Definition of Simile
At multiple points throughout Ethan Frome, Wharton uses the motif of living death to emphasize the gloomy atmosphere of Starkfield and foreshadow the novel's tragic conclusion.
The motif is first introduced during the Prologue, when the Narrator describes Ethan as a "ruin of a man" who "looks as if he was dead and in hell," implying that although Ethan is physically alive, he is metaphorically dead. The motif recurs later in the Prologue, when the Narrator sees the Frome farmhouse and notices the "black wraith of a deciduous creeper" hanging above the porch. The deciduous vine, which sheds its leaves in the winter, represents the barrenness of the Frome farm and is an ideal symbol for living death—although still alive, the plant appears dead, a concept reinforced by the phrase "black wraith.
Ethan Frome is a novel defined by its setting, with Wharton devoting numerous passages to descriptions of the physical landscape. She also frequently uses a combination of imagery, metaphor, and simile to draw comparisons between characters and their environment. The motif of animals and nature emphasizes the profound impact that environmental factors can have on human emotion and behavior.
Unlock with LitCharts A+Throughout Ethan Frome, Mattie is consistently associated with the motif of fire, light, and heat.
The reader is first introduced to Mattie in Chapter 1, when Ethan glimpses her through the window of the church:
Unlock with LitCharts A+The metal reflectors of the gas-jets sent crude waves of light against the whitewashed walls, and the iron flanks of the stove at the end of the hall looked as though they were heaving with volcanic fires.
At multiple points throughout Ethan Frome, Wharton uses the motif of living death to emphasize the gloomy atmosphere of Starkfield and foreshadow the novel's tragic conclusion.
The motif is first introduced during the Prologue, when the Narrator describes Ethan as a "ruin of a man" who "looks as if he was dead and in hell," implying that although Ethan is physically alive, he is metaphorically dead. The motif recurs later in the Prologue, when the Narrator sees the Frome farmhouse and notices the "black wraith of a deciduous creeper" hanging above the porch. The deciduous vine, which sheds its leaves in the winter, represents the barrenness of the Frome farm and is an ideal symbol for living death—although still alive, the plant appears dead, a concept reinforced by the phrase "black wraith.
Unlock with LitCharts A+In Ethan Frome, the motif of spring and summer represents the warmth and happiness that Ethan derives from his relationship with Mattie. At multiple points throughout the novel, Wharton uses similes to associate Mattie with various aspects of these seasons. Since the novel takes place during winter, which is known to cause isolation and even insanity for the inhabitants of Starkfield, these similes illustrate how Mattie is a source of warmth and companionship for Ethan.
In Chapter 2, the image of springtime is used to demonstrate how comfortable and confident Ethan feels in Mattie's presence:
Unlock with LitCharts A+Her wonder and his laughter ran together like spring rills in a thaw.
Throughout Ethan Frome, Mattie is consistently associated with the motif of fire, light, and heat.
The reader is first introduced to Mattie in Chapter 1, when Ethan glimpses her through the window of the church:
Unlock with LitCharts A+The metal reflectors of the gas-jets sent crude waves of light against the whitewashed walls, and the iron flanks of the stove at the end of the hall looked as though they were heaving with volcanic fires.
In Ethan Frome, the motif of spring and summer represents the warmth and happiness that Ethan derives from his relationship with Mattie. At multiple points throughout the novel, Wharton uses similes to associate Mattie with various aspects of these seasons. Since the novel takes place during winter, which is known to cause isolation and even insanity for the inhabitants of Starkfield, these similes illustrate how Mattie is a source of warmth and companionship for Ethan.
In Chapter 2, the image of springtime is used to demonstrate how comfortable and confident Ethan feels in Mattie's presence:
Unlock with LitCharts A+Her wonder and his laughter ran together like spring rills in a thaw.
In Ethan Frome, images of crime, imprisonment, and bondage serve as a motif that reflects the apparent lack of control that Ethan has over his own life.
In Chapter 6, when Zeena unexpectedly returns home early from her visit to the doctor, Wharton uses a simile to compare Ethan and Mattie to criminals:
Unlock with LitCharts A+They stood and stared at each other, pale as culprits.
In Ethan Frome, images of crime, imprisonment, and bondage serve as a motif that reflects the apparent lack of control that Ethan has over his own life.
In Chapter 6, when Zeena unexpectedly returns home early from her visit to the doctor, Wharton uses a simile to compare Ethan and Mattie to criminals:
Unlock with LitCharts A+They stood and stared at each other, pale as culprits.
Ethan Frome is a novel defined by its setting, with Wharton devoting numerous passages to descriptions of the physical landscape. She also frequently uses a combination of imagery, metaphor, and simile to draw comparisons between characters and their environment. The motif of animals and nature emphasizes the profound impact that environmental factors can have on human emotion and behavior.
Unlock with LitCharts A+In Ethan Frome, images of crime, imprisonment, and bondage serve as a motif that reflects the apparent lack of control that Ethan has over his own life.
In Chapter 6, when Zeena unexpectedly returns home early from her visit to the doctor, Wharton uses a simile to compare Ethan and Mattie to criminals:
Unlock with LitCharts A+They stood and stared at each other, pale as culprits.
At multiple points throughout Ethan Frome, Wharton uses the motif of living death to emphasize the gloomy atmosphere of Starkfield and foreshadow the novel's tragic conclusion.
The motif is first introduced during the Prologue, when the Narrator describes Ethan as a "ruin of a man" who "looks as if he was dead and in hell," implying that although Ethan is physically alive, he is metaphorically dead. The motif recurs later in the Prologue, when the Narrator sees the Frome farmhouse and notices the "black wraith of a deciduous creeper" hanging above the porch. The deciduous vine, which sheds its leaves in the winter, represents the barrenness of the Frome farm and is an ideal symbol for living death—although still alive, the plant appears dead, a concept reinforced by the phrase "black wraith.
Unlock with LitCharts A+In Ethan Frome, the motif of spring and summer represents the warmth and happiness that Ethan derives from his relationship with Mattie. At multiple points throughout the novel, Wharton uses similes to associate Mattie with various aspects of these seasons. Since the novel takes place during winter, which is known to cause isolation and even insanity for the inhabitants of Starkfield, these similes illustrate how Mattie is a source of warmth and companionship for Ethan.
In Chapter 2, the image of springtime is used to demonstrate how comfortable and confident Ethan feels in Mattie's presence:
Unlock with LitCharts A+Her wonder and his laughter ran together like spring rills in a thaw.
Throughout Ethan Frome, Mattie is consistently associated with the motif of fire, light, and heat.
The reader is first introduced to Mattie in Chapter 1, when Ethan glimpses her through the window of the church:
Unlock with LitCharts A+The metal reflectors of the gas-jets sent crude waves of light against the whitewashed walls, and the iron flanks of the stove at the end of the hall looked as though they were heaving with volcanic fires.