Definition of Imagery
In a passage suffused with pungent imagery, the narrator foreshadows Aschenbach's later death amid the cholera epidemic in Venice. As Aschenbach walks around the crowded streets of Venice, the narrator states that:
The narrow streets were unpleasantly sultry; the air was so thick that the odors emanating from homes, stores and cookshops—olive oil, clouds of perfume and many others—hung like wisps of smoke without being dispersed [...] The longer he walked, the more tormented he became by the horrible state of health that the sea air can cause in conjunction with the scirocco, a state of excitement and prostration at the same time. He broke out into a distressing sweat. His eyes no longer performed their duty, he felt a tightness in his chest, he was feverish, the blood pounded in his head.
In a passage suffused with vivid imagery, the narrator uses a simile that compares entering Venice by train to "entering a palace through the back door." As the ship grows closer to Venice and the view of the city becomes clearer to Aschenbach, the narrator states:
Unlock with LitCharts A+And so he saw it again, that most amazing landing place, that dazzling composition of fantastic architecture which the Republic presented to the reverent gaze of approaching seafarers: the weightless splendor of the Palace, the Bridge of Sighs, the columns with lion and saint on the bank, the ostentatiously projecting side of the fairy-tale temple, the view through to the gateway and the giant clock; and, as he gazed, he reflected that to arrive by land, at the Venice railroad station, was like entering a palace through a back door [...]