme Icon
Abuse of Power, Racism, and the Law Theme Icon
Storytelling and Truth Theme Icon
Beth, who doesn’t sleep, thinks all night. She decides to tell Michael that Catching can see her, in the hopes that Michael will become reinvested in the case and... (full context)
Trauma and Grief Theme Icon
Abuse of Power, Racism, and the Law Theme Icon
Female Friendship Theme Icon
...and Beth drive to the local police station, she decides not to tell him that Catching can see her. She enjoys having a secret with Catching; it feels like having “a... (full context)
Abuse of Power, Racism, and the Law Theme Icon
...whiny teen. Beth, noticing Derek’s “relief,” realizes Michael has intentionally redirected Derek’s interest away from Catching. Inferring that Derek is a suspect, she notices that he chews his fingernails and looks... (full context)
Abuse of Power, Racism, and the Law Theme Icon
Beth asks why Michael redirected Derek’s attention from Catching. Michael explains that he doesn’t trust Derek not to repeat things to Alexander Sholt—and if... (full context)
Chapter 9. Beth: The Missing
Trauma and Grief Theme Icon
Time Theme Icon
...to happen anyway, since she’s dead. She wonders about “mov[ing] on” but stops herself, blaming Catching for the thought. Instead she spins a fantasy that she’ll find her mom in the... (full context)
Chapter 10. Beth: The Deaths
Trauma and Grief Theme Icon
Storytelling and Truth Theme Icon
Female Friendship Theme Icon
...thinks of Fetchers. When she mentions this to Michael, he shakes his head, but—terrified on Catching’s behalf—she teleports to Catching anyway. She babbles about the murders, wings, and Fetchers until Catching... (full context)
Abuse of Power, Racism, and the Law Theme Icon
Storytelling and Truth Theme Icon
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...will probably follow her to the hospital and admits that she hasn’t told him that Catching can see her. Catching volunteers not to tell him either, because keeping secrets is another... (full context)
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Beth says that Michael can help Catching. Catching says her story isn’t a cry for help. When Beth asks why she’s telling... (full context)
Chapter 11. Catching: The Prisoner
Trauma and Grief Theme Icon
When Catching wakes, a voice greets her. When she asks who it is, the voice—hiding in a... (full context)
Trauma and Grief Theme Icon
Abuse of Power, Racism, and the Law Theme Icon
Female Friendship Theme Icon
Crow asks whether Catching is afraid. Catching says no: Crow is “a girl” like Catching. Crow retorts that they... (full context)
Chapter 12. Catching: The Feed
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First and Second carry a paralyzed Catching to a room, where they deposit her on the floor and withdraw. From the shadows... (full context)
Chapter 13. Catching: The Grey
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Female Friendship Theme Icon
Back in her room, Catching feels like a broken object whose pieces will never be recovered. Crow asks whether Catching... (full context)
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Crow tells Catching that she can escape by becoming dead and emotionless, so she won’t “mind being a... (full context)
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Catching, staring at her gray skin, wonders how she can live with the Feed’s fingermarks on... (full context)
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Catching tells herself that she’s not a broken object—so long as she remembers her ancestors, she... (full context)
Chapter 14. Beth: The Colours
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Abuse of Power, Racism, and the Law Theme Icon
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After hearing Catching’s story, Beth and Michael are furious. Michael tells Catching that he can protect her and... (full context)
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Once Michael has left, Catching opens her eyes again. Beth, feeling powerless, offers to help Catching herself—and Catching retorts that... (full context)
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...parking lot. When he hangs up, he explains that he’s trying to get information about Catching’s rehab facility. He’s sure that someone did something terrible to Catching, but he’s not sure... (full context)
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Abuse of Power, Racism, and the Law Theme Icon
...the hotel, where she finds Michael staring at a note-covered wall with big labels reading Catching, Sarah Blue, and “The Home.” Beth, surprised, comments that Michael has made “one of [his]... (full context)
Chapter 16. Beth: The Story
Trauma and Grief Theme Icon
Time Theme Icon
As Michael drives to the hospital, Beth asks whether he believes that Catching can shed light on Derek’s murder. Rather than answer, Michael confronts Beth with his suspicion... (full context)
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Time Theme Icon
...not fine. When he makes a pained face, she says she’s going to talk to Catching about the murders. He tries to talk to her more about the other place, but... (full context)
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Michael enters Catching’s hospital room and insists that he and Beth need to talk. Beth is denying it... (full context)
Chapter 17. Catching: The Two
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Time Theme Icon
Catching knows that people can escape the present by contemplating the future or the past, but... (full context)
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Female Friendship Theme Icon
Crow asks Catching why she struggles rather than becoming a dead girl. Catching considers whether emotional death would... (full context)
Chapter 18. Catching: The Dream
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Female Friendship Theme Icon
Catching has no idea how much time has passed, but more and more of her is... (full context)
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Catching wakes up to Crow screaming her name. When Catching covers her ears, she realizes that... (full context)
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Catching asks whether she’s regained any color. When Crow says no, Catching remembers when Crow told... (full context)
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Abuse of Power, Racism, and the Law Theme Icon
 Catching begins to cry. Then, suddenly, her great-great-grandmother’s name, Trudy Catching, pops into her head. She... (full context)
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Crow, examining Catching’s wrist and her own hair, says aloud that Catching isn’t dead and she herself isn’t... (full context)
Chapter 19. Catching: The Catching
Trauma and Grief Theme Icon
Time Theme Icon
...repeats the false things she used to believe about her own powerlessness—and laughs at them. Catching likes Crow’s method of removing grayness, but hers is different: she must identify the feeling... (full context)
Chapter 20. Catching: The Escape
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Abuse of Power, Racism, and the Law Theme Icon
Female Friendship Theme Icon
When the Fetchers enter Catching’s room, Crow—with black hair, brown skin, and brown eyes—knocks First over and breaks Second’s mask,... (full context)
Trauma and Grief Theme Icon
Female Friendship Theme Icon
...into a song about the Feed’s death, and the Feed runs away. When Crow and Catching corner him at the end of a tunnel, he hits the roof, wounding himself but... (full context)
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Abuse of Power, Racism, and the Law Theme Icon
Storytelling and Truth Theme Icon
Catching sees a far-off light. When she and Crow approach it, they discover a locked cage... (full context)
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Catching realizes that she’s confronting the Feed not on her own behalf—not anymore—but because someone must... (full context)
Chapter 21. Beth: The End
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When Catching finishes, Beth realizes that the story has taken all day and all night—it’s morning. Beth... (full context)
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Abuse of Power, Racism, and the Law Theme Icon
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...from his grief. When Michael tells Beth that they need to leave, Beth looks to Catching. Catching, with unexpected “lightness,” smiles and tells Beth that they’ll see each other again and... (full context)
Abuse of Power, Racism, and the Law Theme Icon
Storytelling and Truth Theme Icon
...on its side” and that the glasses are “mirror-eyes.” She realizes that the Fetchers held Catching captive in the bunker, the caged birds were the kids in the home, and Alexander... (full context)
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...situation. When Beth says yes, he gives her a gentle look and tells her that Catching is dead. Beth protests that Catching is a patient in the hospital. Yet when Michael... (full context)
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Beth protests that Michael can see Catching. Michael points out that he can see Beth too. Beth acknowledges that it may be... (full context)
Chapter 22. Beth: The Beginning
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Beth turns and sees Catching, wearing a robelike version of her green sweater and carrying a crow—which Beth now realizes... (full context)
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Catching explains that Crow saw Beth at the home the day she arrived in town. As... (full context)
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Beth and Catching exchange glances. Then Beth explains to Michael that Catching didn’t commit the murders. Alexander’s window... (full context)
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...at various points in the investigation. Thinking about Crow’s powers leads Beth to think about Catching’s—and she has a realization. She says that Catching isn’t dead: her power nurtures her friends,... (full context)
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When Beth demands to know how Catching’s power works, Catching shrugs and asks how Beth once almost crossed to “another side” full... (full context)
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...other side, and she admits that she’s planning to travel to the colorful place with Catching and Crow. He acknowledges that she’s worried about him, criticizes himself for how he behaved... (full context)
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Beth uses her intense emotions and Catching’s presence to manifest in the living world—so that she can hug Michael. After they hug,... (full context)
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After Michael has walked away through the trees, Crow—in the form of a human girl—and Catching approach Beth. Crow asks whether Beth is ready. When Beth says that she is, Crow... (full context)