Marriage Theme in Gone Girl

Gillian Flynn’s Gone Girl is, at its heart, a novel about marriage. Though Nick and Amy’s marriage is a supremely twisted example, Flynn uses their extreme circumstances to make a larger narrative comment on what it means to be in a partnership, make a commitment, and weather the unforeseeable, uncontrollable aspects of a life lived entwined with another person. In any romantic partnership or marriage, people bind themselves to one another for better or for worse—but through Nick and Amy’s story, Flynn ultimately argues that the bonds of marriage have the power to destabilize a pair of lives just as equally as they have the potential to strengthen them.

Gillian Flynn makes sure that her readers know from the start that Nick and Amy’s marriage is less than stable. The novel opens on the morning of their fifth anniversary—traditionally known as the “wood” anniversary—to symbolize the woodenness and staleness that has overtaken the Dunnes’ once vibrant and passionate relationship. As the story of Nick and Amy’s courtship expands, however, the secrets, lies, and narrative tricks employed by Nick, Amy, and Flynn herself make it clear that things in the Dunne household are even worse than they seem. Coming together in matrimony has forever derailed both Nick and Amy’s lives—in binding themselves to one another five years ago, they sealed their fate and began a downhill slide into an endless spiral of cruelty, anger, and resentment. As Amy—bound for the Ozarks after spending nearly a year plotting to escape Carthage and frame Nick for her murder—recounts the true history of her relationship with Nick, she enumerates all the ways in which their partnership, which she hoped would nourish and validate her, has actually been a destructive and destabilizing force in her life. Amy recalls acting like the stereotype of the “Cool Girl”—a laid-back, sexually open, perennially hot woman designed to make men swoon—in the early days of her relationship with Nick. She wanted to “win” him, and could tell he wanted a “Cool Girl” in his life. Amy committed so hard, however, to the role of “Cool Girl,” that she ended up destabilizing the core of who she was—and when it came time to upend her life for the sake of her husband’s happiness, she had no choice but to continue going with the flow. In Missouri, Amy gave up all her time and energy to care for Nick’s parents, and even loaned Nick an enormous sum of money to start a bar downtown with his twin sister, Go. Amy tired of the charade and began behaving like her normal self around Nick—only to find that he rejected her and became repulsed by the truth of who she was. Now, Amy hates Nick and wants to frame him for murder because she does, in a way, feel he has killed her—through his ambivalence and apathy he annihilated the woman she was and encouraged her to twist herself into a Frankenstein-esque monster, a cobbled-together woman made of shiny but unstable parts.

Nick, too, considers the ways in which being with Amy has changed and destabilized him over the years. He has worn himself thin pretending he is the man she wants him to be, and the pressure has proven too much for him. Instead of rising to meet Amy’s expectations, as he knows she hoped he would, he has fallen far in the other direction, becoming a caricature of the things he always loathed and feared about himself. Nick has never quite felt like Amy’s match—she spent her youth bouncing between prestigious boarding schools and her parents’ Manhattan brownstone while the down-home, midwestern Nick spent his summers as a child dressing up like Huck Finn for tourists on the Mississippi river. In the early days of their relationship, Nick felt that Amy bettered him and educated him—but as their relationship has progressed, Nick has begun to buckle under the pressure of trying to be the man Amy wants him to be. Once a successful journalist, he now teaches writing at a Podunk community college; once a lonely man with dreams of fatherhood, he has accepted Amy’s indifference to family life with a dreary resignation. Nick and Amy’s relationship has become the very picture of disappointment and resentment, and the rocky foundation of their marriage has given way. Nick and Amy spend ninety percent of the novel apart—they only reunite for its final forty-four pages, each of which is suffused entirely with an overwhelming sense of dread. As the novel speeds towards its end, Nick and Amy both come to realize that they have no choice but to resume their marriage and continue the façade they’ve been keeping up with for so many years. They have destabilized one another to a point where codependence is the only option—neither knows who they are without the other, and neither is willing to split apart and find out.

Amy and Nick’s toxic marriage causes Nick’s lawyer, Tanner Bolt, to remark that they are the most “fucked-up people” he’s ever met—to be sure, Gillian Flynn has designed the couple at the heart of Gone Girl to be larger than life and have gigantic problems that reflect their fatal attraction to one another. However, in picking apart the years of slowly accruing resentments, secrets, lies, and power struggles which define the Dunnes’ marriage, Flynn creates an unsettling argument: the Dunnes, for all their craziness, are not all that different from the average American couple. Any partnership forever alters the flow of both parties’ lives, if only in that they find themselves marking their course and steering their ship together. In the Dunnes’ toxic and codependent marriage, or any marriage like it, however, both individuals are plunging straight for the depths, unable to understand or begin to reckon with what they have “done to each other”—or what they have yet to do.

Marriage ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Marriage appears in each chapter of Gone Girl. Click or tap on any chapter to read its Summary & Analysis.

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Chapter

Marriage Quotes in Gone Girl

Below you will find the important quotes in Gone Girl related to the theme of Marriage.

When I think of my wife, I always think of her head. […] And what’s inside it. I think of that too: her mind. Her brain, all those coils, and her thoughts shuttling through those coils like fast, frantic centipedes. Like a child, I picture opening her skull, unspooling her brain and sifting through it, trying to catch and pin down her thoughts. What are you thinking, Amy? The question I’ve asked most often during our marriage, if not out loud, if not to the person who could answer. I suppose these questions stormcloud over every marriage: What are you thinking? How are you feeling? Who are you? What have we done to each other? What will we do?

Related Characters: Nick Dunne (speaker), Amy Elliott Dunne

Page Number and Citation: 3

Explanation and Analysis:

The opening lines of Gone Girl introduce readers to Nick and Amy Dunne. The tension, fear, and almost deadly fascination within these sentences is evident, but “unspools” slowly as Nick reflects on the chasm that exists, and has always existed, between himself and his wife. Nick is desperate to know what’s going on in his wife’s head, and not only on a theoretical or emotional level—he literally cannot imagine the contents of what’s inside her mind. The secrets, lies, and half-truths which have defined the entirety of Nick and Amy’s relationship will be laid bare in excruciatingly slow motion over Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti

I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations—bulkily, unnaturally—just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don’t care. I balance his checkbook, I trim his hair.

Related Characters: Amy Elliott Dunne (speaker), Nick Dunne

Related Symbols: Amy’s Diary

Page Number and Citation: 38

Explanation and Analysis:

More of Gillian Flynn’s exploration of her characters’ internalized misogyny is on display in this paragraph, as Amy describes being deeply in love with her new husband, Nick. Later in the book, when the diary is revealed to be a work of fiction designed to craft an alternate narrative about Nick and Amy’s marriage—one which frames Nick as an abusive and cruel partner—this passage, full of love and ardor, can be seen in a whole new light. Through this paragraph, Amy is making fun of women who “forfeit [their] Independent Young Feminist card[s]” without a care, and transform themselves into Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Ex

“People think they know [Amy] because they read the books growing up,” I said.

“I can see that,” Boney said, nodding. “People want to believe they know other people. Parents want to believe they know their kids. Wives want to believe they know their husbands.”

Related Characters: Rhonda Boney (speaker), Nick Dunne (speaker), Amy Elliott Dunne

Page Number and Citation: 91

Explanation and Analysis:

In this exchange, Nick and Detective Boney discuss the veritable litany of stalkers and harassers Amy has had over the years. Nick suggests that Amy has been the victim of so much unwanted attention because “people think they know her”—something Boney solemnly agrees with. When she says that “people want to believe they know other people,” she’s calling into question a sentiment which reverberates throughout many of the novel’s major themes. The unknowability of another human being haunts the themes of marriage, secrets and lies, and what it means to control or create a narrative. In just a couple of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea s

[Nick] promised to take care of me, and yet I feel afraid. I feel like something is going wrong, very wrong, and that it will get even worse. I don’t feel like Nick’s wife. I don’t feel like a person at all: I am something to be loaded and unloaded, like a sofa or a cuckoo clock. I am something to be tossed into a junkyard, thrown into the river, if necessary. I don’t feel real anymore. I feel like I could disappear.

Related Characters: Amy Elliott Dunne (speaker), Nick Dunne

Related Symbols: Amy’s Diary

Page Number and Citation: 102

Explanation and Analysis:

This quotation represents yet another rare instance where “Diary Amy” expresses a truth that the actual Amy no doubt felt in a very real way. As Nick and Amy packed up their beautiful Brooklyn brownstone and made their way to Missouri five years ago to care for Nick’s ailing mother, Amy may have indeed felt like she “could disappear”—like Nick had cast her aside. However, while Diary Amy seems hurt, frightened, and detached, information that comes to light later on in the novel allows readers to intuit that the real Amy was simply peeved to no longer be the center Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaeca

Amy was blooming large in my mind. She was gone, and yet she was more present than anyone else. I’d fallen in love with Amy because I was the ultimate Nick with her. Loving her made me superhuman, it made me feel alive. […] Amy made me believe I was exceptional, that I was up to her level if play. That was both our making and undoing. Because I couldn’t handle the demands of greatness. […] I turned her into the brittle, prickly thing she became. I had pretended to be one kind of man and revealed myself to be quite another.

Related Characters: Nick Dunne (speaker), Amy Elliott Dunne

Page Number and Citation: 214

Explanation and Analysis:

In this passage, Nick reflects on the surprising ways in which he has found himself missing Amy. In spite of how terrible and toxic their marriage was, in the wake of her engineered disappearance, Nick has begun to wonder who he is without his wife. Though their marriage has been built upon a foundation of lies, secrets, half-truths, and exaggerations, Nick and Amy have nonetheless shaped one another, and in this passage it’s clear that Nick regrets the ways in which he and Amy have harmed and poisoned one another. Without her, he feels less than “exceptional”—and is beginning to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volupta

I’m so much happier now that I’m dead.

Technically, missing. Soon to be presumed dead. But as shorthand, we’ll say dead. It’s been only a matter of hours, but I feel better already: loose joints, wavy muscles. At one point this morning, I realized my face felt strange, different. I looked in the rearview mirror—dread Carthage forty-three miles behind me, my smug husband lounging around his sticky bar as mayhem dangled on a thin piano wire just above his shitty, oblivious head—and I realized I was smiling. Ha! That’s new.

Related Characters: Amy Elliott Dunne (speaker), Nick Dunne

Page Number and Citation: 219

Explanation and Analysis:

In this paragraph—the start of the novel’s explosive second part—Amy Elliott Dunne reveals that she is not dead or missing; rather, she has orchestrated her disappearance in an attempt to make her “shitty, oblivious” husband pay for the un-prosecutable crimes she feels he’s enacted against her. Amy is leaving behind all the trappings of her old life, and as she does, she is gleeful and elated. She’s not just happy to be free—she’s happy that she’s about to take revenge against the man who she feels has ruined her life. Readers are about to encounter a very different version of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Oc

I could hear the tale, how everyone would love telling it: how Amazing Amy, the girl who never did wrong, let herself be dragged, penniless, to the middle of the country, where her husband threw her over for a younger woman. How predictable, how perfectly average, how amusing. And her husband? He ended up happier than ever. No. I couldn’t allow that. […]

I changed my name for that piece of shit. Historical records have been altered—Amy Elliott to Amy Dunne—like it’s nothing. No, he does not get to win.

So I began to think of a different story, a better story, that would destroy Nick for doing this to me. A story that would restore my perfection. It would make me the hero, flawless and adored.

Because everyone loves the Dead Girl.

Related Characters: Amy Elliott Dunne (speaker), Nick Dunne

Page Number and Citation: 234

Explanation and Analysis:

This passage further dissects Amy’s lifelong reliance on—and hatred of—constructed narratives, and the stories people tell one another about themselves and others. Amy, who has been subject to a prescribed narrative her entire life, loathes the idea of being neatly tucked into yet another narrative—the narrative of the put-upon, cheated-on wife. In an enraged yet considered inversion of this narrative, Amy chooses to take things into her own hands and play by the rules which have been stacked against her all her life. She considers what she knows about narrative, and what stories people like best, and comes up with Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Volupt

“My wife, she just happens to be the coolest girl I’ve ever met. How many guys can say that? I married the coolest girl I ever met.”

Youfuckingbitchyoufuckingbitchyoufuckingbitch. Come home so I can kill you.

Related Characters: Nick Dunne (speaker), Rebecca, Amy Elliott Dunne

Page Number and Citation: 300

Explanation and Analysis:

As Nick submits to an interview with a young journalist who has sought him out at a bar in downtown Carthage, he realizes that he has a unique opportunity to appeal directly to Amy’s narcissism. As he lovingly tells the reporter about his admiration for his wife, he describes Amy as a “cool” girl—the exact trope of femininity she has recently excoriated in a private, seething monologue. Nick can’t know that Amy is so contemptuous of “cool” girls—all he knows is that she is one. The coincidence shows that in spite of the flaws and chasms in their marriage, there Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non

I spent the rest of my day picturing how I’d kill Amy. It was all I could think of: finding a way to end her. Me smashing in Amy’s busy, busy brain. I had to give Amy her due: I may have been dozing the past few years, but I was fucking wide awake now. I was electric again, like I had been in the early days of our marriage.

Related Characters: Nick Dunne (speaker), Amy Elliott Dunne

Page Number and Citation: 357

Explanation and Analysis:

This passage shows how the sparks of misogyny within Nick’s heart have leaped into full-on flames over the course of Amy’s disappearance. Though Nick has never been a “good guy,” he’s never been cruel or murderous, either—but in this passage, he harbors wanton, cruel visions of killing Amy himself. This is yet another way in which Nick has unwittingly fallen into Amy’s narrative—through her diary, she sold a vision of Nick who wanted nothing but harm and retribution for his wife’s perceived missteps and slights. Now, Nick has become that man—he blames his transformation on Amy’s maddening plot, and her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea s

I gestured to the twine, the hacked hair, the dried blood. “So, what’s your story, wife?”

“I’m back,” she whimpered. “I made it back to you.” She moved to put her arms around me. I moved away.

“What is your story, Amy?”

“Desi,” she whispered, her lower lip trembling. “Desi Collings took me. It was the morning. Of. Of our anniversary. And the doorbell rang, and I thought... I don’t know, I thought maybe it was flowers from you.”

I flinched. Of course she’d find a way to work in a gripe: that I hardly ever sent her flowers, when her dad had sent her mom flowers each week since they’d been married. That’s 2,444 bouquets of flowers vs. 4.

Related Characters: Amy Elliott Dunne (speaker), Nick Dunne (speaker), Desi Collings

Page Number and Citation: 372

Explanation and Analysis:

Here, Amy returns home to Nick after having been held hostage at Desi Collings’s lake house. The story Amy tells is both based in a kernel of truth—and one she has manufactured almost entirely. Amy put herself in Desi’s care out of desperation, knowing that she could use his undying affection for her in order to secure lodging, secrecy, and solidarity—she didn’t anticipate, though, how desperately he’d try to hang on to her and how isolated he’d keep her from the outside world. Amy did truly begin feeling like a prisoner, and used that shred of narrative truth to create Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placea

Who will 1 be then? The question wasn’t recriminatory. It wasn’t like the answer was the pious: Then you’ll be a killer, Nick. You’ll be as bad as Amy. You’ll be what everyone thought you were. No. The question was frighteningly soulful and literal: Who would I be without Amy to react to? Because she was right: As a man, I had been my most impressive when I loved her—and I was my next best self when I hated her. I had known Amy only seven years, but I couldn’t go back to life without her.

Related Characters: Nick Dunne (speaker), Amy Elliott Dunne

Page Number and Citation: 396

Explanation and Analysis:

Here, just hours after Amy’s triumphant return to Carthage, Nick—knowing his wife is lying to everyone about the “ordeal” she’s been through as Desi Collings’s “hostage”—feels his anger reach a fever pitch, and at the prospect of spending his life with Amy, lashes out in anger. As Nick wraps his hands around his wife’s throat, he brings to fruition her worst fantasies and most twisted diary entries. Amy has molded Nick into the man he is in more ways than one; she has foretold his anger, cruelty, and violence even as she has made him into the best version of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

I have a book deal: I am officially in control of our story. It feels wonderfully symbolic. Isn’t that what every marriage is, anyway? Just a lengthy game of he-said, she-said? Well, she is saying, and the world will listen, and Nick will have to smile and agree. I will write him the way I want him to be: romantic and thoughtful and very very repentant—about the credit cards and the purchases and the woodshed. If I can’t get him to say it out loud, he’ll say it in my book. Then he’ll come on tour with me and smile and smile.

I’m calling the book simply: Amazing.

Related Characters: Amy Elliott Dunne (speaker), Nick Dunne

Related Symbols: The Woodshed

Page Number and Citation: 406

Explanation and Analysis:

In this passage, Amy—a national celebrity and beloved American icon in the wake of her return—reveals that she has secured a book deal. Because her entire childhood was co-opted by her parents for their Amazing Amy books, Amy has never felt truly in control of her own narrative, and has sought to take back control in strange and dangerous ways. First she presented herself as the “Cool Girl”; then she created seven years of fake diary entries meant to cast her and Nick’s marriage in a new light; finally, she committed cold-blooded murder and spun it as self-defense. Though Amy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn’t feel like I was staring into the sun. I’m rising to my wife’s level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I’m the hero. I am the one to root for in the never-ending war story of our marriage. It’s a story I can live with. Hell, at this point, I can’t imagine my story without Amy. She is my forever antagonist. We are one long frightening climax.

Related Characters: Nick Dunne (speaker), Amy Elliott Dunne

Page Number and Citation: 413

Explanation and Analysis:

In this passage, Nick Dunne at last acquiesces to his wife’s spell over him. She has coerced him into destroying his tell-all manuscript about her lies, forcing him to instead quietly go along with the plan she has concocted for their life together—a plan which includes the impending arrival of their first child. In this passage, he admits that the ways she has changed him are not all bad, as she has made him the “hero” in the “war story” that is their marriage. Though Nick knows that staying with Amy is outright dangerous, he has at last decided that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

Marriage Theme Analysis

Marriage ThemeTracker

Marriage Quotes in Gone Girl

1. Nick Dunne, The Day Of (1) Quotes

6. Amy, Diary Entry, July 5th, 2008 Quotes

13. Nick Dunne, Two Days Gone Quotes

14. Amy, Diary Entry, Sep 15th, 2010 Quotes

29. Nick Dunne, Seven Days Gone (1) Quotes

30. Amy Elliott Dunne, The Day Of (1) Quotes

32. Amy Elliott Dunne, The Day Of (2) Quotes

39. Nick Dunne, Eight Days Gone (3) Quotes

49. Nick Dunne, Fourteen Days Gone Quotes

53. Nick Dunne, Forty Days Gone Quotes

57. Nick Dunne, The Night of the Return (2) Quotes

60. Amy, Eight Weeks After the Return Quotes

63. Nick Dunne, Twenty Weeks After the Return Quotes