Dream on Monkey Mountain
by Derek Walcott
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Corporal Lestrade Character Analysis

Corporal Lestrade, whose name means “the straddler,” is a mixed-race police officer in the town. He’s responsible for the arrests of Tigre and Souris (which occurred before the play begins) and for taking Makak into custody after Makak smashes up a local café. Tormented by his mixed-race status, Lestrade tries to align himself with the White ruling classes rather than the Black detainees of his jail, whom he consistently describes in animalistic terms. He bullies and teases Tigre, Souris, and Makak, for example by insisting that Makak speak English only even though Makak is more comfortable speaking French and it’s clear that Lestrade understands French perfectly well. In Makak’s dream, Lestrade survives an attempt on his life when the three prisoners escape and he trails them to the forest, where he goes out of his mind from the strain of his self-hatred. After killing Tigre, he accepts his own Black dignity and becomes one of Makak’s loyal followers. It is Lestrade who tells Makak that he must kill the apparition to recover his sanity. In the waking world, Lestrade eventually takes pity on Makak, letting him off with a warning rather than keeping him in the jail after he sleeps off his drunkenness.

Corporal Lestrade Quotes in Dream on Monkey Mountain

The Dream on Monkey Mountain quotes below are all either spoken by Corporal Lestrade or refer to Corporal Lestrade. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Colonialism  Theme Icon
).

Prologue Quotes

TIGRE, SOURIS, AND CORPORAL
You are required by law to supply me with certain data, for no man is guilty except so proven, and I must warn you that anything you say may be held against you…

CORPORAL
{Turning} Look!

SOURIS
Don’t tell him a damn thing! You have legal rights. Your lawyer! Get your lawyer!

TIGRE
{Singing}
I pass by de police station,
Nobody to sign de bail bond,
Mooma don’t cry…

SOURIS
{Shrilly} What he up for, Corporal? What you lock him up for?

CORPORAL
Drunk and disorderly! A old man like that! He was drunk and he mash up Alcindor café.

SOURIS
And you going to cage him up here on a first offense? Old man, get a lawyer and defend your name!

Related Characters: Tigre (speaker), Souris (speaker), Corporal Lestrade (speaker), Conteur, Makak (Felix Hobain)
Page Number and Citation: 215-216
Explanation and Analysis:
When Corporal Lestrade brings Makak into the jail on charges of drunk and disorderly conduct, it quickly becomes clear that Tigre and Souris know the drill all too well. They have obviously heard Corporal Lestrade reciting his prisoners’ rights enough times to know the formula by heart. Moreover, mimicking the officer is an excellent way to get under his skin. Lestrade breaks off his speech in order to chastise his prisoners for mocking him. Having interrupted, Tigre and Souris take the opportunity to speak further. Tigre once again picks up the conteur’s song, reemphasizing the sensation of being suffocated and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debiti

CORPORAL
Animals, beasts, savages, cannibals, niggers, stop turning this place into a stinking zoo!

SOURIS
Zoo? Just because you capture some mountain gorilla?

[…]

CORPORAL
In the beginning was the ape, and the ape had no name, so God call him man. Now, there were various tribes of the ape, it had gorilla, baboon, orang-outan, chimpanzee, the blue-arsed monkey and the marmoset, and God looked at his handiwork and saw that it was good. For some of the apes had straighten out their backbone, and start walking upright, but there was one tribe unfortunately that lingered behind, and that was the nigger. Now if you apes will behave like gentlemen, who knows what could happen? The bottle could go round, but first it behoves me, Corporal Lestrade, to perform my duty according to the rules of Her Majesty’s Government, so don’t interrupt.

Related Characters: Souris (speaker), Corporal Lestrade (speaker), Tigre, Makak (Felix Hobain)
Page Number and Citation: 216-127
Explanation and Analysis:
When Corporal Lestrade confiscates Makak’s belongings, he discovers a half-full bottle of rum. Tigre and Souris go wild with thirst, banging on the bars of their cell and asking Lestrade to give them some. In answer, he calls them animals and holds forth on his beliefs about the evolution of humankind. Corporal Lestrade is mixed-race—he has Black and White ancestors. Here, and for most of the play, he works hard to align himself with the White society to which he wishes to belong. It’s not hard to understand why, either, from his speech: the logic of White supremacy dictates that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Vo

SOURIS
Drill, him, Constable, drill him,
He mash up old Alcindor café!

{The CORPORAL, isolated in a spot, with counsel’s wig and gown, returns with four towels, two yellow, two red}

TIGRE
Order, order, order in de court.

{A massive gong is sounded, and the CORPORAL gives the two prisoners the towels. They robe themselves like judges}

CORPORAL
My noble judges. When this crime has been categorically examined by due process of law, and when the motive of the hereby accused whereas and ad hoc shall be established without dichotomy, and long after we have perambulated through the labyrinthine bewilderment of the defendant’s ignorance, let us hope, that justice, whom we all serve, will not only be done, but will appear, my lords, to have itself, been done…{The JUDGES applaud} Ignorance is no excuse. Ignorance of one’s own ignorance is not excuse. This is the prisoner.

Related Characters: Corporal Lestrade (speaker), Souris (speaker), Tigre (speaker), Makak (Felix Hobain)
Page Number and Citation: 221-222
Explanation and Analysis:
When Corporal Lestrade’s initial questioning of Makak yields little information (Makak can’t remember his name and he identifies his race as “tired”), the police officer ramps up the pressure. The play takes on a fantastical aspect as he dresses himself and his other two prisoners to play the part of a criminal court. On one level, this subtly hints that, although the play started out sensibly enough, everything that’s happening is taking place in Makak’s dream, or his temporary episode of insanity. On a more figurative level, however, playing dress-up with two of his prisoners suggests in a very heavy-handed Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum

CORPORAL
[…] a vile, ambitious, and obscene dream […] Further, the prisoner, in defiance of Her Majesty’s Government, urged the aforementioned villagers to join him in sedition and the defilement of the flag, and when all this was rightly received with civic laughter and pious horror […] the prisoner, in desperation and shame, began to willfully damage the premise of the proprietor Felicien Alcindor, urging destruction on Church and State, claiming that he was the direct descendant of African kings, a healer of leprosy and the Saviour of his race.

[…]

You claimed that with the camera of your eye you had taken a photograph of God and that all you could see was blackness.

[…]

Blackness, my lords. What did the prisoner imply? That God was neither white nor black but nothing? That God was not white but black, that he had lost his faith? Or…or…what…

Related Characters: Corporal Lestrade (speaker), Makak (Felix Hobain), Souris, Tigre
Page Number and Citation: 224-225
Explanation and Analysis:
As Lestrade conducts an improvised trial of Makak, he elaborates the charges against the elderly man. It quickly becomes clear that the specific crimes of which Makak stands accused—drunk and disorderly conduct and vandalizing the café—are minor in comparison to what Lestrade considers his real sins:  desire to rise above his oppressed and marginalized status in society, and a rejection of the British government, the Christian church, and the White society these institutions represent. This passage illustrates some of the ways in which colonialism, White supremacy, and religious oppression are bound together. It’s a sign of how deeply Lestrade has Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est

MAKAK
Sirs, when I hear that voice,
Singing so sweetly,
I feel my spine straighten,
My hand grow strong.
My blood was boiling
Like a brown river in flood,
And in that frenzy,
I let out a cry,
I charged the spears about me,
Grasses and branches,
I began to dance,
With the splendour of a lion,
Faster and faster,
Faster and faster,
Then, my body sink,
My bones betray me
And I fall on the forest floor
Dead, on sweating grass,
And there, maybe, sirs,
Two other woodmen find me,
And take me up the track.
Sirs, if you please…

{The two prisoners carry him}

CORPORAL
Continue, continue, the virtue of the law is its infinite patience. Continue…

Related Characters: Makak (Felix Hobain) (speaker), Corporal Lestrade (speaker), Moustique, Apparition (White Lady)
Page Number and Citation: 229-230
Explanation and Analysis:
Finally, during Lestrade’s interrogation, Makak begins to describe the vision that caused him to leave his home on Monkey Mountain. In this passage, he poetically explains the sense of power and invulnerability he received after the apparition spoke to him. The first thing readers should notice is that here the diction of the play shifts from prose to poetry. Importantly, these passages in verse passages are always given to Black characters, mainly Makak. This subtly pushes back against the idea that he is insane, and it openly claims that White culture has no monopoly on artistic output, no matter how Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placea

Part 1, Scene 3 Quotes

CORPORAL
{Infuriated} My lords, behold! {Arms extended} Behold me, flayed and dismembered by this impenetrable ignorance! This is our reward, we who have borne the high torch of justice through tortuous thickets of darkness to illuminate with vision the mind of primeval peoples, of backbiting tribes! We who have borne with us the texts of the law, the Mosaic tablets, the splendors of marble in moonlight, the affidavit and the water toilet, this stubbornness and ingratitude is our reward! But let me not sway you with displays of emotion, for the law is emotionless. Let me give facts! {He controls himself} It was market Saturday and I, with Market and Sanitation Inspector Caiphas J. Pamphilion, was on duty at Quatre Chemin crossroads. I was armed because the area was on strike.

Related Characters: Corporal Lestrade (speaker), Market Inspector Caiphus J. Pamphilion, Moustique, Makak (Felix Hobain), Josephus, Apparition (White Lady)
Page Number and Citation: 256
Explanation and Analysis:
Corporal Lestrade takes the stage and insinuates himself into Makak’s narration, because the story is reaching the point where the two men’s paths first crossed at the market. Lestrade reacts emotionally to the two previous scenes, which described Makak’s vision and sense of being called to testify to the apparition’s message, and his healing of Josephus. In this passage, Lestrade makes a move that has by now become typical for him—aligning himself with White culture. In this passage, as in the earlier speech where he compared Black people to primates, he uses tropes and ideas often employed to justify colonialism. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet.

CORPORAL
Believe? Let me tell you what happen. I following this rumor good. And is the same as history, Pamphilion. Some ignorant, illiterate lunatic who know two or three lines from the Bible by heart, well one day he get tired of being poor and sitting on his arse so he make up his mind to see a vision, and once he make up his mind, the constipated, stupid bastard bound to see it. So he come down off his mountain, as if he is God self, and walk amongst the people, who too glad that he will think for them. He give them hope miracle, vision, paradise on earth, and is then blood start to bleed and stone start to fly. And is at that point, to protect them from disappointment, I does reach for my pistol.

Related Characters: Corporal Lestrade (speaker), Market Inspector Caiphus J. Pamphilion, Souris, Tigre, Makak (Felix Hobain)
Page Number and Citation: 261
Explanation and Analysis:
In the market, Corporal Lestrade tells his friend and fellow government functionary, Caiphus Pamphilion, exactly what he thinks of the now-famous Makak and his visions. It’s immediately obvious that Lestrade doesn’t think highly of Makak and even considers him a charlatan, whose faith healings are nothing more than an act designed to fool the gullible and enrich himself. This passage is thus far more interesting for what it says about Lestrade himself than what it says about Makak. First of all, this passage subtly highlights on Lestrade’s Black heritage (he is mixed race) by tweaking his language. Usually, Lestrade uses Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et.

MOUSTIQUE
{Pushing BASIL aside} You know who I am? You want to know who I am? Makak! Makak! or Moustique, is not the same nigger? What you want me to say? “I am the resurrection, I am the life?” “I am the green side of Jordan,” or that “I am a prophet stoned by Jerusalem,” or you all want me as if this hand hold magic, to stretch it and like a flash of lightning to make you all white? God after god you change, promise after promise you believe, and you still covered with dirt; so why not believe me. All I have is this {Shows the mask}, black faces, white masks! I tried like you. Moustique then! Moustique! {Spits at them} That is my name! Do what you want!

Related Characters: Moustique (speaker), Corporal Lestrade, Basil, Makak (Felix Hobain)
Related Symbols: Mask
Page Number and Citation: 270-271
Explanation and Analysis:
When Basil unmasks Moustique, who has been impersonating Makak at the market and performing sham healings, Moustique responds with this bombastic speech. In part, he tries to defend his actions, blame his victims for their own stupidity, and he rails about the injustice of the world in general. In fact, Moustique’s sham ministry does exactly what Lestrade just accused Makak of doing just pages earlier—of making it all up and using a few half-remembered Bible verses to sell his story to an audience of gullible and willing victims. Ultimately, however, it doesn’t matter if Moustique is legitimate or not as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et

MOUSTIQUE
Yes, I will die. I take what you had, I take the dream you have and I come and try to sell it. I try to fool them, and they fall on me with sticks, everything, and they kill me.

MAKAK
How you could leave me alone, Moustique? In all the yard and villages I pass, I hear people saying, Makak was here, Makak was here, and we give him so and so. If it was for the money, I didn’t know.

MOUSTIQUE
No. You didn’t know. You would never know. It was always me, since the first time on the road, where…always be who did have to beg…to do…{He passes out. MAKAK shakes him}

MAKAK
Moustique, Moustique.

MOUSTIQUE
Go back, go back to Monkey Mountain. Go back.

MAKAK
No, she tell me what I must do.

MOUSTIQUE
Let me die, Makak, I hurting and I tired, tired…

Related Characters: Moustique (speaker), Makak (Felix Hobain) (speaker), Tigre, Apparition (White Lady), Souris, Corporal Lestrade
Page Number and Citation: 273
Explanation and Analysis:
Makak enters the market just after the angry crowd has finished savagely beating Moustique as punishment for impersonating of Makak. In this short conversation, Makak confronts Moustique about his attempts to cash in on the imaginative power of Makak’s vision. In the context of the play’s titular dream—the visionary state in which most of the play takes place—Moustique, Lestrade, Tigre, and Souris become emanations of Makak’s psyche. Moustique represents a part of him that’s worried about surviving in the world. Moustique worries about getting their coal to market, makes the coffee, and begs enough from grateful patrons to allow himself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut

Part 2, Scene 1 Quotes

CORPORAL
Here, hold this. […] Don’t tell me about the law. Once I loved the law. I thought the law was just, universal, a substitute for God, but the law is a whore, she will adjust the price. In some places the law does not allow you to be black, not even black, but tinged with black.

TIGRE
And that is what is eating out your soul, Lestrade. That is why you punishing this man. You punishing your own grandfather. Let him go home.

MAKAK
Let me go home. I will pay you. I have money. I have money that I hide…all of you.

CORPORAL
Bribery! […] Listen, you corrupt, obscene, insufferable ape, I am incorruptible, you understand? Incorruptible. The law is your salvation and mine, you imbecile, you understand that. […] Not the law of the jungle, but something the white man teach you to be thankful for.

Related Characters: Corporal Lestrade (speaker), Makak (Felix Hobain) (speaker), Tigre (speaker)
Page Number and Citation: 279-280
Explanation and Analysis:
When Corporal Lestrade brings his prisoners dinner, Tigre complains about the scanty portions and cruel treatment, asking if it’s against the law to be poor. This passage includes Lestrade’s retort, in which he characterizes the law as fundamentally unjust because it weights the color of a person’s skin—or, worse, their ancestors’ skin—more than it accounts for their actions or their service. Lestrade understands himself as a loyal subject of the colonial British government, but the government will never see him as more than a colonized subject and therefore a second-class citizen. The existence of his Black grandfather denies him full Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti

CORPORAL
What you want to drink, old man…

MAKAK
Blood! Blood! Blood! Lion…Lion…I am…a lion! {He has grabbed the CORPORAL, stabbing him. Then he hurls him to the floor}

[…]

MAKAK
{Holding TIGRE and SOURIS and near-weeping with rage} Drink it! Drink it! Drink! Is not that they say we are? Animals! Apes without law? O God, O gods! What am I, I who thought I was a man? What have I done? Which God? God dead, and his law there bleeding. Christian, cannibal, I will drink blood. You will drink it with me. For the lion, and the tiger, and the rat, yes, the gentle rat, have come out of their cages to breathe the air, the air heavy with forest, and if that moon go out…I will still find my way; the blackness will swallow me. I will wear it like a fish wears water…Come. You have tasted blood. Now, come!

Related Characters: Corporal Lestrade (speaker), Makak (Felix Hobain) (speaker), Souris, Tigre
Related Symbols: Moon
Page Number and Citation: 285-286
Explanation and Analysis:
After Tigre gets Makak to agree to participate in a jail break, he lures Lestrade to Makak’s cell, where Makak stabs him. As the corporal falls to the ground, bleeding, Makak drinks some of his blood and forces the other prisoners to join him. Here, at the very lowest point of his madness (and remember, still deep within the symbolic world of his dream), he embodies the worst of the racial stereotypes about Black people. Although he imagines himself as a lion when he fights for his freedom, he calls himself and the others lawless apes in the aftermath. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferen

Part 2, Scene 2 Quotes

CORPORAL
All right. Too late have I loved thee, Africa of my mind, sero te amavi, to cite Saint Augustine who they say was black. I jeered thee because I hated half of myself, my eclipse. But now […] {He removes his clothes} I return to this earth, my mother. Naked, trying very hard not to weep in the dust. I was what I am, but now I am myself. {Rises} Now I feel better. Now I see a new light. I sing the glories of Makak! The glories of my race! What race? I have no race! Come! Come all you splendours of imagination. Let me sing of darkness now! My hands. My hands are heavy. […] My feet grip like roots. {He howls} Was that my voice? My voice. O God, I have become what I mocked. I always was, I always was. Makak! Makak! forgive me, old father.

Related Characters: Corporal Lestrade (speaker), Basil, Makak (Felix Hobain)
Page Number and Citation: 299-300
Explanation and Analysis:
Corporal Lestrade, whom Makak failed to injure fatally at the jail, follows his escaped prisoners into the woods, delirious with fever—and with his own version of Whiteness madness, which drives him to aspire to belong in a society that rejects him because he is mixed-race. In the forest, Basil—the representative of death—confronts Lestrade and orders him to confess his sins, which Lestrade does in this passage. At first, he resorts to the pretentious language which the play codes as White, peppering his confession with “thees.” But as he continues, he starts to truly change. He strips off his clothing—the police Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores

MAKAK
{Holding out the mask} I was a king among shadows. Either the shadows were real, and I was no king, or it is my own kingliness that created the shadows. Either way, I am lonely, lost, an old man again. No more. I wanted to leave this world. But if the moon is earth’s friend, eh, Tigre, how can we leave the earth? And the earth, self. Look down and there is nothing at our feet. We are wrapped in black air, we are black, ourselves shadows in the firelight of the white man’s mind. Son, soon it will be morning, praise God, and the dream will rise like vapour, the shadows will be real, you will be corporal again, you will be thieves, and I an old man, drunk and disorderly, beaten down by a Bible and tired of looking up to heaven.

Related Characters: Makak (Felix Hobain) (speaker), Tigre, Corporal Lestrade, Souris
Related Symbols: Mask, Moon
Page Number and Citation: 304
Explanation and Analysis:
After Lestrade catches up to the escaped prisoners, they take his weapon, and Tigre uses it to threaten Makak. Tigre wants Makak to take them to his home and turn over the money he claimed to have when he tried to bribe Lestrade earlier. With the weapon pointed at him, suddenly, Makak becomes world-weary. He develops two metaphors in this passage—one about the relationship between the moon and the earth, and one relating everything that’s happened in the play (which readers should remember is also happening in his visionary madness) to shadows. Like the mask, the moon represents Whiteness in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero si

CORPORAL
Bastard, hatchet-man, opportunist, executioner. I have the black man work to do, you know. I breathe over the shoulder of your leaders, I hang back always at a decent distance but I am there to observe that the law is upheld, that those who break it, president or prince, will also be broken. I have no ambition of my own. I have no animal’s name. I simply work. And if a niche in history opens for me, what else can I do, for the sake of the people, Vox Populi, but to step into it? I don’t know where we are going. But forward, progress!

Related Characters: Corporal Lestrade (speaker), Makak (Felix Hobain), Basil
Page Number and Citation: 307
Explanation and Analysis:
After Lestrade and Tigre face off in the forest and Lestrade kills Tigre, he, Souris, and Makak prepare to finish their journey to Africa. Makak and Souris go on ahead, while Lestrade lingers behind, and the play gives him the last word in this scene in the form of a private monologue. As an officer of the law (and playing dress up as a lawyer), Lestrade represents justice in the play—an association that this monologue reinforces. When the law is used to disenfranchise and oppress, the play suggests, it’s not just. Likewise, when Lestrade was trying to earn a place Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. A

Part 2, Scene 3 Quotes

CHORUS
Whose hands are washed continually in milk,
Whose voice is the dove,
Whose eye is the cloud.

CORPORAL
Who shall do unto others as to him it was done.
Behold too, Basil, a dark ambassador,
Behold Pamphilion, apotheosised.

CHORUS
Who drew the thief to his bosom,
The murderer to his heart,
Whose blackness is a coal,
Whose soul is a fire,
Whose mind is a diamond,
Dispenser of justice,
Genderer and nourisher to a thousand wives,
Praise him!

Related Characters: Corporal Lestrade (speaker), Tribes (speaker), Makak (Felix Hobain), Josephus
Page Number and Citation: 310
Explanation and Analysis:
In the dream space of his vision, as Makak makes his triumphant return to Africa as a victorious and powerful king, the chorus of his followers and Lestrade heap praise on him. On the surface level, this may be read as representative of the kinds of things subjects generally say about their kings. But it’s also clear that the specific words matter in the context of the judgement Makak is about to lay out. First of all, in racially prejudiced and segregated society, it’s notable that the chorus indicates Makak’s power by associating him with Whiteness (the milk, the dove, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro

BASIL
An offer to revise the origins of slavery. A floral tribute of lilies from the Ku Klux Klan. Congratulations from several Golf and Community Clubs. A gilt-edged doctorate from the Mississippi University. The Nobel Peace Prize. One thousand dollars from a secret admirer. An autograph of Pushkin. The Stalin Peace Prize. An offer from the UN. A sliver of bone from the thigh of Lumumba. An offer from Hollywood. {Throws all the letters away}

TRIBES
No!

CORPORAL
Unanimous negative!

Related Characters: Basil (speaker), Corporal Lestrade (speaker), Tribes (speaker), Makak (Felix Hobain)
Page Number and Citation: 313-314
Explanation and Analysis:
After Makak pronounces judgement on a who’s who of historical figures (he pronounces all guilty of the crime of being White and sentences them to death), Basil reads through a pile of petitions and offers the dignitaries of the world have sent to Makak. The list here is meant to be both barbed and humorous—the money from the secret admirer, the generic offer from Hollywood (implying its eagerness to cash in on the next big thing, whatever or whoever it is), and the fictitious “Stalin Peace Prize” (evidently the Soviet Union’s answer to the Nobel Peace Prize)—are all ridiculous. But Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque.

MAKAK
[…] And I went in the little rain barrel behind my hut and look down in the quiet, quiet water at my face, an old, cracked, burn-up face, with the hair turning white. And it was Makak. So I say, if you dead now, if you dead now. Well what? No woman will cry for you, no child will look at your face in death, as if it was the first time. [...] A big, big loneliness possess me, as if I was happy once, and strong, but could not remember where, as if, in some way, I was not no charcoal-burner, God be blessed, but a king, and I feel strongly to go down the mountain, and to reach the sea, as if the place I remember was across the sea.

Related Characters: Makak (Felix Hobain) (speaker), Corporal Lestrade, Apparition (White Lady)
Page Number and Citation: 318
Explanation and Analysis:
The last figure to appear in Makak’s African court for judgement is the apparition, whose appearance instigated the whole story. For the first time, he describes the context in which his vision occurred. Having not seen his own face in many years, he looked at his reflection in the water, and he was overwhelmed with sadness at the realization of his cosmic insignificance. On one hand, the play suggests that this is a part of being human—all people eventually grow old and die. But part of Makak’s pain arises in response to the certain knowledge that he—unlike the lengthy list Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis

CORPORAL
[…] She is the mirror of the moon that this ape look into and find himself unbearable. She is all that is pure, all that he cannot reach. You see her statues in white stone, and you turn your face away, mixed with abhorrence and lust, with destruction and desire. She is lime, snow, marble, moonlight, lilies, cloud, foam and bleaching cream, the mother of civilization, the confounder of blackness. I too have longed for her. She is the color of the law, religion, paper, art, and if you want peace, if you want to discover the beautiful depth of your blackness […] chop off her head! When you do this, you will kill Venus, the Virgin, the Sleeping Beauty. She is the white light that paralyzed your mind, that led you into this confusion. It is you who created her, so kill her! kill her! The law has spoken.

Related Characters: Corporal Lestrade (speaker), Apparition (White Lady), Makak (Felix Hobain)
Related Symbols: Moon
Page Number and Citation: 319
Explanation and Analysis:
Multiple times, Makak begs the apparition to explain herself, to tell him who and what she is. She remains eternally silent. Here, Corporal Lestrade offers this description. In it, he confirms that the apparition symbolizes the idea of Whiteness or the White, colonial culture that oppresses Makak and the rest of the Black characters (and, by extension, segregated, marginalized, and colonized subjects everywhere). Makak just finished describing the experience of seeing his own reflection and feeling that he was worthless because he’s Black. Lestrade, however, insists that Makak (and readers) remember that in his daily life, because he lives in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labo
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Corporal Lestrade Character Timeline in Dream on Monkey Mountain

The timeline below shows where the character Corporal Lestrade appears in Dream on Monkey Mountain. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
...son is in jail and telling her not to cry. As their song fades, Corporal Lestrade, a mixed-race police officer, enters the jail with an elderly Black man (Makak) in tow.... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Announcing that he has arrested the so-called King of Africa, Corporal Lestrade takes a notebook out of his pocket in a showy manner and begins to interrogate... (full context)
Racism, White Supremacy, and Madness Theme Icon
When Corporal Lestrade pulls a half-full rum bottle from Makak’s belongings, Tigre and Souris go wild, begging the... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Self-importantly, Corporal Lestrade instructs Tigre and Souris to be quiet as he conducts his interrogation. He insists on... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Dreams and Progress Theme Icon
Lestrade dons a British lawyer’s wig and gown, then drapes Souris and Tigre in judge costumes.... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
The Power and Limitations of Faith Theme Icon
Having thus proved what he sees as Makak’s sufficient (if supposedly limited) intelligence, Lestrade lays out the charges. He alleges that Makak came into town earlier in the day,... (full context)
Dreams and Progress Theme Icon
Makak interrupts Lestrade’s tirade, explaining that he has long suffered from “fits” during which spirits talk to him—especially... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Corporal Lestrade accuses Makak of suffering from a “rage for whiteness.” Makak falls to his knees and... (full context)
Part 1, Scene 3
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Corporal Lestrade takes center stage, dressed still as the lawyer. After delivering an impassioned critique of the... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Overhearing the conversation gives Lestrade an excuse to point out to Pamphilion how ignorant Black people are. The obligation of... (full context)
Colonialism  Theme Icon
The Power and Limitations of Faith Theme Icon
...it’s not Makak. Moustique is impersonating his friend, although the locals don’t know that. When Lestrade and Pamphilion interrupt his grand entrance, Moustique mocks them as “small-time authorit[ies].” Whipping the crowd... (full context)
Colonialism  Theme Icon
The Power and Limitations of Faith Theme Icon
But when Moustique lifts the bowl, a spider walks across his hand, scaring him. Lestrade mocks his fright, and he orders Basil to find a spider and test Moustique’s nerve... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Too late to save Moustique—he waits until he’s sure he won’t get hurt himself—Lestrade intervenes, and the crowd disperses. As they do, Makak reaches the market only to find... (full context)
Part 2, Scene 1
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
In the jail late on Saturday night, Lestrade brings a paltry meal—a piece of salt fish and three green figs each—to Tigre, Souris,... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Civilization, in the form of Lestrade, allowed Moustique to die, Makak points out. Souris’s increasingly loud demands for more food drown... (full context)
Racism, White Supremacy, and Madness Theme Icon
...a powerful lion. Encouraging him to prove his strength and power, Tigre reminds Makak of Lestrade’s culpability for Moustique’s death. After a moment, Makak draws a knife from some hidden place.... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
After Tigre, Souris, and Makak escape, Lestrade stands up. His wounds were superficial. He confesses that he allowed the three men to... (full context)
Part 2, Scene 2
Racism, White Supremacy, and Madness Theme Icon
Then, Corporal Lestrade, crazed with fever from his wound, stumbles into the clearing. He imagines himself as an... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
When he realizes how compromised Lestrade is, Tigre steps into the light. He echoes the demands of Basil (whom he still... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Makak emerges from the darkness and welcomes Lestrade as “one of us” while taking his gun. But Souris and Tigre are unwilling to... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Dreams and Progress Theme Icon
...see the light of inspiration in the old man’s eyes. While Souris and Makak talk, Lestrade picks up Makak’s spear and begins to threaten Tigre with it. The two men circle... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Dreams and Progress Theme Icon
Lestrade lingers behind the others. He no longer feels himself to be a mere mortal. He... (full context)
Part 2, Scene 3
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Dreams and Progress Theme Icon
...Black people—await their king. Makak enters, borne on a gold litter and followed by Corporal Lestrade (wearing magnificent “tribal robes” just like Makak) and Souris. Lestrade and the tribes sing Makak’s... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Lestrade summons Moustique, who enters the throne room bleeding and battered. Moustique quietly asks Makak what... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
The tribes escort Moustique away and Lestrade announces the arrival of the apparition, who has come to beg for Makak’s forgiveness. She... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
One final time, Makak begs to be told who or what the apparition is, and Lestrade answers that the White lady is a dangerous “image of [Makak’s] longing” for Whiteness. Lestrade... (full context)
Epilogue
Racism, White Supremacy, and Madness Theme Icon
Back in the jail in the early hours of Sunday morning, Lestrade is interrogating Makak, asking his name, his race, his denominational affiliation and where he lives,... (full context)
Racism, White Supremacy, and Madness Theme Icon
Dreams and Progress Theme Icon
Lestrade holds up the mask, asking what it is and why Felix talks to it. From... (full context)
Colonialism  Theme Icon
Racism, White Supremacy, and Madness Theme Icon
Dreams and Progress Theme Icon
Moustique asks to take Felix back where he belongs, and Lestrade replies that they are all stuck in a prison, far from where they belong. As... (full context)