Fallen Angels

by Walter Dean Myers
Richie Perry joins the United States Army and heads for Vietnam as soon as he graduates from his prestigious New York City high school. Despite his intellectual and athletic abilities, as a poor Black teenager from Harlem, he doesn’t have the money to go to college. Moreover, he feels responsible for his little brother Kenny and like he must support his Mama. Though Perry meets people’s definitions of a hero, he struggles to feel heroic, especially as he realizes that the U.S.’s reasons for being involved in Vietnam are less clear than he had hoped. Perry would like to be a writer and a philosopher. He fulfills both dreams, at least in part, while in Vietnam, first by becoming the squad’s unofficial writer, sending short but meaningful letters to fallen soldiers’ loved ones. And his reflections on what it means to be a human in the midst of war’s violence demonstrate his philosophical bent. Perry is afraid the entire time he’s in Vietnam, especially on missions and patrols. Yet despite this, he keeps pushing forward, backing up his team and following his orders. After Perry is shot in the leg, he receives a medical discharge and gets to go home, realizing that he’s not returning as the man he was when he left.

Richie Perry Quotes in Fallen Angels

The Fallen Angels quotes below are all either spoken by Richie Perry or refer to Richie Perry. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
War, Trauma, and Dehumanization Theme Icon
).

Chapter 2  Quotes

Peewee and I had breakfast together. I asked him if he liked the army […]

“You got all this chickenshit to go through,” he said. “And I don’t like that. But this is the first place I ever been in my life where I got what everybody else got.”

“What does that mean?”

“Back home when everybody got new sneakers, I didn’t get none,” Peewee said. “Either Moms didn’t have the money, or she had the money, and we had to get some other stupid thing, like food. When everybody got a bike, I didn’t get one ’cause there was no way we could get the money for a bike. But anything anybody got in the army, I got. You got a gun, I got a gun. You got boots, I got boots. You eat this lousy-ass chip beef on toast, guess what I eat?”

“Lousy-ass chip beef on toast,” I said.

Related Characters: Peewee (Harold Gates) (speaker), Richie Perry (speaker), Brunner, Walowick
Page Number and Citation: 15
Explanation and Analysis:

Chapter 3 Quotes

Sometimes, when I was tired and the competition was really rough, things would change for me. There would be a flow of action around me and it would seem as if I were outside of myself, watching myself play ball, watching myself try to establish a place for myself on the hard park courts. It was then that I would feel a pressure to give in, to let a rebound go over my head, to take the outside shot when I knew I had to take the ball inside. I told Kenny about the feeling and he hadn’t understood it. I told Mrs. Liebow, my English teacher, and she said it was what separated heroes from humans, the not giving in, and I hadn’t understood that. It was a weakness in my game, not about being a hero.

Related Characters: Richie Perry (speaker), Mrs. Liebow, Kenny
Page Number and Citation: 35-36
Explanation and Analysis:

Chapter 4 Quotes

“You call that a sport?” Monaco asked. “I mean, there you are, you gotta weigh two hundred pounds, and you got a rifle, and you’re against a squirrel that weighs maybe two or three pounds, and he ain’t got nothing.”

“Man, it’s a damn sport!” Simpson protested […]

“The way I figure it,” Monaco went on, “if you hunt a squirrel with a rifle, what do you hunt a bear with? Artillery?”

“Call in some white phosphorous on him,” Brew said. “That’ll get his attention until the jets zero in.”

[…]

“You don’t know nothing about no hunting!” Simpson was getting pissed. “You don’t know what hunting is!”

“What he’s trying to say […] is that the white phosphorous is enough. After it burns the bear’s ass off, then the good sergeant will finish him off with a couple of frag grenades,” [said Lobel].

[…] Sergeant Simpson got up and left the hooch.

Related Characters: Monaco (speaker), Simpson (speaker), Lobel (speaker), Brewster (Brew) (speaker), Richie Perry
Page Number and Citation: 49-50
Explanation and Analysis:

The village was a good ten minutes away and everybody seemed relaxed. I wasn’t. I was scared.

I had never thought of myself as being afraid of anything. I thought I would always be a middle-of-the-road kind of guy, not too brave, but not too scared, either. I was wrong. I was scared every time I left the hooch.

On the way to the chopper, I found myself holding my breath. I kept thinking of the noise I had heard when Jenkins got it. By the time we took off I was panting.

Related Characters: Richie Perry (speaker), Jenkins
Page Number and Citation: 50
Explanation and Analysis:

Chapter 6 Quotes

“Hey, Lobel, I didn’t mean anything,” I said. “I guess I’m just a little nervous.”

“No sweat […] I’m a little nervous, too. I’d be real nervous, except I know none of this is real and I’m just playing a part.”

“What part are you playing?”

“The part where the star of the movie is sitting in the foxhole explaining how he feels about life and stuff like that. You never get killed in movies when you’re doing that. Anytime you get killed in a movie, it’s after you set it up.”

“You play a part when we were on patrol?”

“That wasn’t a patrol […] that was a firefight […] Anytime anybody is getting shot at it’s a firefight. […] Anyway, I was playing Lee Marvin as a tough sergeant. That’s my best part.”

Related Characters: Richie Perry (speaker), Lobel (speaker)
Page Number and Citation: 71-72
Explanation and Analysis:

Chapter 7 Quotes

An image of the VC we had killed flashed through my mind. I wondered if he had a family? Had he been out on a patrol? When did he know he was going to die?

What was worse than thinking about him dead was the way we looked at him. At least we had cared for Jenkins, had trembled when he died. He was one of us, an American, a human. But the dead Vietnamese soldier, his body sprawled out in the mud, was no longer a human being. He was a thing, a trophy. I wondered if I would become a trophy.

“We won.” Walowick came in after the volleyball game and sat on the edge of the bunk. “They’re paying us off in beer.”

“Way to go,” I said.

“You okay?”

“Yeah.”

“Seeing that dead gook mess you up some?”

“A little,” I said. “Maybe even more than Jenkins.”

“Who’s Jenkins?”

Related Characters: Richie Perry (speaker), Walowick (speaker), Jenkins
Page Number and Citation: 85-85
Explanation and Analysis:

“[Walowick] called [Johnson] a cootie, sir,” [I said.]

“A what?” [Captain Stewart asked.]

“That’s what he called me,” Johnson said.

“What the fuck’s a cootie?”

“It’s a bug,” Walowick said.

“That’s like calling me a nigger,” Johnson said.

“Is that a racial thing?” Captain Stewart looked at Walowick.

“A cootie’s a cootie,” Walowick shrugged. “He shouldn’t have called me no farm boy. If he calls me a farm boy, I’m gonna call him a cootie again.”

That’s when Johnson hit Walowick again, and the fight started again. This time Lieutenant Carroll got out of the way. When the fight was over, Captain Stewart told them both to stop talking to each other. That was that.

Related Characters: Johnson (speaker), Walowick (speaker), Richie Perry (speaker), Stewart (speaker), Lieutenant Carroll
Page Number and Citation: 91-92
Explanation and Analysis:

Chapter 8 Quotes

[The wounded] were all over the place. The medics were so busy they were just tagging guys. The ones they thought they could save they worked on, the others they marked their wounds down. One kid, the angry stain of blood on his T-shirt growing with every breath, watched calmly as the medic wrote up the tag. The medic tied it to his lapel and patted the kid’s shoulder. When the medic left, the kid tried to read the tag without taking it off.

If there were time—if the medic had finished with the one he was fairly sure he could save—he would come back to the kid to see what he could do […] One guy had a plasma bottle strapped to his helmet. He was going through his pockets looking for matches to light his cigarette. He found them but they were soaked through with his own blood. Scotty lit his cigarette.

Related Characters: Richie Perry (speaker), Scotty, Doyle
Page Number and Citation: 103-104
Explanation and Analysis:

Chapter 9 Quotes

Then I asked him about the letter.

“You know why that letter sucks?” he asked.

“How come?”

“Because I joined the friggin’ army in the first place so he would stop thinking I was a faggot,” Lobel said. “Now he thinks I’m a creep because I’m in the army.”

“What the hell does he know?”

“You know what I hope?” Lobel asked. “I hope I get killed over here so he has to fit that shit between his vodka martinis.”

“The next time we call for artillery, we’ll aim it right at your pad at home,” I said.

“You know what that jackass doesn’t know?” Lobel said, looking away from me, “He don’t know that now I can go back home and blow him away. That’s what I’m fucking trained for man. That’s what I’m fucking trained for.”

Related Characters: Lobel (speaker), Richie Perry (speaker)
Related Symbols: Letters
Page Number and Citation: 117
Explanation and Analysis:

Chapter 11 Quotes

The war was different now. Nam was different. Jenkins had been outside of me, even the guys in Charlie Company had been outside. Lieutenant Carroll was inside of me, he was part of me. Part of me was dead with him. I wanted to be sad, to cry for him, maybe bang my fists against the sides of the hooch. But what I felt was numb. I just had these pictures of him walking along with us on patrol or sitting in the mess area, looking down into a coffee cup. It was what I was building in my mind, a series of pictures of things I had seen, of guys I had seen. I found myself trying to push them from my mind, but they seemed more and more a part of me.

Related Characters: Richie Perry (speaker), Lieutenant Carroll , Jenkins
Page Number and Citation: 136-137
Explanation and Analysis:

“The guy’s got to be a spook,” Gearhart said. “You know, CIA.”

“What do they do over here?” Monaco asked.

“Below the DMZ they do pacification stuff, look around to see who is infiltrating, that kind of thing. Then they do a lot of stuff above the ’Z. The navy guys slip them in on the west and the Green Berets slip them around the ’Z through Laos. Down here she’s probably his cover.”

“Is the kid a spook, too?” Monaco asked.

“Who knows?” Gearhart answered. “This is a funny war.”

I didn’t like the idea of having people who were civilians around. It just didn’t seem right somehow.

Related Characters: Monaco (speaker), Richie Perry (speaker), Gearhart (speaker)
Page Number and Citation: 139-140
Explanation and Analysis:

Chapter 12 Quotes

“You trying to figure out who the good guys, huh?” Johnson spoke slowly. “So what you come up with?”

“I guess somebody back home knows what they’re doing,” I said. “What it means and everything. You talk about Communists—stuff like that—and it doesn’t mean much when you’re in school. Then when you get over here the only thing they’re talking about is keeping your ass in one piece.”

“Vietnam don’t mean nothing, man,” Johnson said. “We could do the same thing someplace else. We just over here killing people to let everybody know we gonna do it if it got to be done.”

“That might be a good reason to be over here,” I said.

“That’s for people like you to mess with,” Johnson said.

“I don’t know about that.”

“Then why you messin’ with it?”

Related Characters: Johnson (speaker), Richie Perry (speaker), Walowick
Page Number and Citation: 148-149
Explanation and Analysis:

Chapter 14 Quotes

“You know, I never thought much about black people before I got into the army. I don’t think I was prejudiced or anything—I just didn’t think much about black people.”

“Well, we’re here,” I said.

“I think I should let his parents know what happened […] I don’t want to be let off the hook.”

“The letter I wrote […] is going to sit better with his family. You might feel bad, like you need to get something off your chest, but don’t drop it on his folks. It’s going to be hard enough just having him dead.”

He looked at me, then pushed the letter across the table. “Yeah, I guess you’re right.”

I wanted to be pissed at him. I wanted to think that he was crap because of what he said about black people. But the only thing I could think about was that I was glad it was Turner, and not me.

Related Characters: Gearhart (speaker), Richie Perry (speaker), Nate Turner, Stewart, Mrs. Carroll, Lieutenant Carroll
Related Symbols: Letters
Page Number and Citation: 172
Explanation and Analysis:

The village looked like the one they had constructed for practice at Fort Devens. Only here there were real people […]

There was a sense of panic in the air. We had our weapons ready. Sergeant Simpson was telling us not to kill the civilians. I didn’t consciously want to kill anybody, anything. But I felt strange. The sight of all the bodies lying around, the smell of blood and puke and urine, made my head spin, pushed me to a different place. I wanted to fire my weapon, to destroy the nightmare around me. I didn’t want it to be real, this much death, this much dying, this waste of human life. I didn’t want it.

Related Characters: Richie Perry (speaker), Simpson
Page Number and Citation: 177-177
Explanation and Analysis:

Later we went to the recreation hooch and watched the news. It was all about President Johnson trying to get a bill passed to help the urban poor, and then something about the Pueblo, which had been taken over by the North Koreans. Then there was a big thing on the Super Bowl, and whether or not the Packers had a dynasty going. It wasn’t real that people were thinking about things like that when all this shit was going on. It just wasn’t real.

Related Characters: Richie Perry (speaker), Peewee (Harold Gates)
Page Number and Citation: 184-185
Explanation and Analysis:

I had come into the army at seventeen, and I remembered who I was, and who I was had been a kid. The war hadn’t meant anything to me then, maybe because I had never gone through anything like it before. All I had thought about combat was that I would never die, that our side would win, and that we would all go home somehow satisfied. And now all the dying around me, and all the killing, was making me look at myself again, hoping to find something more than the kid I was. Maybe I could sift through the kid’s stuff, the basketball, the Harlem streets, and find the man I would be. I hoped I did it before I got killed.

Related Characters: Richie Perry (speaker), Kenny, Mama
Page Number and Citation: 187
Explanation and Analysis:

Chapter 15 Quotes

Lobel damned near dragged Jamal into our hooch.

“Go ahead, tell him what you heard,” Lobel said to Jamal.

“Sergeant Simpson and Captain Stewart got into a fight,” Jamal said. “Captain Stewart told Sergeant Simpson that if he didn’t shut up and get out he was going to bust him down to private.”

[…]

“What they fighting about?” Johnson asked.

[…]

“He found out that Captain Stewart is volunteering Alpha Company all over the place. He asked him what he’s doing that for, and Captain Stewart said that if he didn’t want to fight, he shouldn’t have extended.”

What Jamal said went down hard. We didn’t mind doing our part because it had to be done, even though we didn’t have answers to why we were doing it.

But nobody wanted to go out and risk their lives so that Stewart could make major.

Related Characters: Richie Perry (speaker), Johnson (speaker), Lobel (speaker), Jamal (speaker), Simpson, Stewart
Page Number and Citation: 199-200
Explanation and Analysis:

Chapter 17 Quotes

“Sometimes,” he said, “prayer can be very comforting. I wonder if any of you men would like to pray with me?”

“No,” I said.

“Why not?”

“You wouldn’t understand if I told you,” I said.

“Try me,” he said.

“I just don’t want to pray,” I said.

“Figure you don’t want to make your peace if you’re not ready to die?”

I smiled. I had to smile. He was right and he knew it. “Something like that.”

“You ever go into combat?”

“Into combat? Yes. I’ve never fired a weapon at anyone, though.”

“You figure if you don’t shoot at anybody, God’s going to take care of you?”

“I don’t know,” he said. “I sure as hell hope so.”

Related Characters: Richie Perry (speaker), Father Santora (speaker), Brewster (Brew)
Page Number and Citation: 223
Explanation and Analysis:

Chapter 18 Quotes

Peewee skipped his meals the rest of the day. Monaco tried to talk to him, but he wouldn’t answer. It was Johnson who finally got him to talk.

“Hey, Peewee?”

“What?”

“You care anything about these damn kids over here, man?”

“They got kids over here?” Peewee asked.

“Naw, man, all they got is Congs,” Johnson said. “Congs and mosquitos.”

“And rats,” Walowick added.

“Yeah.”

“Hey, Peewee,” I said. “It’s okay to feel bad about what’s going on over here, man. It’s really okay.”

“Me? Feel bad?” Peewee turned over in his bunk and pulled his sheet up around his shoulders. “Never happen.”

Related Characters: Johnson (speaker), Peewee (Harold Gates) (speaker), Walowick (speaker), Richie Perry (speaker), Monaco, An Linh
Page Number and Citation: 232
Explanation and Analysis:

Chapter 19 Quotes

The mortar shells landed behind us. They were long again. Long but walking. They had spotters who saw where the shells were landing, and who were directing the fire. They kept shortening up the range to get closer and closer to us. And the shells were coming fast.

The noise was terrible. Every time a mortar went off, I jumped. I couldn’t help myself. The noise went into you. It touched parts of you that were small and frightened and wanting your mommy. Being away from the fighting had weakened my stamina. It did even more to my nerves. I was shaking. I had to force myself to keep my eyes open.

Related Characters: Richie Perry (speaker)
Page Number and Citation: 243-244
Explanation and Analysis:

“He forgot the tags,” Gearhart said. “He left them in the hut.”

“How they gonna let their folks know they dead?” Peewee said.

Gearhart didn’t answer.

What would they do for a body? Would they send home an empty coffin? Would they scrounge pieces from Graves Registration? What would they say to their parents? Their wives? We lost your son, ma’am. Somewhere in the forests he lies, perhaps behind some rock, some tree?

We burned his body, ma’am. In a rite hurried by fear and panic, we burned what was left of him and ran for our own lives.

Yes, and we’re sorry.

Perhaps they would tell them nothing. Not having a body in hand, not having the lifeless form to send with the flat, they would not acknowledge that there was a death at all.

Yes, and we’re sorry.

Related Characters: Gearhart (speaker), Richie Perry (speaker)
Page Number and Citation: 256
Explanation and Analysis:

Chapter 20 Quotes

I just told him that war was about us killing people and about people killing us […] I had thought this war was right, but it was only right from a distance. Maybe when we all got back to the World and everybody thought we were heroes for winning it, then it would seem right from there. Or maybe if I made it back and I got old I would think back on it and would seem right from there. But when the killing started, there was no right or wrong except in the way you did your job, except in the way that you were part of the killing.

What you thought about, what filled you up more than anything, was the being scared and hearing your heart thump in your temples and all the noises, the terrible noises, the screeches and the booms and the guys crying for their mothers or their wives.

Related Characters: Richie Perry (speaker), Kenny, Peewee (Harold Gates)
Related Symbols: Letters
Page Number and Citation: 269-270
Explanation and Analysis:

Chapter 22 Quotes

Thoughts came. What would Morningside Avenue look like now? It would be day and the park would be filled with kids, their screaming and laughter would slide along the light beams into the helter skelter world of monkey bars and swings. On the courts there would be a tough game. Black bodies sweating and grunting to get the points that would let them sweat and grunt in the sun for another game. It wasn’t real. None of it was real. The only thing that was real was me and Peewee, sitting in this spider’s grave, waiting for death.

[…]

Pray.

God….What to pray? What to tell God? That I’m scared? […] That I didn’t want to die? That I was like everybody else over here, trying to cling to a few more days of life?

Peewee moved, adjusted position.

“I got to shit,” he said.

Related Characters: Richie Perry (speaker), Peewee (Harold Gates) (speaker), Brewster (Brew)
Page Number and Citation: 289
Explanation and Analysis:

It was Monaco. He was sitting against a tree. He had his head in his hands. His piece was about ten meters in front of him. I wanted to go to him, but Peewee stopped me.

“He ain’t sitting there for nothing,” he said.

I looked around. Nothing. What the hell was wrong with this damn war? You never saw anything. There was never anything until it was on top of your ass, and you were screaming and shooting and too scared to figure out anything.

Related Characters: Richie Perry (speaker), Peewee (Harold Gates) (speaker), Monaco
Page Number and Citation: 295
Explanation and Analysis:

Chapter 23 Quotes

I got to sit up in a wheelchair, and the leg felt all right in spite of the cast. It felt good. I hoped it wasn’t. I could make it with a limp. I just didn’t want to go back to the boonies anymore.

We got a call from Lieutenant Gearhart on the ham radio network. He told us the other guys in the squad were all right. It was nice of him to call us, but it wasn’t true. Monaco wasn’t all right. Monaco was like me and Peewee. We had tasted what it was like being dead. We had rolled it around in our mouths and swallowed it and now the stink from it was coming from us. We weren’t all right. We would have to learn to be alive again.

He also told us that Captain Stewart had been promoted.

Related Characters: Richie Perry (speaker), Peewee (Harold Gates), Monaco, Stewart, Gearhart
Page Number and Citation: 304
Explanation and Analysis:
Get the entire Fallen Angels LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Fallen Angels PDF

Richie Perry Character Timeline in Fallen Angels

The timeline below shows where the character Richie Perry appears in Fallen Angels. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1 
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...any “Congs” that might otherwise have been lying in wait there, Judy Duncan and Richie Perry make small talk. He’s from New York and she’s from outside of Dallas, Texas. They... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
...onto the plane, Judy goes to sit with the other nurses who joined at Anchorage. Perry feels too nervous to eat the dinner served shortly after the plane takes off. He... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...where confused cafeteria employees refuse to honor the meal tickets handed out by a lieutenant. Perry and the rest have to buy their own dinners. Some sleep on benches at the... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...the final leg of the trip, conversations get quieter. Shortly before they land, Judy wishes Perry good luck. And then Perry finds himself standing in hot, bright, muggy Vietnam. Judy and... (full context)
War, Trauma, and Dehumanization Theme Icon
In the hooch (slang for barracks), Perry asks Gates—who goes by Peewee—if he found any of the “Congs” he was looking for... (full context)
Chapter 2 
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
After a sergeant puts out the lights, Peewee asks Perry what he did “back in the World.” Perry says he joined up after he graduated... (full context)
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
In the morning, Perry asks Peewee if he likes the army. Peewee replies that he likes having the exact... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Nine days after he arrived, Perry still hasn’t gotten an assignment. He and Peewee hang out on base, trying to avoid... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...swarms of mosquitos attack the soldiers. The lieutenant forgot to mention their army-issued insect repellant. Perry, Peewee, Jenkins, and another guy will go north to join the 196th at Chu Lai.... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Peewee swears he’ll be the first one to kill a “Cong,” and Perry says Peewee can have them all. He admits he’s scared. Peewee says he isn’t; he’s... (full context)
Chapter 3
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...Lai wear crisp, ironed uniforms and have an urgent attitude; Jenkins secretly imitates them, to Perry’s and Peewee’s glee. As soon as their truck leaves the  outer checkpoint, it picks up... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...for “the Deep Boonies” (what the soldiers call the Vietnamese countryside near the front lines), Perry tries to ask the unit captain about his medical profile. The captain doesn’t know about... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
In the middle of the night, the sound of artillery wakes Perry. Outside the hooch, he sees flares  in the distance, breaking like beautiful and brilliant flowers... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
When they land, the captain of Alpha Company (later identified as Stewart) talks to Perry about his medical profile, which still hasn’t arrived. Anyway, he tells Perry, the war is... (full context)
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
Perry remembers running around the track at Stuyvesant High School with his English teacher’s words ringing... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...come to violence. The sergeant, a tall, thin-faced Black man named Simpson, tells the “cherries” (virgins)—Perry, Peewee, Johnson, and Jenkins—that he has just 120 days left in Vietnam and he’s not... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...climb into a chopper, and fly to a landing zone, or LZ, in the hills. Perry feels excited and scared. He hopes his knee won’t give out. He remembers the army... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...the camp perimeter carefully, sticking to a well-defined path free of defensive landmines. But suddenly, Perry hears a woosh and screaming. After a moment of panic and chaos, Simpson orders everyone... (full context)
Chapter 4
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Faith and Hope Theme Icon
...hut, the clerk takes a body bag off a tall stack and hands it to Perry. Perry asks how many bags the base has on hand but gets no answer. He... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Reality and Fiction Theme Icon
Perry writes a letter to Mama about Jenkins’ death. He tears it up. He doesn’t want... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...relations work, or “Chieu Hoi,” which Peewee calls “chewing the whores.” Everyone seems relaxed, but Perry is scared—just like he is every other time he leaves the hooch. When they reach... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...in an attempt to “make them love [the Americans],” Captain Stewart says with a smirk. Perry and Lobel give chocolate bars to a Vietnamese woman with a girl so tiny and... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry and Peewee eat the night’s dinner—roast beef, mashed potatoes, and carrots—outside, under a tree, while... (full context)
Chapter 5
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Time passes, and anticipation for the war’s end grows. Perry gets a letter from Mama, full of complaints about her swollen feet. Peewee says that... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...negotiations and how the Americans are winning. They hear stories of other units fighting, and Perry wonders what it feels like to shoot a Vietcong fighter. (full context)
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
Perry mostly wants to shoot an enemy in the abstract, so that he can say he... (full context)
Race, Identity, and Belonging Theme Icon
...calls Stewart to the HQ tent, and everyone starts running, except for Lieutenant Carroll. When Perry points out that the other officers went to HQ, Carroll quietly remarks that they know... (full context)
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
But the choppers arrive before Carroll can make it to his hooch. Perry’s stomach tightens with fear, and he wills himself to relax. Sergeant Simpson rounds up Alpha... (full context)
Perseverance and Heroism Theme Icon
Faith and Hope Theme Icon
As they prepare to board the choppers, Peewee whispers to Perry that Charlie Company must have been out in the jungle all night. In the rush... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Monaco, with a last-minute prayer, leaps out of the door, followed by Carroll and Johnson. Perry realizes to his surprise that they’re still 10 feet above the ground. He jumps and... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Lieutenant Carroll pulls Perry aside to talk about his medical profile. Perry explains that his knee isn’t bothering him... (full context)
Chapter 6
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
That night, Perry gets his first guard duty with Lobel. Perry seems so nervous that Lobel asks him... (full context)
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
Lobel’s uncle is a film director. Contrary to Perry’s assumption, Lobel wasn’t drafted. While he waits to see if Lobel will tell the long... (full context)
Race, Identity, and Belonging Theme Icon
Reality and Fiction Theme Icon
Lobel breaks Perry’s reverie. He asks if Perry has a girlfriend. When Perry says no, Lobel offers to... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...the domino theory—that if Vietnam falls to the Communists, the rest of Asia might follow. Perry says that Americans can choose between defending their country abroad now or face fighting on... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...lurks among the trees. Then, Lobel sees him too, and the whole squad opens fire. Perry can’t see anything, but he decides to shoot anyway; he raises his rifle and pulls... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry avoids looking at the dead fighter after Brunner throws him into the chopper. The news... (full context)
Chapter 7
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Reality and Fiction Theme Icon
Jamal, the camp medic, distributes the weekly malaria pills and congratulates Perry on getting three Vietcong fighters. Perry clarifies that they got one. But the medic saw... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Walowick and Perry set up a chessboard as Jamal returns with the report, which clearly notes three confirmed... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
That night, Perry can’t sleep because he can’t stop thinking about the dead Vietcong fighter. He tries to... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
By the next day, Perry has recovered enough to pay attention to the excitement in camp. He hears that a... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Peewee asks Perry to help him write a letter to the girlfriend, Earlene, who broke up with him... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Faith and Hope Theme Icon
Late that night, the rancid smell of the insect repellant wakes Perry up and he watches Brew praying. This reminds Perry that he should start again, too—he... (full context)
War, Trauma, and Dehumanization Theme Icon
In the morning, Perry wakes to the sound of incoming helicopters. Outside the mess tent, he asks Lieutenant Carroll... (full context)
Chapter 8
War, Trauma, and Dehumanization Theme Icon
Faith and Hope Theme Icon
Lieutenant Doyle of Charlie Company tells Perry that they’re going on sector patrol to establish their presence in the jungle, not to... (full context)
War, Trauma, and Dehumanization Theme Icon
Faith and Hope Theme Icon
The choppers finally arrive. As they approach the landing zone, Perry can see muzzle blasts twinkling in the jungle below. Scotty assures him that if he... (full context)
War, Trauma, and Dehumanization Theme Icon
...meters away in the jungle. As he opens the ammo box and Scotty starts firing, Perry realizes he isn’t scared. After what seems like a long time, Doyle calls a ceasefire;... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Perry and the rest of the fourth platoon walk slowly across the fields towards the first... (full context)
War, Trauma, and Dehumanization Theme Icon
Lieutenant Carroll meets Perry when he returns to camp. He shakes his head over the tragedy. In the hooch,... (full context)
Chapter 9
War, Trauma, and Dehumanization Theme Icon
Faith and Hope Theme Icon
...cusses Monaco out. Then they all laugh, except Brunner and Brew, who’s still loudly praying. Perry doesn’t like that; he doesn’t want Brew to get closer to God than him. (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...He warns the men not to mess with village women or shoot each other accidentally. Perry still has intrusive thoughts of his patrol with Charlie Company. And every time he leaves... (full context)
War, Trauma, and Dehumanization Theme Icon
Perry leaves Lobel and catches up to Simpson. He wonders aloud what the Vietnamese people think... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...village passes uneventfully. They find some medicinal salve. Brunner steals a small statue and when Perry calls him out on it, Johnson appears from nowhere—he has a sixth sense for when... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...letter from his father, condemning him for participating in an unjust war. Later, Lobel tells Perry that he volunteered to make his father stop thinking he was “a faggot;” now his... (full context)
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
...ages—visit camp from the American Red Cross to chat and distribute care packages. One embarrasses Perry when she asks what he plans to do after the war, and he can’t answer.... (full context)
Chapter 10
War, Trauma, and Dehumanization Theme Icon
...to the village, which runs through a small cemetery. They put mines in the cemetery. Perry digs in behind his five insufficient sandbags. The night grows dark and still. It’s 10:30... (full context)
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
Perry tells himself he’s bored. He rolls over and pees downhill, too scared to stand up... (full context)
War, Trauma, and Dehumanization Theme Icon
...tells them to hold their fire while Carroll sends up a flare.  By its light, Perry sees dead and dying Vietcong fighters on the ground. Peewee finds one body just outside... (full context)
Faith and Hope Theme Icon
Perry can’t stop shaking. Peewee tries to hold Perry’s hands still. Eventually, someone leads them to... (full context)
Chapter 11
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...talk about the shock and pain of Lieutenant Carroll’s death. Back at camp, Simpson asks Perry to write a letter to Carroll’s family. Perry goes through Carroll’s personal things, looking at... (full context)
War, Trauma, and Dehumanization Theme Icon
The next day passes in idleness, like so many others. Perry begins to realize that war entails hours of boredom punctuated by seconds of terror. Lobel... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Sergeant Simpson fetches Perry for Captain Stewart. When Perry gets to the HQ tent, he finds Stewart, two colonels,... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Before Perry leaves HQ, an orderly casually comments that the NVA soldier probably thinks that the Americans... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...promoted from private to corporal. Everyone says the infantry is running short on soldiers, too. Perry desperately wants to talk about Carroll’s death, to figure out why it happened. But Peewee... (full context)
War, Trauma, and Dehumanization Theme Icon
...Gearhart suspects that the team are CIA operatives using the woman and kid as cover. Perry doesn’t like the idea of civilians in a war zone. (full context)
War, Trauma, and Dehumanization Theme Icon
They take trucks—the only thing worse than helicopters, in Perry’s opinion, because the Vietcong can shoot you right through the walls—to a hamlet, where the... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Mama sends a letter to Peewee, who refuses to tell Perry what it says. Perry worries that he upset Mama by telling her about Carroll’s death;... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...hooch to keep the light from the television from shining out. They watch a Christmas movie—Perry has forgotten that it’s almost Christmas—and then the news comes on, featuring the footage from... (full context)
Chapter 12
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...Canada when his number came up, but he was afraid to go. His confession shakes Perry’s nerves, because he understands: sometimes it’s harder to stand alone than to go with the... (full context)
War, Trauma, and Dehumanization Theme Icon
That night, Vietnamese forces hit the camp with a rocket attack. Perry wakes up to the sound of explosions and his own screaming. He scrambles with everyone... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Unable to sleep, Perry sits outside of the bunker. Johnson joins him, and he asks what Perry thinks of... (full context)
Chapter 13
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Faith and Hope Theme Icon
As Christmas of 1967 approaches, Peewee and Perry debate having sex with Vietnamese girls before they go home. Everyone, including Jamal—whose opinion Perry... (full context)
Reality and Fiction Theme Icon
...the Americans directly. Artillery and small arms fire become incessant, and jets scream overhead frequently. Perry feels as if these loud noises infiltrate his very body. Sometimes he can still hear... (full context)
War, Trauma, and Dehumanization Theme Icon
...enemy movements at night. Six “new brothers” join them, including two—Nate Turner and Darren Lewis—on Perry’s squad. Sergeant Simpson only has 22 days left when they make their first patrol under... (full context)
War, Trauma, and Dehumanization Theme Icon
Simpson puts Monaco up front and Peewee and Perry at the rear, facing toward the rice paddies to prevent the Vietcong from sneaking up... (full context)
Reality and Fiction Theme Icon
Then Perry lies on the wet ground and waits. He wonders if the army has really started... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Perry hears bullets whining over his head and he can see what looks like a whole... (full context)
War, Trauma, and Dehumanization Theme Icon
When the chopper finally arrives, Peewee climbs in first, followed by Monaco and Perry. Perry twists to give the next guy—Walowick—a hand, but Walowick’s rifle fires just then, sending... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...Vietcong turned the claymore around, why didn’t it hit the squad when it went off? Perry suddenly realizes that he’d set it up wrong in the first place, pointing it back... (full context)
Chapter 14
Reality and Fiction Theme Icon
Perry thinks about what happened. For the first time, the squad had been “in the middle... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
Jamal fetches Perry for Captain Stewart, who wants to know if Lieutenant Gearhart messed up and how many... (full context)
War, Trauma, and Dehumanization Theme Icon
...psychological one. Intelligence reports indicate that the VC plan to hit the village assigned to Perry’s squad at 6:00 p.m. the next day. Attacking in broad daylight demonstrates the VC’s rising... (full context)
War, Trauma, and Dehumanization Theme Icon
...Company to secure and hold the village all by itself.  As he hits the ground, Perry sees that some of the huts are already on fire. The Vietcong have already struck.  (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry thinks that the village looks like the practice village constructed at Fort Devens. But there’s... (full context)
War, Trauma, and Dehumanization Theme Icon
...wounded. But it’s impossible to relax fully as they step around all the dead bodies. Perry can’t get the image of two old men, embracing each other in death, out of... (full context)
War, Trauma, and Dehumanization Theme Icon
...a note of any apparent Vietcong fighters that he can add to his body count. Perry goes looking for An Linh, whom he finds alive. But he can’t find her mother,... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Simpson bursts into the hut. Perry finally lowers his rifle and looks at the Vietnamese man, lying on the ground with... (full context)
War, Trauma, and Dehumanization Theme Icon
Perry watches the village burn and thinks about the man he killed. He thinks about the... (full context)
War, Trauma, and Dehumanization Theme Icon
...under him as he jumps down from the chopper. Gearhart tries—and fails—to make small talk; Perry finds relief in the fact that Gearhart seems as shaken as the rest of them.... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...real that anybody could care about such unimportant things in light of  “all this shit.” Perry can’t sleep. He can’t forget how quietly the Vietcong fighter snuck up on him in... (full context)
War, Trauma, and Dehumanization Theme Icon
...Seattle, describing how she got burned when the coffee urn at her workplace blew up. Perry gets a letter from Mama. He clings to his people back in the World desperately,... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry has ongoing nightmares about being in the village hut. In his dream, he cannot move... (full context)
Chapter 15
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry tries to write a letter to Kenny about killing the Vietcong soldier, because he wants... (full context)
War, Trauma, and Dehumanization Theme Icon
Faith and Hope Theme Icon
...a watercraft unit are there, tasked with teaching ARVN soldiers how to maintain their equipment. Perry hopes that the American forces will finish training the ARVN troops soon, hand the war... (full context)
War, Trauma, and Dehumanization Theme Icon
Night patrol at Perry’s first post is scary, as night patrol here is “something else.” Their first mission involves... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Faith and Hope Theme Icon
Simpson tells the soldiers not to think or daydream, but to keep alert. Perry tries, but in the darkness, he can’t stop his imagination from playing tricks on him,... (full context)
War, Trauma, and Dehumanization Theme Icon
...that before Gearhart and Simpson round them up and they head back to base, where Perry overhears Gearhart calling up the chain, reporting that they’d encountered at least a battalion’s worth... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...quick way to get a promotion; others seem to like the thrill of mortal danger. Perry knew a kid like the thrill-seekers back home, but no one went to his funeral... (full context)
War, Trauma, and Dehumanization Theme Icon
Perry can tell that the action is picking up all over; the sounds of artillery start... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...apologetic letter to his father and stashes it with his other belongings in the hooch. Perry wonders if his own father would be proud of him. Vietcong forces have laced the... (full context)
War, Trauma, and Dehumanization Theme Icon
Perry nearly panics when the dense underbrush pulls his M-15 from his hands. Then, as Simpson... (full context)
Chapter 16
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Perry isn’t in pain, but he can’t move. Around him, chaos and confusion reign. Jamal checks... (full context)
War, Trauma, and Dehumanization Theme Icon
Perry hears a distant voice calling his name as he wakes up in the hospital. A... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
At the hospital, Perry hears gossip that Vietcong forces in the north now have tanks. He reads books to... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
One day, Perry wakes up to find Judy Duncan at his bedside. She recognized him on her rounds... (full context)
War, Trauma, and Dehumanization Theme Icon
...the chaplain tells the soldiers they’re fighting for the highest reason known to man—defending freedom. Perry sends his medal to Kenny along with a letter promising to do normal things together,... (full context)
Chapter 17
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Perry finds Alpha Company camped out between Tam Ky and Highway 1 with a bunch of... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Faith and Hope Theme Icon
It rains for seven days straight after Perry gets back to the squad, soaking everything and turning the ground to mud. Dongan barely... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...he’s keeping the machine gun, and Gearhart must separate them before they come to blows. Perry and Peewee promise to back Johnson if there’s racial trouble. Perry worries about the squad... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Perry, Peewee, Lobel, and Dongan go to the guard foxhole. Perry strains to hear approaching enemies... (full context)
Perseverance and Heroism Theme Icon
Back at the hooch, Lobel approaches Peewee and Perry and asks if they think the unit will have a race problem. Peewee, teasing Lobel... (full context)
...quite knows what that means. Peewee wonders if they’re supposed to kill each “Cong” twice. Perry wonders if this means they’ll start considering everyone—women, babies, old men—the enemy and shooting them... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Perry gets—and burns—a letter from Earlene, still trying to apologize to Peewee for abandoning him. He... (full context)
War, Trauma, and Dehumanization Theme Icon
One rainy Tuesday, as Peewee, Perry, and others play poker with some guys from Charlie Company—although it’s barely got enough men... (full context)
Chapter 18
War, Trauma, and Dehumanization Theme Icon
...“over here.” Peewee and Johnson decide that there are no kids, just “Congs and mosquitos.” Perry tries to tell Peewee it’s okay to feel bad about what’s going on, but Peewee... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...the difference of a few inches might have meant permanent disability or death. Johnson joins Perry at breakfast bearing gossip about a fight between Captain Stewart and the ARVN colonel. Johnson... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...scrambles to find the shooter, pinning him with machine guns and calling in mortar shells. Perry estimates it must have cost $10,000 to kill the sniper. Peewee joins Perry and Johnson... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...first landing zone, so the choppers drop the soldiers in a secondary, makeshift landing zone. Perry can hear enemy mortar fire, but the shells whistle overhead without detonating. He guesses that... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
The men dig in at their new position. Perry catches Lobel staring with expressionless eyes into the distance. Lobel smiles—without losing the blankness of... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry and the others watch the company of Vietnamese soldiers approach the hill bunched too close... (full context)
Perseverance and Heroism Theme Icon
...have to clear it of Vietcong forces first. Stewart and Gearhart order them to march. Perry knows they’ve reached the perimeter of the village when they start taking fire again. By... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Perry feels exhausted, but he knows his only options—the only options for any of them—are to... (full context)
War, Trauma, and Dehumanization Theme Icon
...American and ARVN soldiers set up a perimeter and wait for the helicopters to arrive. Perry feels cold and exhausted. He looks at his watch and realizes that less than half... (full context)
Chapter 19
War, Trauma, and Dehumanization Theme Icon
...insists soldier’s friends must “take care of” him. A moment later, from outside the hut, Perry hears a single gunshot. (full context)
War, Trauma, and Dehumanization Theme Icon
The soldiers set the hut with the bodies ablaze with a flame thrower. Perry knows he’ll never forget the smell of burning human flesh. As they retreat, Gearhart asks... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
...of the trees and the ARVN troops skirting the open rice paddies. As nightmarish as Perry finds it to fight through the trees, it’s still preferable to the open, where the... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Race, Identity, and Belonging Theme Icon
Reality and Fiction Theme Icon
...motions them forward, Jamal remains frozen on the ground. Peewee punches him in the face; Perry and Gearhart drag him to his feet. Perry disassociates from his body again, although he’s... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...an enemy soldier, but not before that man fires a rocket-propelled grenade across the clearing. Perry hits the ground. Dirt and human flesh rain down on him. He fires—accidentally—on the ARVN... (full context)
War, Trauma, and Dehumanization Theme Icon
...overhead, dropping napalm. It falls so close to the American soldiers that its heat scorches Perry’s skin and lungs. Cautiously, the American soldiers move into the smoldering clearing. Atop a pile... (full context)
Chapter 20
War, Trauma, and Dehumanization Theme Icon
...But it’s impossible to relax in the boonies, so near the front lines. Soon after Perry drifts to sleep, he wakes to the sound of Monaco screaming “There they are!” and... (full context)
War, Trauma, and Dehumanization Theme Icon
...Brew’s death, realizes that this dreary, rainy Friday would have been the man’s 19th birthday. Perry stops the hopeless task of trying to clean the mud from his boots and goes... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Gearhart writes three copies of a letter to his wife. He asks Walowick and Perry to hold onto one each and mail it for him if he doesn’t get the... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
Perry asks Peewee if he should write a letter to Kenny telling his little brother what... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Reality and Fiction Theme Icon
...a petty argument with Monaco about whether Monaco is manly enough to get jock itch. Perry starts a letter to Kenny. His letter says that war is not about right and... (full context)
Chapter 21
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Faith and Hope Theme Icon
One Sunday, Perry, Walowick, and Peewee attend the non-denominational service offered by the chaplain. Perry finds it comforting... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
As he listens to the approaching choppers, Perry’s stomach becomes queasy, his arms and legs feel heavy, and his palms start sweating. He’s... (full context)
War, Trauma, and Dehumanization Theme Icon
Faith and Hope Theme Icon
Perry watches Walowick and Lobel crossing the stream and prays to God that, just this once,... (full context)
Race, Identity, and Belonging Theme Icon
...the ridge, then suddenly spins around, opening fire into the stream itself. For a second, Perry thinks Monaco is shooting at nothing, but then a figure bursts from the water. Vietcong... (full context)
War, Trauma, and Dehumanization Theme Icon
When the squad reaches the saddle on the return trip, Brunner sends Perry and Peewee to check it out. Halfway across the river, Perry remembers that he can’t... (full context)
Chapter 22
War, Trauma, and Dehumanization Theme Icon
Perry strains his ears for the sounds of a firefight, but he can only hear chirping... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry’s mind races. He can’t imagine the “Congs” overrunning the squad or outgunning Johnson. He mentally... (full context)
War, Trauma, and Dehumanization Theme Icon
The Vietcong send up another flare. In its light, Perry can see dozens if not hundreds of soldiers. Voices drift past the spider hole, but... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Perry hears artillery in the distance, but he can’t tell what direction it’s coming from. He... (full context)
War, Trauma, and Dehumanization Theme Icon
Perry shoots the fighter, then Peewee helps pull the body into the hole. Perry’s shot wasn’t... (full context)
Perseverance and Heroism Theme Icon
...ridge turns towards them, ducking under the water when Peewee raises his rifle. Peewee and Perry retreat down the stream side of the ridge. They cross it and are on their... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
...sitting beneath a tree with his head in his hands. Peewee suspects a trap that Perry couldn’t imagine, and after a few minutes, they realize that Vietcong fighters are hiding behind... (full context)
War, Trauma, and Dehumanization Theme Icon
Perseverance and Heroism Theme Icon
Faith and Hope Theme Icon
Perry, Peewee, and Monaco all sit silently under the shadow of death. Perry wonders what Monaco... (full context)
Chapter 23
War, Trauma, and Dehumanization Theme Icon
Faith and Hope Theme Icon
...him. He drifted off and woke up surrounded by enemy fighters. He tears up, telling Perry that he feels like he died under that tree, only coming back to life when... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Monaco holds Perry’s hand as the doctor wheels him into surgery, and Perry wonders if what he feels... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Three days later, Peewee finds Perry. He tells Perry that his wounds were bad enough to get him sent home. He... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Perry slowly recovers. His leg feels good, and he worries that it will heal too well.... (full context)
War, Trauma, and Dehumanization Theme Icon
Two weeks later, when a doctor removes Perry’s cast, he asks if Perry volunteered to fight even though his medical profile exempted him.... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
Peewee needs a third surgery for abdominal adhesions, but he’s still hoping to leave with Perry. They follow war news in the military newspaper, Stars and Stripes, but it only provides... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
When Peewee’s and Perry’s orders come through, they’re for the same departure flight. The rest of the squad already... (full context)
War, Trauma, and Dehumanization Theme Icon
Reality and Fiction Theme Icon
...to stand up, bowed more under the weight of their exhaustion than their injuries, in Perry’s mind. In Osaka, Perry and Peewee talk a sergeant into putting them on the same... (full context)
War, Trauma, and Dehumanization Theme Icon
Race, Identity, and Belonging Theme Icon
Perry slowly relaxes and Peewee falls into a restless sleep. Perry’s mind wanders back to the... (full context)