Saeed Quotes in Exit West
His name was Saeed and her name was Nadia and he had a beard, not a full beard, more a studiously maintained stubble, and she was always clad from the tips of her toes to the bottom of her jugular notch in a flowing black robe. Back then people continued to enjoy the luxury of wearing more or less what they wanted to wear, clothing and hair wise, within certain bounds of course, and so these choices meant something.
It was the sort of view that might command a slight premium during gentler, more prosperous times, but would be most undesirable in times of conflict, when it would be squarely in the path of heavy machine-gun and rocket fire as fighters advanced into this part of town: a view like staring down the barrel of a rifle. Location, location, location, the realtors say. Geography is destiny, respond the historians.
Refugees had occupied many of the open places in the city, pitching tents in the greenbelts between roads, erecting lean-tos next to the boundary walls of houses, sleeping rough on sidewalks and in the margins of streets. Some seemed to be trying to re-create the rhythms of a normal life, as though it were completely natural to be residing, a family of four, under a sheet of plastic propped up with branches and a few chipped bricks. Others stared out at the city with what looked like anger, or surprise, or supplication, or envy. Others didn’t move at all: stunned, maybe, or resting. Possibly dying. Saeed and Nadia had to be careful when making turns not to run over an outstretched arm or leg.
Nadia and Saeed were, back then, always in possession of their phones. In their phones were antennas, and these antennas sniffed out an invisible world, as if by magic, a world that was all around them, and also nowhere, transporting them to places distant and near, and to places that had never been and would never be.
Saeed was certain he was in love. Nadia was not certain what exactly she was feeling, but she was certain it had force. Dramatic circumstances, such as those in which they and other new lovers in the city now found themselves, have a habit of creating dramatic emotions, and furthermore the curfew served to conjure up an effect similar to that of a long-distance relationship, and long-distance relationships are well known for their potential to heighten passion, at least for a while, just as fasting is well known to heighten one’s appreciation for food.
Saeed’s father encountered each day objects that had belonged to his wife and so would sweep his consciousness out of the current others referred to as the present, a photograph or an earring or a particular shawl worn on a particular occasion, and Nadia encountered each day objects that took her into Saeed’s past, a book or a music collection or a sticker on the inside of a drawer, and evoked emotions from her own childhood, and jagged musings on the fate of her parents and her sister, and Saeed, for his part, was inhabiting a chamber that had been his only briefly, years ago, when relatives from afar or abroad used to come to visit, and being billeted here again conjured up for him echoes of a better era, and so in these several ways these three people sharing this one apartment splashed and intersected with each other across varied and multiple streams of time.
It might seem surprising that even in such circumstances Saeed’s and Nadia’s attitudes towards finding a way out were not entirely straightforward. Saeed desperately wanted to leave his city, in a sense he always had, but in his imagination he had thought he would leave it only temporarily, never once and for all, and this looming potential departure was altogether different, for he doubted he would come back, and the scattering of his extended family and his circle of friends and acquaintances, forever, struck him as deeply sad, as amounting to the loss of a home, no less, of his home.
Nadia was possibly even more feverishly keen to depart, and her nature was such that the prospect of something new, of change, was at its most basic level exciting to her. But she was haunted by worries too, revolving around dependence, worries that in going abroad and leaving their country she and Saeed and Saeed’s father might be at the mercy of strangers, subsistent on handouts, caged in pens like vermin.
Nadia had long been, and would afterwards continue to be, more comfortable with all varieties of movement in her life than was Saeed, in whom the impulse of nostalgia was stronger, perhaps because his childhood had been more idyllic, or perhaps because this was simply his temperament.
[I]t was an easy promise to make because she had at that time no thoughts of leaving Saeed, but it was also a difficult one because in making it she felt she was abandoning the old man, and even if he did have his siblings and his cousins, and might now go live with them or have them come live with him, they could not protect him as Saeed and Nadia could, and so by making the promise he demanded she make she was in a sense killing him, but that is the way of things, for when we migrate, we murder from our lives those we leave behind.
In the late afternoon, Saeed went to the top of the hill, and Nadia went to the top of the hill, and there they gazed out over the island, and out to sea, and he stood beside where she stood, and she stood beside where he stood, and the wind tugged and pushed at their hair, and they looked around at each other, but they did not see each other, for she went up before him, and he went up after her, and they were each at the crest of the hill only briefly, and at different times.
The residents of the house were terrified, most had seen firsthand what the police and soldiers could do, and in their terror they spoke more to one another than they otherwise might, strangers speaking to strangers. A sort of camaraderie evolved, as it might not have had they been on the street, in the open, for then they would likely have scattered, and the devil take the hindmost, but here they were penned in together, and being penned in made them into a grouping, a group.
From dark London, Saeed and Nadia wondered what life must be like in light London, where they imagined people dined in elegant restaurants and rode in shiny black cabs, or at least went to work in offices and shops and were free to journey about as they pleased. In dark London, rubbish accrued, uncollected, and underground stations were sealed. The trains kept running, skipping stops near Saeed and Nadia but felt as a rumble beneath their feet and heard at a low, powerful frequency, almost subsonic, like thunder or the detonation of a massive, distant bomb.
Saeed for his part wished he could do something for Nadia, could protect her from what would come, even if he understood, at some level, that to love is to enter into the inevitability of one day not being able to protect what is most valuable to you. He thought she deserved better than this, but he could see no way out, for they had decided not to run, not to play roulette with yet another departure. To flee forever is beyond the capacity of most: at some point even a hunted animal will stop, exhausted and await its fate, if only for a while.
Saeed did not ask Nadia to pray with him for his father, and she did not offer, but when he was gathering a circle of acquaintances to pray in the long evening shadow cast by their dormitory, she said she would like to join the circle, to sit with Saeed and the others, even if not engaged in supplication herself, and he smiled and said there was no need. And she had no answer to this. But she stayed anyway, next to Saeed on the naked earth that had been stripped of plants by hundreds of thousands of footsteps and rutted by the tires of ponderously heavy vehicles, feeling for the first time unwelcome. Or perhaps unengaged. Or perhaps both.
Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable color, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us. So it was with Saeed and Nadia, who found themselves changed in each other’s eyes in this new place.
Now, though, in Marin, Saeed prayed even more, several times a day, and he prayed fundamentally as a gesture of love for what had gone and would go and could be loved in no other way. When he prayed he touched his parents, who could not otherwise be touched, and he touched a feeling that we are all children who lose our parents, all of us, every man and woman and boy and girl, and we too will all be lost by those who come after us and love us, and this loss unites humanity, unites every human being, the temporary nature of our being-ness, and our shared sorrow, the heartache we each carry and yet too often refuse to acknowledge in one another, and out of this Saeed felt it might be possible, in the face of death, to believe in humanity’s potential for building a better world, and so he prayed as a lament, as a consolation, and as a hope, but he felt that he could not express this to Nadia, that he did not know how to express this to Nadia, this mystery that prayer linked him to, and it was so important to express it.
But while fear was part of what kept them together for those first few months in Marin, more powerful than fear was the desire that each see the other find firmer footing before they let go, and thus in the end their relationship did in some senses come to resemble that of siblings, in that friendship was its strongest element, and unlike many passions, theirs managed to cool slowly, without curdling into its reverse, anger, except intermittently.