Going to Meet the Man
by James Baldwin
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Jesse, the protagonist of “Going to Meet the Man,” is a racist 42-year-old white police officer who lives with his wife Grace in the American South in the early 1960s. Part of Jesse’s job involves squashing civil rights protests alongside his coworker Big Jim C. After arresting several members of a voting rights protest, Jesse is tasked with making them stop singing and almost beats the protest leader to death in the process. Jesse hates the protest leader and all of the young Black people trying to make change, but he was not always full of racist rage. As a child, he had a Black friend named Otis whom he cared for and respected. He started to embrace violence against Black people after his father and mother took him to witness a lynching. Watching the lynching victim be castrated and killed as hundreds of white people shouted in glee, Jesse was informally inducted into his racist white community. As an adult, Jesse has trouble staying erect while having sex with Grace, but he becomes aroused thinking about violence against Black men. Though he sometimes feels shame about this, by the end of the story he does not, having aggressive sex with Grace and telling her, “I’m going to do you like a nigger.” After feeling angry and powerless, Jesse suddenly feels optimistic and free.

Jesse Quotes in Going to Meet the Man

The Going to Meet the Man quotes below are all either spoken by Jesse or refer to Jesse. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sexuality, Pleasure, and Racial Violence Theme Icon
).

Going to Meet the Man Quotes

This was his wife. He could not ask her to do just a little thing for him, just to help him out, just for a little while, the way he could ask a nigger girl to do it. He lay there, and he sighed. The image of a black girl caused a distant excitement in him, like a far-away light[.]

Related Characters: Grace, Jesse
Page Number and Citation: 229
Explanation and Analysis:
This passage comes at the beginning of the story, when Jesse and Grace are in bed together and Jesse is unable to become erect during sex. It establishes both that Jesse is unfaithful to his wife, and also that it is easy for him to sexualize Black people. He sees white women like Grace as somehow set apart from Black women whom he sleeps with; she is “his wife” and they are “nigger girls.” Despite this overt racism, he also clearly longs for Black women. This is Baldwin’s way of complicating how racism is often seen as pure rejection of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetu

“They had this line you know, to register”—he laughed, but she did not—“and they wouldn’t stay where Big Jim C. wanted them, no, they had to start blocking traffic all around the court house so couldn’t nothing or nobody get through, and Big Jim C. told them to disperse and they wouldn’t move, they just kept up that singing, and Big Jim C. figured that the others would move if this nigger would move, him being the ring-leader, but he wouldn’t move and he wouldn’t let the others move, so they had to beat him and a couple of the others and they threw in the wagon…”

Related Characters: Jesse (speaker), Protest Leader
Related Symbols: Singing, Big Jim C.
Page Number and Citation: 232
Explanation and Analysis:
Lying in bed, Jesse tells Grace about what happened at work that day—Black civil rights protestors lined up outside the court house in town to register to vote, and Jesse’s coworker Big Jim C. beat and arrested them. That Jesse laughs at Black people fighting for basic rights (and that Grace does not) shows the depths of his racism. This passage makes it clear that Big Jim C. is a symbol for the Jim Crow laws that upheld segregation in the South. Baldwin’s description that the protestors “wouldn’t stay where Big Jim C. wanted them” is a nod to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

“She’s gone out?”

The boy said nothing.

“Well,” he said, “tell her I passed by and I’ll pass by next week.” He started to go; he stopped. “You want some chewing gum?”

The boy got down from the swing and started for the house. He said, “I don’t want nothing you got, white man.” He walked into the house and closed the door behind him.

Related Characters: Protest Leader (speaker), Jesse (speaker), Julia Blossom (“Old Julia”)
Page Number and Citation: 234
Explanation and Analysis:
This exchange occurs between Jesse and a child-aged version of the protest leader in a flashback. It is about ten years earlier and Jesse—then working for a mail-order business—has stopped by the boy’s grandmother’s house to collect payment from her. Though Baldwin does not have Jesse reflect on his reaction to this moment, the fact that it stayed with him all these years suggests that he was deeply affected by it. In fact, after recalling this scene, Jesse ramps up his violence toward the present-day protest leader lying in his jail cell. D

He began to tremble with what he believed was rage, sweat, both cold and hot, raced down his body, the singing filled him as though it were a weird, uncontrollable, monstrous howling rumbling up from the depths of his own belly, he felt an icy fear rise in him and raise him up, and he shouted, he howled, “You lucky we pump some white blood into you every once in a while—your women! Here’s what I got for all the black bitches in the world—!” Then he was, abruptly, almost too weak to stand; to his bewilderment, his horror, beneath his own fingers, he felt himself violently stiffen—with no warning at all…

Related Characters: Jesse (speaker), Protest Leader
Related Symbols: Singing
Page Number and Citation: 235
Explanation and Analysis:
After remembering the boy-aged version of the protest leader calling him “white man,” Jesse’s anger toward the protest leader increases. In this moment, like the one at the very end of the story, Jesse loses control and, howling like an animal, reveals the sexual undertones of his racism. By screaming at the protest leader that he is lucky white men “pump some white blood” into Black women, Jesse reveals his need to prove his sexual prowess to Black men. His desire to have sex with Black women is, at the root, a desire to compete with (and beat) Black men. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. S

They felt themselves mysteriously set at naught, as no longer entering into the real concerns of other people—while here they were, out-numbered, fighting to save the civilized world. They had thought that people would care—people didn’t care; not enough, anyway, to help them. It would have been a help, really, or at least a relief, even to have been forced to surrender.

Related Characters: Jesse
Page Number and Citation: 238
Explanation and Analysis:
In this passage, Jesse reflects on how he and his white male friends feel abandoned by other white people as they try to stop the growing power of Black people via the civil rights movement. This is the first time in the story that Jesse admits to feeling vulnerable. His desire for the relief of surrender suggests the true power of the civil rights movement and shows that even the white public is coming to support the fight for racial justice. This reflection also shows how racism hurts white people, too. Unable to connect over anything but their shared racial Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. M

Their friends, in other cars, stretched up the road as far as he could see; other cars had joined them; there were cars behind them. They were singing. The sun seemed, suddenly, very hot, and he was, at once very happy and a little afraid. He did not quite understand what was happening, and he did not know what to ask—he had no one to ask. He had grown accustomed, for the solution of such mysteries, to go to Otis. He felt that Otis knew everything. But he could not ask Otis about this.

Related Characters: Jesse, Otis
Related Symbols: Singing
Page Number and Citation: 243
Explanation and Analysis:
This passage takes place in a flashback—Jesse is eight years old and in the car with his parents on the way to witness a lynching. That Jesse does not understand what is happening suggests that this will be the first lynching he has attended. This is significant because the lynching becomes a pivotal event in pushing Jesse toward embracing racism. Here, though, Jesse thinks fondly of his Black friend Otis. Otis is not only someone Jesse cares about, but is also someone he respects intellectually—“Otis knew everything.” This is a far cry from how Jesse feels about Black people as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfer

He had come this road many a time and seen women washing in the yard (there were no clothes on the clotheslines) men working in the fields, children playing in the dust; black men passed them on the road other mornings, other days, on foot, or in wagons, sometimes in cars, tipping their hats, smiling, joking, their teeth a solid white against their skin, their eyes as warm as the sun, the blackness of their skin like dull fire against the white or the blue or the grey of their torn clothes.

Related Characters: Jesse
Page Number and Citation: 244
Explanation and Analysis:
Jesse notices that he has not seen a single Black person on the drive to the lynching, though he usually sees people along this route. Jesse’s fond recollections of the Black people on this road underlines the fact that, at eight years old, he is an open-hearted child who has not yet internalized a racist ideology. He does not see Black people as monsters or animals (as he does as an adult), but as people going about their daily lives. Jesse not only notices that Black people are missing but particularly misses positive things about them, such as their “eyes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimu

The man with the knife took the nigger’s privates in his hand, one hand, still smiling, as though he were weighing them. In the cradle of the one white hand, the nigger’s privates seemed as remote as meat being weighed in the scales; but seemed heavier, too, much heavier, and Jesse felt his scrotum tighten; and huge, huge, much bigger than his father’s, flaccid, hairless, the largest thing he had ever seen till then, and the blackest.

Related Characters: Jesse, Lynching Victim
Page Number and Citation: 247
Explanation and Analysis:
In this passage, an eight-year-old Jesse—alongside hundreds of other white people—is witnessing a lynching. As one of the white men prepares to castrate the lynching victim, Jesse notices, with fear, the size of the victim’s genitals. Baldwin is naming something very important here: the idea that at the root of white male rage is envy over the penis size—and therefore the sexual prowess—of Black men. The penis of a Black man is so powerful, Jesse learns, that it must be forcibly cut from his body. That Jesse compares the size of the man’s genitals to his father’s suggests that he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi a

“Well, I told you,” said his father, “you wasn’t never going to forget this picnic.” His father’s face was full of sweat, his eyes were very peaceful. At that moment Jesse loved his father more than he had ever loved him. He felt that his father had carried him through a mighty test, had revealed to him a great secret which would be the key to his life forever.

Related Characters: Jesse’s Father (speaker), Jesse
Page Number and Citation: 248
Explanation and Analysis:
Noticing his father’s peacefulness in the aftermath of the lynching, Jesse makes meaning of the situation by concluding that his father must have taken him through a rite of passage. Rather than feel anger or disgust (and risk rupture in his relationship with his father as well as alienation from his extended white community), Jesse chooses to embrace what his father has embraced—brutal violence against Black people. Jesse’s sense that he has learned a key secret about life indicates that this is a turning point. Before the lynching, he was an open-minded and open-hearted child who loved his friend Otis. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

He thought of the boy in the cell; he thought of the man in the fire; he thought of the knife and grabbed himself and stroked himself and a terrible sound, something between a high laugh and a howl, came out of him and dragged his sleeping wife up on one elbow. She stared at him in a moonlight which had now grown cold as ice. He thought of the morning and grabbed her, laughing and crying, crying and laughing, and he whispered, as he stroked her, as he took her, “Come on, sugar, I’m going to do you like a nigger, just like a nigger, come on, sugar, and love me just like you’d love a nigger.”

Related Characters: Jesse (speaker), Grace
Page Number and Citation: 249
Explanation and Analysis:
This passage takes place at the very end of the story when Jesse is back in the present, lying in bed next to Grace. That Jesse is finally able to become erect after recalling episodes of violence against Black men shows how sexuality and racial violence are paired for him. By telling Grace “I’m going to do you like a nigger,” Jesse finally lets the truth come out—his sexuality is centered on channeling the sexual power he perceives Black men to have.  Jesse’s arousal while thinking about violence perpetrated against Black men makes total sense here at the end of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volu
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Jesse Character Timeline in Going to Meet the Man

The timeline below shows where the character Jesse appears in Going to Meet the Man. The colored dots and icons indicate which themes are associated with that appearance.
Going to Meet the Man
Sexuality, Pleasure, and Racial Violence Theme Icon
Grace asks Jesse what’s wrong and he says he isn’t sure, that he might be tired. She suggests... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Civil Rights, Progress, and Resistance Theme Icon
Grace tells Jesse to go to sleep since he has a hard day tomorrow and he agrees, rolling... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Lying down, Jesse listens to the sounds outside. He hears a car on the road and reaches for... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Civil Rights, Progress, and Resistance Theme Icon
Jesse moans; he is a healthy, God-fearing 42-year-old man who didn’t used to have trouble sleeping... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Turning toward Grace, Jesse thinks that he would like to be buried inside her and not have to go... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Thinking of the mail-order business reminds Jesse that he had trouble with one of his former customers’ grandchildren just today. He starts... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Jesse explains with bitter laughter how the protestors had formed a line at the courthouse to... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Civil Rights, Progress, and Resistance Theme Icon
Like Big Jim C., Jesse decided to target the protest leader, who was already bleeding and moaning on the ground... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Civil Rights, Progress, and Resistance Theme Icon
Jesse stops speaking and, in a flashback, he’s prodding the protest leader as the man rolls... (full context)
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Civil Rights, Progress, and Resistance Theme Icon
As Jesse moves to leave the cell, the protest leader calls out, “White man.” Jesse stops in... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Looking at the unconscious protest leader, Jesse suddenly remembers that this man—who he has seen at several protests over the past year—was... (full context)
Learning Racism Theme Icon
In the silence, Jesse sees the boy-aged version of the protest leader looking at him with malevolence and begins... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Civil Rights, Progress, and Resistance Theme Icon
Back at the jail house, Jesse looks down at the protest leader’s nearly dead body and thinks how he would like... (full context)
Learning Racism Theme Icon
Still furious, Jesse starts to complain about the protesters’ singing. The singing is familiar and oddly comforting. He... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Jesse remembers that there are a lot of “good niggers” around who would smile and quietly... (full context)
Civil Rights, Progress, and Resistance Theme Icon
The older white men who taught Jesse how to be a man have become quieter and less confident telling certain jokes. He... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Learning Racism Theme Icon
...guns through the Army and they could stockpile weapons like protestors in Europe and Africa. Jesse and his friends still curse the government and make jokes, but they are afraid to... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Learning Racism Theme Icon
While this racial conflict feels like war, Jesse and his friends have not developed the unspoken communication and trust of true soldiers. Without... (full context)
Civil Rights, Progress, and Resistance Theme Icon
Suddenly a line of a song comes to Jesse: “I stepped in the river at Jordan.” He can hear the melody but can’t place... (full context)
Learning Racism Theme Icon
In a flashback, it is nighttime, and Jesse is in a car between his mother and father, sleepy and excited. He hears the... (full context)
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Jesse says that he didn’t see Otis this morning, though he’s not sure why he says... (full context)
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That night in bed, Jesse is unable to sleep. The darkness weighs on him, and he wants to call to... (full context)
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In the morning, eight white people in a car approach the house with excitement. Jesse’s father runs to them and asks, “They got him, then?” Jesse recognizes some of the... (full context)
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Learning Racism Theme Icon
Two more cars approach to join the conversation, and Jesse notices that everyone looks excited. They are also all carrying food, which makes it feel... (full context)
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Jesse gets in the car and sits close to his father, feeling he is about to... (full context)
Learning Racism Theme Icon
Jesse has questions he wants to ask, such as “Will Otis be there?” but he doesn’t... (full context)
Learning Racism Theme Icon
Jesse hasn’t seen any Black people so far on the drive. They are passing houses where... (full context)
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Learning Racism Theme Icon
The hill they are driving on gets steeper and the day feels colder. Jesse’s mother and Jesse’s father look straight ahead, seeming to listen to the singing. Suddenly, Jesse... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Learning Racism Theme Icon
...make it to a sun-filled clearing where there are hundreds of people staring at something Jesse can’t yet see, though he assumes there is a fire, since he can smell smoke.... (full context)
Learning Racism Theme Icon
Jesse’s father picks Jesse up and puts him on his shoulders, which grants him a view... (full context)
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Learning Racism Theme Icon
Jesse feels the urge to say something, but he doesn’t know what. A man puts more... (full context)
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Jesse notices that the lynching victim wants death to come quickly, but the crowd wants it... (full context)
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Jesse turns to look at his mother, whose face seems more beautiful than ever and also... (full context)
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Learning Racism Theme Icon
...he takes the hanging man’s genitals in his hands, cradling them as if weighing them. Jesse feels his scrotum tighten as he notices how large the lynching victim’s penis is, much... (full context)
Learning Racism Theme Icon
...bleeding and burned hanging man, tearing at his body with their hands, knives, and stones. Jesse’s head falls downward toward his father’s. Someone throws kerosene on the hanging body, and it... (full context)
Learning Racism Theme Icon
As Jesse’s mother laughs with the other women, Jesse’s father walks them toward the lynching victim’s dead... (full context)
Sexuality, Pleasure, and Racial Violence Theme Icon
Civil Rights, Progress, and Resistance Theme Icon
Learning Racism Theme Icon
...the lynching victim in the fire, and the knife that was used to kill him, Jesse becomes aroused and starts to touch himself, letting out a howling sound as he drags... (full context)