Cloud Cuckoo Land

“In a time,” he says, “when disease, war, and famine haunted practically every hour, when so many died before their time, their bodies swallowed by the sea or earth, or simply lost over the horizon, never to return, their fates unknown…” He gazes across the frozen fields to the low, dark buildings of Camp Five. “Imagine how it felt to hear the old songs about heroes returning home. To believe that it was possible.”

Out on the ice of the Yalu far below, the wind drives the snow in long, eddying swirls. Rex sinks deeper into his collar. “It’s not so much the contents of the song. It’s that the song was still being sung.”

“When all you have is a shard of papyrus with a few words on it,” Rex says, “or a single line quoted in somebody else’s text, the potential of what’s lost haunts you. It’s like the boys who died in Korea. We grieve them the most because we never saw the men they would become.” Zeno thinks of his father: how much easier it was to be a hero when you no longer walked the earth.

He learns of Rex’s death from Hillary in an airmail letter written in purple cursive. Rex, Hillary reports, was in Egypt, working with his beloved papyrus, trying to claw back one more sentence from oblivion, when he had a heart attack.

You were, Hillary writes, very dear to him. His huge, loopy signature takes up half the page.”

When he opens the little door, light spills through the arched doorway. Atop the stage, Marian stands on a step stool, touching a brush to the gold and silver towers of her backdrop. He watches her climb off the stool to examine her work, then climb back on, dip her brush, and add three more birds swinging around a tower. The smell of fresh paint is strong. Everything is quiet.

To be eighty-six years old and feel this.