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Chapter 3
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in Circe, which you can use to track the themes throughout the work.
Power, Fear, and Self-Preservation
Women, Power, and Misogyny
Change, Initiative, and the Self
Mortality, Fragility, and Fulfillment
Family and Individuality
Summary
Analysis
As the boat nears the shore, Circe spots a thin mast and ragged sail and, in the boat, a sunburnt man: a mortal. Circe remembers the nymphs’ stories of mortals, and how they rape and abuse defenseless goddesses, but she decides that the man looks kind, not cruel. Circe takes a step toward the approaching boat and calls out to the mortal, telling him to “Hail, mortal.” The man is clearly startled, but he recovers and greets her, asking which goddess she is. She tells him her name and states that she would like to ride on his boat. When she boards the boat, she tells him to carry on with sailing. The man hurries to obey her, shaking and twitching with fear.
Circe can tell that the man is a mortal by his sunburn, which is the first instance of a mortal being identified by the marks on his body. This begins to suggest that a mortal’s marks or scars say something deeper about their identity. By greeting the man with “Hail, mortal,” Circe identifies herself as a goddess, which makes the man frightened. The man’s fear is due to her divinity—he is afraid of her power, which gives credence to Circe’s theory regarding the “great chain of fear.” As a mortal, he fears that gods may abuse him. But as a woman, Circe is afraid of being raped by the man.
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But Circe doesn’t want the sunburnt man to be afraid. She tells him that she has hardly any powers and asks him to be calm. Her words have no effect on the trembling man, whose timidity makes Circe laugh. At the sound of her laughter, the man calms, and they soon start chatting. At the end of the day, the fisherman kneels before her to thank her for the prosperous day of fishing. But Circe asks him to rise, realizing that she would rather see the man’s face than see him kneel.
To Circe, forming a friendship is more important to her than having someone fearfully obey her, a preference that is not common among the gods. When the man kneels—the expected reaction for a mortal before a god—Circe gets no pleasure from it, which both distinguishes her from the other gods and demonstrates that intimidating people doesn’t fulfil her. She wants a genuine connection with another being, indicating that she is not interested in perpetuating the cycle of fear and abuse that many of the other gods benefit from.
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After Circe tells the sunburnt man that she does not have the powers to fill his nets with fish, the man nevertheless asks if he may visit her again, as she is the most “wondrous thing” he’s ever known. Deeply touched, Circe knows that no one has ever made her feel so “warm.”
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Literary Devices
The man, whose name is Glaucos, visits Circe every day afterward. He tells her all about his life—his family’s poverty, his ailing sister, his cruel father—and Circe savors her newfound role as his confidant. She loves watching him perform manual chores, tasks that she has only seen completed with divine powers. Self-conscious of his mortality and the physical marks it leaves on his body, Glaucos believes himself to be ugly to Circe, but she secretly finds him more beautiful than all the deities in her father’s halls. When she tells Glaucos about Aeëtes and how he left her, Glaucos calls Aeëtes a fool to leave behind such a “beautiful and kind” sister.
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One day, as Glaucos is making a fire to cook lunch, Circe tells him that she had once met Prometheus. At first, Glaucos is confused, pointing out that she and Glaucos are the same age. Circe laughs and informs them that he is wrong. Glaucos pulls back from her, looking panicked. He demands to know how old she is. Surprised at his revulsion, she walks back her claim, telling him that she had been joking and that they are indeed the same age. Glaucos is relieved.
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One day, Glaucos arrives late to Circe’s shore. He has a bruise on his face, which Circe assumes is from his father. She greets him with concern and tells him to rest, but he doesn’t leave his boat. Glaucos’s voice is cold, and he informs her that, because he hasn’t been catching enough fish, his father blames Glaucos and his laziness for the starvation that his family will certainly suffer. He sails away after declaring that he will never be able to see her again.
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Desperate, Circe runs to her grandmother Tethys, the mother of the earth’s waters. Circe begs Tethys to bless Glaucos’s nets, as she doesn’t have the power to do so herself. Tethys asks her what Glaucos has offered in gratitude, a question that takes Circe by surprise. Tethys warns her that mortals will “forget to be grateful” if they aren’t required to make a sacrifice. But Circe brushes aside the question, saying that she does not need anything in return. Resigned, Tethys concedes, but first she makes Circe promise that she will not have sex with Glaucos.
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Glaucos returns to the shore, racing across the water and joyfully calling out to Circe. He tells her that enormous fish had jumped into his boat, giving him enough to pay off their fees and even get credit for the future. He drops to his knees before Circe, who tells him that it was her grandmother’s doing, not her own. Nevertheless, Glaucos remains bowed before Circe, thanking her for interceding. If only he were a god, he tells her, then he could “thank [her] as [she] deserves.” Circe, meanwhile, silently mourns her lack of powers, wishing that she could always bless Glaucos’s fishing so that he would never leave her.
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Circe and Glaucos continue to meet day after day. Glaucos tells Circe of his plans for the future, and after she insinuates her desire for a chair in his home, he nervously asks her if Helios will pick her husband. Although she desperately wants to hold Glaucos close and tell him that she chooses him, Circe confirms that Helios will indeed select her husband, who will likely be a prince or a king. Glaucos dejectedly accepts her response.
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That night, while Helios is playing a game of draughts, Circe asks him if it is possible to transform a mortal into a god. Irritated, he tells her no, that not even a god as powerful as he “can change the laws of the Fates.” The significance of Glaucos’s mortality suddenly hits Circe: one day, Glaucos will die and leave her forever. Distraught, Circe races back to Tethys for guidance, but Tethys simply affirms that the fate of mortals is indeed death.
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Nearly hysterical, Circe does not accept this answer. When going through possible options, Circe mentions the word pharmaka. Tethys abruptly snaps, enraged that she dares to say that word, and orders Circe from her halls. As Circe leaves, she realizes that her grandmother’s reaction was one of fear. She knows that gods only fear “power greater than their own.” After a moment of reflection, Circe accepts that she would do anything, no matter how evil, to keep Glaucos alive. After getting dressed, Circe goes to Helios’s feast and asks her uncles about the war against the Olympians, inquiring particularly where the most divine blood had been spilled. While caressing and sweet-talking them, she hears that one such place is located near the shore where she and Glaucos meet.
