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Paradox
Definition of Personification
Personification is a type of figurative language in which non-human things are described as having human attributes, as in the sentence, "The rain poured down on the wedding guests, indifferent... read full definition
Personification is a type of figurative language in which non-human things are described as having human attributes, as in the sentence, "The rain poured down... read full definition
Personification is a type of figurative language in which non-human things are described as having human attributes, as in the... read full definition
Key Examples in Fahrenheit 451
Part 1
Explanation and Analysis—Symphonies of Burning:
At the beginning of Part 1, Guy enjoys burning down a house. The scene is described vividly through imagery, metaphor, and personification:
It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history.
Explanation and Analysis—Birds:
One recurring motif in Fahrenheit 451 compares books to birds through similes and metaphors, personification, and imagery. For instance, early in Part 1, Guy conceptualizes of the books he's burning as pigeons:
Unlock with LitCharts A+He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house.
Related Themes:
Part 2
Explanation and Analysis—The War:
Throughout Fahrenheit 451, references to the war are both frequent and vague. Planes fly overhead, radios and televisions announce the coming conflict, and characters discuss it. However, no one is worried (including Mildred's friends, who have husbands in the military), and no one has details or seems to care. Who is the war against, and why has fighting begun? This half-explained militarization adds dread to the story.
In Part 2, Guy has a conversation with Mildred in which the motif of the unexplained war comes up explicitly.
Unlock with LitCharts A+“Jesus God,” said Montag. “Every hour so many damn things in the sky! How in hell did those bombers get up there every single second of our lives! Why doesn’t someone want to talk about it! We’ve started and won two atomic wars since 2022! Is it because we’re having so much fun at home we’ve forgotten the world?"
Explanation and Analysis—Guilty Hands:
In Part 2, Guy's guilty conscience over stealing and keeping books is described through the personification of his hands:
Unlock with LitCharts A+In Beatty’s sight, Montag felt the guilt of his hands. His fingers were like ferrets that had done some evil and now never rested, always stirred and picked and hid in pockets, moving from under Beatty’s alcohol-flame stare. If Beatty so much as breathed on them, Montag felt that his hands might wither, turn over on their sides, and never be shocked to life again; they would be buried the rest of his life in his coat sleeves, forgotten.
Related Themes:
Explanation and Analysis—A Welter of Words:
In Part 2, during a conversation with Guy, Beatty personifies and metaphorizes books.
Unlock with LitCharts A+What traitors books can be! You think they’re backing you up, and they turn on you. Others can use them, too, and there you are, lost in the middle of the moor, in a great welter of nouns and verbs and adjectives.
Related Themes:
Part 3
Explanation and Analysis—Birds:
One recurring motif in Fahrenheit 451 compares books to birds through similes and metaphors, personification, and imagery. For instance, early in Part 1, Guy conceptualizes of the books he's burning as pigeons:
Unlock with LitCharts A+He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house.
Related Themes:
