Farewell to Manzanar
by Jeanne Wakatsuki Houston
Themes and Colors
Belonging in America Theme Icon
Internment and Family Life Theme Icon
Shame and Pride  Theme Icon
Racism and Prejudice Theme Icon
Growing Up Theme Icon
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Growing Up Theme Icon
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Farewell to Manzanar is primarily about the experience of internment, but it’s also a coming-of-age memoir, spanning from Jeanne’s prewar childhood to her postwar graduation from high school. Although internment is a travesty, for Jeanne personally the experience fosters her natural curiosity and independence. As she describes camp life, she contrasts the growing complexity of her own character with Papa’s psychological decline. After internment ends, Jeanne both seeks independence from her parents and courts social acceptance by trying to become a quintessential American schoolgirl. However, just as she learns that her peers won’t let her inhabit this role due to her race, she also realizes that living out conventional tropes isn’t satisfying to her. By the end of the memoir, Jeanne abandons the quest to fit into molds proposed by either her parents or her friends in favor of embracing her own complex identity.

With its unstructured pattern, camp life helps Jeanne grow up even as it pushes Papa into an early old age. With Papa absent and Mama preoccupied, Jeanne has a lot of time to herself. Especially in the camp’s early days, school is haphazard, and in her free time Jeanne experiments with different activities in order to find her niche: she tries out and rejects Japanese deportment and ballet lessons before she’s drawn to catechism classes offered by two nuns. Jeanne becomes entranced by Catholicism because of the stories the nuns tell, in which female saints persevere and overcome injustice through their faith and bravery. Although Papa ultimately refuses to allow her to be baptized, Jeanne has already begun to cultivate her own independence by exploring different spiritualties and different modes of womanhood on her own.

Because camp life liberates Jeanne from the normal routines of childhood and gives her access to new ideas, she describes it as a “birthplace.” The complexity of Jeanne’s feelings toward Manzanar stem from her knowledge that, although it fractured her family and “ended” Papa’s life, it has positively shaped her own. When she finally revisits the camp in order to say “farewell,” her gentle salutation reflects both her desire to leave its detrimental effects behind and her recognition of its role in her own development.

After returning to school outside Manzanar, Jeanne continues to experiment with new identities, which she hopes will distance her from her family’s dysfunction and win acceptance at school. The family’s new poverty when they return to California, and Papa’s continuing alcoholism and depression, is more troubling to Jeanne than camp life. In response to these stresses—and to Papa’s insistence that she cultivate a demure and traditionally Japanese persona—she tries to become as conventionally successful as possible as a high school student.

Soon, Jeanne realizes that as a Japanese girl she’ll never gain the social acceptance she craves, but she can play on her sexuality to gain approval, if only from men and boys. She becomes a majorette at football games and Boy Scout rallies, baton-twirling in a short skirt; this both distances her further from Papa’s idea of how a girl should act, and purchases her a feeling of fitting in. Continuing in this pattern, in high school Jeanne gets elected “carnival queen” by campaigning in an “exotic” sarong, garnering “howls and whistles” from the boys. As the winner, she participates in a school-wide pageant that she imagines will be the high point of her high school life. However, on the night of the pageant, the other girls make fun of her dress and Jeanne feels disoriented and sick as she parades around the gym. She realizes that just as her position as “queen” walking across a “make-believe carpet” is fake, so is the stereotypically American identity she’s always craved.

This revelation is an enormous disappointment to Jeanne when she experiences it, yet it’s ultimately liberating. The woman she’s become by the end of the memoir—both an author and a mother, deeply rooted in America yet educating the world about Japanese culture and identity—is much richer and more complex than the cookie-cutter roles she tries to fulfill during high school. Jeanne’s childhood during internment and her education afterwards are rarely pleasant and at times traumatic. However, they both help her develop an independent and strong character, and figure out the role she wants to inhabit as an adult.

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Growing Up Quotes in Farewell to Manzanar

Below you will find the important quotes in Farewell to Manzanar related to the theme of Growing Up.

Chapter 6 Quotes

[Papa] didn’t die there, but things finished for him there, whereas for me it was like a birthplace. The camp was where our lifelines intersected.

Related Characters: Jeanne (speaker), Papa
Page Number and Citation: 42
Explanation and Analysis:
Throughout the memoir, Papa and Jeanne emerge as remarkably similar characters. Both are independent and strong-willed—in fact, it’s this similarity that often puts them in conflict with each other. However, the major difference between them is that while Papa never recovers from internment, the experience actually helps Jeanne develop into a wise and mature young woman. As Jeanne grows accustomed to camp life she begins to love Manzanar and is eventually sad to leave it; as an adult writer she’s even nostalgic for it, remembering happy moments there and paging through the high school yearbook. Jeanne’s knowledge that her coming-of-age Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus

He was not a great man. He wasn’t even a very successful man. He was a poser, a braggart, and a tyrant. But he had held onto his self-respect, he dreamed grand dreams, and he could work well at any task he turned his hand to …

Related Characters: Jeanne (speaker), Papa, Mama
Page Number and Citation: 52
Explanation and Analysis:
Jeanne devotes much of her memoir to evoking Papa’s complex character, and her complex relationship to him. Jeanne rarely expresses unqualified affection for Papa; she’s often frustrated with his destructive and abusive behavior, and unlike Mama or even Woody she openly defies him and flouts his wishes. However, the qualities that set her in opposition to him—her independent spirit and determination to get her own way—are the very things she’s inherited from him. By parsing Papa’s flaws, she’s able to come to terms with her own character and embrace it. In straightforward descriptions like this one, Papa’s faults loom large, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

Chapter 8 Quotes

I was proud of Kiyo and afraid for what would happen to him; but deeper than that, I felt the miserable sense of loss that comes when the center has collapsed and everything seems to be flying apart around you.

Related Characters: Jeanne (speaker), Papa, Mama, Kiyo
Page Number and Citation: 64
Explanation and Analysis:
In an alcohol-fueled rage, Papa threatens to kill Mama, and Mama seems unable and unwilling to resist him. This crisis only ends when Kiyo jumps out of bed and punches Papa in the nose. Before internment, Papa was a strong patriarch who always took responsibility for his family. Now, not only has it fallen to his son to protect Mama’s physical safety, but Kiyo also has to defy and fight his father to do so. Kiyo’s action is a major turning point marking Papa’s fall from his previous role. Although the family dynamic will soften eventually, Papa will never return Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volupt

Chapter 12 Quotes

The fact that America had accused us, or excluded us, or imprisoned us, or whatever it might be called, did not change the kind of world we wanted. Most of us were born in this country; we had no other models. Those parks and gardens lent it an Asian character, but in most ways it was a totally equipped American small town …

Related Characters: Jeanne (speaker)
Page Number and Citation: 89
Explanation and Analysis:
After the December Riot, life at Manzanar quiets down and even starts to feel normal. The Wakatsukis move to a larger unit, Jeanne begins to attend school, and internees improve infrastructure by building parks and decorating their lawns with vegetable plots and rock gardens. While Manzanar becomes like any other “American small town,” it also retains elements of its inhabitants’ Japanese heritage. In other words, it becomes a physical manifestation of the immigrant experience, expressing both the desire to belong in America and nostalgia for the country left behind. Sadly, only at Manzanar is Jeanne able to experience this harmonious Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque o

Chapter 13 Quotes

By that time I was desperate to be “accepted,” and baton twirling was one trick I could perform that was thoroughly, unmistakably American—putting on the boots and a dress crisscrossed with braid, spinning the silver stick and tossing it high to the tune of a John Philip Sousa march.

Related Characters: Jeanne (speaker)
Page Number and Citation: 97
Explanation and Analysis:
As Jeanne matures at Manzanar, she experiments with a variety of different extracurricular activities. This is a way to cultivate an individual persona and distinguish herself from her family—in other words, an integral part of the process of growing up. It’s also an attempt to find a sense of belonging in America even as she’s been exiled from mainstream American society. It’s important that the activity upon which Jeanne eventually settles is the most stereotypically “American” thing available to her at Manzanar: baton-twirling. Throughout her adolescence, Jeanne will derive both personal satisfaction and social acceptance by mastering this skill. At Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium re

It was all a mystery … and this woman was so old, even her dialect was foreign to me. She seemed an occult figure, more spirit than human. When she bowed to me from her knees at the end of the hour, I rushed out of there, back to more familiar surroundings.

Related Characters: Jeanne (speaker)
Page Number and Citation: 98
Explanation and Analysis:
On one of her free afternoons at Manzanar, Jeanne hears that an old geisha is offering lessons in traditional Japanese deportment and goes to her barracks to investigate. She’s surprised to feel alienated and even frightened by the lesson, so much so that she runs away. Describing the woman as “foreign,” Jeanne echoes the very phrases that Anglo-Americans use about Japanese-Americans, and with which they justify internment. Jeanne’s experience with the geisha also sets the stage for her later trials at high school. Her peers see her as essentially foreign and un-American and refuse to accept her; yet Jeanne herself Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occ

Chapter 16 Quotes

The physical violence didn’t trouble me. Somehow I didn’t quite believe that, or didn’t want to believe such things could happen to us. It was the humiliation. That continuous, unnamed ache I had been living with was precise and definable now. Call it the foretaste of being hated … At ten I saw that coming, like a judge’s sentence, and I would have stayed inside the camp forever rather than step outside and face such a moment.

Related Characters: Jeanne (speaker), Papa, Mama
Related Symbols: Barbed Wire
Page Number and Citation: 115
Explanation and Analysis:
By the time Jeanne leaves Manzanar, she doesn’t even know what the outside world will be like— she’s lived here so long most of her memories take place within the barbed wire fence. However, her parents’ anxious discussions have given her a hint of the prejudice she’ll suffer as she resumes life in California. It’s interesting that, just as Papa foregoes law school because of the possibility of humiliation, Jeanne doesn’t think the re-entering mainstream society is worth the prospect of being shamed. Her reaction to leaving Manzanar is one of many moments showing her similarity to Papa, although she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore.

Chapter 20 Quotes

He was unforgivably a foreigner then, foreign to them, foreign to me, foreign to everyone but Mama, who sat next to him smiling with pleased modesty. Twelve years old at the time, I wanted to scream. I wanted to slide out of sight under the table and dissolve.

Related Characters: Jeanne (speaker), Papa, Mama
Page Number and Citation: 151
Explanation and Analysis:
At the end of Jeanne’s time at middle school, she’s excited to participate in a dinner honoring the most excellent students. While Papa refuses to watch her perform as a majorette, he is truly proud of her academic achievements. Jeanne hopes that this moment will mark both acceptance at school, where she finally seems valued, and reconciliation at home, where she feels increasingly alienated from her parents. Papa’s action unwittingly ruins both of these hopes. He points out Jeanne’s Japanese heritage to her schoolmates, while she’s been trying as hard as possible to fit into Anglo-American society. He also reminds Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provid

Chapter 21 Quotes

To this day I have a recurring dream, which fills me each time with a terrible sense of loss and desolation. I see a young, beautifully blond and blue-eyed high school girl moving through a room full of others her own age, much admired by everyone, men and women both, myself included, as I watch through a window.

Related Characters: Jeanne (speaker)
Page Number and Citation: 154
Explanation and Analysis:
Throughout high school, Jeanne is excluded from various extracurricular activities and fails to form meaningful friendships because of her race. This experience gives rise to lifelong anxieties about acceptance embodied in this dream. The girl walking through the crowd represents the ideal “American” teenager that Jeanne hopes she become through excelling at school, being a majorette, or winning the carnival queen contest. However, she understands that any acceptance she achieves will be halfhearted; her position outside the window shows her conception of herself as a consummate outsider, not even able to admire the girl with the rest of the group. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliq

I wanted the carnival to end so I could go somewhere private, climb out of my stuffy dress, and cool off. But all eyes were on me. It was too late now not to follow this make-believe carpet to its plywood finale, and I did not yet know of any truer destination.

Related Characters: Jeanne (speaker)
Page Number and Citation: 164
Explanation and Analysis:
Jeanne was initially thrilled to be nominated as carnival queen and thought that winning the contest would be the zenith of her high school career, showing her ability to fit in despite her race. However, although she wins the contest, at several points she’s reminded that she’s embodying a stereotype even she doesn’t believe in. First, the teachers try to stuff the ballot box in order to prevent her from becoming queen; after a friend averts this disaster, one of her classmates, Lois, leads other girls in making catty comments about the dress she chooses. Finally, while walking down the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atqu

Chapter 22 Quotes

These rock gardens had outlived the barracks and the towers and would surely outlive the asphalt road and rusted pipes and shattered slabs of concrete. Each stone was a mouth, speaking for a family, for some man who had beautified his doorstep.

Related Characters: Jeanne (speaker), Papa
Related Symbols: Stones, Barbed Wire
Page Number and Citation: 172
Explanation and Analysis:
As an adult writer with a husband and children, Jeanne finally visits the ruins of Manzanar. Not much is left of the camp—the fences, guard towers, and barracks are all gone, and it’s hard to envision the town that once flourished there. However, eventually Jeanne uncovers rock gardens like the one Papa built, perfectly intact. While barbed-wire has symbolized the injustice of internment, stones have represented the internees’ ability to transcend the experience through endurance, so it’s notable that the rock gardens have survived longest; it shows the Japanese-American community’s ultimate victory over persecution. At the same time, it reflects Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut a