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Invoking WuDunn’s grandmother makes more personal the disturbing effects of women’s oppression, which impacted her in the form of her bound feet for her entire life. And yet she also became the matriarch of a family in modern Toronto, suggesting women’s strength even in the face of such cultural oppression. At the same time, the practice of foot-binding in particular invites the reader to question modern interpretations of beauty and the ways they might constrict women. And the way that foot-binding has disappeared offers the hope and possibility that with effort other such oppressions can be made to wither away.