El Filibusterismo
by José Rizal

Simoun (Ibarra) Character Analysis

Simoun is a mysterious jeweler. Though no one knows his exact origins, Simoun is fabulously wealthy and is the closest advisor to the captain-general, who he has known since they both lived in Cuba. Simoun is widely despised for his cruelty and greed, but the colonial and Filipino elite nevertheless clamor to buy his jewels, hoping to curry favor with him. In reality, however, Simoun is none other than Ibarra, returned to the Philippines after faking his own death and spending years in exile. Simoun is intent on both personal revenge and an anticolonial revolution and uses his position of power to intensify both colonial repression and the fight against it in preparation for a full-scale revolution. To this end, Simoun recruits the downtrodden and rejected to join him, promising them their own chances for revenge. Though Simoun also wants to rescue his onetime fiancée, María Clara, his plans are something of a death wish, as he insists to Basilio that there is no peaceful alternative, and that the Philippines need to be reborn in blood. Simoun wavers at critical moments, however, dooming his plot but, perhaps, soothing his conscience.

Simoun (Ibarra) Quotes in El Filibusterismo

The El Filibusterismo quotes below are all either spoken by Simoun (Ibarra) or refer to Simoun (Ibarra). For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Colonialism and Identity Theme Icon
).

7. Simoun Quotes

“[…] I stoked the greed, I helped it along, and the injustices and abuses multiplied. I fomented crimes and acts of cruelty so that the people would get used to the idea of death. I contributed to their anxiety so that, when they ran screaming from it, they would look for any solution at all. I shackled business to such an extent that with the country reduced to poverty and misery in the end the people would have nothing to fear. I put measures in place to deplete the treasury, and if that weren’t enough to create a popular uprising, I hit them where it would hurt the most: I made it so that the vulture itself would insult the body that gave it life and would corrupt it.”

Related Characters: Simoun (Ibarra) (speaker), Basilio
Page Number and Citation: 52
Explanation and Analysis:

“What will you accomplish with Spanish, especially with the few who will actually speak it? Kill off your originality? Subordinate your thoughts to the minds of others and instead of being free, you will really make yourselves into slaves. Nine out of ten of you who think of yourselves as members of the educated upper middle class are renegades to your own country! Those among you would speak that language neglect their own to such an extent that they neither speak it or understand it, and how many of you actually pretend not to understand a single world!”

Related Characters: Simoun (Ibarra) (speaker), Basilio
Page Number and Citation: 53-54
Explanation and Analysis:

16. The Tribulations of a Chinaman Quotes

The Chinaman respected the jeweler a great deal not only for his wealth but for the rumored influence he had over the captain-general. It was said that Simoun favored the Chinaman’s aspirations and was in favor of the consulate. A certain Sinophobic newspaper had made veiled references to him, though with a great deal of periphrasis, indirection, and sly suggestion, and in its well-known polemic enjoined the partisan newspaper of the people of the queue. Some of the more circumspect people added with nudges and winks that the Dark Eminence counseled the general to value the Chinese while depreciating the rigorous dignity of the natives.

“To subjugate a people,” he said, “there is nothing like humiliating them and debasing them in their own eyes.”

Related Characters: Simoun (Ibarra) (speaker), Quiroga, The Captain-General
Page Number and Citation: 135
Explanation and Analysis:

19. The Fuse Quotes

Simoun suddenly stopped speaking, as if he had been cut off. Somewhere inside him a voice asked if he, Simoun, were not indeed part of the trash of that damned city, perhaps even its most destructive ferment. And as the dead rise at the sound of the eternal trumpet, a thousand bloody ghosts, desperate shadows of murdered men, dishonored women, fathers torn from their families, vices engendered and fostered, virtues rejected now rose up in the echoes of that mysterious question. For the first time in his career as a criminal, since Havana, when through vice and bribery he had decided to create a means to carry out his plans, a man without faith, without patriotism, without conscience, for the first time in that era of his life something inside of him came out and protested his actions.

Related Characters: Simoun (Ibarra), Cabesang Tales, Plácido Penitente, María Clara, Quiroga
Page Number and Citation: 165
Explanation and Analysis:

23. A Corpse Quotes

Rest in peace, sad daughter of my wretched country! Bury in your tomb the charms of youth, withered in their prime. When a people cannot provide its maidens with a peaceful home, a shelter of holy freedom, when a man can leave only dubious words to a widow, tears to his mother, slavery to his children, it’s better to condemn you all to perpetual chastity, drowning in your womanhood a future, damned generation.

Related Characters: Julí, Cabesang Tales, Simoun (Ibarra), María Clara, Paulita Gómez
Page Number and Citation: 208
Explanation and Analysis:

33. Final Council Quotes

“Every man!” Simoun repeated in a sinister tone of voice. “Every man, indios, mestizos, Chinamen, Spaniards, everyone you encounter without valor or energy…it’s essential to renew the race! Cowardly fathers only beget slavish sons and it’s not worth it to destroy only to rebuild with rotten materials. What? You’re trembling? You’re shaking, you’re afraid to sow death? What is death? What is a holocaust of twenty thousand wretches? Twenty thousand fewer wretches and millions of wretchednesses starved at birth!”

Related Characters: Simoun (Ibarra) (speaker), Basilio
Page Number and Citation: 284
Explanation and Analysis:

“What will the world say when they see such carnage?”

“The world will applaud, like it always does, saying that the strongest, and the most violent, are in the right,” Simoun answered with a cruel smile. “Europe applauded when the Western nations sacrificed millions of Indians in the Americas, and surely there are not to be found much more moral or peaceful nations. […] Europe applauded when a powerful Portugal despoiled the Moluccan Islands, it applauds as England destroys the primitive peoples in the Pacific to implant its emigrants there. Europe will applaud the way it applauds the end of a play, the end of a tragedy. The masses will hardly take notice, in the end, and will see only the effect. Commit a crime well and you will be admired and you’ll end up with more supporters than you would have had you committed a virtuous act, carried out with timidity and modesty.”

Related Characters: Simoun (Ibarra) (speaker), Basilio (speaker)
Page Number and Citation: 285
Explanation and Analysis:

35. The Party Quotes

While these scenes unrolled in the street, in the dining room the greater gods handed around a piece of parchment on which the fateful words were written in red ink:

Mane Thecel Phares

Juan Crisóstomo Ibarra

Related Characters: Simoun (Ibarra), Father Salví
Related Symbols: The Lamp
Page Number and Citation: 298
Explanation and Analysis:

39. Conclusion Quotes

“The glory of saving a country doesn’t mean having to use the measures that contributed to its ruin! You have believed that what crime iniquity have stained and deformed, another crime and another iniquity can purify and redeem! That’s wrong! Hatred creates nothing but monsters. Only love can bring about wondrous things. Only virtue is redemptive! No, if someday our country can be free, it will not be by vice and crime, not by corruption of our children, by cheating some, and buying others. No, redemption supposes virtue, sacrifice, and sacrifice, love!”

Related Characters: Father Florentino (speaker), Simoun (Ibarra)
Page Number and Citation: 323-324
Explanation and Analysis:
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Simoun (Ibarra) Character Timeline in El Filibusterismo

The timeline below shows where the character Simoun (Ibarra) appears in El Filibusterismo. The colored dots and icons indicate which themes are associated with that appearance.
1. On Deck
Colonialism and Identity Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...Doña Victorina; the influential Don Custodio; the journalist Ben Zayb; the priest Father Irene; and Simoun, a mysterious and powerful jeweler. Doña Victorina is in a foul mood. This is typical,... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...friar, Father Camorra, pointing to various bridges and their ability to withstand earthquakes and floods. Simoun scandalizes the crowd by proposing a radical solution: a canal that bypasses the Pasig entirely.... (full context)
2. Below Deck
Colonialism and Identity Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...below deck to avoid Doña Victorina for fear that she will ask him about Tiburcio. Simoun joins the men and asks them about La Laguna. This offends Isagani’s local pride, but... (full context)
3. Legends
Colonialism and Identity Theme Icon
...group above deck, who are complaining about their indios’ resistance to higher tithes. The priests, Simoun, and Ben Zayb then trade legends about the Pasig river. Ben Zayb is very taken... (full context)
5. A Coachman’s Christmas Eve
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
...gone. Basilio visits local dignitary Captain Basilio and his family, who are planning to see Simoun about his jewels. Basilio then goes to Captain Tiago’s house, where he learns the news... (full context)
6. Basilio
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
At midnight, Basilio leaves the house for the Ibarra woods, which Captain Tiago bought after Ibarra’s demise. Basilio walks through the pitch-black woods alone,... (full context)
7. Simoun
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
...startles Basilio out of his recollections. Seeing a figure approach, he is surprised to recognize Simoun. Even more surprising is that Basilio recognizes Simoun not just as the powerful jeweler he... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
Simoun explains that he has returned to the Philippines to help bring about corrupt colonial society’s... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
Basilio politely declines to join Simoun’s cause, replying that he is not a political person and seeks only to better himself... (full context)
10. Wealth and Poverty
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
The next day Simoun surprises local residents by asking to stay in Cabesang Tales’s house, along with his servants... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Simoun attempts to buy a locket from Cabesang Tales which once belonged to Ibarra’s lover and... (full context)
11. Los Baños
Colonialism and Identity Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...Baños, a lakeside resort, and plays cards with Fathers Irene, Sibyla, and Camorra. Don Custodio, Simoun, Ben Zayb, the chief of staff, and a quieter priest named Father Fernández are also... (full context)
Colonialism and Identity Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...academy will inspire resistance from the indios and hurt the prestige of the religious schools. Simoun joins Sibyla’s side. Father Fernández argues in favor of the academy too, but he upsets... (full context)
16. The Tribulations of a Chinaman
Colonialism and Identity Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...guests are in fact Quiroga’s enemies, professionally and politically, including Juanito Peláez’s father, Don Timoteo. Simoun advises Timoteo on his plan to stockpile durable building materials and then have the captain-general... (full context)
Violence vs. Nonviolence Theme Icon
Quiroga explains his predicament to Simoun: hoping to buy jewelry for his mistress, he showed her several pieces, but she demand... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
...the trick through science, arguing that mirrors are all it takes to deceive the audience. Simoun suggests that there is only one way to settle the debate: to go see the... (full context)
17. The Kiapo Fair
Colonialism and Identity Theme Icon
Education and Freedom Theme Icon
...European folk art. As the group argues about the sculptures, comparing various figurines to people, Simoun disappears. The group prepares to enter the exhibit, Ben Zayb still confident that he can... (full context)
19. The Fuse
Colonialism and Identity Theme Icon
...in the harbor, Plácido considers leaving for Hong Kong and making his fortune there. Spying Simoun on the shore, he begs the jeweler for a favor, asking if he can use... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Simoun takes Plácido to a small house in an impoverished district, where they visit a fireworks... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
Simoun, now alone, watches the walled city of Manila from his window. Talking to himself, he... (full context)
21. Typical Manilans
Colonialism and Identity Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...in the show. Boiled Shrimp observes the comings and goings of suspicious characters, directed by Simoun. He decides not to report it, however, asking himself what he owes to society or... (full context)
23. A Corpse
Colonialism and Identity Theme Icon
Education and Freedom Theme Icon
Simoun was a conspicuous absence at the theater. Boiled Shrimp and others saw him nearby, but... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
Basilio is interrupted by Simoun, who asks about Tiago’s condition. Simoun then interrupts him, informing him that the revolution is... (full context)
26. Broadsides
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
...because of a conspiracy: someone has posted subversive broadsides outside the university. Basilio asks about Simoun, but the jeweler is sick in bed. No bandit attack materialized, either. Basilio is advised... (full context)
28. Tatakut
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
...for fear of more subversive activity or state repression. A worried Quiroga hopes to offload Simoun’s rifles, but Simoun refuses to see him, as does Don Custodio. Rumors spread quickly about... (full context)
32. The Effect of the Broadsides
Colonialism and Identity Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...who took him to San Diego visits him and tells him what happened to Julí. Simoun recovers, though he is expected to leave soon with the captain-general, whose term is almost... (full context)
33. Final Council
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
The day of the wedding, Simoun stays home to organize his weapons and jewels. He is indeed leaving Manila soon with... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Basilio becomes afraid once again as he watches Simoun reassemble the lamp. Simoun explains that the lamp will burn down and go out. When... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
Simoun waxes poetic again about purifying violence, but this time Basilio, after his traumatic and disorienting... (full context)
34. The Wedding
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
Basilio is unsure what to do with himself for the next few hours before Simoun’s plan is set into motion. Obsessed with the lamp, he muses on the wedding, pitying... (full context)
35. The Party
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
...Irene arrive and regains his resolve, reminding himself he has a far better friend in Simoun than any of the others. He sees Simoun arrive with the lamp. Basilio wavers again... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
...inside pass around a piece of paper that reads “Mane Thecel Pares” and “Juan Crisóstomo Ibarra.” This mostly annoys the guests, but it alarms Father Salví, who insists the note was... (full context)
36. Ben Zayb’s Predicament
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
...on a Spaniard’s orders, but the revolution never came. The description of this Spaniard resembles Simoun, who has disappeared. The gunpowder in Captain Tiago’s house is also discovered, leaving an air... (full context)
37. The Mystery
Violence vs. Nonviolence Theme Icon
...they wonder who could’ve planted the bombs, and why. The friends share their suspicions about Simoun, though his motive remains unclear, and he has already escaped the city. They then discuss... (full context)
39. Conclusion
Colonialism and Identity Theme Icon
The runaway Simoun arrives at Father Florentino’s just before Don Tiburcio departs. A vague telegram warns Florentino that... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
Hypocrisy and Colonial Oppression Theme Icon
Simoun tells Florentino the story of his first return from Europe, his betrayal, and his faked... (full context)
Colonialism and Identity Theme Icon
Violence vs. Nonviolence Theme Icon
Education and Freedom Theme Icon
...speech about the need for dignity and personal virtue in the struggle for freedom, imploring Simoun to maintain his faith in justice. Simoun listens silently, holding Florentino’s hand. Florentino listens to... (full context)