Disgrace

by J. M. Coetzee

Bev Shaw Character Analysis

A middle-aged woman living in Eastern Cape, South Africa with her husband, Bill Shaw. An avid animal lover, Bev is one of Lucy’s only friends in the area. When David meets her, he finds her irritating and plain, though he eventually comes to recognize her kindness. After all, she is devoted to improving the lives of helpless animals by spending the majority of her time as a volunteer at the Animal Welfare League, where she ends up having to put down countless unhealthy or unwanted animals. For lack of something better to do, David starts helping her at the animal clinic, which is how he comes to see her gentleness and kindness. Before long, he ends up sleeping with her, and though he doesn’t seem to gain much from the experience, it’s obvious that her attraction to him makes him feel less alone in this otherwise lonely, foreign place. In many ways, Bev stands in stark contrast to David, since her selflessness and lack of vanity juxtapose his arrogant, hot-headed nature.

Bev Shaw Quotes in Disgrace

The Disgrace quotes below are all either spoken by Bev Shaw or refer to Bev Shaw. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Desire and Power Theme Icon
).

Chapter 9 Quotes

‘I’m dubious, Lucy. It sounds suspiciously like community service. It sounds like someone trying to make reparation for past misdeeds.’

‘As to your motives, David, I can assure you, the animals at the clinic won’t query them. They won’t ask and they won’t care.’

‘All right, I’ll do it. But only as long as I don’t have to become a better person. I am not prepared to be reformed. I want to go on being myself. I’ll do it on that basis.’

Related Characters: David Lurie (speaker), Lucy (speaker), Bev Shaw
Page Number: 75
Explanation and Analysis:

In this scene, Lucy tells David that he ought to do something with his time. Because they have been getting in frequent arguments around the house, he accepts that he needs something to keep him busy, but when Lucy suggests that he volunteer at the Animal Welfare League with Bev Shaw, he is skeptical, since this would mean helping others. His skepticism arises from the fact that he is quite averse to the idea of change, immediately disliking anything that might seem like he’s trying to atone for his “past misdeeds.” This refusal to change is yet another way of avoiding ever having to examine himself and his shortcomings, since becoming “a better person” would mean reckoning with his mistakes. “I am not prepared to be reformed,” he tells Lucy, saying that he wants to “go on being” himself. As such, he once again commits himself to the idea that he’s beyond the reach of rehabilitation and personal atonement—a belief that enables him to continue living his life in a complacent manner.

Chapter 12 Quotes

Spoken without irony, the words stay with him and will not go away. Bill Shaw believes that if he, Bill Shaw, had been hit over the head and set on fire, then he, David Lurie, would have driven to the hospital and sat waiting, without so much as a newspaper to read, to fetch him home. Bill Shaw believes that, because he and David Lurie once had a cup of tea together, David Lurie is his friend, and the two of them have obligations towards each other. Is Bill Shaw wrong or right? Has Bill Shaw, who was born in Hankey, not two hundred kilometres away, and works in a hardware shop, seen so little of the world that he does not know there are men who do not readily make friends, whose attitude toward friendships between men is corroded with scepticism? Modern English friend from Old English freond, from freon, to love. Does the drinking of tea seal a love-bond, in the eyes of Bill Shaw? Yet but for Bill and Bev Shaw, but for old Ettinger, but for bonds of some kind, where would he be now? On the ruined farm with the broken telephone amid the dead dogs.

Related Characters: David Lurie, Bill Shaw, Bev Shaw, Ettinger, Lucy
Page Number: 17
Explanation and Analysis:

This passage occurs after Bill Shaw picks David up from the hospital and, when David thanks him, says, “What else are friends for?” After Lucy’s farm is attacked by three strangers, Lucy fetches Ettinger, who drives them off the farm and brings David to the hospital before taking Lucy to the police station. When David emerges, he’s surprised to find Bill waiting for him, since he doesn’t think of Bill as a close friend. In fact, he has only had one real interaction with Bill, and didn’t even take a liking to him. David finds both Bill and his wife, Bev, rather plain, and has gone out of his way to express this to Lucy, as if it’s not enough to inwardly dislike them. Now, though, he finds himself benefitting from Bill’s kindness, a fact that encourages him to consider how he perceives friendship. A selfish man himself, it’s almost unfathomable to David that Bill would feel any sort of “obligation” to help him. And yet, he can’t deny that he would be completely down on his luck if it weren’t for people like Bill and Ettinger, both of whom have helped him and Lucy immensely in the aftermath of the attack. Given that Disgrace is a novel that explores the ways in which people support one another, this passage is worth noting, since Bill’s kindness provides a stark contrast to David’s self-centered worldview, emphasizing the extent to which David is unused to existing in healthy, supportive relationships.

Chapter 16 Quotes

‘I know what Lucy has been through. I was there.’

Wide-eyed she gazes back at him. ‘But you weren’t there, David. She told me. You weren’t.’

You weren’t there. You don’t know what happened. He is baffled. Where, according to Bev Shaw, according to Lucy, was he not? In the room where the intruders were committing their outrages? Do they think he does not know what rape is? Do they think he has not suffered with his daughter? What more could he have witnessed than he is capable of imagining? Or do they think that, where rape is concerned, no man can be where the woman is? Whatever the answer, he is outraged, outraged at being treated like an outsider.

Related Characters: David Lurie (speaker), Bev Shaw (speaker), Lucy
Page Number: 137
Explanation and Analysis:

In this conversation, David speaks to Bev Shaw about Lucy. Because he feels as if he can’t connect with his daughter, he voices his concern to Bev, but she only tells him that she has been through quite a lot. In response, he bitterly says that he knows what Lucy has “been through” because he “was there.” In response, she makes the reasonable point that he wasn’t actually there. After all, David was locked in the bathroom while the three men raped Lucy. However, this logic frustrates David, who thinks that he doesn’t need to have actually witnessed what happened in order to understand his daughter’s trauma. “What more could he have witnessed than he is capable of imagining?” he wonders. What this approach fails to take into account is the fact that “witness[ing]” a horrific act isn’t the same as experiencing it for oneself. It might be the case that David has a good idea of what Lucy had to endure, but this doesn’t mean he truly knows what it was like for her to be raped. Rather than stopping to consider this, though, he focuses only on the fact that he is “outraged at being treated like an outsider.” Once again, then, he fails to embody the kind of unimposing support that Lucy clearly requires during this period, fixating on his own involvement in the event rather than paying attention to how he can give Lucy what she needs.

Curious that a man as selfish as he should be offering himself to the service of dead dogs. There must be other, more productive ways of giving oneself to the world, or to an idea of the world. One could for instance work longer hours at the clinic. […] Even sitting down more purposefully with the Byron libretto might, at a pinch, be construed as a ser­vice to mankind.

But there are other people to do these things—the animal welfare thing, the social rehabilitation thing, even the Byron thing. He saves the honour of corpses because there is no one else stupid enough to do it. That is what he is becoming: stupid, daft, wrongheaded.

Related Characters: David Lurie, Bev Shaw
Related Symbols: The Opera
Page Number: 143
Explanation and Analysis:

In the aftermath of the attack, David spends much of his time helping Bev Shaw. In addition to helping her put down the many dogs in the shelter, he takes it upon himself to drive the bodies to a nearby incinerator. When he stops to reflect upon this bleak task, he considers the fact that “there must be other, more productive ways of giving oneself to the world.” This suggests that he is—for perhaps the first time—trying to change, at least in some small way. Otherwise, he wouldn’t be thinking about the best way to make use of himself. Interestingly enough, he recognizes that most of the jobs he might be inclined to do are all tasks that multiple people are willing to take upon themselves. As such, he chooses a thankless duty, telling himself that “there is no one else stupid enough to do it.” However, while this might seem like a selfless act, it’s worth noting that David seemingly derives a sense of perverse satisfaction from the fact that he’s the only person willing to take the dogs to the incinerator. In this way, he fashions himself into something of a martyr, taking an odd kind of pride in the deranged “honour” of disposing of dead dogs. It seems he has overcompensated for his wrongdoings, trying a bit too hard to demonstrate his repentance—so hard that one might naturally wonder if he’s trying to cover up a lack of genuine remorse.

Chapter 17 Quotes

Let me not forget this day, he tells himself, lying beside her when they are spent. After the sweet young flesh of Melanie Isaacs, this is what I have come to. This is what I will have to get used to, this and even less than this.

‘It’s late,’ says Bev Shaw. ‘I must be going.’

He pushes the blanket aside and gets up, making no effort to hide himself. Let her gaze her fill on her Romeo, he thinks, on his bowed shoulders and skinny shanks. It is indeed late. […] At the door Bev presses herself against him a last time, rests her head on his chest. He lets her do it, as he has let her do everything she has felt a need to do. His thoughts go to Emma Bovary strutting before the mirror after her first big afternoon. I have a lover! I have a lover! sings Emma to herself. Well, let poor Bev Shaw go home and do some singing too. And let him stop calling her poor Bev Shaw. If she is poor, he is bankrupt.

Related Characters: Bev Shaw (speaker), David Lurie, Melanie Isaacs
Page Number: 147
Explanation and Analysis:

In this passage, David lies next to Bev Shaw after having just had sex with her, and feels sorry for himself. “Let me not forget this day,” he thinks, considering the fact that he has now slept with a woman he clearly believes is inferior to him. He laments the fact that he has gone from sleeping with “the sweet young flesh of Melanie Isaacs” to sleeping with Bev, who he thinks is painfully simple and unattractive. As he continues to think in this manner, he lets Bev do whatever she wants, not caring if she studies his body or puts her head to his chest. In this regard, he sees himself as a prize, clearly thinking that he’s doing Bev a kindness by letting her see him naked. What he doesn’t stop to consider, though, is that he is no doubt getting just as much enjoyment out of their relationship, since she is—at this point in the novel—the only person willing to give him any comfort or support; he’s not currently on good terms with Lucy. When he thinks about Emma Bovary—the protagonist of Flaubert’s Madame Bovary—he accentuates the idea that Bev is elated to “have” him as a “lover.” However, he then begins to grasp the fact that his conception of her is quite disparaging, realizing that he shouldn’t call her “poor Bev Shaw.” In turn, readers see that David is aware of his own vanity, which often causes him to think of himself as superior to others. In this moment, though, he finally admits his own shortcomings.

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Bev Shaw Quotes in Disgrace

The Disgrace quotes below are all either spoken by Bev Shaw or refer to Bev Shaw. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Desire and Power Theme Icon
).

Chapter 9 Quotes

‘I’m dubious, Lucy. It sounds suspiciously like community service. It sounds like someone trying to make reparation for past misdeeds.’

‘As to your motives, David, I can assure you, the animals at the clinic won’t query them. They won’t ask and they won’t care.’

‘All right, I’ll do it. But only as long as I don’t have to become a better person. I am not prepared to be reformed. I want to go on being myself. I’ll do it on that basis.’

Related Characters: David Lurie (speaker), Lucy (speaker), Bev Shaw
Page Number: 75
Explanation and Analysis:

In this scene, Lucy tells David that he ought to do something with his time. Because they have been getting in frequent arguments around the house, he accepts that he needs something to keep him busy, but when Lucy suggests that he volunteer at the Animal Welfare League with Bev Shaw, he is skeptical, since this would mean helping others. His skepticism arises from the fact that he is quite averse to the idea of change, immediately disliking anything that might seem like he’s trying to atone for his “past misdeeds.” This refusal to change is yet another way of avoiding ever having to examine himself and his shortcomings, since becoming “a better person” would mean reckoning with his mistakes. “I am not prepared to be reformed,” he tells Lucy, saying that he wants to “go on being” himself. As such, he once again commits himself to the idea that he’s beyond the reach of rehabilitation and personal atonement—a belief that enables him to continue living his life in a complacent manner.

Chapter 12 Quotes

Spoken without irony, the words stay with him and will not go away. Bill Shaw believes that if he, Bill Shaw, had been hit over the head and set on fire, then he, David Lurie, would have driven to the hospital and sat waiting, without so much as a newspaper to read, to fetch him home. Bill Shaw believes that, because he and David Lurie once had a cup of tea together, David Lurie is his friend, and the two of them have obligations towards each other. Is Bill Shaw wrong or right? Has Bill Shaw, who was born in Hankey, not two hundred kilometres away, and works in a hardware shop, seen so little of the world that he does not know there are men who do not readily make friends, whose attitude toward friendships between men is corroded with scepticism? Modern English friend from Old English freond, from freon, to love. Does the drinking of tea seal a love-bond, in the eyes of Bill Shaw? Yet but for Bill and Bev Shaw, but for old Ettinger, but for bonds of some kind, where would he be now? On the ruined farm with the broken telephone amid the dead dogs.

Related Characters: David Lurie, Bill Shaw, Bev Shaw, Ettinger, Lucy
Page Number: 17
Explanation and Analysis:

This passage occurs after Bill Shaw picks David up from the hospital and, when David thanks him, says, “What else are friends for?” After Lucy’s farm is attacked by three strangers, Lucy fetches Ettinger, who drives them off the farm and brings David to the hospital before taking Lucy to the police station. When David emerges, he’s surprised to find Bill waiting for him, since he doesn’t think of Bill as a close friend. In fact, he has only had one real interaction with Bill, and didn’t even take a liking to him. David finds both Bill and his wife, Bev, rather plain, and has gone out of his way to express this to Lucy, as if it’s not enough to inwardly dislike them. Now, though, he finds himself benefitting from Bill’s kindness, a fact that encourages him to consider how he perceives friendship. A selfish man himself, it’s almost unfathomable to David that Bill would feel any sort of “obligation” to help him. And yet, he can’t deny that he would be completely down on his luck if it weren’t for people like Bill and Ettinger, both of whom have helped him and Lucy immensely in the aftermath of the attack. Given that Disgrace is a novel that explores the ways in which people support one another, this passage is worth noting, since Bill’s kindness provides a stark contrast to David’s self-centered worldview, emphasizing the extent to which David is unused to existing in healthy, supportive relationships.

Chapter 16 Quotes

‘I know what Lucy has been through. I was there.’

Wide-eyed she gazes back at him. ‘But you weren’t there, David. She told me. You weren’t.’

You weren’t there. You don’t know what happened. He is baffled. Where, according to Bev Shaw, according to Lucy, was he not? In the room where the intruders were committing their outrages? Do they think he does not know what rape is? Do they think he has not suffered with his daughter? What more could he have witnessed than he is capable of imagining? Or do they think that, where rape is concerned, no man can be where the woman is? Whatever the answer, he is outraged, outraged at being treated like an outsider.

Related Characters: David Lurie (speaker), Bev Shaw (speaker), Lucy
Page Number: 137
Explanation and Analysis:

In this conversation, David speaks to Bev Shaw about Lucy. Because he feels as if he can’t connect with his daughter, he voices his concern to Bev, but she only tells him that she has been through quite a lot. In response, he bitterly says that he knows what Lucy has “been through” because he “was there.” In response, she makes the reasonable point that he wasn’t actually there. After all, David was locked in the bathroom while the three men raped Lucy. However, this logic frustrates David, who thinks that he doesn’t need to have actually witnessed what happened in order to understand his daughter’s trauma. “What more could he have witnessed than he is capable of imagining?” he wonders. What this approach fails to take into account is the fact that “witness[ing]” a horrific act isn’t the same as experiencing it for oneself. It might be the case that David has a good idea of what Lucy had to endure, but this doesn’t mean he truly knows what it was like for her to be raped. Rather than stopping to consider this, though, he focuses only on the fact that he is “outraged at being treated like an outsider.” Once again, then, he fails to embody the kind of unimposing support that Lucy clearly requires during this period, fixating on his own involvement in the event rather than paying attention to how he can give Lucy what she needs.

Curious that a man as selfish as he should be offering himself to the service of dead dogs. There must be other, more productive ways of giving oneself to the world, or to an idea of the world. One could for instance work longer hours at the clinic. […] Even sitting down more purposefully with the Byron libretto might, at a pinch, be construed as a ser­vice to mankind.

But there are other people to do these things—the animal welfare thing, the social rehabilitation thing, even the Byron thing. He saves the honour of corpses because there is no one else stupid enough to do it. That is what he is becoming: stupid, daft, wrongheaded.

Related Characters: David Lurie, Bev Shaw
Related Symbols: The Opera
Page Number: 143
Explanation and Analysis:

In the aftermath of the attack, David spends much of his time helping Bev Shaw. In addition to helping her put down the many dogs in the shelter, he takes it upon himself to drive the bodies to a nearby incinerator. When he stops to reflect upon this bleak task, he considers the fact that “there must be other, more productive ways of giving oneself to the world.” This suggests that he is—for perhaps the first time—trying to change, at least in some small way. Otherwise, he wouldn’t be thinking about the best way to make use of himself. Interestingly enough, he recognizes that most of the jobs he might be inclined to do are all tasks that multiple people are willing to take upon themselves. As such, he chooses a thankless duty, telling himself that “there is no one else stupid enough to do it.” However, while this might seem like a selfless act, it’s worth noting that David seemingly derives a sense of perverse satisfaction from the fact that he’s the only person willing to take the dogs to the incinerator. In this way, he fashions himself into something of a martyr, taking an odd kind of pride in the deranged “honour” of disposing of dead dogs. It seems he has overcompensated for his wrongdoings, trying a bit too hard to demonstrate his repentance—so hard that one might naturally wonder if he’s trying to cover up a lack of genuine remorse.

Chapter 17 Quotes

Let me not forget this day, he tells himself, lying beside her when they are spent. After the sweet young flesh of Melanie Isaacs, this is what I have come to. This is what I will have to get used to, this and even less than this.

‘It’s late,’ says Bev Shaw. ‘I must be going.’

He pushes the blanket aside and gets up, making no effort to hide himself. Let her gaze her fill on her Romeo, he thinks, on his bowed shoulders and skinny shanks. It is indeed late. […] At the door Bev presses herself against him a last time, rests her head on his chest. He lets her do it, as he has let her do everything she has felt a need to do. His thoughts go to Emma Bovary strutting before the mirror after her first big afternoon. I have a lover! I have a lover! sings Emma to herself. Well, let poor Bev Shaw go home and do some singing too. And let him stop calling her poor Bev Shaw. If she is poor, he is bankrupt.

Related Characters: Bev Shaw (speaker), David Lurie, Melanie Isaacs
Page Number: 147
Explanation and Analysis:

In this passage, David lies next to Bev Shaw after having just had sex with her, and feels sorry for himself. “Let me not forget this day,” he thinks, considering the fact that he has now slept with a woman he clearly believes is inferior to him. He laments the fact that he has gone from sleeping with “the sweet young flesh of Melanie Isaacs” to sleeping with Bev, who he thinks is painfully simple and unattractive. As he continues to think in this manner, he lets Bev do whatever she wants, not caring if she studies his body or puts her head to his chest. In this regard, he sees himself as a prize, clearly thinking that he’s doing Bev a kindness by letting her see him naked. What he doesn’t stop to consider, though, is that he is no doubt getting just as much enjoyment out of their relationship, since she is—at this point in the novel—the only person willing to give him any comfort or support; he’s not currently on good terms with Lucy. When he thinks about Emma Bovary—the protagonist of Flaubert’s Madame Bovary—he accentuates the idea that Bev is elated to “have” him as a “lover.” However, he then begins to grasp the fact that his conception of her is quite disparaging, realizing that he shouldn’t call her “poor Bev Shaw.” In turn, readers see that David is aware of his own vanity, which often causes him to think of himself as superior to others. In this moment, though, he finally admits his own shortcomings.