Definition of Imagery
In the first chapter, Enfield and Utterson pause on their walk to examine the door to Hyde’s house, and the narrative offers up some stark visual imagery:
[...] a certain sinister block of building thrust forward its gable on the street. It [...] bore in every feature the marks of prolonged and sordid negligence. [...] Tramps slouched into the recess and struck matches on the panels; children kept shop upon the steps; the schoolboy had tried his knife on the moldings; and for close on a generation, no one had appeared to drive away these random visitors or to repair their ravages.
En route to Mr. Hyde’s secret house in Soho, a neighborhood known at this time for its criminality, Mr. Utterson observes an early morning fog settling over the district early on in Chapter 4, describing this mist with vivid imagery:
Unlock with LitCharts A+A great chocolate covered pall lowered over heaven [...] as the cab crawled from street to street, Mr. Utterson beheld a marvelous number of degrees and hues of twilight; for here it would be dark like the back end of evening; there it would be the glow of a rich, lurid brown [...]. The dismal quarter of Soho [...] seemed, in the lawyer’s eyes, like a district of some city in a nightmare.