Sinhala / Sinhalese Quotes in Funny Boy
From my sling-bag I would bring out my most prized possession, an old white sari, slightly yellow with age, its border torn and missing most of its sequins. The dressing of the bride would now begin, and then, by the transfiguration I saw taking place in Janaki’s cracked full-length mirror—by the sari being wrapped around my body, the veil being pinned to my head, the rouge put on my cheeks, lipstick on my lips, kohl around my eyes—I was able to leave the constraints of my self and ascend into another, more brilliant, more beautiful self, a self to whom this day was dedicated, and around whom the world, represented by my cousins putting flowers in my hair, draping the palu, seemed to revolve. It was a self magnified, like the goddesses of the Sinhalese and Tamil cinema, larger than life; and like them, like the Malini Fonsekas and the Geetha Kumarasinghes, I was an icon, a graceful, benevolent, perfect being upon whom the adoring eyes of the world rested.
“Be careful. We Sinhalese are losing patience with you Tamils and your arrogance.”
Radha Aunty didn’t answer for a moment. “Until a few days ago I only thought of Rajan, but now I find myself thinking of Anil as well.”
Mala Aunty sighed. “It’ll never work.”
“But other Sinhalese and Tamil people get married.”
“I know,” Mala Aunty replied, “but they have their parents’ consent.
“If two people love each other, the rest is unimportant.”
“No, it isn’t. Ultimately, you have to live in the real world. And without your family you are nothing.”
“You’re putting your life at risk for nothing,” Amma insisted.
“It’s not nothing,” Daryl Uncle said. “People are being tortured and killed even as we sit in all this opulence.”
“But we are a minority, and that’s a fact of life,” my father said placatingly. “As a Tamil you have to learn how to play the game. Play it right and you can do very well for yourself. The trick is not to make yourself conspicuous. Go around quietly, make your money, and don’t step on anyone’s toes.” […] “It’s good to have ideals, but now you're a man, son.”
Chithra Aunty began to cry. Amma went to her and tried to comfort her. There was something ironic about that. Amma comforting Chithra Aunty. Yet I understood it. Chithra Aunty was free to cry. We couldn’t, for if we started we would never stop.
He was trying to cheer me up, and as I listened to him talk, something occurred to me that I had never really been conscious of before—Shehan was Sinhalese and I was not. This awareness did not change my feelings for him, it was simply there, like a thin translucent screen through which I watched him.