Fear and Bravery Theme Analysis

[Coraline] dreamed of black shapes that slid from place to place, avoiding the light, until they were all gathered together under the moon. Little black shapes with little red eyes and sharp yellow teeth.

They started to sing,

We are small but we are many

We are many we are small

We were here before you rose

We will be here when you fall.

The mist hung like blindness around the house. She walked slowly to the stairs up to her family’s flat, and then stopped and looked around.

In the mist, it was a ghost-world. In danger? thought Coraline to herself. It sounded exciting. It didn’t sound like a bad thing. Not really.

Coraline went back upstairs, her fist closed tightly around her new stone.

“Coraline?” the woman said. “Is that you?”

And then she turned around. Her eyes were big black buttons.

“Lunchtime, Coraline,” said the woman.

“Who are you?” asked Coraline.

“I’m your other mother,” said the woman. “Go and tell your other father that lunch is ready,” She opened the door of the oven. Suddenly Coraline realized how hungry she was. It smelled wonderful.

[Coraline’s] other parents stood in the kitchen doorway as she walked down the corridor, smiling identical smiles, and waving slowly. “Have a nice time outside,” said her other mother.

“We’ll just wait here for you to come back,” said her other father.

When Coraline got to the front door, she turned back and looked at them. They were still watching her, and waving, and smiling.

“If you want to stay,” said her other father, “there’s only one little thing we’ll have to do, so you can stay here for ever and always.”

They went into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons.

“I don’t think so,” said Coraline.

“Oh, but we want you to,” said her other mother. “We want you to stay. And it’s just a little thing.”

“And he said that wasn’t brave of him, doing that, just standing there and being stung,” said Coraline to the cat. “It wasn’t brave because he wasn’t scared: it was the only thing he could do. But going back again to get his glasses, when he knew the wasps were there, when he was really scared. That was brave.”

“Why does she want me?” Coraline asked the cat. “Why does she want me to stay here with her?”

“She wants something to love, I think,” said the cat. “Something that isn’t her. She might want something to eat as well. It’s hard to tell with creatures like that.”

The cat dropped the rat between its two front paws. “There are those,” it said with a sigh, in tones as smooth as oiled silk, “who have suggested that the tendency of a cat to play with its prey is a merciful one—after all, it per­mits the occasional funny little running snack to escape, from time to time. How often does your dinner get to escape?”

And then [Coraline’s] hand touched something that felt for all the world like somebody’s cheek and lips, small and cold; and a voice whispered in her ear, “Hush! And shush! Say nothing, for the beldam might be listening!”

Coraline said nothing.

She felt a cold hand touch her face, fingers running over it like the gentle beat of a moth’s wings.

Another voice, hesitant and so faint Coraline wondered if she were imagining it, said, “Art thou—art thou alive?”

“Yes,” whispered Coraline.

“Poor child,” said the first voice.

“I think I like this game. But what kind of game shall it be? A riddle game? A test of knowledge or of skill?”

“An exploring game,” suggested Coraline. “A finding-things game.”

“And what is it you think you should be finding in this hide-and-go-seek game, Coraline Jones?”

Coraline hesitated. Then, “My parents,” said Coraline. “And the souls of the children behind the mirror.”

Outside, the world had become a formless, swirling mist with no shapes or shadows behind it, while the house itself seemed to have twisted and stretched. […]

The other mother was waiting for [Coraline], standing on the grass with her arms folded. Her black button eyes were expressionless, but her lips were pressed tightly together in a cold fury.

Coraline nodded. It was true: the other mother loved her. But she loved Coraline as a miser loves money, or a dragon loves its gold. In the other mother’s button eyes, Coraline knew that she was a posses­sion, nothing more. A tolerated pet, whose behavior was no longer amusing.

Coraline sighed. “You really don’t understand, do you?” she said. “I don’t want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted? Just like that, and it didn’t mean anything. What then?”

“I don’t understand,” said the whispery voice.

“Of course you don’t understand,” she said, raising the stone with the hole in it to her eye. “You’re just a bad copy she made of the crazy old man upstairs.”

“Not even that anymore,” said the dead, whispery voice.

“Help me, please,” she said. “All of you.”

The other people in the corridor—three children, two adults—were somehow too insubstantial to touch the door. But their hands closed about hers, as she pulled on the big iron door handle, and suddenly she felt strong.

“Never let up, Miss! Hold strong! Hold strong!” whis­pered a voice in her mind.

“Pull, girl, pull!” whispered another.

And then a voice that sounded like her mother’s—her own mother, her real, wonderful, maddening, infuriating, glorious mother—just said, “Well done, Coraline,” and that was enough.

Normally, on the night before the first day of term, Coraline was apprehensive and nervous. But, she realized, there was nothing left about school that could scare her anymore.

[Coraline] fancied she could hear sweet music on the night air: the kind of music that can only be played on the tiniest silver trombones and trumpets and bassoons, on piccolos and tubas so delicate and small that their keys could only be pressed by the tiny pink fingers of white mice.