Have You Seen Us?
by Athol Fugard
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Themes and Colors
Prejudice Theme Icon
Immigration and Nationality Theme Icon
Addiction Theme Icon
Religion Theme Icon
Gender Theme Icon
LitCharts assigns a color and icon to each theme in Have You Seen Us?, which you can use to track the themes throughout the work.
Gender Theme Icon
Gender Theme Icon

Though Have You Seen Us? focuses mostly on prejudices based in religion, race, and immigration status, it subtly suggests that gender is another major area of prejudice in the modern world. The play’s central character, White South African ex-professor Henry Parsons, has an initially hostile and combative relationship with another central character, Mexican waitress Adela Venegas. The two characters sometimes play a nasty “game” in which each attempts to wound and humiliate the other. As part of this game, Henry often attacks Adela in gendered terms, suggesting that she has failed to live up to a feminine cultural ideal. For example, he regularly references her weight, calling her “Tubby” and a “tub of Mexican grease”—insults that imply Adela has failed to live up to a feminine beauty standard. Moreover, he calls her “señorita,” a form of address applied to unmarried women, despite not knowing her marital status, because he claims that surely no man would want to marry her. For her part, Adela fights back by speculating aloud about a woman and a girl on a “missing persons” mailing card that Henry is using as a bookmark, suggesting that they are probably a mother and daughter successfully and heroically fleeing an abusive husband/father whom the legal system privileged because he was a man like Henry. Thus, though gender is not the play’s central focus, it still subtly highlights the prevalence of gender-based prejudice in contemporary society.

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Gender ThemeTracker

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Gender Quotes in Have You Seen Us?

Below you will find the important quotes in Have You Seen Us? related to the theme of Gender.

Have You Seen Us? Quotes

Henry: (Pretend and pompous outrage) An overweight, uneducated Mexican waitress had once again humiliated me, Henry Parsons, PhD!

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 121
Explanation and Analysis:
In the play’s prologue, which occurs about two years after the main action of the play, protagonist Henry Parsons directly addresses the audience, giving backstory to the main action that the audience is about to see enacted. Specifically, Henry is explaining the state of his relationship with sandwich-shop waitress Adela Venegas leading into the main action of the play: he and Adela have a combative relationship in which Adela repeatedly “humiliate[s]” Henry. Here, Henry’s description of Adela both betrays the cultural prejudices he used to hold and foreshadows that he will overcome said prejudices over the course of the play’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci

Henry: My dear señorita—I say “señorita” incidentally because I think anyone would have to be blind, dead and dumb to want to marry you—so I say, señorita, it is not what I want so take the fucking thing back and wait for my order!

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 126
Explanation and Analysis:
When Henry enters the sandwich shop where Adela works, Adela makes the sandwich he usually orders and brings it to his table without asking him what he wants first. To revenge himself on Adela for humiliating him the last time they spoke, Henry claims that his usual order isn’t what he wants and demands that she “take the fucking thing back and wait for [his] order.” During this attempt at revenge, Henry attacks Adela in implicitly gendered terms. Without knowing her marital status, he calls her “señorita,” a Spanish term of address for an unmarried woman, rather than “señora,” the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Seq

Adela: I’m telling it. So you listen and learn, gringo. Husband is beating wife, Adriana. Right? Wife calls police and wants divorce. Okay? Next stop: court case. Police and husband tell lies in court but judge believes him because they all gringos and husband is Vietnam vet. Verdict? Court gives baby Isabella to husband. They call it American justice. But not end of story because now comes Mexican justice. Beautiful Adriana waits for time when little Isabella is playing in the street. Adriana walks—very easy, like you know—to Isabella and says . . . “Hey baby! Come with Mama! We go eat ice cream.” . . . And off they go.

Related Characters: Adela Venegas (speaker), Henry Parsons
Related Symbols: Mailing Card
Page Number and Citation: 129
Explanation and Analysis:
Henry has brought a book to the sandwich shop where Adela works, and Adela notices that he is using a “missing persons” mailing card as a bookmark. In response to Henry’s callous lack of interest in the missing woman and girl on the card, Adriana and Isabella Larrañaga, Adela insists on narrating to him a whole speculative story about how Adriana and Isabella came to be missing. Adela’s speculative narration reveals her pessimistic viewpoint on U.S. culture: “American justice” involves white male “gringos” on the judicial bench and on the police force showing racist, sexist, anti-Hispanic solidarity with a “gringo” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque

Henry: (With simple sincerity) Thank you. Thank you very much. That was very beautiful . . . and leaves me amazed once again at the Almighty’s infinite capacity for mistakes: that voice in your body.

Related Characters: Henry Parsons (speaker), Solly, Rachel, Adela Venegas
Page Number and Citation: 134
Explanation and Analysis:
This quotation shows Henry and Adela at an ambiguous halfway point in their relationship, between enmity and friendship. After Henry has badgered and coaxed Adela to sing a song for him, Adela does. In the aftermath, Henry praises her performance as “very beautiful” with what the stage directions describe as “simple sincerity,” showing that he is softening toward her and becoming willing to show her respect. Yet, in the very same speech, he also calls “that voice in [Adela’s] body” a mistake on God’s part—yet another insult to Adela’s appearance that uses gendered beauty norms policing women’s thinness to humiliate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta

Henry: It’s my one and only souvenir of Adela, and what happened to me that night. Remember it? “Have You Seen Us?”

It’s a good question. I like to believe I did.

Related Characters: Henry Parsons (speaker), Adela Venegas, Solly, Rachel
Related Symbols: Mailing Card
Page Number and Citation: 158
Explanation and Analysis:
In the play’s epilogue, which takes place about two years after the play’s main events, Henry directly addresses the audience, revealing that he never saw Adela, Solly, or Rachel again after the dramatic evening that constitutes the majority of the play’s action. Several weeks after that evening, he returned to the sandwich shop with a gift for Adela only to find that the shop had closed. As such, the “missing persons” mailing card that he and Adela discussed that night is now is “one and only souvenir of Adela.” Previously in the play, the “missing persons” mailing card symbolized Henry’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earu