Hag-Seed

by

Margaret Atwood

Teachers and parents! Our Teacher Edition on Hag-Seed makes teaching easy.

Hag-Seed: Chapter 33 Summary & Analysis

Summary
Analysis
The politicians pose for a picture outside the prison. They can all imagine the caption that will accompany its publication in the newspapers. Sal has gained weight with the years, but Tony is still “ultra-tailored.” Sebert looks like a seal, but Frederick is handsome and looks scornfully away from the camera. Accompanying them is a group of flunkies. Estelle stands with them; it’s her job to monitor the people watching the play with the Warden and soothe any anxieties that might arise.
The politicians’ insistence on turning the event into a photo-op shows that they have no serious interest in the prisoners; rather, they’re trying to craft sympathetic images of themselves without performing any real public service. They’re staging a play as well, but while Felix’s claims to be morally correct, theirs functions entirely for their own profit.
Themes
Theater and The Tempest Theme Icon
Imprisonment and Marginalization Theme Icon
Felix sits down behind the folding screen. Over the sailors’ audio feeds, he can hear Sal and Tony passing through security, joking with the guards. They’ve come from another function and have already had a few drinks; for them, this is just a pit stop at a “holding pen for bottom-feeding social misfits” before they can get back to more important things.
The politicians see imprisonment as evidence of a social class that can never be altered. Although Felix has often been suspicious of transformations that occur in his own life, opposing this worldview teaches him to accept and embrace change.
Themes
Imprisonment and Marginalization Theme Icon
Transformation and Change Theme Icon
Sal O’Nally is feeling complacent. He’s agreed to see this play at the insistence of his adored Frederick, even though he plans to cancel the literacy program as soon as he returns to Ottawa—prisons are for keeping people locked up, not “spurious attempts to educate those who cannot, by their very natures, be educated.” Soon, Sal will also have to break it to Frederick that he must go to law school or else lose his monthly allowance. The arts are “a dead end,” especially once Tony becomes the Minister in charge of them. When a guard insists that Sal forfeit his cellphone, he blusteringly reminds him of his position, but Frederick gives a disapproving look so he complies.
It’s interesting that Sal appears so skeptical of the possibility of genuine personal transformation. Felix’s desire for revenge is largely fueled by his desire for things to stay the same, but when Sal extrapolates on this line of thought, he appears self-righteous and bigoted. Through their thought processes, the politicians not only establish themselves as self-serving but point out the flaws in Felix’s worldview.
Themes
Vengeance  Theme Icon
Imprisonment and Marginalization Theme Icon
Transformation and Change Theme Icon
Quotes
Tony is thinking more strategically. Both of his companions want his support in the upcoming leadership race. Certainly, Tony owes Sal for all the help he’s given him, starting the day they ousted Felix Phillips; but he thinks it’s now better to ally himself with a candidate who owes him instead. He wonders how he can disentangle himself from Sal and forge an alliance with Sebert. He “affably” and cheerfully walks through the metal detector with his hands up, while Lonnie proceeds dolefully and Frederick looks “wide-eyed” at all these new surroundings.
Already, Tony is situated just like his namesake in The Tempest, Antonio, who is torn between loyalty to Sal and Sebastian. While Felix will pride himself on being able to illicit certain reactions from the politicians by creating illusions, it’s also evident that the play’s outcome depends on their preexisting relationships with each other.
Themes
Theater and The Tempest Theme Icon
Get the entire Hag-Seed LitChart as a printable PDF.
Hag-Seed PDF
Once inside the prison, the politicians are greeted by a group of men dressed as pirates who welcome them to “the good ship Tempest.” The Boatswain exhorts them not to be alarmed by anything that might occur; after all, they’re about to experience a piece of experimental theater. Estelle, whom Sal knows from committees and parties, waves them off with a smile.
In one sense, the Boatswain is lying—they’re about to experience Felix’s revenge. However, it’s also true that the players never depart from their scripted actions. This dichotomy shows the extent to which performative theater can bleed into what is considered “real life.”
Themes
Theater and The Tempest Theme Icon
Awkwardly, the other men follow Sal down the hall. The sailors bring up the rear, tossing confetti in front of them; Sal thinks that “these men are having way too much fun” to be prisoners. The Boatswain guides them to the screening room, where there’s a large screen and several sailors in black handing around soft drinks in blue and green cups. Watching from his hiding place, Felix sees TimEEz settle into a chair behind the men, ready to lift their security pagers. Sal takes a long sip of ginger ale, wishing it was spiked.
Again, Sal’s comment displays his ignorant and ungenerous attitude towards incarcerated people. Unlike him, Felix knows that being in prison shouldn’t mean the erasure of one’s moral worth; he also understands that the prisoners can’t healthily reenter society if they’re left to rot behind bars as Sal would prefer.
Themes
Imprisonment and Marginalization Theme Icon
In the third row, Frederick finds himself seated beside Anne-Marie and introduces himself. When she gives her name, he recognizes her from some of the dance work she’s done; in fact, he’s watched her videos many times as inspiration for the work he wants to do as director. Anne-Marie expresses admiration for his chosen career path and raises her glass in a toast. His gaze strays to her bare shoulder.
Anne-Marie’s manipulations—she flatters Frederick by referring to him as a “director” when he’s just a struggling artist—contrast with his unfeigned admiration of her. For these two, the theater has already begun.
Themes
Theater and The Tempest Theme Icon
Transformation and Change Theme Icon
Behind the folding screen, Felix bangs the floor with his cane. 8Handz stands with his hand over the Play button, but Felix looks around for Miranda. Suddenly he sees her, shimmering behind 8Handz’s shoulder. She tells him that “the hour’s now come.”
In that Miranda is now appearing to him in the presence of others and actively taking part in his life, Felix’s Tempest does seem to fulfill his original goal—to revive his lost daughter.
Themes
Grief Theme Icon