Coraline
by Neil Gaiman
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Coming of Age and Finding Oneself Theme Analysis

Themes and Colors
Coming of Age and Finding Oneself Theme Icon
Parents and Children Theme Icon
Home and the Familiar Theme Icon
Fear and Bravery Theme Icon
LitCharts assigns a color and icon to each theme in Coraline, which you can use to track the themes throughout the work.
Coming of Age and Finding Oneself Theme Icon
Coming of Age and Finding Oneself Theme Icon

Coraline, Neil Gaiman’s best-known book for children, spans many genres. At once a work of children’s literature, fantasy, and horror, Coraline is also a coming-of-age tale. As the young Coraline Jones traverses a twisted, terrifying realm which mirrors—and corrupts—her own world, her skills as a self-proclaimed “explorer” are put to the ultimate test. Throughout the book, Gaiman positions Coraline’s journey through the world of her “other mother”—an evil entity in disguise as Coraline’s mother which lives in a parallel realm connected to Coraline’s new house—as an allegory for the often-frightening process of coming into one’s own. Through Coraline’s experiences in this world, the novel ultimately suggesting that the endeavor to find one’s true self throughout the years of adolescence is, at times, a horror as dark as any nightmare.

The story of Coraline, dark but simple, lends itself easily to an allegorical interpretation of Coraline’s travails—and her skills as an explorer of unknown places and a finder of lost things—as a metaphor for the uncertainties and trials of adolescence. From the very beginning of the book, Gaiman positions Coraline as an intrepid explorer who spends the days before the start of the new school year roaming around in search of new things. She loves exploring her new house and its grounds, and even whines to her father that she wants to “carry on exploring” when stuck inside on a rainy day. Coraline is even the one to open the mysterious door in her family’s new flat that leads her to the other mother’s world—her insatiable curiosity about the world around her and her desire to understand her place in it are clear from the start.

Coraline’s skills as an explorer are about to come in handy in ways she never could have foreseen. Coraline has a desire to explore the world around her, which translates to a desire to understand herself, as well. Once Coraline visits the other mother’s world and sees what it has in store for her—twisted, strange versions of her own house, parents, and neighbors—she begins to feel apprehensive about staying and returns home. The other mother, incensed by Coraline’s betrayal, kidnaps her parents, forcing Coraline to return to the other world and conquer her fears of it. When confronted with a place that is difficult and unsettling to explore—the other mother’s world, or, in a more allegorical reading of the tale, the realm of adolescence—Coraline initially backs away. There’s something about this realm that repels her, and she wants to return to her own world and to the realm of innocence. Because Coraline is about to start a new school year, Gaiman positions her as being on the cusp of some big changes in her “real” life—changes related to growing older, maturing, and finding out who she really is. These changes frighten Coraline and she tries to retreat, but soon realizes she must confront them head-on.

Coraline’s companion in both her own world and the other mother’s world is a “haughty” black cat, knowledgeable but cryptic about the other mother’s origins and desires. The cat suggests Coraline win the freedom of herself, her parents, and the lost children the other mother has collected over the years by challenging the other mother to a game. Coraline then sets out to find the souls of the lost children (contained in the form of brightly-colored marbles scattered throughout the other mother’s world) and, as she does, must face a series of increasingly horrifying traps laid by the other mother herself. Coraline knows that in order to save herself, she must journey through uncomfortable and even frightening spaces. Gaiman suggests that Coraline’s journey through the other mother’s world and all its attendant horrors is similar to the journey all children must make through adolescence. Most of the terrors Coraline encounters, tellingly, involve the putrefaction, corruption, or alteration of a body or multiple bodies—from the black button eyes on all the creatures within the other mother’s world to the lost children’s transformation into wispy husks to the odious transformation of the other father, the other Miss Spink, and the other Miss Forcible into gelatinous, grublike creatures. The other mother’s world is full of body horror. This reflects the common association of adolescence as a time during which bodies are permanently in flux—as children grow older, they grow, their bodies change, and eruptions of hair and acne can strike at any moment. Coraline’s journey through the body horror of her other mother’s world reflects her own anxieties about the trials of adolescence, and the fear of never finding who she’s supposed to be amidst all the change and confusion.

Upon returning home, Coraline’s trials are not yet over—she still has to trap the other mother’s roving right hand, which was severed when Coraline slammed the door between her world and the other mother’s world on it and which seeks to possess the old black key to the door between the two worlds. However, once this task is completed, Gaiman shows Coraline at peace at last in her new home. As Coraline falls asleep on the night before the new school year begins, she’s full of peace and calm. She’s not worried about making new friends, struggling in her classes, or even dealing with the physical and emotional changes that lie in store for her as her adolescence begins. She has conquered the other mother’s world, found herself in the process, and now feels ready to conquer the challenges the real world presents—even challenges related to the painful process of coming of age.

Coraline’s journey through the other mother’s world contains many potent lessons, but it can also be viewed as an overarching allegory for the disorientation and discomfort of growing up. As Coraline’s particularly frightening reckoning with the demands of adulthood unfolds, Gaiman shows his young readers that their fears, apprehensions, and uncertainties about growing up are normal. Ultimately, Gaiman’s suggestion that the process of finding oneself in the years of one’s adolescence is difficult—and, at times, even frightening—is an empathetic and optimistic one. Though coming of age presents challenges and difficulties, they can be conquered through bravery, compassion, and determination.

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Coming of Age and Finding Oneself ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Coming of Age and Finding Oneself appears in each chapter of Coraline. Click or tap on any chapter to read its Summary & Analysis.
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Coming of Age and Finding Oneself Quotes in Coraline

Below you will find the important quotes in Coraline related to the theme of Coming of Age and Finding Oneself.

Chapter 1 Quotes

[Coraline] dreamed of black shapes that slid from place to place, avoiding the light, until they were all gathered together under the moon. Little black shapes with little red eyes and sharp yellow teeth.

They started to sing,

We are small but we are many

We are many we are small

We were here before you rose

We will be here when you fall.

Related Characters: The Rats (speaker), Coraline Jones
Page Number and Citation: 9-10
Explanation and Analysis:
This passage, taken from the end of the novel’s first chapter, shows Coraline perturbed by frightening dreams of singing rats during one of her first nights sleeping in her family’s new home. Coraline and her parents have just moved to a house in the country, a large manse bricked up into several individual flats, and Coraline is feeling apprehensive and uncertain about her new surroundings. Her vision of the rats, however, is not merely the anxiety dream of a nervous little girl—it’s a warning directly from the ancient presence that lurks in the house’s walls. The rats’ song suggests that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusant

Chapter 2 Quotes

The mist hung like blindness around the house. She walked slowly to the stairs up to her family’s flat, and then stopped and looked around.

In the mist, it was a ghost-world. In danger? thought Coraline to herself. It sounded exciting. It didn’t sound like a bad thing. Not really.

Coraline went back upstairs, her fist closed tightly around her new stone.

Related Characters: Coraline Jones, Miss Miriam Forcible, Miss April Spink
Page Number and Citation: 19
Explanation and Analysis:
In this passage, Coraline has just been to visit her eccentric downstairs neighbors Miss Spink and Miss Forcible, a pair of aging actresses who are proficient in reciting Shakespeare and reading tea leaves. After reading Coraline’s leaves, the women have told Coraline that she is in grave danger. As Coraline departs her neighbor’s flat, she finds herself mildly excited by the idea of being in danger. This suggests that Coraline is braver than most children—when she hears that trouble is on the horizon she reacts not with fear or apprehension, but a kind of anticipation. Coraline fancies herself an intrepid Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volu

Chapter 4 Quotes

The three of them walked back up to Coraline’s other house together. Coraline’s other mother stroked Coraline’s hair with her long white fingers. Coraline shook her head.

“Don’t do that,” said Coraline.

Her other mother took her hand away.

Related Characters: Coraline Jones (speaker), The Other Mother , The Other Father
Page Number and Citation: 42
Explanation and Analysis:
This passage expands upon the ideas introduced in the previous chapter by showing how the longer Coraline stays in the other mother’s world, the more physically and emotionally possessive the other mother becomes. Though the other mother claims to be a benevolent presence who loves Coraline and exists only to dote upon her, the other mother’s behavior is rapidly demonstrating that her real intentions are contrary to the ones she professes. The other mother wants to possess and perhaps even feed upon Coraline—her predatory body language, hypervigilance, and repeated insistence that Coraline verbalize her love for and loyalty to her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit e

“If you want to stay,” said her other father, “there’s only one little thing we’ll have to do, so you can stay here for ever and always.”

They went into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons.

“I don’t think so,” said Coraline.

“Oh, but we want you to,” said her other mother. “We want you to stay. And it’s just a little thing.”

Related Characters: The Other Father (speaker), Coraline Jones (speaker), The Other Mother (speaker)
Related Symbols: Buttons
Page Number and Citation: 43
Explanation and Analysis:
In this passage, the other mother and other father attempt to coerce—or entice—Coraline into replacing her eyes with black buttons. The buttons that the other mother and all the creatures that populate her world wear instead of eyes are the novel’s central—and perhaps creepiest—symbol. The buttons’ practical use is never revealed. They may be hastily applied eyes meant to cover up the fact that the creatures who populate this world are unseeing and inhuman, or they may be devices of control. Because Coraline detects a presence in this world that is older and more powerful than the other mother, it's Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit u

Chapter 5 Quotes

“And he said that wasn’t brave of him, doing that, just standing there and being stung,” said Coraline to the cat. “It wasn’t brave because he wasn’t scared: it was the only thing he could do. But going back again to get his glasses, when he knew the wasps were there, when he was really scared. That was brave.”

Related Characters: Coraline Jones (speaker), Coraline’s Father/Mr. Jones, The Cat
Page Number and Citation: 56-57
Explanation and Analysis:
As Coraline prepares to return to the other mother’s world to retrieve her parents after the other mother kidnaps them, she is nervous and hesitant even as she dresses, packs, and prepares for the journey back. In this passage, she stands on the precipice of the door between the two worlds and talks to the cat about her motivation and inspiration for plunging headfirst once more into the other mother’s frightening realm. Coraline knows that true bravery isn’t defying fear or ignoring it—it’s facing one’s fear, embracing it, and doing the brave or right thing in spite of it. Coraline Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta

Chapter 6 Quotes

Coraline was woken by the midmorning sun, full on her face.

For a moment she felt utterly dislocated. She did not know where she was; she was not entirely sure who she was.

Related Characters: Coraline Jones
Page Number and Citation: 65
Explanation and Analysis:
After spending her first full night in the other mother’s world, Coraline awakes in her other bedroom feeling “dislocated” and disoriented. This passage speaks to the confusion Coraline feels as a result of being in another world—but it also suggests a larger spiritual or emotional confusion as Coraline wrestles with the twinned temptations and terrors she keeps finding in this strange new world which parallels her own. Coraline has only ever seen the other mother’s world in the dark of night—now, in daylight, Coraline must reorient her understanding of this place, but knows she can’t let herself be dulled to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates

“If you won’t even talk to me,” said Coraline, “I am going exploring.”

“No point,” said the other father. “There isn’t anywhere but here. This is all she made: the house, the grounds, and the people in the house. She made it and she waited.” Then he looked embarrassed and he put one finger to his lips again, as if he had just said too much.

Related Characters: Coraline Jones (speaker), The Other Father (speaker), The Other Mother
Page Number and Citation: 69
Explanation and Analysis:
In this passage, Coraline speaks with her other father—who gives her some illicit information about the other mother’s motives and actions. The other father previously said something the other mother didn’t want him to about the key to the door between worlds the night before, and, in this passage, seems to have been punished for doing so by being transformed into a dulled, “doughy” version of himself. Even so, the other father seems unable to stop himself from offering Coraline helpful information in direct defiance of the other mother—to a certain point. This passage demonstrates several important things. It shows Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corru

Chapter 7 Quotes

And then [Coraline’s] hand touched something that felt for all the world like somebody’s cheek and lips, small and cold; and a voice whispered in her ear, “Hush! And shush! Say nothing, for the beldam might be listening!”

Coraline said nothing.

She felt a cold hand touch her face, fingers running over it like the gentle beat of a moth’s wings.

Another voice, hesitant and so faint Coraline wondered if she were imagining it, said, “Art thou—art thou alive?”

“Yes,” whispered Coraline.

“Poor child,” said the first voice.

Related Characters: The Lost Children (speaker), Coraline Jones (speaker), The Other Mother
Page Number and Citation: 81
Explanation and Analysis:
In this passage, Coraline is thrown into a cupboard behind the hall mirror in the other mother’s house as punishment for rejecting the other mother’s love. Here, she meets a trio of “lost children” who have been trapped in this room for centuries in some cases. The lost children are the first real human entities Coraline has encountered in the other mother’s world, and the first individuals other than the cat to show her any measure of support or sympathy. The lost children sometimes refer to the other mother as “the beldam”—another word for a witchy old woman—even though they’ll Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi a

Chapter 8 Quotes

“I think I like this game. But what kind of game shall it be? A riddle game? A test of knowledge or of skill?”

“An exploring game,” suggested Coraline. “A finding-things game.”

“And what is it you think you should be finding in this hide-and-go-seek game, Coraline Jones?”

Coraline hesitated. Then, “My parents,” said Coraline. “And the souls of the children behind the mirror.”

Related Characters: The Other Mother (speaker), Coraline Jones (speaker), Coraline’s Mother/Mrs. Jones, Coraline’s Father/Mr. Jones, The Lost Children
Page Number and Citation: 90
Explanation and Analysis:
In this passage, inspired by the cat’s suggestion and the lost children’s encouragement, Coraline decides to challenge the other mother to a game in which she might win her freedom. The other mother loves a challenge and can’t resist Coraline’s suggestion of a game. The game Coraline suggests is a “finding-things” game—a game selected to highlight her strengths as an intrepid explorer, but also a kind of central metaphor for the journey Coraline is already on. Coraline’s entire time in the other mother’s world has been a kind of finding-things game—as Coraline has wrestled fear, doubt, and despair to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus volupta

Chapter 10 Quotes

Coraline sighed. “You really don’t understand, do you?” she said. “I don’t want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted? Just like that, and it didn’t mean anything. What then?”

“I don’t understand,” said the whispery voice.

“Of course you don’t understand,” she said, raising the stone with the hole in it to her eye. “You’re just a bad copy she made of the crazy old man upstairs.”

“Not even that anymore,” said the dead, whispery voice.

Related Characters: Coraline Jones (speaker), The Other Crazy Old Man Upstairs (speaker), The Rats
Page Number and Citation: 118
Explanation and Analysis:
During an encounter with the other crazy old man upstairs—a frightening “copy” of the real crazy old man upstairs made entirely of rats stacked upon one another in the shape of a person—the other crazy old man, doing the other mother’s bidding, tries to get Coraline to stay in the other mother’s world. He entices her with the promise that she’ll be able to wear what she likes, eat what she likes, and do what she likes whenever she likes. As Coraline listens to the creature’s promises, however, she finds herself completely unentranced by them. Coraline thought that what she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae

Chapter 11 Quotes

“Help me, please,” she said. “All of you.”

The other people in the corridor—three children, two adults—were somehow too insubstantial to touch the door. But their hands closed about hers, as she pulled on the big iron door handle, and suddenly she felt strong.

“Never let up, Miss! Hold strong! Hold strong!” whis­pered a voice in her mind.

“Pull, girl, pull!” whispered another.

And then a voice that sounded like her mother’s—her own mother, her real, wonderful, maddening, infuriating, glorious mother—just said, “Well done, Coraline,” and that was enough.

Related Characters: Coraline Jones (speaker), The Lost Children (speaker), Coraline’s Mother/Mrs. Jones (speaker)
Page Number and Citation: 131-132
Explanation and Analysis:
Toward the very end of her journey through the other mother’s realm, Coraline is on the verge of escape. As she wrestles with the other mother from the other side of the door between the other mother’s world and her own, Coraline fears she’ll lose just as she seemed about to win. In this moment of desperation, she summons the strength of those who love her and those she’s saved. The lost children and her own parents come to Coraline’s aid in the moment she needs them most. Coraline has saved all these people from the other mother’s clutches all Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Chapter 13 Quotes

Normally, on the night before the first day of term, Coraline was apprehensive and nervous. But, she realized, there was nothing left about school that could scare her anymore.

Related Characters: Coraline Jones
Page Number and Citation: 159
Explanation and Analysis:
Toward the very end of the novel, Coraline has vanquished the other mother once and for all by trapping both the other mother’s severed, roving hand and the key to unlock the door between the “real” world and the other mother’s realm. After defeating the other mother, Coraline settles into bed to fall asleep on the night before her first day of a new term at a new school. Coraline had been feeling anxious about starting school in a new place earlier on in the book before her travails through the other mother’s world. Now, in light of all she’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volu