For Whom the Bell Tolls
by Ernest Hemingway
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Anselmo / The Older Man Character Analysis

Anselmo is the first member of the Republican guerillas Robert Jordan meets. He is a thoughtful, highly principled older man who supports Jordan’s offensive on the bridge. Due to his Catholic faith, Anselmo is firmly opposed to killing fascists, though he has also chosen to leave behind Catholicism, since the fascists have laid claim to the religion. Nonetheless, Anselmo has nothing left to lose in his fight for the Republicans: his wife is dead, and fighting gives him something to live and strive for. Like Pilar, he is unfailingly optimistic about the new Republic that he believes the Republicans are helping to forge by fighting back against the fascists. Like Robert Jordan, he dies a hero and a martyr, having helped Jordan to blow up the bridge and launch one final attack on the invading fascists.

Anselmo / The Older Man Quotes in For Whom the Bell Tolls

The For Whom the Bell Tolls quotes below are all either spoken by Anselmo / The Older Man or refer to Anselmo / The Older Man. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love in War Theme Icon
).

Chapter 15 Quotes

No, he [Anselmo] thought, I am lonely. But so are all the soldiers and the wives of all the soldiers and all those who have lost families or parents. I have no wife, but I am glad that she died before the movement. She would not have understood it. I have no children and I never will have any children. I am lonely in the day when I am not working but when the dark comes it is a time of great loneliness. But one thing I have that no man nor any God can take from me and that is that I have worked well for the Republic. I have worked hard for the good that we will all share later. I have worked my best from the first of the movement and I have done nothing that I am ashamed of.

Related Characters: Anselmo / The Older Man (speaker)
Page Number and Citation: 197
Explanation and Analysis:
Anselmo is one of the most principled and patriotic characters in the novel. He is firmly opposed to killing, though he also believes in carrying out orders for the Republic, including killing fascists: since he has nothing left to lose in life, having no wife or family, he invests himself in the Republican cause, satisfied by the notion that everyone will be able to “share” “the good” of the Republic later. Selfless, driven, and patient, Anselmo embodies the best qualities of the Republicans, who are motivated to create a fairer, morally just society (though this motivation is often obscured by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. In

Chapter 37 Quotes

If I die on this day it is a waste because I know a few things now. I wonder if you only learn them now because you are oversensitized because of the shortness of the time? There is no such thing as a shortness of time, though. You should have sense enough to know that too. I have been all my life in these hills since I have been here. Anselmo is my oldest friend. I know him better than I know Charles, than I know Chub, than I know Guy, than I know Mike, and I know them well. Agustin, with his vile mouth, is my brother, and I never had a brother. Maria is my true love and my wife. I never had a true love. I never had a wife. She is also my sister, and I never had a sister, and my daughter, and I never will have a daughter. I hate to leave a thing that is so good.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Anselmo / The Older Man, Agustin, Maria, Chub
Related Symbols: The Hills and Mountains
Related Literary Devices:
Page Number and Citation: 381
Explanation and Analysis:
Robert Jordan realizes that despite the many differences between him and his fellow guerrillas, he loves them deeply—not just Maria, but also Agustin, Anselmo, and (though he does not mention her here) Pilar. Jordan views the other fighters as his adopted family, and the four days he has spent with them as a lifetime in itself: he has learned a great deal about himself and others (as well as how to connect with others) through his experiences with the guerrillas. This moment marks a turning point in Robert Jordan’s development as a character, since he both accepts his fate—realizing that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mol
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Anselmo / The Older Man Character Timeline in For Whom the Bell Tolls

The timeline below shows where the character Anselmo / The Older Man appears in For Whom the Bell Tolls. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
The Eternality of the Present Theme Icon
...was built since he was here. The man looks at a military map, and an old man wearing a peasant’s smock, breathing heavily, looks over his shoulder. The man says to the... (full context)
Violence, Cowardice, and Death Theme Icon
The younger man says that he doesn’t see any sentry, but the older man says that the sentry might be in the shade. He promises to figure out how... (full context)
Violence, Cowardice, and Death Theme Icon
The older man’s name is Anselmo, and he comes from Barco de Avila. He offers to help the younger man, who... (full context)
Violence, Cowardice, and Death Theme Icon
The older man asks what the younger man’s name is, and he replies, “Roberto.” He takes off his... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan trusts Anselmo, but he has not yet “had an opportunity to test his judgment.” He knows how... (full context)
Love in War Theme Icon
...joking. Jordan and Golz shake hands, and Jordan goes out to the staff car where Anselmo is waiting, asleep; they ride up the Navacerrada road to the Alpine Club hut where... (full context)
Violence, Cowardice, and Death Theme Icon
...he picks and eats; he also drinks from the stream. He turns around and sees Anselmo with another man carrying a carbine (later revealed as Pablo), in the same kind of... (full context)
Cultural Connections Theme Icon
...the service of the military intelligence and the General Staff. The man asks Jordan and Anselmo what they have in their packs, and Anselmo replies that they have dynamite. The man... (full context)
Violence, Cowardice, and Death Theme Icon
...bridges that are close to where they have camped. Pablo refuses to help Jordan and Anselmo with their packs, and Anselmo sharply rebukes him in old Castilian. Pablo says that the... (full context)
Violence, Cowardice, and Death Theme Icon
Pablo offers to help Jordan with his pack, saying that Anselmo, “an old man of great strength,” can handle his own. The three men begin to... (full context)
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
...that although he is a foreigner, he wishes he had been born in the country. Anselmo tells Pablo that he has changed since becoming obsessed with his horses, and that he... (full context)
Chapter 2
Cultural Connections Theme Icon
Anselmo, Pablo, and Jordan come up to the “cup-shaped upper end” of a valley and see... (full context)
Love in War Theme Icon
...will learn this area quickly, since he has a good map and a good guide. Anselmo thanks him, and Jordan realizes that he and the girl are not alone, and that... (full context)
Violence, Cowardice, and Death Theme Icon
...says that he has no time for any woman. Maria blushes and clears the table. Anselmo reveals that the group has seven members, with two women; the other woman, “Pablo’s mujer”... (full context)
The Eternality of the Present Theme Icon
...of rounds, and Jordan tries to figure out what type it is. Jordan, Rafael, and Anselmo discuss machine guns, which fire continuously—unless you run out of ammunition or the weapon overheats,... (full context)
Violence, Cowardice, and Death Theme Icon
...her with the rope. The old woman, Rafael, and Pablo also took turns carrying Maria. Anselmo recollects the explosion of the train, and Rafael explains how they found Maria after a... (full context)
Violence, Cowardice, and Death Theme Icon
...down from the mountain. Jordan thanks her for her frank advice and goes to wake Anselmo to travel to El Sordo and discuss the operation with him. (full context)
Chapter 3
Violence, Cowardice, and Death Theme Icon
Anselmo and Robert Jordan move down the hills and spot the bridge in the distance: it... (full context)
The Eternality of the Present Theme Icon
Anselmo tells Jordan that there are seven men and a corporal on guard at the bridge.... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo tells Jordan that he does not like to kill men, and Jordan replies that nobody... (full context)
Violence, Cowardice, and Death Theme Icon
...(“gypsies”) believe the bear to be a brother of man, and “Indians” believe the same. Anselmo tells Jordan that he does not have Roma blood, and that to Roma people, it... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo tells Robert Jordan that he has never been in a battle: the Republicans fought in... (full context)
Love in War Theme Icon
At the same time, Jordan realizes that he and Anselmo are only instruments of duty, and he orders himself to stop worrying and think about... (full context)
Violence, Cowardice, and Death Theme Icon
As Anselmo and Jordan walk through the rocks toward the camp, a man speaks to them: “Halt.... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo says that Agustin is a good man, though he speaks “very filthily.” He says that... (full context)
Chapter 4
Cultural Connections Theme Icon
...and carries them into the cave, where Pablo, three men he does not know, Rafael, Anselmo, and the two women are gathered. Pablo asks if it would be better to have... (full context)
Violence, Cowardice, and Death Theme Icon
...the bridge, and Pablo responds that he and his people do not support the bridge. Anselmo says that they will blow up the bridge without “this coward,” meaning Pablo. (full context)
Chapter 5
Violence, Cowardice, and Death Theme Icon
...in the group. It would be ideal if she, Rafael, or Agustin would kill Pablo. Anselmo would kill him if Jordan asked, but he is morally opposed to killing. Jordan realizes... (full context)
Chapter 8
Violence, Cowardice, and Death Theme Icon
...Manzanares el Real. Pablo is concerned that the planes saw his horses. Robert Jordan tells Anselmo to watch the road and make a note of everything that passes by. Anselmo does... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan asks for Rafael and sends him with Anselmo to go observe the road and note how many soldiers are posted at the saw... (full context)
Chapter 14
Cultural Connections Theme Icon
...that they will have “much snow,” and he tells Robert Jordan that neither Rafael nor Anselmo have come back to the camp yet. Pablo says that Jordan won’t want to sleep... (full context)
Violence, Cowardice, and Death Theme Icon
...unusual movement on the road, and Robert Jordan says that they should go to retrieve Anselmo from his post. (full context)
Chapter 15
Violence, Cowardice, and Death Theme Icon
Anselmo is crouching in the trunk of a large tree in the middle of the snowstorm,... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo reflects that the fascists he has been observing are only “poor men,” like the Republicans... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo reflects that after the war, “there will have to be some great penance done for... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo wishes that there was a “penance” for killing that he could start now, since when... (full context)
Chapter 23
Violence, Cowardice, and Death Theme Icon
Robert Jordan tells Agustin and Anselmo to get down while a group of fascist cavalry walk by their position. Jordan can... (full context)
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
...war, there will be no revolution nor any Republic, and none of them will live. Anselmo says that they should win the war and then shoot no one, then go on... (full context)
Chapter 24
Violence, Cowardice, and Death Theme Icon
...“for the thing of tomorrow,” he will go “gladly.” He tells Jordan that Primitivo, Pilar, Anselmo, Andrés, Eladio, and Fernando are dependable, though Pablo and Rafael are not. Jordan hears automatic... (full context)
Chapter 28
Violence, Cowardice, and Death Theme Icon
Anselmo watches the fascists ride past him, counting them and feeling “a fear like a freezing... (full context)
Chapter 29
Violence, Cowardice, and Death Theme Icon
Anselmo finds Robert Jordan inside the cave with Pablo, and he tells him that there are... (full context)
Chapter 37
Love in War Theme Icon
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
The Eternality of the Present Theme Icon
...he has only “the very smallest beginnings of an education,” though he does know that Anselmo is his “oldest friend” now, Agustin his “brother,” and Maria his “true love and wife.” (full context)
Chapter 38
Violence, Cowardice, and Death Theme Icon
...tense and arguing. Jordan asks Eladio where he got his grenades, and Eladio says that Anselmo brought them from the Republic; Pilar says that Pablo used them at the attack on... (full context)
Chapter 41
Violence, Cowardice, and Death Theme Icon
Anselmo, Agustin, and Robert Jordan walk downhill and position the maquina (machines) for the explosion behind... (full context)
Chapter 43
Violence, Cowardice, and Death Theme Icon
...and he fires his gun toward the sentry box and hits the sentry. He hears Anselmo shoot his sentry, and then the noise of grenades and Pablo’s cavalry automatic rifle; he... (full context)
Violence, Cowardice, and Death Theme Icon
...Rafael are supporting Fernando, who seems to have been shot through the groin. Jordan tells Anselmo to blow the bridge if tanks come, even if he is below the bridge. Anselmo... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo, watching for Robert Jordan on the other side of the bridge, does not feel afraid;... (full context)
Violence, Cowardice, and Death Theme Icon
...its lower side, hears a truck coming down the road, and he yells out to Anselmo to blow up the bridge: he sees the bridge rise up in the air “like... (full context)