Coriolanus
by William Shakespeare

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War, Violence, and Masculinity Theme Analysis

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Themes and Colors
Politics, Class, and Rome Theme Icon
Language and Names Theme Icon
War, Violence, and Masculinity Theme Icon
Family and Femininity Theme Icon
Heroism vs. Humanity Theme Icon
LitCharts assigns a color and icon to each theme in Coriolanus, which you can use to track the themes throughout the work.
War, Violence, and Masculinity Theme Icon
War, Violence, and Masculinity Theme Icon

What Coriolanus lacks in voice and language ability, he makes up for in military might and a gift for violence. In Cominius’s masterful oration mentioned in the Language theme, we learn that as a sixteen-year-old boy, young, beardless Caius Martius fought against the bearded men supporting a dictator. When he might have “act[ed] the woman,” he became a man. Since then, he has fought in seventeen battles, until he became a “thing of blood” and entered and captured the entire city of Corioles. It is for this magnificent, bloody deed that he earns the title of Coriolanus. The wounds he receives in this battle are viewed by his mother, Volumnia, as a commodity. She even urges him to show his wounds, evidence of his violent deeds, in order to better convince the common people to vote for him to be Consul. In other words, it’s military excellence and violence (both enacting and receiving it) that lends Coriolanus his credibility, and by the end of the play, his military force is so great that it even threatens to conquer Rome itself.

As seen in Cominius’s speech, violence is intimately tied to masculinity – it is what distinguishes a man from a woman or a boy. Cominius uses “acting the woman” to present what’s considered the cowardly path, and when Aufidius calls Coriolanus “boy” it is taken as a final, outrageous insult. And not only are violence and war tied to masculinity, they also tie individual men together. It’s through violence that we see male homosocial bonding. In other words, violence is what creates and defines the social relationships between men in the play. Upon seeing general Cominius (his ally) on the battlefield, for example, Coriolanus says he wants to hold the general in his arms like when he wooed, as happy to see the general as he was on his wedding day.

Another example is between Coriolanus and Aufidius, who have a fierce military rivalry. As fierce as it is (they have sworn to fight in hand-to-hand combat each time they meet in war), they are bound and brought together by this rivalry, with a rhetoric in which violence and war are replacements for love and marriage. When Coriolanus has been banished from Rome and goes to see Aufidius, Aufidius greets his formal rival by saying that he wants to take him in his arms, even going as far to say that he is happier to see Coriolanus than he was to first see his wife cross the threshold on his wedding day. The ties between Coriolanus and Aufidius and between male soldiers in general blur the lines between war and sexuality. Violence is at once a bloody cleaver and a homosocial twine, and passions for one’s allies and even for enemies seem to outweigh passions for one’s lover.

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War, Violence, and Masculinity Quotes in Coriolanus

Below you will find the important quotes in Coriolanus related to the theme of War, Violence, and Masculinity.

Act 1, Scene 1 Quotes

If the wars eat us not up, they will; and there’s all the love they bear us.

Related Characters: Roman Citizens (speaker), Menenius Agrippa
Related Symbols: Hunger, Food, and Cannibalism
Page Number and Citation: 1.1.87-88
Explanation and Analysis:
A Roman citizen speaks this line to the nobleman Menenius amidst riots over the current food shortage in Rome. Throughout the play, and in lines like this one, the need for physical food comes to symbolize the power imbalance in Rome between the common people (plebeians) and the ruling class (patricians). Here the citizen cleverly plays with imagery of food and eating, saying that while the people are starving, they are also afraid they will be devoured or eaten up. There is always the potential that the citizens will have to go and fight (and die) in war. The reason Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimu

Act 1, Scene 3 Quotes

The breasts of Hecuba,
When she did suckle Hector, looked not lovelier
Than Hector’s forehead when it spit forth blood
At Grecian sword, contemning.

Related Characters: Volumnia (speaker), Virgilia, Caius Martius / Coriolanus
Related Symbols: Body Parts, Wounds and Blood
Related Literary Devices:
Page Number and Citation: 1.3.43-46
Explanation and Analysis:
Volumnia speaks these lines to Virgilia, Coriolanus’ wife, who is at the time worrying about her husband off at war. While Virgilia hopes Coriolanus is not injured and the war ends soon, Volumnia is obsessed with the glory and political advancement her son can win in battle. In these lines, she forms a haunting, vivid image and shows that she privileges bloodshed and warfare above motherhood and femininity. Volumnia references the Greek myth about the Trojan War; Hector was a Trojan prince and his mother was named Hecuba. Volumnia asserts that the image of Hecuba breast feeding Hector isn’t as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusan

Act 2, Scene 1 Quotes

MENENIUS: Is he not
wounded? He was wont to come home wounded.
VIRGILIA: O no, no, no!
VOLUMNIA: O, he is wounded, I thank the gods for ’t.
MENENIUS: So do I too, if it be not too much. Brings he
victory in his pocket, the wounds become him.

Related Characters: Volumnia (speaker), Menenius Agrippa (speaker), Virgilia (speaker), Caius Martius / Coriolanus
Related Symbols: Wounds and Blood
Page Number and Citation: 2.1.122-127
Explanation and Analysis:
Menenius, Virgilia, and Volumnia have this exchange upon learning that Coriolanus is returning from war. Virgilia is a worried wife, and so she hopes that her husband has not been injured. But Menenius and Volumnia understand that in Rome, wounds are a political commodity. As long as Coriolanus isn’t wounded “too much” and really in danger of dying, then every wound he collects is a symbol of his victory and his service to Rome. In the dialogue that follows, Menenius and Volumnia are so obsessed with these wounds that they try and count the number of scars Coriolanus has, all Dolorem et quae. Exercitationem non aut. Eveniet dolor non.

Act 2, Scene 2 Quotes

I shall lack voice. The deeds of Coriolanus
Should not be uttered feebly.

At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others. Our then dictator,
Whom with all praise I point at, saw him fight
When with his Amazonian chin he drove
The bristled lips before him. He bestrid
An o’erpressed Roman and i’ th’ Consul’s view
Slew three opposers. Tarquin’s self he met
And struck him on his knee. In that day’s feats,
When he might act the woman in the scene,
He proved best man i’ th’ field and for his meed
Was brow-bound with the oak. His pupil age
Man-entered thus, he waxèd like a sea,
And in the brunt of seventeen battles since
He lurched all swords of the garland.

Related Characters: Cominius (speaker), Caius Martius / Coriolanus
Related Symbols: Wounds and Blood, Voices
Page Number and Citation: 2.2.98-117
Explanation and Analysis:
Cominius delivers this speech to the Roman senators and tribunes in order to explain Coriolanus’ most recent valiant deeds in the battle at Corioles. He starts with a rhetorical move called humility topos, or feigned humility, in which the speaker pretends to be a terrible orator. This type of gesture might be compared to Marc Antony’s famous funeral speech in another Roman Shakespeare play, Julius Caesar. After this introduction, in which he establishes (by denying) his rhetorical prowess, Cominius describes how Coriolanus first entered war at the age of a boy while Rome fought to expel the dictator Tarquin. “Amazonian Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferend

Before and in Corioles, let me say,
I cannot speak him home. He stopped the flyers
And by his rare example made the coward
Turn terror into sport. As weeds before
A vessel under sail, so men obeyed
And fell below his stem. His sword, Death’s stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries. Alone he entered
The mortal gate o’ th’ city, which he painted
With shunless destiny; aidless came off
And with a sudden reinforcement struck
Corioles like a planet.

Related Characters: Cominius (speaker), Caius Martius / Coriolanus
Related Symbols: Wounds and Blood, Voices
Page Number and Citation: 2.2.118-130
Explanation and Analysis:
This excerpt is the second half of Cominius’ speech to the Roman senators and tribunes explaining Coriolanus’ valiant deeds in Corioles. In the first half, Cominius described how Coriolanus started fighting wars when he was only a boy. The second half focuses on the most recent battle, the events of which are so unbelievable that Cominius “cannot speak” about them properly. It’s also of note that “I cannot speak him home” emphasizes Coriolanus’ isolation and foreshadows his banishment and exile from Rome. “The flyers” Cominius refers to are cowards who were fleeing from battle. According to the speech, Coriolanus was Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis.

Act 2, Scene 3 Quotes

We have power in ourselves to do it, but
it is a power that we have no power to do; for, if
he show us his wounds and tell us his deeds, we
are to put our tongues into those wounds and
speak for them. So, if he tell us his noble deeds, we
must also tell him our noble acceptance of them.
Ingratitude is monstrous, and for the multitude to
be ingrateful were to make a monster of the multitude,
of the which, we being members, should
bring ourselves to be monstrous members.

Related Characters: Roman Citizens (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts, Wounds and Blood, Voices
Page Number and Citation: 2.3.4-13
Explanation and Analysis:
A Roman citizen speaks these lines in a public debate about whether the common people should give Coriolanus their voices (votes) for the position of consul. He claims that they have the power to deny Coriolanus the votes, meaning that the requirement for approval of the common people is a hard-fought right they have earned which grants them the ability to deny Coriolanus the position of consul. At the same time, they don’t really have the power to deny him (claims the citizen), because they have an obligation to him due to his military service to Rome. This service is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore lab

Act 3, Scene 1 Quotes

SICINIUS: He’s a disease that must be cut away.
MENENIUS: O, he’s a limb that has but a disease—
Mortal to cut it off; to cure it easy.
What has he done to Rome that’s worthy death?
Killing our enemies, the blood he hath lost—
Which I dare vouch is more than that he hath
By many an ounce—he dropped it for his country;
And what is left, to lose it by his country
Were to us all that do ’t and suffer it
A brand to th’ end o’ th’ world.

Related Characters: Menenius Agrippa (speaker), Sicinius Velutus (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts, Wounds and Blood
Page Number and Citation: 3.1.378-87
Explanation and Analysis:
Sicinius and Menenius have this exchange after Coriolanus responded in fury to the citizens retracting their votes. The tribunes and citizens want to execute Coriolanus, and Menenius is attempting to use his language skills to placate them and to save Coriolanus’ life and political career. Sicinius characterizes Coriolanus as a disease that is killing Rome and therefore must be excised. Menenius relates this imagery back to the body politic and characterizes Coriolanus as a diseased limb in order to emphasize that while Coriolanus might be problematic, he is still a necessary part of Rome. Menenius argues that amputating the limb Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserun

Act 3, Scene 2 Quotes

For in such business
Action is eloquence, and the eyes of th’ ignorant
More learnèd than the ears—waving thy head,
Which often thus correcting thy stout heart,
Now humble as the ripest mulberry
That will not hold the handling. Or say to them
Thou art their soldier and, being bred in broils,
Hast not the soft way, which thou dost confess
Were fit for thee to use as they to claim,
In asking their good loves; but thou wilt frame
Thyself, forsooth, hereafter theirs, so far
As thou hast power and person.

Related Characters: Volumnia (speaker), Caius Martius / Coriolanus, Roman Citizens
Related Symbols: Body Parts, Voices
Page Number and Citation: 3.2.94-105
Explanation and Analysis:
Volumnia speaks these lines to Coriolanus while counseling him on how to speak to the tribunes and the people to save his political career. Like an early-modern stage mother, she tells him exactly what to say, what to wear, and how to wave his head and his hat. Coriolanus has said numerous times that he prefers action over words. Here, Volumnia (with masterful language of her own) shows Coriolanus that in politics, action is speech, or “action is eloquence.” This means both that speech is an act, and that the ignorant citizens place more emphasis on what they see (like Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. El

To beg of thee, it is my more dishonor
Than thou of them. Come all to ruin. Let
Thy mother rather feel thy pride than fear
Thy dangerous stoutness, for I mock at death
With as big heart as thou. Do as thou list.
Thy valiantness was mine; thou suck’st it from me,
But owe thy pride thyself.

Related Characters: Volumnia (speaker), Roman Citizens, Caius Martius / Coriolanus
Related Symbols: Body Parts, Voices
Page Number and Citation: 3.2.150-158
Explanation and Analysis:
Volumnia speaks these lines to Coriolanus, after he refuses to play politics and apologize to the citizens and tribunes. While Coriolanus refuses to do so on the grounds that it would dishonor him, she claims that it would be even more dishonorable for a mother to beg from a son. Volumnia suggests (as the tribunes have argued) that Coriolanus’ stubborn adherence to his values (his “dangerous stoutness”) is prideful – it’s excessive nobleness that therefore becomes ignoble. Volumnia calls into question whether Coriolanus’ heroism and strict Roman virtue is genuine, and at the same time she claims ownership over Coriolanus Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. P

Act 3, Scene 3 Quotes

The fires i’ th’ lowest hell fold in the people!
Call me their traitor? Thou injurious tribune!
Within thine eyes sat twenty thousand deaths,
In thy hands clutched as many millions, in
Thy lying tongue both numbers, I would say
“Thou liest” unto thee with a voice as free
As I do pray the gods.

Related Characters: Caius Martius / Coriolanus (speaker), Junius Brutus , Sicinius Velutus, Roman Citizens
Related Symbols: Body Parts, Voices
Page Number and Citation: 3.3.89-95
Explanation and Analysis:
Coriolanus speaks these lines in a fury after the tribunes publicly call him a traitor. This is one of the moments in which Coriolanus most clearly expresses his hatred for the common people, saying that they can all go to hell. Though he has promised to speak “mildly,” the tribunes were easily able to rile him up by accusing him of the one thing so contrary to his identity – treason to Rome. Coriolanus has shown that he values his Roman virtue above his life itself, so the accusation of treason enrages him. Coriolanus simultaneously gives weight to his own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia ea

You common cry of curs, whose breath I hate
As reek o’ th’ rotten fens, whose loves I prize
As the dead carcasses of unburied men
That do corrupt my air, I banish you!
And here remain with your uncertainty;
Let every feeble rumor shake your hearts;
Your enemies, with nodding of their plumes,
Fan you into despair! Have the power still
To banish your defenders, till at length
Your ignorance—which finds not till it feels,
Making but reservation of yourselves,
Still your own foes—deliver you
As most abated captives to some nation
That won you without blows! Despising
For you the city, thus I turn my back.
There is a world elsewhere.

Related Characters: Caius Martius / Coriolanus (speaker), Roman Citizens
Related Symbols: Body Parts, Voices
Related Literary Devices:
Page Number and Citation: 3.3.150-165
Explanation and Analysis:
This excerpt comes from Coriolanus’ final public speech after being banished from Rome. He calls the people a pack (“cry”) of dogs (“curs”) and, like the tribunes did earlier in the play – see “stinking breaths” at 2.1.262 – he characterizes their opinions as bad (“rotten”) breath. While he is banished for being a figurative disease to Rome, Coriolanus maintains that it is the citizens who are corrupting and rotten. Not only are they corrupting him, he claims, but they also corrupt themselves. Coriolanus points out what Menenius tried to warn the citizens: in banishing Coriolanus, they get rid of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque e

Act 4, Scene 5 Quotes

My name is Caius Martius, who hath done
To thee particularly and to all the Volsces
Great hurt and mischief; thereto witness may
My surname Coriolanus. The painful service,
The extreme dangers, and the drops of blood
Shed for my thankless country are requited
But with that surname, a good memory
And witness of the malice and displeasure
Which thou shouldst bear me. Only that name
remains.

Related Characters: Caius Martius / Coriolanus (speaker), Tullus Aufidius, Roman Citizens
Related Symbols: Wounds and Blood
Page Number and Citation: 4.5.73-82
Explanation and Analysis:
After being banished from Rome, Coriolanus goes in disguise to Aufidius’ house in Antium. He takes off his disguise, but Aufidius doesn’t recognize him, so he reveals himself by name in this speech. To the Volscians, the surname “Coriolanus” is a reminder of all the awful things he has done in wars against them. “Caius” and “Martius” connect Coriolanus to Rome, to his family, and to the humanity he had before becoming fully realized as a non-feeling hero, but since he has become disjointed his country and family and lost his humanity, he is now only Coriolanus, the “thing,” the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantiu

O Martius, Martius,
Each word thou hast spoke hath weeded from my heart
A root of ancient envy.

Let me twine
Mine arms about that body, whereagainst
My grainèd ash an hundred times hath broke
And scarred the moon with splinters.

Know thou first,
I loved the maid I married; never man
Sighed truer breath. But that I see thee here,
Thou noble thing, more dances my rapt heart
Than when I first my wedded mistress saw
Bestride my threshold.

Related Characters: Tullus Aufidius (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts
Page Number and Citation: 4.5.111-131
Explanation and Analysis:
Aufidius speaks these lines after his rival Coriolanus reveals himself and his intention to seek vengeance on Rome for his banishment. Though Aufidius calls him “Martius” instead of “Coriolanus,” the Volscian general is extremely pleased to see his Roman rival. Like in the reunion with Cominius earlier in the play, the men share an embrace. The military nature of their relationship is emphasized with a pun on “arms,” which means both arms on the body and weapons. The intense male bond between soldiers is also characterized by comparison to feminine and familial relationships. Reuniting with Coriolanus, Aufidius says, is even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiore

Act 4, Scene 6 Quotes

He is their god; he leads them like a thing
Made by some other deity than Nature,
That shapes man better; and they follow him
Against us brats with no less confidence
Than boys pursuing summer butterflies
Or butchers killing flies.

Related Characters: Cominius (speaker), Menenius Agrippa , Sicinius Velutus, Junius Brutus , Caius Martius / Coriolanus
Page Number and Citation: 4.6.115-120
Explanation and Analysis:
Cominius speaks these lines about Coriolanus after news reaches Rome that Coriolanus has joined forces with the Volscians and is invading Roman territory. Cominius describes how fully Coriolanus has transformed from human to something more than human. He is now a “god” or an unnatural “thing” that is superior to humans. Meanwhile, without Coriolanus the Roman army is figuratively transformed to “brats.” Going even further, Cominius says if the Volscian soldiers are “boys” then the Romans are “summer butterflies,” an image that recalls Young Martius playing with and ultimately killing a butterfly earlier in the play. “Butcher” emphasizes the blood Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

Act 5, Scene 1 Quotes

Yet one time he did call me by my name.
I urged our old acquaintance, and the drops
That we have bled together. “Coriolanus”
He would not answer to, forbade all names.
He was a kind of nothing, titleless,
Till he had forged himself a name o’ th’ fire
Of burning Rome.

Related Characters: Cominius (speaker), Menenius Agrippa , Caius Martius / Coriolanus
Related Symbols: Wounds and Blood
Page Number and Citation: 5.1.10-16
Explanation and Analysis:
These lines are excerpted from Cominius’ explanation of what happened when he went to the Volscian camp to try to convince Coriolanus not to invade Rome. Cominius invoked the battles the two had fought and the blood they had shed together – markers of the strong homosocial bond between two soldiers (“our old acquaintance”) – but Coriolanus wouldn’t answer to his name. He is now titleless and has no name, and he will remain nameless until he wins himself a new name in defeating Rome, just like he did in Corioles. To Aufidius and the Volscians, Coriolanus said that only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accus

Act 5, Scene 3 Quotes

There’s no man in the world
More bound to ’s mother, yet here he lets me prate
Like one i’ th’ stocks. Thou hast never in thy life
Showed thy dear mother any courtesy
When she, poor hen, fond of no second brood,
Has clucked thee to the wars and safely home,
Loaden with honor. Say my request’s unjust
And spurn me back; but if it be not so,
Thou art not honest, and the gods will plague thee
That thou restrain’st from me the duty which
To a mother’s part belongs.

Related Characters: Volumnia (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts
Page Number and Citation: 5.3.180-190
Explanation and Analysis:
Volumnia speaks these lines in a lengthy speech to her son. At the time, she is the last hope of Rome to stop Coriolanus from destroying the city. She starts by invoking the intense relationship that they have, even saying that there is no mother/son duo more bonded in the world. Whether she thinks the relationship is healthy or not is unclear, but this line is often used to support Freudian / psychoanalytic readings. “I’ th’ stocks” refers to public humiliation. Throughout the play, Volumnia stakes claims of ownership over Coriolanus and his valiant deeds. Now she pushes further, saying Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Volumnia: This fellow had a Volscian to his mother,
His wife is in Corioles, and his child
Like him by chance.—Yet give us our dispatch.
I am hushed until our city be afire,
And then I’ll speak a little.
(He holds her by the hand, silent.)
CORIOLANUS: O mother, mother!
What have you done?

Related Characters: Caius Martius / Coriolanus (speaker), Volumnia (speaker), Valeria, Young Martius, Virgilia
Page Number and Citation: 5.3.200-206
Explanation and Analysis:
These are the final lines of Volumnia’s speech to Coriolanus and Coriolanus’ response. Part of what Volumnia gets at in her speech (and an idea that pops up throughout the play) is the paradoxical split of duty between family and Rome. When Coriolanus is attacking the city, his family is frozen, since rooting for their family member would mean the destruction of their city, and praying for Rome to survive would mean praying for Coriolanus to be defeated. Volumnia resolves the split of duty between family and Rome by saying that they are dependent on the other. If Coriolanus is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium i

Act 5, Scene 4 Quotes

There is differency between a grub and a
butterfly, yet your butterfly was a grub. This Martius
is grown from man to dragon. He has wings;
he’s more than a creeping thing.

When he walks, he moves like an engine, and the ground
shrinks before his treading. He is able to pierce a
corslet with his eye, talks like a knell, and his hum
is a battery. He sits in his state as a thing made for
Alexander. What he bids be done is finished with
his bidding. He wants nothing of a god but eternity
and a heaven to throne in.

Related Characters: Menenius Agrippa (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts
Page Number and Citation: 5.4.11-25
Explanation and Analysis:
These lines are filled with dramatic irony, as Menenius speaks them in terror, fearing that Coriolanus will destroy Rome, but audiences know that Coriolanus has just surrendered. The transformation of Martius to Coriolanus is characterized as one from “man to dragon.” Menenius also uses the word “engine” to describe Coriolanus, continuing to emphasize that he is a “thing” or a “god” or a machine – some sort of early-modern terminator. It’s ironic that the most complete description of Coriolanus’ transformation from mere human to a godly, merciless, machinated hero comes only after Coriolanus has been re-humanized by reconciling with his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam

Act 5, Scene 6 Quotes

AUFIDIUS: Tell the traitor in the highest degree
He hath abused your powers.
CORIOLANUS: “Traitor”? How now?
AUFIDIUS: Ay, traitor, Martius.
CORIOLANUS: Martius?
AUFIDIUS: Ay, Martius, Caius Martius. Dost thou think
I’ll grace thee with that robbery, thy stol’n name
Coriolanus, in Corioles?
You lords and heads o’ th’ state, perfidiously
He has betrayed your business and given up
For certain drops of salt your city Rome—
I say your city—to his wife and mother,
Breaking his oath and resolution like
A twist of rotten silk, never admitting
Counsel o’ th’ war, but at his nurse’s tears
He whined and roared away your victory,
That pages blushed at him and men of heart
Looked wond’ring each at other.
CORIOLANUS: Hear’st thou, Mars?
AUFIDIUS: Name not the god, thou boy of tears.

Related Characters: Tullus Aufidius (speaker), Virgilia, Volscian Senators and Lords, Volumnia
Page Number and Citation: 5.6.101-120
Explanation and Analysis:
This exchange takes place when Coriolanus tries to explain to the Volscian Senators and Lords why he decided to spare the city of Rome. Aufidius shows that he is an adept political operator by using the same trigger that the tribunes did to get Coriolanus enraged in public: they call him a traitor. Ironically, in a way Coriolanus is a traitor, both to Rome and to Antium. He fought against Roman armies and killed his own people, making him a traitor to Rome, and he ultimately broke his oath to the Volscian nobles, making him a traitor to them. Aufidius’ Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qu

Cut me to pieces, Volsces. Men and lads,
Stain all your edges on me. “Boy”? False hound!
If you have writ your annals true, ’tis there
That like an eagle in a dovecote, I
Fluttered your Volscians in Corioles,
Alone I did it. “Boy”!

Related Characters: Caius Martius / Coriolanus (speaker), Tullus Aufidius, Volscian People
Related Symbols: Body Parts, Wounds and Blood
Page Number and Citation: 5.6.133-138
Explanation and Analysis:
Coriolanus shouts this in outrage in response to Aufidius’ insult (above). It’s possible that for Coriolanus, “boy” is the only thing worse than “traitor.” It could be argued that in compromising and surrendering on the battlefield, Coriolanus relinquishes his violent masculinity (that which made him a man at the age of 16) and thus becomes a boy once more. To counteract this effect, or to simply argue in fury at Aufidius’ assertion, Coriolanus evokes the spectacular military achievement for which he earned the surname Coriolanus. Once more, he is compared to something other than human, choosing to compare himself to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur