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Chapter 7
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in City of Thieves, which you can use to track the themes throughout the work.
Growing Up
Literature and Storytelling
Sexuality, Masculinity, and Power
Survival
Russia and World War II
Summary
Analysis
The following morning, Lev and Kolya are standing outside a building near the Narva Gate, where the boy in the Haymarket said they'd find the man with the chickens. The door to the building is locked, and Kolya asks Lev why he's grumpy. Lev tries to deny his mood but is undeniably grumpy, and answers yes when Kolya asks if he's thinking about the Kirov, even though he wasn't. Kolya then launches into a story about a lieutenant who'd come across a young soldier crying over a letter saying his family had been killed by the Germans. The lieutenant took the letter, put it in the soldier's coat pocket, and told him to cry now, but not again until Hitler is dead. Kolya contemplates the lieutenant's words, and Lev thinks that they sound like they were manufactured by a Soviet party-approved journalist.
The reader is aware that Lev is jealous of Kolya's activities with Sonya last night, but Kolya hasn't quite made that leap yet, which creates a sense of tension and dramatic irony for the reader. Lev, further, is embarrassed about his jealousy and so lies to try to hide it. Also, consider how Lev responds to Kolya's story about the lieutenant. Remember that the Soviet Union is censoring all sorts of media in order to boost morale during the war and portray Communism in a positive light more generally, but notice that Lev – whose own father was disappeared by the Soviet state – isn't buying that. Again, the novel makes sure that Lev’s complicated feelings about Russia remain in view.
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Lev asks if the soldier stopped crying. Kolya says that wasn't the point. The point is that the Nazis want the Russians dead and crying won't help. He shares that the lieutenant died stepping on a land mine days later, and Lev thinks that despite the clichéd phrasing, the lieutenant was just trying to help the soldier.
When the lieutenant is humanized, though, Lev’s thinking changes and he isn't bothered so much by what he's seeing as purely propaganda. Lev’s feelings about the Soviet state are, at best, conflicted, but his feelings about the Russian people seem to be positive.
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Kolya tries to engage Lev in conversation, but Lev remains grumpy, telling Kolya to "go fuck a pig." Kolya is thrilled to discover that Lev is jealous, and Lev sits down on the steps. He asks Kolya what he was saying to Sonya the night before, and Kolya acts confused and suggests "the usual stuff." Kolya smiles and sits down next to Lev, insisting that Lev wants to know what to say when he finally has sex, which is a good thing. He tells Lev that women are offering something precious with sex, and begins a discussion of the qualities that make a nightmare lover.
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Before Kolya can move on to what makes a dream lover, he and Lev see two teenage girls coming towards the building towing buckets of ice. Kolya offers to carry the buckets, and when the girls question his motive, Kolya tells the truth. One girl tells him the old man will shoot him, but they allow Lev and Kolya to carry the buckets up the stairs. Kolya keeps up a conversation with the girls and treats them like absolutely delightful young ladies, while Lev finds them boring and spiritless. Lev is envious of Kolya's way with women, even ones like these that he doesn't like.
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Lev thinks he likes Sonya, and thinks that the thought of her is keeping him from dwelling on the thought of the Kirov's dead residents. Lev finds, though, that he can hardly concentrate on the people in the Kirov, who already seem unreal. Lev thinks that he learned to protect himself after his father was taken.
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As Kolya says goodbye to the girls, they offer to give them some soup when they come back down. Kolya and Lev head for the roof and are shocked to see an actual chicken coop. Kolya knocks on the door and when he gets no answer, toes the door open. He and Lev peek inside and see empty nesting boxes, a dead old man with an antique shotgun, and a boy wearing a woman's fur coat.
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Kolya asks the boy if he needs water, but Lev sees that the boy is very weak. Kolya suggests they bring the old man to the street, but the boy replies, with great effort, that the old man doesn't want to leave the birds. Kolya tries to reason with the boy, saying that all the chickens are gone. Lev thinks the boy won't make it to tomorrow, noting soft down growing on the boy's cheeks and neck, and the boy continues to talk about the necessity of guarding the chickens.
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As Kolya tries to convince the boy to leave the coop, Lev notices that there's something moving under the boy's coat. Kolya offers the boy money for the chicken and puts his money, a piece of sausage, and library candy in the boy's lap, and tells him that he and Lev will take him downstairs to the girls. The boy refuses, but then finally unbuttons his coat and offers the thin, bedraggled chicken to Kolya, saying he's tired of the birds and instructing Kolya to keep it warm. Kolya makes one final attempt to get the boy downstairs, and the boy tells Kolya and Lev to go away. As they head for the door, Lev asks the boy his name (Vadim) and thanks him for the chicken.
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