Eleanor and Park

by

Rainbow Rowell

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Themes and Colors
Adolescence and Shame Theme Icon
Love and Intimacy Theme Icon
Poverty and Class Theme Icon
Family and Abuse Theme Icon
LitCharts assigns a color and icon to each theme in Eleanor and Park, which you can use to track the themes throughout the work.
Love and Intimacy Theme Icon

Eleanor and Park—like Romeo and Juliet, the play the novel’s titular characters are studying in their sophomore English class—is a story about first love in all its overwhelming, all-consuming glory. As the spiny, self-contained Eleanor Douglas and the starry-eyed Park Sheridan embark on their first real foray into romance, they learn a lot about how to best love and care for one another—and for themselves. Through their journey, Rowell argues that true love can enable people to connect not just with others, but also to reach a greater level of understanding and intimacy of and with themselves.

Eleanor and Park is a love story, and like a traditional romance, it centers around the burgeoning connection between its two protagonists. The novel’s deeper layers, however, show how Eleanor and Park, through their explorations of love and intimacy, actually learn not just how to care for and bond with another person, but also how to discover and embrace more intimate truths about themselves. Eleanor and Park are thrust together by chance when they are forced, one fateful day, to sit together on the school bus—even though Park worries that sitting with the redheaded, crazily-dressed new girl is social suicide. As the days go by, however, they find pleasure in one another’s company, and continue sitting together. They connect at first over comic books, which are Park’s obsession, and music, which is Eleanor’s. As they share their interests, they begin bonding, and their intellectual connection soon leads to an emotional one.

Soon, Eleanor and Park are holding hands surreptitiously, admitting to “missing” one another throughout the school day, and scheduling late-night phone dates. Though Eleanor and Park couldn’t be more different—the sharp-tongued, cynical Eleanor stands in direct contrast to the quiet, idealistic Park—they’re soon confessing their love for one another. Eleanor is reluctant to use the word “love,” but tells Park that she “think[s] she live[s] for [him.]” Their feelings are intense and overwhelming—and though the cynical Eleanor worries the two of them are a parody of young love just like the titular characters of Romeo and Juliet, she can’t help her emotions. Neither Eleanor nor Park has been in love before, and as they tumble into emotional, verbal, and physical intimacy with one another, they push back against their shame and insecurities to make room for one another. The connection they share is profound, and yet as they grow closer to one another, they find themselves privately considering how their relationship has allowed them each to understand and accept themselves.

Eleanor, who has always hated her big-boned body, finds herself feeling less ashamed of her curves, and even experiencing a newfound appreciation for who she is in Park’s eyes. “Everywhere [Park] touche[s] her [feels] safe,” she thinks to herself one evening after they’ve parted ways. Park, too, is grateful that Eleanor finds him attractive—it’s not that Park has felt ugly so much as he’s felt feminized and “othered” by his classmates’ flagrant airing of cruel stereotypes about Asian men. Through Eleanor, Park is able to see himself in a new light, and attain a newfound confidence.

The self-love Eleanor and Park find themselves experiencing as they fall more deeply in love with one another isn’t just physical, but emotional as well. Eleanor, who has always kept her feelings at arm’s length as a kind of defense mechanism—a byproduct of growing up in an abusive household with four younger siblings, a place where there’s never been any room for her emotions—begins experiencing life more deeply. She allows herself to surrender to hope and happiness as she spends more time with Park, and indeed allows herself to be loved unconditionally for the first time in her life. Even her own mother sent Eleanor away when she clashed with Richie—but with Park, Eleanor never has to be anyone but herself, and she is allowed to experience the part of herself that feels deeply and fearlessly. Park, too, allows himself to let loose emotionally—he has been shrinking himself in order to fit in with his cruel schoolmates, but with Eleanor by his side, he at last stands up to them (even though it means getting into a fistfight with his popular friend Steve.) Park also develops enough self-confidence to explore a long held-fantasy: wearing eyeliner to school. Even when his father mocks and berates him, Park feels less cowed by the prospect of being both physically and emotionally vulnerable, thanks to the support he feels radiating from Eleanor.

At the start of the novel, Eleanor and Park are loners hungry for acceptance and love. The romance they share validates those feelings of wanting to be seen, understood, and embraced for who they are—but the wild, intense love they feel for one another allows them, in the end, to connect more deeply with who they are inside, and actually begin to embrace themselves. Unlike Romeo and Juliet, whose whirlwind romance estranged them from their families, themselves, and eventually one another, Eleanor and Park find that the pure, healthy love they share with each other opens up new insights about who they are, what they want, and what they need.

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Love and Intimacy Quotes in Eleanor and Park

Below you will find the important quotes in Eleanor and Park related to the theme of Love and Intimacy.
Chapter 10 Quotes

"So," [Park] said, before he knew what to say next. "You like the Smiths?" He was careful not to blow his morning breath on [Eleanor.]

She looked up, surprised. Maybe confused. He pointed at her book, where she'd written How Soon Is Now? in tall green letters.

"I don't know," she said. "I've never heard them."

"So you just want people to think you like the Smiths?" He couldn't help but sound disdainful.

Related Characters: Eleanor Douglas (speaker), Park Sheridan (speaker)
Related Symbols: Music
Page Number: 43
Explanation and Analysis:

"Romeo and Juliet are just two rich kids who've always gotten every little thing they want. And now, they think they want each other."

"They're in love…" Mr. Stessman said, clutching his heart.

"They don't even know each other," she said. […] “It's Shakespeare making fun of love.”

Related Characters: Eleanor Douglas (speaker), Mr. Stessman (speaker)
Related Symbols: Romeo and Juliet
Page Number: 44
Explanation and Analysis:
Chapter 13 Quotes

Best of all, she had Park's songs in her head—and in her chest, somehow. There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was.

Related Characters: Eleanor Douglas (speaker), Park Sheridan
Related Symbols: Music
Page Number: 57-58
Explanation and Analysis:
Chapter 14 Quotes

Until this moment, she'd kept Park in a place in her head that she thought Richie couldn't get to. Completely separate from this house and everything that happened here. (It was a pretty awesome place. Like the only part of her head fit for praying.) But now Richie was in there, just pissing all over everything. Making everything she felt feel as rank and rotten as him.

Related Characters: Eleanor Douglas (speaker), Park Sheridan, Richie Trout
Page Number: 67
Explanation and Analysis:
Chapter 19 Quotes

"You don't care what anyone thinks about you," [Park] said.

"That's crazy," [Eleanor] said. "I care what everyone thinks about me."

"I can't tell," he said. "You just seem like yourself, no matter what's happening around you. My grandmother would say you're comfortable in your own skin."

[…]

"I’m stuck in my own skin," she said.

Related Characters: Eleanor Douglas (speaker), Park Sheridan (speaker)
Related Symbols: Eleanor’s Clothes
Page Number: 105
Explanation and Analysis:

"Stop asking that," she said angrily. There was no stopping the tears now. "You always ask that. Why. Like there's an answer for everything. Not everybody has your life, you know, or your family. In your life, things happen for reasons. People make sense. But that's not my life.”

Related Characters: Eleanor Douglas (speaker), Park Sheridan
Page Number: 108
Explanation and Analysis:
Chapter 21 Quotes

She would never belong in Park's living room. She never felt like she belonged anywhere, except for when she was lying on her bed, pretending to be somewhere else.

Related Characters: Eleanor Douglas (speaker), Park Sheridan
Page Number: 127
Explanation and Analysis:
Chapter 23 Quotes

“Your mother's sorry. She's sorry that she hurt your feelings, and she wants you to invite your girlfriend over to dinner."

"So that she can make her feel bad and weird?"

"Well, she is kind of weird, isn't she?"

Park didn't have the energy to be angry. He sighed and let his head fall back on the chair.

His dad kept talking. "Isn't that why you like her?"

Related Characters: Park Sheridan (speaker), Jamie Sheridan (speaker), Eleanor Douglas
Page Number: 144
Explanation and Analysis:
Chapter 35 Quotes

[Eleanor] pulled away. "Are you kissing me because I look like someone else?"

"You don't look like someone else. Plus, that's crazy."

"Do you like me better like this?" she asked. "Because I'm never going to look like this again."

[…]

"You look like you,” [Park] said. "You with the volume turned up."

Related Characters: Eleanor Douglas (speaker), Park Sheridan (speaker), Mindy Sheridan
Page Number: 216
Explanation and Analysis:
Chapter 48 Quotes

"Why is your stepdad looking for you?"

"Because he knows, because I ran away."

"Why?"

"Because he knows.” Her voice caught. "Because it's him."

Related Characters: Eleanor Douglas (speaker), Park Sheridan (speaker), Richie Trout
Page Number: 287
Explanation and Analysis:
Chapter 53 Quotes

"I just can't believe that life would give us to each other," [Park] said, "and then take it back."

"I can," [Eleanor] said. "Life's a bastard."

He held her tighter, and pushed his face into her neck.

"But it's up to us…" he said softly. "It's up to us not to lose this."

Related Characters: Eleanor Douglas (speaker), Park Sheridan (speaker)
Page Number: 305
Explanation and Analysis:
Chapter 55 Quotes

Park spent most nights lying on his bed because it was the only place she'd never been.

He lay on his bed and never turned on the stereo.

Related Characters: Park Sheridan (speaker), Eleanor Douglas
Related Symbols: Music
Page Number: 314
Explanation and Analysis:

And they weren't going to break up. Or get bored. Or drift apart. (They weren't going to become another stupid high school romance.) They were just going to stop.

Related Characters: Eleanor Douglas (speaker), Park Sheridan
Page Number: 318
Explanation and Analysis:
Chapter 58 Quotes

Eleanor hadn't written him a letter.

It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics.

He sat up. He smiled. Something heavy and winged took off from his chest.

Eleanor hadn't written him a letter, it was a postcard.

Just three words long.

Related Characters: Park Sheridan (speaker), Eleanor Douglas
Page Number: 324-325
Explanation and Analysis: