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Chapter 5
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in City of Thieves, which you can use to track the themes throughout the work.
Growing Up
Literature and Storytelling
Sexuality, Masculinity, and Power
Survival
Russia and World War II
Summary
Analysis
Lev and Kolya, having decided to spend the night in Lev’s apartment at the Kirov, talk freely and easily about Kolya's excellent punch at the giant's wife. Lev shares that, during the war, you couldn't allow too much truth or thought into your conversations as a method of self-preservation. Despite that, though, Lev can't get the image of a child's ribcage in the cannibals' apartment out of his head, and he can barely nibble on the “library candy.”
Lev succinctly describes how storytelling becomes a method of preservation when faced with the horrors of the war. But even that sort of self-protection is barely enough to protect oneself from the trauma of the siege, as Lev’s inability to escape the image of the butchered bodies shows.
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Lev apologizes for not going back to save Kolya, which Kolya laughs at, admitting that he was the "country fool" who insisted on going up to the giant's apartment. Lev feels better and compliments Kolya again on his punch, saying that the woman won't be eating children anymore. Kolya smiles for a moment, but Lev remarks to the reader that they're living in a city with the witch Baba Yaga snatching children.
Lev’s comment about the witch Baba Yaga – a witch from Russian folklore – provides an extremely concrete example of the idea that while stories can be used to protect oneself from the horrors of reality, the fairy tales that the people of Leningrad grew up with are also being made gruesomely real by the siege in a way not previously thought possible. On one hand, this dynamic implies just how insane the situation of the siege is. On the other hand, though, it underlines the inherent truths hidden within such fairy tales: that humanity, when pressed to extremes, can actually commit the sorts of gruesome crimes that are usually safely contained within such tales. Even the most fantastical of stories can speak a kind of truth.
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Sirens begin and Kolya announces that Fritz (the German army) is coming. He and Lev walk faster and listen to the shells from German bombers landing near the Kirov Works, where tanks and heavy artillery are built. Suddenly Kolya stops, and he and Lev hear someone playing the piano in an apartment building. They stand and listen, and Lev shares that while music was important in his family, he'd never heard that music before and hasn't heard it since.
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When they resume their march, Kolya and Lev begin arguing over the evacuation of famous people from the city. Lev insists that it'd be bad for morale if famous people died, but Kolya believes that the outrage that would certainly come after a famous individual's heroic war death would be a positive, adding that he doesn't like hypocrites.
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Lev and Kolya turn onto Lev's street and suddenly Lev comes face to face with a pile of rubble where the Kirov is supposed to be. Lev thinks of the life he had at the Kirov and all the people who made it what it was. He wades into the debris and begins digging, but Kolya grabs him and says that there's another place they can stay. Lev insists people might still be alive in the rubble, but finally follows Kolya away, feeling no real misery, but thinking that there's no one left in the city that knows his full name.
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