In Devil in a Blue Dress, DeWitt Albright’s suit functions as a façade of purity and innocence, its whiteness symbolizing his perceived racial superiority in a still largely segregated 1940s America. From the moment the antagonist Albright is introduced, he is depicted wearing a white suit, a color typically related to the virtues of moral “cleanliness” and purity. These associations are tied to a broader cultural context in which Whiteness has often historically represented dominance, privilege, and “goodness,” while Blackness has been linked to moral decay, deception, and criminality. However, Albright’s manipulative and violent nature undermines these traditional associations with the colors white and black, and Easy’s clarification that the suit is “off-white” adds another layer to Albright’s deceptive character. The slight deviation from pure white hints at a gap between Albright’s exterior and the reality of his intentions, suggesting that his curated image of benevolent authority is ultimately misleading. The off-white suit reflects the novel’s larger critique of the power dynamics of American society, emphasizing how systems of racial and economic privilege—embodied by Albright—are inherently compromised and exploitative. Albright’s suit is thus a literal extension of his persona: calculated and deceptively “clean,” all the while concealing devious, self-serving motives.
Albright’s Off-White Suit Quotes in Devil in a Blue Dress
I was surprised to see a white man walk into Joppy’s bar.
Daphne was on the couch, naked, and the men, DeWitt and Joppy, stood over her. Albright was wearing his linen suit but Joppy was stripped to the waist. His big gut looked obscene hanging over her like that and it took everything I had not to shoot him right then.



