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One of the main sources of comedy in the book is the way that Firoozeh acts like more of an adult than the adults. Here, for example, she wearily humors the two women, even though adults are usually the ones who are “humoring” children. The chapter ends by emphasizing Kazem’s enormous love for Firoozeh: even though he loses sight of her, he’s so worried about her safety that he can’t concentrate on his beloved Disneyland even after he finds her again.