Girl, Interrupted
by Susanna Kaysen
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Girl, Interrupted: Allusions 2 key examples

Definition of Allusion

In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals, historical events, or philosophical ideas... read full definition
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals... read full definition
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to... read full definition

Key Examples in Girl, Interrupted

Chapter 7: Politics
Explanation and Analysis—Patient Continues Fantasy:

Chapter 7, titled "Politics," contains the following political allusion:

I can’t remember if it was E. Howard Hunt or G. Gordon Liddy who said, during the Watergate hearings, that he’d nightly held his hand in a candle flame till his palm burned to assure himself he could stand up to torture. Whoever it was, we knew about it already: the Bay of Pigs, the seared skin, the bare-handed killers who’d do anything. We’d seen the previews, Wade, Georgina, and I, along with an audience of nurses whose reviews ran something like this: “Patient lacked affect after accident”, “Patient continues fantasy that father is CIA operative with dangerous friends.”

Chapter 26: The Shadow of the Real
Explanation and Analysis—Tunnels:

Susanna has an obsession with the tunnels that run underneath McLean. She describes them with the following imagery, which also contains an allusion, in Chapter 26:

First their wonderful smell: They smelled of laundry, clean and hot and slightly electrified, like warmed wiring. Then their temperature: eighty at a minimum, and this when it was thirty-three outside, probably twenty-five with windchill (though in the innocent sixties, windchill, like digital time, hadn’t yet been discovered). Their quavery yellow light, their long yellow-tiled walls and barrel-vaulted ceilings, their forks and twists and roads not taken, whose yellow openings beckoned like shiny open mouths.

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