Disgraced

by

Ayad Akhtar

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Amir Kapoor/Abdullah Character Analysis

Amir Kapoor, a successful Pakistani American lawyer of about 40, is the play’s protagonist. Although he and his wife, Emily, lead an affluent lifestyle, Amir is so haunted by his strict Muslim upbringing and ashamed of his ethnic identity that he’s unable to be happy. He’s also terrified of being discriminated against and resentful of the way well-meaning people like Emily are unintentionally racist and patronizing toward him. Amir tries to suppress these feelings, but he often yells, breaks things, and drinks to excess. When Amir’s nephew Abe and Emily pressure Amir into speaking with a newspaper about Imam Fareed (a Muslim cleric who’s been falsely accused of funding terrorism), Amir’s bosses at the law firm end up reading the article. It portrays him as supporting the imam, so they run a background check on Amir and find out that his name is Abdullah (an Arabic name meaning “servant of Allah”) and not Kapoor (an Indian name) like he told him. They also question his associations with Islam, and this incident that brings Amir’s repressed emotions to the surface. Soon after this, he and Emily have Isaac (an art curator) and Jory (Amir’s work colleague) over for dinner. And when the conversation turns into a heated debate about Islam, Amir struggles to keep it together. Whereas Amir’s firsthand experience with Islam makes him critical of the religion, his wife and friends dismiss and belittle his opinions, which deepens his resentment. Later in the evening, Amir finds out that Jory was promoted at work instead of him (likely a result of the background check)—and that Emily and Isaac are having an affair. These shocks cause Amir to lose control completely: he screams at Jory, spits in Isaac’s face, and beats Emily until her face is bloodied. The play ends with Amir in disgrace, as the play’s title suggests: his violence costs him his marriage, his friends, and his job. His character is a testament to the deep effects that racism and Islamophobia can have on a person, as well as the dangers of trying to deny one’s identity or suppress one’s emotions out of shame.

Amir Kapoor/Abdullah Quotes in Disgraced

The Disgraced quotes below are all either spoken by Amir Kapoor/Abdullah or refer to Amir Kapoor/Abdullah . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Unintentional Racism and Resentment Theme Icon
).
Scene 1 Quotes

High ceilings, parquet floors, crown molding. The works.

Related Characters: Amir Kapoor/Abdullah , Emily Hughes Kapoor
Page Number: 5
Explanation and Analysis:

I think it’s a little weird. That you want to paint me after seeing a painting of a slave.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Isaac , Diego Velázquez
Related Symbols: Portrait
Page Number: 6
Explanation and Analysis:

Why’d he get you a statue of Siva? […] He doesn’t think you’re Hindu, does he?

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Jory , Mort
Page Number: 11
Explanation and Analysis:

I don’t like what’s happening. Somebody’s gotta do something about it.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Hussein (Abe Jensen) , Imam Fareed
Page Number: 12
Explanation and Analysis:

You know how much easier things are for me since I changed my name?

Related Characters: Hussein (Abe Jensen) (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor
Page Number: 13
Explanation and Analysis:

So Rivkah and I’d gotten to the point where we were trading notes. And one day, my mother found one of the notes. Of course it was signed, Rivkah. Rivkah? my mom says. That's a Jewish name […] So I tell my mom, No, she’s not Jewish. But she knew the name was Jewish. If I ever hear that name in this house again, Amir, she said, I’ll break your bones. You will end up with a Jew over my dead body. Then she spat in my face […] Next day? Rivkah comes up to me in the hall with a note. Hi, Amir, she says. Eyes sparkling. I look at her and say, You’ve got the name of a Jew. She smiles. Yes, I’m Jewish, she says […] Then I spit in her face.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Hussein (Abe Jensen) , Amir’s Mother , Rivkah
Page Number: 16
Explanation and Analysis:

White women have no self-respect. How can someone respect themselves when they think they have to take off their clothes to make people like them?

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Hussein (Abe Jensen) , Imam Fareed , Amir’s Mother
Page Number: 17
Explanation and Analysis:
Scene 2 Quotes

I think you’re overthinking this.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Imam Fareed , Steven , Mort
Page Number: 26
Explanation and Analysis:

Let me get this straight: Some waiter is a dick to me in a restaurant and you want to make a painting. But if it’s something that actually might affect my livelihood, you don’t even want to believe there could be a problem.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Imam Fareed , Diego Velázquez , Steven , Mort
Related Symbols: Portrait
Page Number: 26
Explanation and Analysis:

The Islamic tiling tradition, Isaac? Is a doorway to the most extraordinary freedom. And which only comes through a kind of profound submission. In my case, of course it’s not submission to Islam but to the formal language. The pattern. The repetition. And the quiet that this work requires of me? It’s extraordinary.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Isaac
Page Number: 31
Explanation and Analysis:
Scene 3 Quotes

He drinks. Drinks again. Stares down into the bottom of his glass. Burning.

Beat.

Then all at once, he SMASHES the glass on the terrace floor. Shards fly.

Beat.

The burst of violence doesn't seem to have soothed him.

Related Characters: Amir Kapoor/Abdullah , Imam Fareed , Steven , Mort
Page Number: 33
Explanation and Analysis:

He knew about my name change. Your birth name is not Kapoor, Steven says. It’s Abdullah. Why did you change it?

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Imam Fareed , Steven , Mort
Page Number: 45
Explanation and Analysis:

The work you’re doing with the Islamic tradition is important and new. It needs to be seen. Widely.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Jory
Page Number: 44
Explanation and Analysis:

Moor? Haven’t heard that word in a minute.

Related Characters: Jory (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Isaac , Diego Velázquez
Related Symbols: Portrait
Page Number: 45
Explanation and Analysis:

So there you are in your six-hundred-dollar Charvet shirt, like Velázquez’s brilliant apprentice-slave in his lace collar, adorned in the splendors of the world you're now so clearly a part of… And yet... […] The question remains […] Of your Place.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Jory , Diego Velázquez
Related Symbols: Portrait
Page Number: 46
Explanation and Analysis:

It’s a nightmare at the airports.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Isaac , Jory
Page Number: 49
Explanation and Analysis:

Those agents are working hard not to discriminate… Then here’s this guy who comes up to them and calls them out…

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Isaac , Jory
Page Number: 49
Explanation and Analysis:

I picked up the recipe when I was on a Fulbright in Seville.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Isaac , Jory
Related Symbols: Portrait
Page Number: 56
Explanation and Analysis:

I was horrified by it, okay? Absolutely horrified. […] That we were finally winning. […] It's tribal, Jor. It is in the bones. You have no idea how I was brought up. You have to work real hard to root that shit out.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Isaac , Jory , Amir’s Mother
Page Number: 63
Explanation and Analysis:

Fucking closet jihadist.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Jory
Page Number: 65
Explanation and Analysis:

The expression on that face? Shame. Anger. Pride. Yeah. The pride he was talking about. The slave finally has the master’s wife.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Diego Velázquez
Related Symbols: Portrait
Page Number: 70
Explanation and Analysis:
Scene 4 Quotes

Do we want to blow stuff up? How often did I read the Koran? […] Do I hate America?

Related Characters: Hussein (Abe Jensen) (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Tariq , Barista
Page Number: 80
Explanation and Analysis:

When you step out of your parents’ house, you need to understand that it’s not a neutral world out there. Not right now. Not for you. You have to be mindful about sending a different message.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Hussein (Abe Jensen) , Imam Fareed , Tariq
Page Number: 82
Explanation and Analysis:
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Disgraced PDF

Amir Kapoor/Abdullah Quotes in Disgraced

The Disgraced quotes below are all either spoken by Amir Kapoor/Abdullah or refer to Amir Kapoor/Abdullah . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Unintentional Racism and Resentment Theme Icon
).
Scene 1 Quotes

High ceilings, parquet floors, crown molding. The works.

Related Characters: Amir Kapoor/Abdullah , Emily Hughes Kapoor
Page Number: 5
Explanation and Analysis:

I think it’s a little weird. That you want to paint me after seeing a painting of a slave.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Isaac , Diego Velázquez
Related Symbols: Portrait
Page Number: 6
Explanation and Analysis:

Why’d he get you a statue of Siva? […] He doesn’t think you’re Hindu, does he?

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Jory , Mort
Page Number: 11
Explanation and Analysis:

I don’t like what’s happening. Somebody’s gotta do something about it.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Hussein (Abe Jensen) , Imam Fareed
Page Number: 12
Explanation and Analysis:

You know how much easier things are for me since I changed my name?

Related Characters: Hussein (Abe Jensen) (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor
Page Number: 13
Explanation and Analysis:

So Rivkah and I’d gotten to the point where we were trading notes. And one day, my mother found one of the notes. Of course it was signed, Rivkah. Rivkah? my mom says. That's a Jewish name […] So I tell my mom, No, she’s not Jewish. But she knew the name was Jewish. If I ever hear that name in this house again, Amir, she said, I’ll break your bones. You will end up with a Jew over my dead body. Then she spat in my face […] Next day? Rivkah comes up to me in the hall with a note. Hi, Amir, she says. Eyes sparkling. I look at her and say, You’ve got the name of a Jew. She smiles. Yes, I’m Jewish, she says […] Then I spit in her face.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Hussein (Abe Jensen) , Amir’s Mother , Rivkah
Page Number: 16
Explanation and Analysis:

White women have no self-respect. How can someone respect themselves when they think they have to take off their clothes to make people like them?

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Hussein (Abe Jensen) , Imam Fareed , Amir’s Mother
Page Number: 17
Explanation and Analysis:
Scene 2 Quotes

I think you’re overthinking this.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Imam Fareed , Steven , Mort
Page Number: 26
Explanation and Analysis:

Let me get this straight: Some waiter is a dick to me in a restaurant and you want to make a painting. But if it’s something that actually might affect my livelihood, you don’t even want to believe there could be a problem.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Imam Fareed , Diego Velázquez , Steven , Mort
Related Symbols: Portrait
Page Number: 26
Explanation and Analysis:

The Islamic tiling tradition, Isaac? Is a doorway to the most extraordinary freedom. And which only comes through a kind of profound submission. In my case, of course it’s not submission to Islam but to the formal language. The pattern. The repetition. And the quiet that this work requires of me? It’s extraordinary.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Isaac
Page Number: 31
Explanation and Analysis:
Scene 3 Quotes

He drinks. Drinks again. Stares down into the bottom of his glass. Burning.

Beat.

Then all at once, he SMASHES the glass on the terrace floor. Shards fly.

Beat.

The burst of violence doesn't seem to have soothed him.

Related Characters: Amir Kapoor/Abdullah , Imam Fareed , Steven , Mort
Page Number: 33
Explanation and Analysis:

He knew about my name change. Your birth name is not Kapoor, Steven says. It’s Abdullah. Why did you change it?

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Imam Fareed , Steven , Mort
Page Number: 45
Explanation and Analysis:

The work you’re doing with the Islamic tradition is important and new. It needs to be seen. Widely.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Jory
Page Number: 44
Explanation and Analysis:

Moor? Haven’t heard that word in a minute.

Related Characters: Jory (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Isaac , Diego Velázquez
Related Symbols: Portrait
Page Number: 45
Explanation and Analysis:

So there you are in your six-hundred-dollar Charvet shirt, like Velázquez’s brilliant apprentice-slave in his lace collar, adorned in the splendors of the world you're now so clearly a part of… And yet... […] The question remains […] Of your Place.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Jory , Diego Velázquez
Related Symbols: Portrait
Page Number: 46
Explanation and Analysis:

It’s a nightmare at the airports.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Isaac , Jory
Page Number: 49
Explanation and Analysis:

Those agents are working hard not to discriminate… Then here’s this guy who comes up to them and calls them out…

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Isaac , Jory
Page Number: 49
Explanation and Analysis:

I picked up the recipe when I was on a Fulbright in Seville.

Related Characters: Emily Hughes Kapoor (speaker), Amir Kapoor/Abdullah , Isaac , Jory
Related Symbols: Portrait
Page Number: 56
Explanation and Analysis:

I was horrified by it, okay? Absolutely horrified. […] That we were finally winning. […] It's tribal, Jor. It is in the bones. You have no idea how I was brought up. You have to work real hard to root that shit out.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Isaac , Jory , Amir’s Mother
Page Number: 63
Explanation and Analysis:

Fucking closet jihadist.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Jory
Page Number: 65
Explanation and Analysis:

The expression on that face? Shame. Anger. Pride. Yeah. The pride he was talking about. The slave finally has the master’s wife.

Related Characters: Isaac (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Diego Velázquez
Related Symbols: Portrait
Page Number: 70
Explanation and Analysis:
Scene 4 Quotes

Do we want to blow stuff up? How often did I read the Koran? […] Do I hate America?

Related Characters: Hussein (Abe Jensen) (speaker), Amir Kapoor/Abdullah , Emily Hughes Kapoor, Tariq , Barista
Page Number: 80
Explanation and Analysis:

When you step out of your parents’ house, you need to understand that it’s not a neutral world out there. Not right now. Not for you. You have to be mindful about sending a different message.

Related Characters: Amir Kapoor/Abdullah (speaker), Emily Hughes Kapoor, Hussein (Abe Jensen) , Imam Fareed , Tariq
Page Number: 82
Explanation and Analysis: