Fahrenheit 451

by Ray Bradbury

Fahrenheit 451: Motifs 2 key examples

Definition of Motif

A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the central themes of a book... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of related symbols, help develop the... read full definition
A motif is an element or idea that recurs throughout a work of literature. Motifs, which are often collections of... read full definition
Part 1
Explanation and Analysis—Birds:

One recurring motif in Fahrenheit 451 compares books to birds through similes and metaphors, personification, and imagery. For instance, early in Part 1, Guy conceptualizes of the books he's burning as pigeons:

He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house.

Part 2
Explanation and Analysis—The War:

Throughout Fahrenheit 451, references to the war are both frequent and vague. Planes fly overhead, radios and televisions announce the coming conflict, and characters discuss it. However, no one is worried (including Mildred's friends, who have husbands in the military), and no one has details or seems to care. Who is the war against, and why has fighting begun? This half-explained militarization adds dread to the story.

In Part 2, Guy has a conversation with Mildred in which the motif of the unexplained war comes up explicitly.

“Jesus God,” said Montag. “Every hour so many damn things in the sky! How in hell did those bombers get up there every single second of our lives! Why doesn’t someone want to talk about it! We’ve started and won two atomic wars since 2022! Is it because we’re having so much fun at home we’ve forgotten the world?"

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Part 3
Explanation and Analysis—Birds:

One recurring motif in Fahrenheit 451 compares books to birds through similes and metaphors, personification, and imagery. For instance, early in Part 1, Guy conceptualizes of the books he's burning as pigeons:

He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house.

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