Death and the King’s Horseman
by Wole Soyinka
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Death and the King’s Horseman Quotes

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Act 1 Quotes

Praise-Singer: They love to spoil you but beware. The hands of women also weaken the unwary.

Elesin: This night I'll lay my head upon their lap and go to sleep. This night I'll touch feet with their feet in a dance that is no longer of this earth. But the smell of their flesh, their sweat, the smell of indigo on their cloth, this is the last air I wish to breathe as I go to meet my great forebears.

Related Characters: The Praise-Singer (speaker), Elesin (speaker)
Page Number and Citation: 10
Explanation and Analysis:
As Elesin hurries to the market, pursued by his praise-singer and his drummer, the praise-singer cautions Elesin to be careful around the women, as they might weaken his resolve to die. Elesin's response shows just how much he loves life and specifically, how much he loves the life he can lead in the market, surrounded by women who adore him. The way he describes women in terms of their bodies and their smells shows how connected to the material, living world he is. All of this suggests that the praise-singer has every right to be concerned that the women will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati.

Ah, companions of this living world
What a thing it is, that even those
We call immortal
Should fear to die.

Related Characters: Elesin (speaker), The Praise-Singer
Page Number and Citation: 13
Explanation and Analysis:
When Elesin dances and tells the story of the Not-I bird, he says that the bird (who flies around reminding people of their deaths) even visited the gods—and they too pretended not to hear the bird's call. Recognizing that everyone, even the gods who dictate the custom of Elesin's death, fears death suggests that Elesin's later failure to die is actually far very understandable, even within the context of his own spiritual beliefs. Because Elesin is so happily dancing and performing at this moment, it also suggests that the reader or viewer shouldn't necessarily take what he's saying at face Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste.

Praise-Singer: I say you are that man who
Chanced upon the calabash of honour
You thought it was palm wine and
Drained its contents to the final drop.

Elesin: Life has an end. A life that will outlive
Fame and friendship begs another name.
What elder takes his tongue to his plate,
Licks it clean of every crumb? He will encounter
Silence when he calls on children to fulfill
The smallest errand! Life is honour.
It ends when honour ends.

Related Characters: Elesin (speaker), The Praise-Singer (speaker)
Page Number and Citation: 15
Explanation and Analysis:
Elesin and the women in the marketplace sing and dance about how honorable and good Elesin is, and Elesin remarks that part of his honorable life must include his honorable death. As a cultural note, it's the custom in the Yoruba society for men and important people like Elesin to get to eat first and get the pick of the best foodstuffs. They then leave their leftovers for others (in this case, children), and leaving desirable bits of food means that the individuals who get to eat off of Elesin's plate will remain loyal to him. Through this proverb, Elesin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

Act 2 Quotes

Pilkings: Nonsense, he's a Moslem. Come on, Amusa, you don't believe in all this nonsense do you? I thought you were a good Moslem.

Amusa: Mista Pirinkin, I beg you sir, what you think you do with that dress? It belong to dead cult, not for human being.

Pilkings: Oh Amusa, what a let down you are. I swear by you at the club you know—thank God for Amusa, he doesn't believe in any mumbo-jumbo. And now look at you!

Related Characters: Simon Pilkings (speaker), Sergeant Amusa (speaker), Jane Pilkings
Page Number and Citation: 24
Explanation and Analysis:
Amusa refuses to look at Pilkings and Jane while they're wearing the egungun costume, and Pilkings can't believe that Amusa would behave this way, given that he's a convert to Islam. Amusa's feelings suggest that Pilkings isn't doing as good a job of destroying the cultural history of colonial Nigeria as he'd like to think. His discomfort signals that for him, the egungun costumes do still have power and are deserving of respect, even if he no longer formally practices the religion or believes in their power. Pilkings's inability to understand how Amusa could be so disturbed by the costumes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliq

Jane: But Simon, do they really give anything away? I mean, anything that really counts. This affair for instance, we didn't know they still practised the custom did we?

Pilkings: Ye-e-es, I suppose you're right there. Sly, devious bastards.

Related Characters: Simon Pilkings (speaker), Jane Pilkings (speaker), Sergeant Amusa, Elesin
Page Number and Citation: 29
Explanation and Analysis:
Pilkings and Jane discuss how private the native people are about their customs, even though they're talkative about all manner of other things. The way that Jane and Pilkings frame this conversation shows that they have little understanding of the way that their presence as powerful colonizers shapes the way that the natives engage with them. As far as the native people are likely concerned, sharing their customs with their colonizers is useless at best (given the way that Pilkings so rudely and callously wears the egungun costume, for example) and dangerous at worst, since Pilkings later goes on to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus

Jane: Simon, you really must watch your language. Bastard isn't just a simple swear-word in these parts, you know.

Pilkings: Look, just when did you become a social anthropologist, that's what I'd like to know.

Jane: I'm not claiming to know anything. I just happen to have overheard quarrels among the servants. That's how I know they consider it a smear.

Related Characters: Simon Pilkings (speaker), Jane Pilkings (speaker), Joseph
Page Number and Citation: 30
Explanation and Analysis:
Following Pilkings's use of "bastard" to describe the natives, Joseph, the houseboy, is extremely offended, and Jane attempts to explain that "bastard" means something really awful to the locals. The way that Pilkings puts down Jane suggests that he doesn't think highly of her, or anyone else, for that matter. Because her knowledge doesn't come from him, it's not worthwhile or useful to him—instead, it's threatening. The fact that Jane is aware of the weight that the word "bastard" holds in Yoruba society shows that she's far more interested in learning about the locals than her husband is. She recognizes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Vo

Act 3 Quotes

Amusa: The chief who call himself Elesin Oba.

Woman: You ignorant man. It is not he who calls himself Elesin Oba, it is his blood that says it. As it called out to his father before him and will to his son after him. And that is in spite of everything your white man can do.

Related Characters: Sergeant Amusa (speaker), Iyaloja, Elesin
Page Number and Citation: 35
Explanation and Analysis:
When Amusa comes to the market to arrest Elesin, he makes the mistake of suggesting that Elesin calls himself by his name, rather than understanding that Elesin's name is passed down through generations of horsemen and is something that's innate to him. This shows how out of touch Amusa is with his home culture and specifically, how a lack of understanding makes it even more difficult for Amusa to negotiate with the market women and get any closer to getting his way. The woman who responds, though unnamed, shows that she and the other women in the market can tap Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus v

- One might even say, difficult?
- Indeed one might be tempted to say, difficult.
- But you do manage to cope?
- Yes indeed I do. I have a rather faithful ox called Amusa.
- He's loyal?
- Absolutely.
- Lay down his life for you what?
- Without a moment's thought.
- Had one like that once. Trust him with my life.
- Mostly of course they are liars.
- Never known a native to tell the truth.

Related Characters: Sergeant Amusa, Iyaloja, Elesin
Page Number and Citation: 38
Explanation and Analysis:
In this passage, two young girls affect posh English accents and make fun of the English colonizers and Amusa specifically. By stealing Amusa's hat and baton and then decimating him with their act, the girls show that they are a force to be reckoned with and are the Yoruba's best bet to fight the colonizers. They show here that they have a nuanced grasp of how the colonizers operate and how they think of the native Africans—referring to Amusa as a "faithful ox" indicates that they understand that the colonizers don't think of them as real people and instead, consider Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi

Then tell him to leave this market. This is the home of our mothers. We don't want the eater of white left-overs at the feast their hands have prepared.

Related Characters: Sergeant Amusa, Iyaloja
Page Number and Citation: 39
Explanation and Analysis:
As Iyaloja tries to get the girls to leave Amusa alone, the girls tell Iyaloja to kick Amusa out of the market. The way that the girls speak about the market suggests that it's a realm devoted to women, where women are the ones in power. This tells the reader that at least in this specific setting within Yoruba society, women do have power, just not in the Western sense of the word. Further, by turning Amusa out of the market, they ensure that their world will be able to proceed like it's supposed to (that is, with Elesin's death). Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut al

Our marriage is not yet wholly fulfilled. When earth and passage wed, the consummation is complete only when there are grains of earth on the eyelids of passage. Stay by me till then. My faithful drummers, do me your last service. This is where I have chosen to do my leave-taking, in this heart of life, this hive which contains the swarm of the world in its small compass. This is where I have known love and laughter away from the palace.

Related Characters: Elesin (speaker), Iyaloja, The Bride / The Young Woman, Olunde
Page Number and Citation: 35
Explanation and Analysis:
Following the marriage ceremonies, Elesin tells the bride that she's the one who will perform the final rites when he dies, and that he'd like to die here, in the market. Note how the Yoruba people think of the market: namely, that it's the center of society and can act as a metaphor for their conception of the world as a whole. Elesin wants to die in the center of the world, in a place where he's been happy and surrounded by women throughout his life. He also tells the bride that it's extremely important that she follow through with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt.

But will they know you over there? Have they eyes to gauge your worth, have they the heart to love you, will they know what thoroughbred prances towards them in caparisons of honor? If they do not Elesin, if any there cuts your yam with a small knife, or pours you wine in a small calabash, turn back and return to welcoming hands.

Related Characters: The Praise-Singer (speaker), Elesin
Page Number and Citation: 45
Explanation and Analysis:
As Elesin dances deeper into a trance and closer to death, the praise-singer emotionally assures Elesin that if things aren't good on the other side, he can come back and the praise-singer will welcome him back to the land of the living. The fact that the praise-singer is able to express this doubt about what life is like on the other side shows that questioning what death actually entails is a part of the Yoruba belief system. It also suggests that while the world of the living and the land of the dead are connected, it's possible that there are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam

Act 4 Quotes

Resident: You should have kept me informed Pilkings. You realise how disastrous it would have been if things had erupted while His Highness was here.

Pilkings: I wasn't aware of the whole business until tonight sir.

Resident: Nose to the ground Pilkings, nose to the ground. If we all let these little things slip past us where would the empire be eh? Tell me that. Where would we all be?

Related Characters: The Resident (speaker), Simon Pilkings (speaker), Elesin, The Prince
Page Number and Citation: 47
Explanation and Analysis:
After the resident pulls Pilkings out of the ball to give him Amusa's note regarding Elesin's suicide, the resident reprimands Pilkings for not being more tuned into what's going on with the natives. The fact that Pilkings didn't know about Elesin's suicide shows, first of all, that he doesn't much care about the native people or their culture, and likely wouldn't have taken much interest in Elesin's suicide were the prince not around to be aware of this. In other words, Pilkings only performs his duty to the empire when it's convenient for him and when it would make him Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus te

Olunde (mildly): And that is the good cause for which you desecrate an ancestral mask?

Jane: Oh, so you are shocked after all. How disappointing.

Olunde: No I am not shocked Mrs. Pilkings. You forget that I have now spent four years among your people. I discovered that you have no respect for what you do not understand.

Related Characters: Olunde (speaker), Jane Pilkings (speaker)
Page Number and Citation: 50
Explanation and Analysis:
At the ball, Olunde and Jane discuss that Olunde does find it offensive that Jane is wearing the egungun costume, which disappoints Jane. Jane's disappointment indicates that she believes Olunde's four years in England should've changed his thinking so that he wouldn't find wearing the egungun offensive. Instead, four years in England gave Olunde more insight into English culture, which, as far as he's concerned, doesn't respect anything that it didn't come up with or promote in the first place. In other words, Jane's rudeness comes from believing that her culture is superior, full stop, and not recognizing that there Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam

Olunde: I don't find it morbid at all. I find it rather inspiring. It is an affirmative commentary on life.

Jane: What is?

Olunde: The captain's self-sacrifice.

Jane: Nonsense. Life should never be thrown deliberately away.

Olunde: And the innocent people round the harbour?

Jane: Oh, how does anyone know? The whole thing was probably exaggerated anyway.

Olunde: That was a risk the captain couldn't take.

Related Characters: Olunde (speaker), Jane Pilkings (speaker)
Page Number and Citation: 51
Explanation and Analysis:
Jane and Olunde discuss a local ship's captain whose ship became somehow dangerous to the people surrounding the harbor. He blew up his ship and himself with it to save others, which Olunde finds inspiring and Jane finds repulsive. This exchange clearly illustrates how Jane and Olunde's respective cultures think of death and individuals' duty to keeping the masses safe. While Jane might accept that the captain saved many people, she's nevertheless unable to conceive of a situation in which it's acceptable for one person to kill themselves to save others. When she becomes dismissive of Olunde and the situation, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt

How can I make you understand? He has protection. No one can undertake what he does tonight without the deepest protection the mind can conceive. What can you offer him in place of his peace of mind, in place of the honour and veneration of his own people? What you think of your Prince if he had refused to accept the risk of losing his life on this voyage? This...showing-the-flag tour of colonial possessions.

Related Characters: Olunde (speaker), Jane Pilkings, Elesin, The Prince
Page Number and Citation: 53
Explanation and Analysis:
When Jane suggests that Pilkings can protect Elesin and keep him from killing himself, Olunde assures her that Elesin has the protection of the Yoruba spiritual system and will be doing his people a favor by dying. Importantly, Olunde shows that what's most important to him and his culture when it comes to death is the fact that by dying properly, when they're supposed to, people like Elesin are able to die honorably and their memory will be cherished and honored by the living for generations. Not dying, Olunde suggests, would be cowardly. By bringing up that the prince of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut a

How can you be so callous! So unfeeling! You announce your father's own death like a surgeon looking down on some strange... stranger's body! You're a savage like all the rest.

Related Characters: Jane Pilkings (speaker), Olunde, Elesin
Page Number and Citation: 55
Explanation and Analysis:
When Olunde listens to the drums and calmly explains that the change in the rhythm signifies Elesin's death, Jane screams that Olunde is a strange savage. Again, this speaks to the different ways that the English and the Yoruba think of death. As far as Jane believes, death is something bad to be feared—and it shouldn't be something that happens to someone on their terms. It's something fundamentally unknowable and uncontrollable. For the Yoruba, on the other hand, death is something that's accepted as a fact of life. Especially for someone like Elesin, who is supposed to commit ritual suicide, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitati

Act 5 Quotes

Elesin: You did not save my life District Officer. You destroyed it.

Pilkings: Now come on...

Elesin: And not merely my life but the lives of many. The end of the night's work is not over. Neither this year nor the next will see it. If I wished you well, I would pray that you do not stay long enough on our land to see the disaster you have brought upon us.

Pilkings: Well, I did my duty as I saw fit. I have no regrets.

Related Characters: Elesin (speaker), Simon Pilkings (speaker)
Related Symbols: Chains
Page Number and Citation: 62
Explanation and Analysis:
Pilkings tries to talk to Elesin while he's in the cell, and Elesin explains that Pilkings did a horrendous thing by stopping his suicide, though Pilkings insists he just did his duty. The way that Elesin talks about the awful things to come is intended to show Pilkings that Elesin also had a duty to his people to die appropriately and at the right time. Through doing that, Elesin would've been able to guarantee his people's spiritual wellbeing, as well as their health in the land of the living. Because he was prevented, however, the world is now irrevocably off-kilter. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas

You did not fail in the main thing ghostly one. We know the roof covers the rafters, the cloth covers blemishes; who would have known that the white skin covered our future, preventing us from seeing the death our enemies had prepared for us. The world is set adrift and its inhabitants are lost. Around them, there is nothing but emptiness.

Related Characters: Elesin (speaker), Simon Pilkings, Olunde
Page Number and Citation: 63
Explanation and Analysis:
Pilkings suggests that he failed in effectively stamping out the power of local culture, as evidenced by Olunde's insistence that he shouldn't have stopped Elesin's death, and Elesin explains that he believes Pilkings is wrong. In his explanation, he suggests that colonialism as a whole (the "white skin" that covers the future) is winning and has won, as evidenced by Elesin's failure to follow through with the ritual and commit suicide. Because of what colonialism has done, Elesin suggests, the entire world is ruined, and his people's lives are ruined as well. In other words, while Pilkings may not feel Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut

You were the final gift of the living to their emissary to the land of the ancestors, and perhaps your warmth and youth brought new insights of this world to me and turned my feet leaden on this side of the abyss. For I confess to you, daughter, my weakness came not merely from the abomination of the white man who came violently into my fading presence, there was also a weight of longing on my earth-held limbs. I would have shaken it off, already my foot had begun to lift but then, the white ghost entered and all was defiled.

Related Characters: Elesin (speaker), The Bride / The Young Woman, Simon Pilkings
Page Number and Citation: 65
Explanation and Analysis:
In a moment alone with the bride, Elesin tells her that while Pilkings certainly complicated things, it was mostly his own love of life that kept him from following through and killing himself as planned. In particular, he blames his bride—not for anything that she did specifically; mostly as a living symbol of all the good things in the world of the living—for tying him to life in such a way that made it impossible for him to be willing to let go. This gives Elesin the opportunity to insist to the reader or viewer that he's not the only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequu

It is when the alien hand pollutes the source of will, when a stranger force of violence shatters the mind's calm resolution, this is when a man is made to commit the awful treachery of relief, commit in his thought the unspeakable blasphemy of seeing the hand of the gods in this alien rupture of his world. I know it was this thought that killed me, sapped my powers and turned me into an infant in the hands of unnamable strangers.

Related Characters: Elesin (speaker), Iyaloja, Simon Pilkings
Page Number and Citation: 69
Explanation and Analysis:
When Iyaloja arrives in the cellar to speak to Elesin, Elesin tries to explain to her why he couldn't follow through and kill himself. In front of Iyaloja, Elesin accepts full responsibility for what happened. While it's easy to read his mention of the "alien hand" as being a reference to Pilkings and colonialism more broadly, it can also be read as the "alien" thought that maybe, he doesn't want to die. Given his role as the king’s horseman, it is foreign for Elesin to consider that maybe he doesn't want to die and follow through with the ritual. When Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas au

Elesin: Go to the gates, ghostly one. Whatever you find there, bring it to me.

Iyaloja: Not yet. It drags behind me on the slow, weary feet of women. Slow as it is, Elesin, it has long overtaken you. It rides ahead of your laggard will.

Related Characters: Elesin (speaker), Iyaloja (speaker), Simon Pilkings, Olunde
Page Number and Citation: 71
Explanation and Analysis:
When Elesin asks Pilkings to bring in whatever is waiting at the gates for him, Iyaloja explains that the "burden" that's coming is coming on the backs of women and isn't here yet. The fact that this burden comes because of women firmly situates women as the keepers of tradition and culture. They are the ones who did, in this case, presumably make sure that someone (in this case, Olunde) followed through with the ritual suicide, and now, they're going to bring Olunde's body to Elesin so that he can perform the final rites over it. The women are the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea su

No child, it is what you brought to be, you who play with strangers' lives, who even usurp the vestments of our dead, yet believe that the stain of death will not cling to you. The gods demanded only the old expired plantain but you cut down the sap-laden shoot to feed your pride. There is your board, filled to overflowing. Feast on it.

Related Characters: Iyaloja (speaker), Simon Pilkings, Elesin, Olunde
Related Symbols: Chains
Page Number and Citation: 62
Explanation and Analysis:
In response to Pilkings asking if she wanted both Elesin and Olunde dead, Iyaloja explains that this is what happens when Pilkings, as a white colonist, messes with other people's lives and expects things to go smoothly. Here, she skewers his unwillingness to take the local culture seriously and blames his illiteracy in the Yoruba culture for the tragedy that took place. She also suggests that because Pilkings does things like this, he's asking for problems and trouble—it's a natural consequence of feeling that he's above the people he's attempting to colonize, and of thinking that his way is the Dolorem et quae. Exerci
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