For Whom the Bell Tolls

by Ernest Hemingway

Robert Jordan / Roberto / The Young Man Character Analysis

Robert Jordan is a Spanish professor from Montana and a volunteer for the Republicans in the Spanish Civil War. Trained in explosives detonation, Jordan takes pride in his work as a soldier, though he feels conflicted about his own support for the Republican cause and uncertain about his future after the war. Jordan comes from a troubled home: his father committed suicide with a gun belonging to his grandfather, a Civil War veteran. As a younger man, Jordan discarded the gun in a lake near his home, and though he has never openly discussed his feelings about his father’s death, he does feel that his father was a coward. Jordan supports the leftist cause—in opposition to the fascist right—but he is not completely convinced that the Republicans are morally superior to the fascists, nor that he has made the right choice by offering them his services as a volunteer. Nonetheless, unlike Pablo, who frequently leaves the camp and his guerilla group behind, Jordan never abandons the fight, and he remains devoted to the Republicans’ military offensives. In public, Jordan is calm, logical, and focused, though his inner monologues reveal a combination of rage, confusion, and guilt over his own involvement in violent, brutal behavior. Moreover, Jordan has never been in love before meeting the guerilla Maria, whom he falls for, and as a result, he is out of touch with his own emotions, though Maria helps him to understand the value of empathy, love, and connection, and to heal from his past trauma. Confronting a fatal injury at the end of the novel, Jordan realizes that he has been fortunate to lead the life that he has, and that he has to stay focused on what he can do in the present—not what he has done in the past—in order to keep moving forward.

Robert Jordan / Roberto / The Young Man Quotes in For Whom the Bell Tolls

The For Whom the Bell Tolls quotes below are all either spoken by Robert Jordan / Roberto / The Young Man or refer to Robert Jordan / Roberto / The Young Man. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love in War Theme Icon
).

Chapter 1 Quotes

All the best ones, when you thought it over, were gay. It was much better to be gay and it was a sign of something too. It was like having immortality while you were still alive. That was a complicated one. There were not many of them left though. No, there were not many of the gay ones left. There were very damned few of them left. And if you keep on thinking like that, my boy, you won’t be left either. Turn off the thinking now, old timer, old comrade. You’re a bridgeblower now.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Related Symbols: The Bridge
Related Literary Devices:
Page Number and Citation: 17
Explanation and Analysis:

Chapter 4 Quotes

Robert Jordan […] saw also the wife of Pablo standing there and watched her blush proudly and soundly and healthily as the allegiances were given.

“I am for the Republic,” the woman of Pablo said happily. “And the Republic is the bridge.”

Related Characters: Pilar / Pablo’s Wife (speaker), Pablo, Robert Jordan / Roberto / The Young Man
Related Symbols: The Bridge
Page Number and Citation: 53
Explanation and Analysis:

Chapter 7 Quotes

Now as they lay all that before had been shielded was unshielded. Where there had been roughness of fabric all was smooth with a smoothness and firm rounded pressing and a long warm coolness, cool outside and warm within, long and light and closely holding, closely held, lonely, hollow-making with contours, happy-making, young and loving and now all warmly smooth with a hollowing, chest-aching, tight-held loneliness that was such that Robert Jordan felt he could not stand it and he said,

“Hast thou loved others?”

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Maria
Page Number and Citation: 70
Explanation and Analysis:

Chapter 10 Quotes

“Do you ever go to Segovia?

Que va. With this face? This is a face that is known. How would you like to be ugly, beautiful one?” [Pilar] said to Maria.

“Thou art not ugly.”

Vamos, I’m not ugly. I was born ugly. All my life I have been ugly. You, Ingles, who know nothing about women. Do you know how an ugly woman feels? Do you know what it is to be ugly all your life and inside to feel that you are beautiful? It is very rare […] I would have made a good man, but I am all woman and all ugly. Yet many men have loved me and I have loved many men. It is curious.”

Related Characters: Pilar / Pablo’s Wife (speaker), Maria (speaker), Robert Jordan / Roberto / The Young Man
Page Number and Citation: 97
Explanation and Analysis:

Because the people of this town are as kind as they can be cruel and they have a natural sense of justice and a desire to do that which is right. But cruelty had entered into the lines and also drunkenness or the beginning of drunkenness and the lines were not as they were when Don Benito had come out. I do not know how it is in other countries, and no one cares more for the pleasure of drinking than I do, but in Spain drunkenness, when produced by other elements than wine, is a thing of great ugliness and the people do things that they would not have done.

Related Characters: Pilar / Pablo’s Wife (speaker), Robert Jordan / Roberto / The Young Man, Pablo, Don Benito Garcia
Page Number and Citation: 118
Explanation and Analysis:

Chapter 13 Quotes

For him [Robert Jordan] it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.

Related Characters: Robert Jordan / Roberto / The Young Man, Maria
Related Literary Devices:
Page Number and Citation: 159
Explanation and Analysis:

[Robert Jordan] had gotten to be as bigoted and hide-bound about his politics as a hard-shelled Baptist and phrases like enemies of the people came into his mind without his much criticizing them in any way. Any sort of clichés both revolutionary and patriotic. His mind employed them without criticism. Of course they were true but it was too easy to be nimble about using them. […] Bigotry is an odd thing. To be bigoted you have to be absolutely sure that you are right and nothing makes that surety and righteousness like continence. Continence is the foe of heresy.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Page Number and Citation: 164
Explanation and Analysis:

But in the meantime all the life you have or ever will have is today, tonight, tomorrow, today, tonight, tomorrow, over and over again (I hope), he thought and so you had better take what time there is and be very thankful for it. If the bridge goes bad. It does not look too good just now. But Maria has been good. Has she not? Oh, has she not, he thought. Maybe that is what I am to get now from life. Maybe that is my life and instead of it being threescore years and ten it is forty-eight hours or just threescore hours and ten or twelve rather. Twenty-four hours in a day would be threescore and twelve for the three full days.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Maria
Related Symbols: The Bridge
Page Number and Citation: 166
Explanation and Analysis:

Chapter 18 Quotes

But this is another wheel. This is like a wheel that goes up and around. It has been around twice now. It is a vast wheel, set at an angle, and each time it goes around and then is back to where it starts. One side is higher than the other and the sweep it makes lifts you back and down to where you started. There are no prizes either, [Robert Jordan] thought, and no one would choose to ride this wheel. You ride it each time and make the turn with no intention ever to have mounted. There is only one turn; one large, elliptical, rising and falling turn and you are back where you have started. We are back again now, he thought, and nothing is settled.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Related Literary Devices:
Page Number and Citation: 225
Explanation and Analysis:

In all that, in the fear that dries your mouth and your throat, in the smashed plaster dust and the sudden panic of a wall falling, collapsing in the flash and roar of a shellburst, clearing the gun, dragging those away who had been serving it, lying face downward and covered with rubble, your head behind the shield working on a stoppage, getting the broken case out, straightening the belt again, you now lying straight behind the shield, the gun searching the roadside again; you did the thing there was to do and knew that you were right. You learned the dry-mouthed, fear-purged, purging ecstasy of battle and you fought that summer and that fall for all the poor in the world, against all tyranny, for all the things that you believed and for the new world you had been educated into.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Related Literary Devices:
Page Number and Citation: 236
Explanation and Analysis:

Chapter 23 Quotes

Yes, Robert Jordan thought. We do it [killing] coldly but they do not, nor ever have. It is their extra sacrament. […] They are the people of the Auto de Fé; the act of faith. Killing is something one must do, but ours are different from theirs. And you, he thought, you have never been corrupted by it? […] admit that you have liked to kill as all who are soldiers by choice have enjoyed it at some time whether they lie about it or not.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Related Literary Devices:
Page Number and Citation: 287
Explanation and Analysis:

Chapter 26 Quotes

But you mustn’t believe in killing, he told himself. You must do it as a necessity but you must not believe in it. If you believe in it the whole thing is wrong. But how many do you suppose you have killed? I don’t know because I won’t keep track. But do you know? Yes. How many? You can’t be sure how many. Blowing the trains you kill many. Very many. But you can’t be sure. But of those you are sure of? More than twenty. And of those how many were real fascists? Two that I am sure of.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Page Number and Citation: 304
Explanation and Analysis:

Chapter 30 Quotes

[Robert Jordan] had put the gun back in the drawer in the cabinet where it belonged, but the next day he took it out and he had ridden up to the top of the high country above Red Lodge, with Chub, where they had built the road to Cooke City now over the pass and across the Bear Tooth plateau, and up there where the wind was thin and there was snow all summer on the hills they had stopped by the lake which was supposed to be eight hundred feet deep and was a deep green color, and Chub held the two horses and he climbed out on a rock and leaned over and saw his face in the still water, and saw himself holding the gun, and then he dropped it, holding it by the muzzle, and saw it go down making bubbles until it was just as big as a watch charm in that clear water, and then it was out of sight.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Chub
Page Number and Citation: 337
Explanation and Analysis:

Chapter 31 Quotes

There is no finer and no worse people in the world. No kinder people and no crueler. And who understands them? Not me, because if I did I would forgive it all. To understand is to forgive. That’s not true. Forgiveness has been exaggerated. Forgiveness is a Christian idea and Spain has never been a Christian country […] This was the only country that the reformation never reached. They were paying for the Inquisition now, all right.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Page Number and Citation: 355
Explanation and Analysis:

Chapter 37 Quotes

If I die on this day it is a waste because I know a few things now. I wonder if you only learn them now because you are oversensitized because of the shortness of the time? There is no such thing as a shortness of time, though. You should have sense enough to know that too. I have been all my life in these hills since I have been here. Anselmo is my oldest friend. I know him better than I know Charles, than I know Chub, than I know Guy, than I know Mike, and I know them well. Agustin, with his vile mouth, is my brother, and I never had a brother. Maria is my true love and my wife. I never had a true love. I never had a wife. She is also my sister, and I never had a sister, and my daughter, and I never will have a daughter. I hate to leave a thing that is so good.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Anselmo / The Older Man, Agustin, Maria, Chub
Related Symbols: The Hills and Mountains
Related Literary Devices:
Page Number and Citation: 381
Explanation and Analysis:

Chapter 39 Quotes

This was the greatest gift that he had, the talent that fitted him for war; that ability not to ignore but to despise whatever bad ending there could be. This quality was destroyed by too much responsibility for others or the necessity of undertaking something ill planned or badly conceived. For in such things the bad ending, failure, could not be ignored. It was not simply a possibility of harm to one’s self, which could be ignored. He knew he himself was nothing, and he knew death was nothing.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker)
Page Number and Citation: 393
Explanation and Analysis:

Chapter 43 Quotes

“There is no good-by, guapa, because we are not apart. That it should be good in the Gredos. Go now. Go good. Nay,” [Robert Jordan] spoke now still calmly and reasonably as Pilar walked the girl along. “Do not turn around. Put thy foot in. Yes. Thy foot in. Help her up,” he said to Pilar. “Get her in the saddle. Swing up now.” He turned his head, sweating, and looked down the slope, then back toward where the girl was in the saddle with Pilar by her and Pablo just behind. “Now go,” he said. “Go.”

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Maria, Pilar / Pablo’s Wife, Pablo
Page Number and Citation: 464
Explanation and Analysis:

I have fought for what I believed in for a year now. If we win here we will win everywhere. The world is a fine place and worth the fighting for and I hate very much to leave it. And you had a lot of luck, he told himself, to have had such a good life. You’ve had just as good a life as grandfather’s though not as long. You’ve had as good a life as any one because of these last days. You do not want to complain when you have been so lucky. I wish there was some way to pass on what I’ve learned, though.

Related Characters: Robert Jordan / Roberto / The Young Man (speaker), Robert Jordan’s Grandfather
Page Number and Citation: 467
Explanation and Analysis:

Lieutenant Berrendo, watching the trail, came riding up, his thin face serious and grave. His submachine gun lay across his saddle in the crook of his left arm. Robert Jordan lay behind the tree, holding onto himself very carefully and delicately to keep his hands steady. He was waiting until the officer reached the sunlit place where the first trees of the pine forest joined the green slope of the meadow. He could feel his heart beating against the pine needle floor of the forest.

Related Characters: Robert Jordan / Roberto / The Young Man, Lieutenant Paco Berrendo
Related Literary Devices:
Page Number and Citation: 471
Explanation and Analysis:
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Robert Jordan / Roberto / The Young Man Character Timeline in For Whom the Bell Tolls

The timeline below shows where the character Robert Jordan / Roberto / The Young Man appears in For Whom the Bell Tolls. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
The Eternality of the Present Theme Icon
A young man lies on his stomach on the floor of a forest, looking at an “oiled road”... (full context)
Violence, Cowardice, and Death Theme Icon
The younger man says that he doesn’t see any sentry, but the older man says that the sentry... (full context)
Violence, Cowardice, and Death Theme Icon
...man’s name is Anselmo, and he comes from Barco de Avila. He offers to help the younger man , who is tall with fair hair and peasant’s clothes, with his pack. The younger... (full context)
Violence, Cowardice, and Death Theme Icon
The older man asks what the younger man’s name is, and he replies, “Roberto.” He takes off his pack, and the older man says he will return for him.... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan trusts Anselmo, but he has not yet “had an opportunity to test his judgment.” He... (full context)
Violence, Cowardice, and Death Theme Icon
In a flashback, Golz tells Jordan that “to blow the bridge is nothing”: “merely to blow the bridge is a failure,”... (full context)
Cultural Connections Theme Icon
Golz tells Jordan that the bridge must be blown up after the attack starts and that he will... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan asks Golz how he will know if the attack has started, and Golz tells him... (full context)
Cultural Connections Theme Icon
Jordan says that he would rather not know about the specific details of the attack, since... (full context)
Love in War Theme Icon
Jordan replies that he is able to blow up bridges “sometimes,” and Golz changes the subject,... (full context)
Violence, Cowardice, and Death Theme Icon
This was the last time Jordan saw Golz. He envisions Golz and the infantry tomorrow night, loading equipment, but quickly reminds... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan sits by a stream and notices a bed of watercress, which he picks and eats;... (full context)
Cultural Connections Theme Icon
The man with the carbine (Pablo) asks Jordan to justify his identity, and Jordan shows him a folded paper. He realizes that the... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan says that he has heard that Pablo is an excellent fighter, “loyal to the Republic,”... (full context)
Violence, Cowardice, and Death Theme Icon
Pablo offers to help Jordan with his pack, saying that Anselmo, “an old man of great strength,” can handle his... (full context)
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
...to die,” nothing more, and that he is tired of being hunted. He believes that Jordan has come to tell him what to do, but Jordan tells him that he is... (full context)
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
Jordan reflects that there are “no people like them when they are good and when they... (full context)
Chapter 2
Cultural Connections Theme Icon
Anselmo, Pablo, and Jordan come up to the “cup-shaped upper end” of a valley and see the camp in... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan promises to help the “gypsy” make a trap to catch a tank, and the man... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan says that Kashkin was crazy to have talked about asking for his own death. Pablo... (full context)
Love in War Theme Icon
Violence, Cowardice, and Death Theme Icon
A girl (Maria) emerges from the cave and greets them with a cooking platter. Robert Jordan notices her white teeth, brown face, skin, and hair, and her high cheekbones, merry eyes,... (full context)
Violence, Cowardice, and Death Theme Icon
The men eat their food silently, and the girl continues to watch Robert Jordan. He asks for her name, and she tells him that she is called Maria, and... (full context)
Love in War Theme Icon
Jordan tells Maria that he has “done” three days in Estremadura, and that he has come... (full context)
Violence, Cowardice, and Death Theme Icon
Maria says that she will be no one’s woman, including Robert Jordan’s, and he says that he has no time for any woman. Maria blushes and clears... (full context)
The Eternality of the Present Theme Icon
There are two other fighters in the cave and two on guard with a gun. Jordan asks what kind of gun it is, but Rafael doesn’t know; he says it has... (full context)
Violence, Cowardice, and Death Theme Icon
Rafael recounts their rescue of Maria, telling Jordan that she refused to speak when they first found her, though lately, she has been... (full context)
Cultural Connections Theme Icon
...model for a granite monument.” She tells Rafael to send her Andrés and greets Robert Jordan kindly. Jordan tells her that he is an explosives expert like Kashkin, though he has... (full context)
The Eternality of the Present Theme Icon
Pablo’s wife tells Jordan that Pablo was a very good man, but that now he is “terminated.” She tells... (full context)
Chapter 3
Violence, Cowardice, and Death Theme Icon
Anselmo and Robert Jordan move down the hills and spot the bridge in the distance: it is a steel... (full context)
The Eternality of the Present Theme Icon
Anselmo tells Jordan that there are seven men and a corporal on guard at the bridge. Jordan says... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo tells Jordan that he does not like to kill men, and Jordan replies that nobody does, except... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan says that Roma people (“gypsies”) believe the bear to be a brother of man, and... (full context)
Violence, Cowardice, and Death Theme Icon
Anselmo tells Robert Jordan that he has never been in a battle: the Republicans fought in Segovia at the... (full context)
Love in War Theme Icon
At the same time, Jordan realizes that he and Anselmo are only instruments of duty, and he orders himself to... (full context)
Violence, Cowardice, and Death Theme Icon
As Anselmo and Jordan walk through the rocks toward the camp, a man speaks to them: “Halt. Who goes?”... (full context)
Chapter 4
Cultural Connections Theme Icon
Returning to the cave, Robert Jordan rearranges the explosive materials in his pack and covers them with canvas, then changes his... (full context)
Violence, Cowardice, and Death Theme Icon
Watching Pablo carefully, Jordan offers him some of his cigarettes. He tells the others that Agustin has told them... (full context)
Violence, Cowardice, and Death Theme Icon
Rafael asks to taste the drink, which Jordan describes as a “medicine” that “cures everything.” He has only a little of it left,... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan looks at the other men at the table. One has a large flat face and... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan looks over at Pablo’s wife. She says something to Maria, who leaves the cave. Jordan... (full context)
Violence, Cowardice, and Death Theme Icon
...calling him a “coward.” Pablo says that he has “tactical sense,” and he asks Robert Jordan if he wants to die. Jordan replies that he doesn’t, and Pablo asks the room... (full context)
Violence, Cowardice, and Death Theme Icon
Pablo insists that he is for the good and the safety of all, and that Jordan’s plan is only for the good of the foreigners. He compares himself to a bullfighter... (full context)
Violence, Cowardice, and Death Theme Icon
...disagrees, saying that she commands. Pablo says that he should shoot her and the foreigner, Jordan. Jordan watches him carefully, asking for another cup of water. Maria fetches one for him... (full context)
Violence, Cowardice, and Death Theme Icon
Rafael asks Robert Jordan if he saw the bridge, and Jordan shows him his sketches. Pablo goads Jordan, and... (full context)
Chapter 5
Cultural Connections Theme Icon
Robert Jordan steps out of the cave and observes the night; he smells what is left of... (full context)
Violence, Cowardice, and Death Theme Icon
Rafael asks Robert Jordan why he didn’t kill Pablo and tells him that he must kill him sooner or... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan walks through the pines and counts the horses below in the meadow, finding five. He... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan decides that he trusts Pablo’s wife, and he feels that without her, there would be... (full context)
Violence, Cowardice, and Death Theme Icon
Below Jordan in the meadow, Pablo is standing by one of the horses. Jordan cannot see him... (full context)
Chapter 6
Love in War Theme Icon
Robert Jordan sits inside the cave listening to Pablo’s wife, who is washing dishes while Maria dries... (full context)
Cultural Connections Theme Icon
Maria says that Robert Jordan is a Communist and that she is an anti-fascist, since her father was a Republican.... (full context)
Love in War Theme Icon
Jordan runs his hand over the top of Maria’s head and feels his throat “swelling.” She... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan tells Pilar what Rafael has said about Pablo, and Pilar says that it is not... (full context)
Chapter 7
Love in War Theme Icon
Robert Jordan is outside, sleeping in his robe and turning over on his pistol, which he keeps... (full context)
Love in War Theme Icon
Maria tells him that she does not know how to kiss, but Jordan tells her that there is no need to kiss. She removes some of her clothes... (full context)
Love in War Theme Icon
Jordan asks Maria if she has loved others, and she tells him that she never has,... (full context)
Love in War Theme Icon
Robert Jordan and Maria lie together, and he feels her heart beating. He notices that she came... (full context)
Love in War Theme Icon
Maria says that Pilar said to tell Robert Jordan that she is not sick, and that she has already told Pilar that she loves... (full context)
Chapter 8
Violence, Cowardice, and Death Theme Icon
Robert Jordan wakes up during the night and realizes that Maria is still with him; he puts... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan asks Pablo if he has seen planes like this before, and he replies that he... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan asks for Rafael and sends him with Anselmo to go observe the road and note... (full context)
Violence, Cowardice, and Death Theme Icon
Pilar serves Robert Jordan coffee and asks him why the planes have arrived. Fernando, another guerilla, says that the... (full context)
Love in War Theme Icon
Cultural Connections Theme Icon
Pilar complains about Fernando’s reporting and asks Robert Jordan if they have “people such as this in other countries.” Jordan politely responds that “there... (full context)
Chapter 9
The Eternality of the Present Theme Icon
Robert Jordan thinks that the planes look like sharks, moving like “mechanized doom.” He asks Maria what... (full context)
Love in War Theme Icon
Violence, Cowardice, and Death Theme Icon
...that there are many among them who, though alive now, will “never see another Sunday.” Jordan says that they are not alone, but “all together,” though Pilar feels defeated by the... (full context)
Violence, Cowardice, and Death Theme Icon
The night before, Pilar tells Robert Jordan, she asked Pablo why he didn’t kill Jordan, and he replied that he thought Robert... (full context)
Love in War Theme Icon
Violence, Cowardice, and Death Theme Icon
The Eternality of the Present Theme Icon
Jordan says that he is not afraid of dying, though he is afraid of not doing... (full context)
Violence, Cowardice, and Death Theme Icon
Pilar encourages Robert Jordan to make use of the night with Maria, and Jordan laughs, admitting that he cares... (full context)
Violence, Cowardice, and Death Theme Icon
...that Pilar is not smart like Pablo, but “brave” and “loyal”; Pilar says that Robert Jordan is smart, though “very cold in the head.” Pablo, she thinks, is “rendered useless by... (full context)
Chapter 10
Love in War Theme Icon
As they are walking to El Sordo’s, Pilar asks Robert Jordan and Maria if they can rest, and she sits down by a stream. El Sordo’s... (full context)
Love in War Theme Icon
Violence, Cowardice, and Death Theme Icon
Robert Jordan asks if Pilar ever went to Segovia, and Pilar says that she couldn’t, “with this... (full context)
Violence, Cowardice, and Death Theme Icon
...she isn’t ugly, and Maria insists that she is. She also tells Pilar that if “Roberto (Robert Jordan) says we should go, I think we should go”—continuing on toward Sordo’s camp.... (full context)
Violence, Cowardice, and Death Theme Icon
Robert Jordan interjects to ask what happened to the other fascists, and Pilar replies that Pilar had... (full context)
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
...townspeople are drinking: “cruelty had entered into the lines and also drunkenness,” Pilar remarks. Robert Jordan recalls an incident in Ohio, where he attended a wedding as a seven-year-old, in which... (full context)
Violence, Cowardice, and Death Theme Icon
...if there are “no pleasant things to speak of.” Pilar says that she and Robert Jordan should be alone in the afternoon, when they “can speak of what [they] wish.” (full context)
Chapter 11
Violence, Cowardice, and Death Theme Icon
...with a carbine steps out from behind a tree and greets Pilar, asking who Robert Jordan is. The guard, Joaquin, is a young man, with “friendly” eyes, who tells Maria that... (full context)
Violence, Cowardice, and Death Theme Icon
...from Valladolid, and his father, mother, brother-in-law, and sister were killed by fascists there. Robert Jordan reflects that he has heard people speak about murders in their family many times, and... (full context)
Cultural Connections Theme Icon
Pilar’s story made Robert Jordan vividly visualize the fascists’ deaths, and he wishes that she could write, since she is... (full context)
Cultural Connections Theme Icon
Robert Jordan believes that it is part of his education to hear about the casualties of the... (full context)
Violence, Cowardice, and Death Theme Icon
Jordan realizes that he shouldn’t “think himself into any defeatism,” since it is imperative for him... (full context)
Love in War Theme Icon
Jordan recalls a Belgian boy in the Eleventh Brigade who had enlisted with five other boys... (full context)
Cultural Connections Theme Icon
...Maria kisses Joaquin, “as a brother,” and says that they are all family, including Robert Jordan. (full context)
Violence, Cowardice, and Death Theme Icon
...nose like an Indian’s.” He asks when the bridge will be blown up, and Robert Jordan tells him that it will take place the day after tomorrow, in the morning. He... (full context)
Cultural Connections Theme Icon
...she wants to go to the Republic, and he says that it is possible. Robert Jordan suggests that they could operate from the Gredos, against the main line of the railway.... (full context)
Cultural Connections Theme Icon
Violence, Cowardice, and Death Theme Icon
...says that the last dynamiter sent to the group, Kashkin, was “very nervous,” and Robert Jordan admits that he shot him when he was injured during combat, since he was “too... (full context)
Violence, Cowardice, and Death Theme Icon
...daylight or at daylight, but fleeing from the mountains will be difficult. He asks Robert Jordan if they could blow up the bridge at night, but Jordan says that he would... (full context)
Chapter 12
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After eating, Robert Jordan, Maria, and Pilar leave El Sordo’s. Pilar is beginning to sweat, and her face looks... (full context)
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Pilar says that Robert Jordan can have his “rabbit,” saying that she heard him call Maria by that nickname this... (full context)
Chapter 13
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Alone with Maria, Robert Jordan feels the heather brushing against his legs and the weight of his pistol in its... (full context)
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Robert Jordan admits that he has loved others, but not in the same way that he loves... (full context)
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Though Jordan is beside Maria, his mind is “thinking of the problem of the bridge,” and he... (full context)
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Jordan thinks that Pablo has moved from the left to the right politically, and he reflects... (full context)
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Jordan thinks that all the life he has or will ever have is “today, tonight, tomorrow,... (full context)
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Jordan starts to feel resentful about the guerillas and the Republican cause; they are putting on... (full context)
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Jordan realizes that he and Maria will not have a lifetime together, “not time, not happiness,... (full context)
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Robert Jordan tells Maria that he loves her, and he asks her what she was talking about... (full context)
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Maria also promises to roll cigarettes for Robert Jordan, dress his wounds, bring him coffee in the morning, or cut his hair, though he... (full context)
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Jordan reflects that when he is done with the war, he might want to take up... (full context)
Chapter 14
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...it is snowing. Pablo predicts that they will have “much snow,” and he tells Robert Jordan that neither Rafael nor Anselmo have come back to the camp yet. Pablo says that... (full context)
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Jordan predicts that there will be a great storm, and he reflects that he often gets... (full context)
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...bridge. He says that there has been no unusual movement on the road, and Robert Jordan says that they should go to retrieve Anselmo from his post. (full context)
Chapter 15
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...watches a fascist car pass down the road and records it on the paper Robert Jordan gave him: it is the tenth car up for the day. He feels that he... (full context)
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...necessary, the “doing of it is very bad for a man.” Anselmo thinks that Robert Jordan is “both sensitive and kind,” but that anyone killing will become “brutalized.” Anselmo does not... (full context)
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...since when he is alone, he feels guilty. As he is reflecting on this, Robert Jordan comes up to him to relieve him of his post. Fernando, standing nearby, joins them,... (full context)
Chapter 16
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Back in the cave, Pilar tells Robert Jordan that El Sordo has been to visit them, though he left to look for horses.... (full context)
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Pablo is drunk and asks Jordan about the “skirts he wears,” confusing Americans with the Scotch (Scottish). Primitivo asks Jordan about... (full context)
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Agustin asks Robert Jordan how he came to Spain, and Jordan tells him that he first came twelve years... (full context)
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Robert Jordan asks Pablo if he thinks that the snow will last, and Pablo curses him. Jordan... (full context)
Chapter 17
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Pilar says that Pablo is “capable of doing anything,” and Robert Jordan asks where the automatic rifle is; Pilar says that Pablo won’t do anything with the... (full context)
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...Pablo suddenly reenters the cave and asks the group if they were speaking about him. Jordan wonders if Agustin is going to kill Pablo, since he hates him, and he reflects... (full context)
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Jordan asks Agustin if he has “forgotten what is in the sacks,” and Agustin says he... (full context)
Chapter 18
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Robert Jordan compares the war to a “merry-go-round,” though not the kind found in cities with children... (full context)
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Pablo says that he has been working on “the problem of the retreat”; Jordan looks at his “drunken pig eyes” and asks him how it is going. He realizes... (full context)
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Two days ago, Jordan never knew that “Pilar, Pablo nor the rest of the world existed,” and he did... (full context)
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...to military academies to learn to fight for the Communist cause. Gaylord’s was where Robert Jordan learned “how it was all really done instead of how it was supposed to be... (full context)
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Now that Maria has come into his life, Jordan thinks that when the bridge offensive is over, they will have to get two rooms... (full context)
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Jordan sees Pablo “engaged in his military studies” across the table from him, and he wonders... (full context)
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Yet in the fighting, Jordan realizes, “there was no purity of feeling for those who survived the fighting and were... (full context)
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...Karkov said that he did not look forward to the act, though he showed Robert Jordan the poison he carried around always. After fighting in the Sierra in the early days... (full context)
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Jordan thinks about a British economist Karkov admired who had written about Spain. Once, he spotted... (full context)
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Jordan tells Karkov that he doesn’t know whether he’ll be able to be a professor when... (full context)
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Karkov tells Jordan that he thinks he writes “absolutely true,” and that is why he wants to tell... (full context)
Chapter 19
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Maria asks Robert Jordan what he is thinking about, and he tells her that he is thinking about Gaylord’s,... (full context)
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Jordan says that “fear produces evil visions,” and Pablo says that his arrival was a “bad... (full context)
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...the dead flowers, and the doings of that night,” when prostitutes gather in the park. Jordan looks outside of the cave and sees that the storm has ended and the snow... (full context)
Chapter 20
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Robert Jordan lies in his robe outside and waits for Maria to come to him. Earlier in... (full context)
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Maria comes out from the cave, running toward Robert Jordan. She is wearing her “wedding shirt,” and she tells him that she loves him again;... (full context)
Chapter 21
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Robert Jordan awakes to hear a horse coming, and he wakes Maria; crouching down, he shoots at... (full context)
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Robert Jordan tells Pablo that he is going up into the mountains. Pablo takes the soldier’s automatic... (full context)
Chapter 22
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Robert Jordan, Agustin, and Primitivo build an emplacement for the machine gun with pine branches and stones.... (full context)
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Rafael returns with two rabbits he has caught, and Jordan curses at him for not returning earlier. Jordan thinks that Rafael is “truly worthless,” with... (full context)
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Robert Jordan says that they need to “exterminate” the fascist post at the saw-mill and the road... (full context)
Chapter 23
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Robert Jordan tells Agustin and Anselmo to get down while a group of fascist cavalry walk by... (full context)
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Jordan says that if they do not win the war, there will be no revolution nor... (full context)
Chapter 24
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In the morning, Robert Jordan and the others are eating breakfast. Jordan has “never been hungrier,” and Agustin comments that... (full context)
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Agustin also says that Jordan’s love for Maria is a “rare thing”: when they found her at the train, Pilar... (full context)
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Jordan asks Agustin to promise to obey him, even if his orders “appear wrong,” since discipline... (full context)
Chapter 25
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Robert Jordan tells Agustin not to fire his gun until he is sure that the fascists are... (full context)
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Pilar approaches them and takes Jordan’s binoculars to see cavalry entering El Sordo’s territory. Jordan tells her that the combat seems... (full context)
Chapter 26
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It is three o’clock in the afternoon before the planes come, and Robert Jordan sits in the sun reading the letters that were in the pockets of the dead... (full context)
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Jordan asks himself how many people he has killed, and whether or not he knows it... (full context)
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Jordan tells himself that he cannot forget anything about the war, and that he is not... (full context)
Chapter 28
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The planes retreat, and Robert Jordan and Primitivo hear more firing from the fascists. Jordan feels confident that the bombs didn’t... (full context)
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Primitivo’s voice breaks as he says that they left El Sordo alone: Jordan reminds him that they had no choice. They watch as horsemen come into sight on... (full context)
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...for the souls of El Sordo and his group and promising to carry out Robert Jordan’s plans. Fernando greets him as he enters the camp, saying that he has heard the... (full context)
Chapter 29
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Anselmo finds Robert Jordan inside the cave with Pablo, and he tells him that there are six dead on... (full context)
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Pablo tells Robert Jordan not to be “disheartened” about Sordo’s death. He says that he has been impressed by... (full context)
Chapter 30
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All the orders for the night have been given, and Robert Jordan reflects that “it will come” now in the morning. Golz has the power to make... (full context)
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Jordan also tells himself that he has done “very well for an instructor in Spanish at... (full context)
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Jordan’s grandfather told Jordan that he had killed someone with the gun, though he also told... (full context)
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Jordan wonders what his grandfather would think of this situation, given that he was such a... (full context)
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Jordan remembers that Karkov told him that after the war, he could go to the Lenin... (full context)
Chapter 31
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Robert Jordan and Maria are alone in Jordan’s sleeping robe together, and she says that she doesn’t... (full context)
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Jordan reflects that he needs Maria’s talk of Madrid for tomorrow, and he “surrenders” into “unreality.”... (full context)
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Pilar told Maria that she thinks that they will all die tomorrow, and that Robert Jordan knows it as well as Pilar does, though he gives it no importance. Jordan thinks... (full context)
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Robert Jordan says to Maria that they will get an apartment on the street that runs along... (full context)
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...her body, and she has explained things that Maria needs to do to please Robert Jordan as a wife. Jordan says that there is no need for Maria to do anything,... (full context)
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...done.” Maria says that she would like to kill some of the fascists with Robert Jordan, if she can. Jordan says that the Falangists do not fight in battle, though they... (full context)
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...that she is infertile, since she didn’t become pregnant after “the things which were done.” Jordan assures her that he wouldn’t want to bring a son or daughter “into this world... (full context)
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Robert Jordan and Maria say good night, and Jordan lies awake, angry, feeling “pleased there would be... (full context)
Chapter 32
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...should be shot,” including “the intriguing German unmentionable of a Richard.” Karkov says that Robert Jordan is in the area where “this business” is supposed to happen. The commander says that... (full context)
Chapter 33
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Pilar wakes Robert Jordan at two o’clock in the morning to tell him that Pablo has left and taken... (full context)
Chapter 34
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...save for a fascist post in a farmhouse. Andrés, on his way to deliver Robert Jordan’s message to Golz, circles around this post in the dark. He notices four haycocks in... (full context)
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When Robert Jordan spoke to Andrés about delivering the message, Andrés felt the way he used to feel... (full context)
Chapter 35
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Robert Jordan lies beside Maria, who is still sleeping, and “rages” at himself, calling himself an “utter... (full context)
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Jordan’s rage begins to “thin,” and he thinks about the “good ones” in Spain. He hates... (full context)
Chapter 37
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Robert Jordan lies next to Maria and watches time passing on his watch: time is moving slowly,... (full context)
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Maria asks Jordan if he is worried about anything, and he says that he is not, and that... (full context)
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Maria and Jordan sit together after getting dressed; it is still night, with “no promise of morning.” Maria... (full context)
Chapter 38
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Maria and Jordan go into the cave, where the group is tense and arguing. Jordan asks Eladio where... (full context)
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Jordan frets about accidentally killing the other members of the group during the offensive, and he... (full context)
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...are only a few of them left to launch the attack. She also tells Robert Jordan not to worry about the “thing of the hand,” which was only “gypsy nonsense”: she... (full context)
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Suddenly, Pablo reenters the cave, and Jordan reaches for his pistol. Pablo tells Jordan that he has “five from the bands of... (full context)
Chapter 39
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...wire and “falling back” upon the bridge. Ever since Pablo returned to the cave, Robert Jordan has felt increasingly better; seeing him has broken “the pattern of tragedy into which the... (full context)
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The “greatest gift” Robert Jordan has—the “talent that fitted him for war”—is the ability to “despise” whatever “bad ending” there... (full context)
Chapter 40
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...him to the headquarters, and Gomez shows him Andrés’s papers and the dispatch from Robert Jordan. Miranda asks Andrés what the closest point to General Golz’s headquarters is, and Andrés tells... (full context)
Chapter 41
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Pablo stops to dismount from his horse, and Robert Jordan smells the horses and “the unwashed and sour slept-in-clothing smell of the new men.” Jordan... (full context)
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Jordan says goodbye to Maria and tells her not to worry when she hears the firing.... (full context)
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Anselmo, Agustin, and Robert Jordan walk downhill and position the maquina (machines) for the explosion behind the bases of pine... (full context)
Chapter 42
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...“matter of utmost urgence,” and Andrés says that it was given to him by Robert Jordan. Marty thinks that Golz is in “obvious communication with the fascists,” though he is shocked—“that... (full context)
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...has heard anything of a message coming through for Golz from an American comrade, Robert Jordan. At first, Marty is not able to admit that he has made a mistake, but... (full context)
Chapter 43
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Robert Jordan lies beneath the trunk of a pine tree on the hill above the road, and... (full context)
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Jordan hears the first round of bombs, and he fires his gun toward the sentry box... (full context)
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Anselmo, watching for Robert Jordan on the other side of the bridge, does not feel afraid; he hated shooting the... (full context)
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Jordan, standing on the road and moving toward a gully on its lower side, hears a... (full context)
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Pilar says that they have lost two already, Fernando and Eladio, and Jordan asks her if she did “something stupid.” Jordan is angered, since he believes that if... (full context)
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...cannot see the road or the bridge, and she pats the horses nervously, praying for “Roberto”: “Oh please have him be all right for all my heart and all of me... (full context)
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Jordan goes down the hillside through the pines to where Agustin is lying behind his automatic... (full context)
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A tank comes down the road and starts firing, and Jordan, Agustin, and Pilar run to meet Pablo: he tells them that all of his people... (full context)
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Greeting Maria, Robert Jordan realizes that “he had never thought that you could know that there was a woman... (full context)
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Maria kneels over Jordan, who tells her that his left leg is broken. He tells Pablo that he should... (full context)
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Agustin asks Jordan if he wants him to shoot him, but Jordan tells him to leave, and to... (full context)
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Jordan has fought for what he believed in for a year, and though he thinks that... (full context)
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Jordan thinks that he would like to tell his grandfather about this battle, and he wishes... (full context)
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Suddenly, though, Jordan sees the cavalry ride out of the timber and cross the road. “Completely integrated” now,... (full context)