Girl
by Jamaica Kincaid
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Authenticity and Femininity Theme Analysis

Themes and Colors
Gender and Domesticity Theme Icon
Authenticity and Femininity Theme Icon
Sexuality Theme Icon
Caribbean Culture and Tradition Theme Icon
Class Theme Icon
LitCharts assigns a color and icon to each theme in Girl, which you can use to track the themes throughout the work.
Authenticity and Femininity Theme Icon
Authenticity and Femininity Theme Icon

To be “feminine” often means to embrace modesty, and to privilege good manners over honesty. The girl learns that a woman must be careful not to show too much of her body and not to talk to the wrong kinds of boys. She must know how to be friendly without being too friendly, and certainly not to the wrong people or at the wrong time. She must know how to eat without making it too obvious. She must also know which activities are permitted to her in public and which are not. Being a proper, feminine woman, according to Mother, means knowing the boundaries that a woman imposes on her self-expression so that she does not risk being misunderstood or maligned. However, those boundaries also disallow the genuine expression of the girl’s identity. Mother’s instructions, therefore, expose a tension between the expectations of femininity and the desire to be authentic.

One example of a disjunction between authenticity and appearance comes when Mother teaches the girl how to smile. Mother explains that there are different smiles for people she does not like very much, people she does not like at all, and for people whom she likes “completely.” This suggests to the girl that politeness means never revealing her true feelings about anyone, while it also limits the number of expressions and emotions that are available to the girl by mandating a smile (albeit different types of smiles) at all times. From this lesson, the girl is to understand that it is more important for women to be nice than to be authentic. It also suggests that other people’s perceptions matter more than her feelings.

Mother elevates social norms over authenticity. Her statement, “this is how to love a man,” reinforces the implicit understanding that homosexuality is not an option for the girl, and the phrase “this is how” asserts that there are rigid norms that dictate how she should experience love. Instead of discovering her own ways of loving, Mother tells the girl to try a prescribed set of methods, and if those don’t work Mother says that she should give up rather than figuring out what pleases her. This advice also intimates that the conventional ways of loving a man are just as—if not more important—than the feeling. In addition, Mother tells her daughter “how to bully a man” and shows her “how a man bullies you,” enforcing the understanding that relations between the sexes are borne from conflict, though still with set rules for each to follow.

Overall, Mother’s advice implicitly tells the girl that her value lies in her ability to properly present herself, rather than in discovering and honoring who she really is. In Mother’s conception of femininity, being a woman requires the denial of aspects of human existence, such as getting dirty or expressing one’s true feelings. Femininity, the girl learns, requires repression and masking. Black femininity, specifically, requires the girl to embrace her identity in the right ways—she may wear a headwrap, for instance, but she may not expose her kinky-curly hair. She may sing benna, but not in Sunday school, which follows the more solemn rules of European churches. She may love, but she must love a man. To be feminine, or to be a “lady,” is to know these standards and to live by them, regardless of what the girl would like to do.

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Authenticity and Femininity ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Authenticity and Femininity appears in each chapter of Girl. Click or tap on any chapter to read its Summary & Analysis.
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Girl
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Authenticity and Femininity Quotes in Girl

Below you will find the important quotes in Girl related to the theme of Authenticity and Femininity.

Girl Quotes

Don’t walk bare-head in the hot sun.

Related Characters: Mother (speaker), Girl
Related Literary Devices:
Page Number and Citation: 3
Explanation and Analysis:
Mother tells the girl this after instructing her on how to do laundry. Just as there is a proper way to perform household chores, Mother establishes that there is a proper way to appear in public. To walk with a “bare-head” is to go without a headwrap, a common accessory worn by Black Caribbean women. The custom of wearing a headwrap comes from their West African ancestors who were brought to the island as slaves. Though the headwrap is a symbol of modesty in West African cultures, Mother complicates an expression of pride in tradition by specifying that the girl Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo mi

Is it true that you sing benna in Sunday school?

Related Characters: Mother (speaker), Girl
Related Literary Devices:
Page Number and Citation: 3
Explanation and Analysis:
Mother changes the subject from recipes and household tips to a question about conduct. In this sentence, the nouns benna and Sunday school stand in contrast to one another. Benna is a product of the unique culture of a Caribbean island (it originated in Antigua and Barbuda, though these islands are never mentioned), while colonial rule had imposed Sunday school on the islanders. Benna is an upbeat calypso music sung in dialect, while Sunday school is a place to sing solemn hymns in “proper” English. Moreover, the lyrics to benna are a way to share local gossip, which makes it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. E

On Sundays try to walk like a lady and not like the slut you are so bent on becoming.

Related Characters: Mother (speaker), Girl
Related Symbols: Slut
Related Literary Devices:
Page Number and Citation: 3
Explanation and Analysis:
This advice is part of Mother’s instructions on how to behave in Sunday school, but it is also interspersed with advice on how to eat (so as not to “turn someone’s else’s stomach”) and where to eat (not on the streets, due to flies). Natural acts, such as walking and eating, become complicated by mother’s insistence that there are proper ways to do them. This makes walking less of a natural movement and more of an act of performance. The simile “walk like a lady” suggests imitation, though Mother is never clear about what a “lady” is or how one Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem

You mustn’t speak to wharf-rat boys, not even to give directions.

Related Characters: Mother (speaker), Girl
Page Number and Citation: 3
Explanation and Analysis:
Mother forbids the girl to do this after telling her, explicitly, “don’t sing benna in Sunday school.” With the commands “don’t” and “mustn’t,” she strictly imposes restrictions on the girl’s voice. Just as calypso music and holy days do not mix, neither should a presumably middle-class girl and poor boys who hang around a wharf. Wharf-rat boys are suspected criminals, loafing around ports waiting for items to steal. Their association with rodents makes them sound loathsome, like creatures to be avoided if they cannot be exterminated. If the girl speaks to them, she would be acknowledging them as worthy of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut

But I don’t sing benna on Sundays at all and never in Sunday school.

Related Characters: Mother (speaker), Girl
Related Literary Devices:
Page Number and Citation: 4
Explanation and Analysis:
This is the first instance in the text in which the girl speaks. Her interjection occurs between Mother’s instruction not to “eat fruits on the street” and her demonstration of “how to sew on a button.” Mother never acknowledges the girl’s statement, but she never returns to the subject either. With her insistence, the girl employs the same negative language that Mother uses when telling the girl how not to walk, eat, and socialize. She has inherited Mother’s language of denial. However, the girl also asserts herself, insisting that she knows the rules. Yet, in certifying her knowledge and obedience Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolo

This is how to hem a dress when you see the hem coming down and so to prevent yourself from looking like the slut I know you are so bent on becoming.

Related Characters: Mother (speaker), Girl
Related Symbols: Slut
Related Literary Devices:
Page Number and Citation: 4
Explanation and Analysis:
Mother includes this advice in the form of a barbed insult among instructions on how to sew. The tone is sly, starting off in the form of generally helpful tips on tailoring, then descending into personal contempt for the girl’s appearance. Mother instills the expectation that the girl will follow gender-specific behavior by wearing a dress—a clothing item that signifies femininity—but insists that the hem of the dress be maintained so that the girl does not look like a “slut,” though Mother finds this inevitable anyway. The hemline is symbolic of the line that separates proper expressions of femininity from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit.

This is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all; this is how you smile to someone you like completely; this is how you set a table for tea; this is how you set a table for dinner; this is how you set a table for dinner with an important guest; this is how you set a table for lunch; this is how you set a table for breakfast; this is how to behave in the presence of men who don’t know you very well, and this way they won’t recognize immediately the slut I have warned you against becoming.

Related Characters: Mother (speaker), Girl
Related Symbols: Slut
Page Number and Citation: 4
Explanation and Analysis:
Mother’s advice on behavior follows her guidance on how to maintain a household and garden. Presentation is key, even if it means rejecting authenticity. Natural signs, such as smiling—a way to express happiness—become ways of masking one’s true emotional state. Furthermore, there are degrees of smiling, ways of portioning out politeness and presenting different modes of being for different people, just as one would set a table differently for different meals or teatimes. It is especially important not to offer too much of oneself to strange men. Mother insists that the girl must behave in a particular way around men Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum

This is how to bully a man; this is how a man bullies you; this is how to love a man, and if this doesn’t work there are other ways, and if they don’t work don’t feel too bad about giving up.

Related Characters: Mother (speaker), Girl, Father
Page Number and Citation: 5
Explanation and Analysis:
This advice follows Mother’s variation on a global proverb about how to throw back a fish “you don’t like” to avoid bad luck. In a similar vein, Mother teaches the girl how to deal with men, including what to do when she meets one she does not like. Bullying, in this context, does not have the negative meaning that it usually does. Instead, it is a common part of male-female relations. This is the sole instance in the story in which Mother expresses some leniency for “other ways” of doing things, but only in the specific context of loving a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

Always squeeze bread to make sure it’s fresh; but what if the baker won’t let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won’t let near the bread?

Related Characters: Mother (speaker), Girl (speaker)
Related Symbols: Bread
Related Literary Devices:
Page Number and Citation: 5
Explanation and Analysis:
This is Mother’s final piece of advice and the second instance in which the girl speaks. Again, Mother insists that there is a proper way to do things—this time, buying bread—but, the girl questions, for the first time, whether Mother’s way of doing things is “always” reliable. The girl’s “what if” question raises the possibility of something that Mother might not have considered—that the baker might not want her to feel the bread. However, to Mother, the fault for this would lie with the girl. If he (given his right to judge, the baker is presumably a “he”) does not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consecte