Clap When You Land

by

Elizabeth Acevedo

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Clap When You Land: Chapter 4 Summary & Analysis

Summary
Analysis
Yahaira used to play chess, but not how grandpas play chess at the park. She was ranked nationally, won local competitions weekly, and attended national tournaments. Yahaira was the one of the best chess players in the city, and her school loved her because of that. She put the neighborhood on the news for something good rather than for drug problems or gentrification. But that changed last year, and so did Yahaira. Chess taught Yahaira one important thing: if you pick up a pawn, you have to move it forward. You can’t just put it back.
Pay attention to Yahaira’s phrasing: she no longer plays chess, and this is clearly something that weighs on her. Still, chess helped her feel purposeful and like she was helping out her community. It also taught her a lot of important lessons about the world, such as that it’s impossible to just stop something once that thing always starts. This foreshadows again that whatever Yahaira learned about Papi catapulted her forward—perhaps before she was ready for that to happen.
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Papi was good at teaching people to play chess, but he wasn’t a good player—he wasn’t good at hiding things, especially not his next move. Or Yahaira used to think that. When Papi is in the Dominican Republic, he and Yahaira don’t speak much. But last summer, she needed to talk to him about “The Thing That Happened,” which Yahaira still can’t talk about. She called him, texted him, and sent him an email. Papi was traveling for work, but Yahaira didn’t have a work number for him. Tío Jorge couldn’t help, and Mami just assured Yahaira that Papi would get back to her. But one day, Yahaira went through Papi’s papers, hoping to find a phone number. Instead, she found a closed envelope. Yahaira is certain Mami has never seen what was inside of it—if she had, she’d know what Yahaira knows, and nothing would be the same.
Yahaira creates more intrigue as she implies that Papi was hiding something that she didn’t see coming. Further, Yahaira’s inability to talk about “The Thing That Happened” suggests that it was likely traumatic. When one also considers Yahaira cagey attitude toward what she found in the sealed envelope, it starts to look like whatever she found inside was also shocking and hard to deal with. Incidentally, just as she refuses to speak openly about these other things, Yahaira is currently refusing to accept that Papi is likely dead, so shutting down seems like her usual response to traumatic life events.
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Mami and Papi’s story changes depending on who’s telling it. Papi always said he saw Mami at the boardwalk, and she was gorgeous. Mami describes Papi creeping closer; he was strong, with dark skin and crooked teeth. Papi thought Mami was like a chess piece to capture, while Mami talks about Papi calling to her somehow, introducing himself to the woman he’d one day marry.
Yahaira seems to adore the stories of her parents’ early romance. At the very least, focusing on their once magnetic attraction to each other detracts from the fact that in the more recent past, Mami and Papi were keeping secrets and perhaps weren’t as happy as when they were newlyweds.
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One would think that Papi’s “coffee” and Mami’s “condensed milk” would add up to light brown, but Yahaira is dark like Papi—she looks just like him. Yahaira’s cousins would sometimes make fun of her, but Papi always told her she was beautiful like the night sky or a precious stone like onyx or obsidian. Yahaira knows she’s beautiful like those things, but she also knows she’s not like any of those things. She’s just herself, though she prefers to play black in chess—and win.
Even though Yahaira’s cousins  sometimes tease her about her dark skin, the way she describes resembling Papi so much suggests that she really likes the resemblance—she is her father’s daughter, and this makes her feel happy and secure. Still, she’s beginning to grow up and recognizes that she nevertheless has her own identity, separate from either of her parents.
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Yahaira’s skin color and facial features are Papi’s, but otherwise, she’s curvy like Mami. The first time that Dre touched Yahaira’s bare waist, Yahaira wanted to thank Mami for the curvy spot where Dre’s hand fit. But Yahaira’s personality is only her own. She doesn’t like loud parties, and where Papi is frugal, Yahaira wants to write Sephora wish lists. Mami is a great cook, but Yahaira burns everything. She’s their daughter—and she’s also her own person. “Mostly.”
This is the first overt indication that Yahaira and Dre are romantically involved, which suggests that despite Yahaira’s grief and her issues with her parents, she has a supportive partner to help her get through it. Whether Yahaira has come of age fully is called into question here as she insists that she’s only “Mostly” her own person. She hasn’t yet fully separated her identity from her parents, though she’s begun the process.
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Three Days After. Since Yahaira doesn’t know if Papi is on the bottom of the ocean, she declines everyone’s calls. She doesn’t want to hear or accept that Papi might not open his eyes again. Yahaira falls asleep on the couch in front of the TV, and she wakes up when Mami moans. Mami is on the phone, but Yahaira sees what she’s responding to on TV: Papi’s flight had no survivors.
This poem brings readers back to Yahaira’s present—Yahaira is perhaps sharing so much about her parents and her features to distract herself from the tragedy unfolding in the present. Finally, Mami and Yahaira get confirmation that Papi didn’t survive, but there’s no indication here of how (or if) they deal with this new wave of grief.
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Dre and Yahaira have been best friends since Dre’s family moved in next door. They’ve been girlfriends since seventh grade, when they started spending a lot of time on their shared fire escape. Dre would read or prune a tomato plant, while Yahaira would play virtual chess or look up nail tutorials. They’re different, but comfortable sharing space. Dre’s family is a military family from the South, but she’s a “hippie child,” a vegan who follows astrology. Yahaira loves fashion. She used to love chess, but she quit when she was “at the top of [her] game.” In seventh grade, she and Dre both felt like outsiders in their families, but they found “all the answers of [themselves]” in each other.
After the brief interlude into the present, Yahaira returns to telling readers about things that make her happy—in this case, her relationship with Dre. Just like with Papi and Mami, Dre and Yahaira seem to be another instance of opposites attracting: Dre is into gardening and getting dirty, while Yahaira likes nail art. Still, though the girls have opposite interests, they manage to connect. Yahaira adds another ominous note about having quit chess, which creates tension as to what caused her to quit.
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Yahaira is the sort to notice people’s long nose hairs or close-cut fingernails. Dre will make everything about gardening—if someone jokes about “hoing around,” she’ll think about dirt and seeds. But “Here [they] are,” with their very different interests and their shared interest in each other.
Yahaira clearly finds her relationship with Dre marvelous and beautiful. It’s something that delights her because in many ways, she doesn’t think it should have happened at all—and yet, here it is.
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Yahaira has been ignoring Dre’s texts all morning and her phone is now off—she doesn’t want to speak to anyone. But Dre must’ve heard the news, and a person can only ignore their girlfriend for so long. Dre knocks on the window, sticks her head in, and asks if it’s true. Her voice trembles; she loved Papi like family, and he loved her back. Yahaira starts to say that anything is possible, but she stops. It feels like a lie. Yahaira looks down, but she knows Dre is nodding and crying. Dre climbs through the window, kneels on the floor, and puts her head in Yahaira’s lap. They sit like that for hours.
Yahaira’s first instinct when it comes to dealing with her crushing grief is to isolate herself, even from people she knows and trusts. As Yahaira’s girlfriend, Dre has special privileges: unlike other friends who can only contact Yahaira via a phone call or text without it being weird, it’s perfectly normal for Dre to crawl through the window and insist on comforting Yahaira in person. Yahaira also seems to find some comfort in this time with Dre, suggesting that Yahaira may be mismanaging her grief when she isolates herself.
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Dre is from Raleigh. She’s lived in New York a long time now, but sometimes when she’s upset, her accent “switch[es] up.” New Yorkers talk quickly when they’re mad, but Dre’s speech slows down and becomes more polite. She’s like her mother, Dr. Johnson, in that way. When Dr. Johnson gets upset, she folds her hands and calmly lectures Yahaira and Dre. Yahaira has only met Mr. Johnson—or, Senior Master Sergeant Johnson—a few times, since he’s in the air force, so she’s not sure how he speaks. But now, Dre speaks to Yahaira slowly, in the same manner in which she speaks to dying plants. It’s as though she thinks she can sing the plants back to life.
It again seems like when Yahaira spends so much time describing how Dre and her parents speak depending on their moods, she’s trying to distance herself from the tragedy at hand and her crushing grief. It’s not until the end of this passage that Yahaira brings it back around and describes Dre’s slow manner of speaking. The fact that Dre is speaking to Yahaira in the same way she talks to dying plants, though, suggests that Dre sees that Yahaira is, in some respects, dying of her grief.
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Dre grew very tall the summer before seventh grade. She wants to study speech therapy in college, but Yahaira thinks she should study agriculture—she can make anything grow. She grows okra, tomatoes, and peppers on the balcony. Every time the landlord sends a notice that the garden is a fire hazard, Dre just moves the plants. She’s always gardening, trying to “grow us / something / good.”
Yahaira clearly thinks very highly of Dre and Dre’s green thumb. She also characterizes Dre’s balcony garden as something Dre does to care for Yahaira and her family—Dre is trying to grow things that are nourishing for the people she loves. This is one more way she supports Yahaira, even if Yahaira is currently too caught up in her grief to acknowledge it.
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Papi never saw—or at least never said anything about—Dre and Yahaira. Mami, though, knows—she also knows that Yahaira doesn’t want to make a big deal out of it. Last Valentine’s Day, Mami gave Yahaira $20 so she could buy something nice for Dre. Yahaira has never had to pretend that Dre is just a friend.
Though Yahaira spoke about how much she used to adore Papi, she and Mami seem to almost have a healthier relationship. Mami seems to understand Yahaira on a deeper level, and there’s no indication she’s ever done anything to make her daughter uncomfortable. She’s simply supportive and loving.
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Falling in love with the girl next door is an old trope, but it’s how things happened for Yahaira and Dre. They were friends, then they were best friends, and then they were kissing. After that first kiss, Yahaira went to her parents’ bedroom and thanked the porcelain saint Papi kept on his dresser.
Even as Yahaira moves away from her parents into a more adult identity (as by entering into a relationship with Dre), she still remains connected to and thankful for her parents. This is why she goes to thank Papi’s saint. (The book doesn’t describe Papi’s saint, but it may be one of the same saints that Camino’s Tía worships.)
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The one thing about Dre that bothers Yahaira is that she’s “too good.” She always does the right thing. This is why Dre was disappointed when Yahaira didn’t “come out” like Dre wanted her to; Dre insisted they shouldn’t hide. But Yahaira argued that she just wasn’t making a big fuss. Dre also wants Yahaira to have opinions on things like plastic straws or her feelings about Papi. She doesn’t always get that Yahaira needs time to think about things, to “watch the board,” and discover “possibilities.” Yahaira admits to the reader that she’s been talking about herself and Dre because that’s easier than admitting that Papi is dead. If she says it out loud, the stuff holding her together will disappear.
Dre is principled; if she thinks something is wrong, that’s just the way it is, and she changes her behavior to avoid that thing. And ideally, her loved ones would follow her lead—but in this regard, Yahaira can’t give Dre exactly what she wants. Part of Yahaira’s identity is this part of her that was an excellent chess player, so she knows how important it is to study what’s happening and think critically about it. And finally, Yahaira admits outright that she’s sharing this with the reader to avoid having to accept Papi’s death. For now, she continues to deal with her grief by ignoring it or outright running from it.
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The phone has been ringing all day. Family members from the Bronx and the Dominican Republic call, as do reporters. The neighborhood association calls, too, offering grief counseling at the local church. Mami answers all the calls, but she doesn’t say what will happen next.
Yahaira is conspicuously absent in this passage (though she’s narrating), which suggests that though Mami is speaking with lots of people about Papi, Yahaira is staying out of it and is still running from her grief.
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One thing that nobody knows (and that nobody would believe) is that the night before Papi left, Yahaira almost asked him to stay. That would’ve been the first sentence she’d said to him in about a year. They haven’t been close since Yahaira stopped playing chess and Papi tried to force her to play—and since Yahaira saw the certificate in the envelope. Papi said that Yahaira quitting chess broke his heart, but she never told him that he broke hers.
There was clearly a lot of hurt and at least one big misunderstanding that colored Yahaira and Papi’s relationship. Whatever happened between them was so intense that Yahaira hadn’t even spoken to Papi in a year—suggesting that Yahaira has been isolating herself for some time now.
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Yahaira doesn’t believe in magic like Mami and Papi, but the night before Papi left for the Dominican Republic, it was like something tugged on her heart. That night, Papi came to her room to say goodnight for the first time in a year. He’d tangled his fingers in her curls (which she hates), but Yahaira accepted his touch for a minute. Papi said that he had to go for work, and he’s always back in September, right before Yahaira’s birthday. But every year, as his trip approaches, Mami gets angrier and angrier. Yahaira wonders now if Mami regrets that her last few days with Papi were so angry. Yahaira didn’t respond to Papi; she knew he was lying about traveling for work. Before he left her room, he said he hoped that they could talk about their difficult relationship when he got back. Yahaira said nothing.
Interestingly, Yahaira’s sense that something tugged on her heart echoes what Camino said about Tía’s Saints warning people when bad things are going to happen. Though Yahaira would perhaps characterize Tía’s Saints as “magic,” something happened between her and Papi in this moment that Yahaira cannot explain. There are also clues here that perhaps Mami does know about the certificate, or at the very least knows something Yahaira doesn’t about Papi—why, for instance, is she so angry about his trip? The novel leaves this unanswered for now.
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Once, when Yahaira was little, she played in a chess tournament with older kids. She was in one of the last rounds and was convinced she’d win—but her opponent trapped her. Yahaira cried and shook, but she looked up and saw Papi watching her. He said nothing, but somehow, Yahaira got his message. She accepted defeat. Later, on the way home, Papi warned Yahaira to never let her opponents see her sweat. If she’s going to lose, she should lose smiling—they’ll think she let them win.
Papi’s advice in this passage may explain why Yahaira tries so hard to hide her emotions from the world: she learned from him that she should go out of her way to never look weak. And if she is going to lose, she must lose gracefully. The fact that Papi was there at the tournament also highlights that chess was an important part of their relationship; it’s how Yahaira and Papi bonded—until Yahaira quit.
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Quotes
Four Days After. The news is saying things like blunt force trauma and that the bodies are unidentifiable. They’re trying to identify people by dental records, tattoos, and personal items. Yahaira watches videos of the plane diving into the ocean. She keeps waiting to hear that passengers got their life jackets on, or that they boarded life rafts. The news keeps saying that the death count is unconfirmed. Divers have been pulling up debris and bodies from where the plane went down. Yahaira tells Mami they have to go to Queens, where people have been lighting candles. Her hope isn’t logical, but somehow, she believes that being close to the crash site will change things. Mami just goes to her room and closes the door.
That the authorities are trying to identify people by dental records or tattoos implies that the victims’ bodies are in awful shape—most, if not all, are damaged beyond recognition. Yahaira brushes past this implication and tries to focus on what should have happened or what she can do now, like light candles in Queens. Finally, she’s beginning to try to move through her grief and figure out what to do with it. However, for now, it’s Mami who keeps Yahaira from moving forward and finding closure—and as a teen, Yahaira doesn’t yet feel ready to disobey Mami and go to Queens on her own.
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Papi first taught Yahaira chess when she was three. He “loved…loves” to tell people about how Yahaira would give up her king but hung onto her knight because she liked horses. But Yahaira was good at memorizing the patterns and was a natural at the game. She could beat Papi by age four. By the time Yahaira was five, Papi was taking her to Washington Square Park to compete against the hustlers. They thought Yahaira was cute—until she won. Yahaira loved how much Papi loved watching her win.
Saying that Papi “loved… loves” to tell this story about Yahaira is Yahaira actively modifying her language to make it seem like Papi isn’t dead—shifting to the present tense suggests he still can tell the story. Meanwhile, note that Yahaira talks a lot about how naturally good she is at chess, but she never mentions liking it all that much. Instead, she likes Papi watching her win—suggesting that their bond over chess was really only ever going to last until Yahaira decided to switch to something she likes better.
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Yahaira started competing in chess tournaments in second grade. When he was in the country, Papi went to every match, and he never complained about the cost or the time commitment. He’d build a new shelf every few years for Yahaira’s trophies and ribbons, and he'd tell her she’d win it all. She won for him—until she couldn’t anymore. She suddenly didn’t know how—or why—she should have to do that.
Papi was clearly a devoted father, at least when it came to chess. Yahaira’s issues with Papi, she reveals here, began when she stopped seeing the point in pleasing him anymore, especially with a game that she didn’t truly love. Rather, as her relationship with Papi fell apart, giving up chess was a natural consequence of that.
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Yahaira “did chess,” but she didn’t love it—not the way she loves beauty tutorials or making Dre laugh. She doesn’t love it like she loves Mami’s cooking, or like she loves hearing Tío Jorge say that he’s proud of Yahaira, not what she’s won. She doesn’t love it like she loved Papi; loving Papi was a consuming love that made Yahaira pretend to be someone she isn’t. Yahaira might’ve been obsessed with winning, but she never loved  chess.
Finally, Yahaira says outright that she really just played chess because she liked winning and making Papi happy. Playing chess, in fact, made Yahaira into someone she’s not. This framing suggests that giving up chess was a defining moment in Yahaira’s coming-of-age process: now she can figure out who she is and what she wants, rather than just please Papi.
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Quotes
Mami wanted Yahaira to be a lady, while Papi wanted Yahaira to be a leader. Playing chess taught Yahaira that a queen can be both “Quiet and cunning,” that she can offer a hand to kiss—and punch someone while smiling. But what’s supposed to happen when principles like that only apply in chess? In the real world, people just want Yahaira to go away.
Keep in mind that Yahaira’s dark skin may mean that she experiences racism and cruelty from other people—especially those who erroneously believe that Black people are less intelligent. Chess, Yahaira acknowledges, taught her a lot of good life skills. But it didn’t necessarily prepare her to handle a world that isn’t welcoming or supportive.
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Yahaira has always wanted to go to the Dominican Republic with Papi, but he always said no. Yahaira figured he was working and busy, not that he was doing something he didn’t want her to know about. Mami has been telling Yahaira for years that she wouldn’t let Yahaira go to the island if it was the last place on earth. She still has family there, but she hasn’t been back. Yahaira assumed Mami just had bad memories, but she knows now she was assuming a lot. Now, Yahaira realizes her parents showed her what they wanted her to see. She never imagined they’re real people who lie and keep secrets. So this year, Yahaira didn’t ask to go with Papi. She didn’t want to even sit with him, let alone talk to him. This is because Yahaira knew too much about what he was hiding.
The implication here is that Papi never actually went to the Dominican Republic for work—he went there for other reasons that, presumably, he kept secret from Yahaira. Mami, though, seems to know of what Papi was up to (and didn’t like it), hence Yahaira’s earlier note that Mami always got angry before Papi left and her insistence here that Yahaira never go with Papi. Learning that her parents weren’t truthful with her—that they’re people with personal agendas, not just cookie-cutter parents—helps Yahaira come of age and differentiate herself from her parents.
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Yahaira “was raised so damn Dominican.” Spanish was her first language, and she was raised on bachata music and traditional Dominican foods. She’d say she’s Dominican if you asked—but “can you be from a place / you have never been?” What would the island think of her if she went? Is it possible to claim a place as your home if that place doesn’t know you?
Yahaira is in a difficult spot in terms of her identity, as she knows she’s culturally very Dominican but has no idea what the country itself is like. And interestingly, even if she didn’t want to go with Papi this last time (and can’t go with him again), she still seems to express vague interest in going. This foreshadows Yahaira’s increasing interest in the country.
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