Have You Seen Us?
by Athol Fugard
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Themes and Colors
Prejudice Theme Icon
Immigration and Nationality Theme Icon
Addiction Theme Icon
Religion Theme Icon
Gender Theme Icon
LitCharts assigns a color and icon to each theme in Have You Seen Us?, which you can use to track the themes throughout the work.
Prejudice Theme Icon
Prejudice Theme Icon

Have You Seen Us? presents two types of prejudice: personal prejudices based on one’s experiences, and systemic prejudices based on widespread cultural stereotypes and hatreds. The play portrays individualized prejudices as relatively easy to work through, whereas systemic prejudices are much harder to overcome. Much of the play involves combative conversation between Henry Parsons, a South African former professor and intermittently recovering alcoholic, and Adela Venegas, a Mexican waitress who works at a sandwich shop Henry frequents. The two characters have such a combative relationship in part because Henry reminds Adela of her former romantic partner, an alcoholic who promised her that he would change but never did. Adela’s past experience with her former partner has created within Adela a prejudice against alcoholics based on her personal experience that she takes out on Henry, often calling him a hopeless “borracho perdido” (a lost drunk). Yet once Adela and Henry have a less combative, more honest conversation about Henry’s attempts to stop drinking, Adela changes her tone and encourages Henry to maintain his sobriety. Her new perspective on Henry demonstrates the relative ease with which someone can overcome their personal prejudices.

By contrast, Henry is riddled with systemic prejudices against people of color and Jewish people that he attributes to cultural stereotypes he absorbed as a child growing up in in South Africa under apartheid, a set of White-supremacist race laws in effect from the 1940s to early 1990s. Henry, wanting to uproot these prejudices from his psyche, left South Africa for the U.S. but found that the change of countries didn’t change his internal landscape. His repeated encounters with an elderly Jewish couple, Solly and Rachel, reveal to him how his antisemitism colors his interpretations of Solly and Rachel’s anodyne appearance and behaviors. All Henry can do, ultimately, is try to perceive the couple’s humanity and beg Solly’s forgiveness for his antisemitism. When Solly does forgive Henry, it offers Henry a moment of transcendent grace, but the contrast between Adela’s easily uprooted individual prejudice against people struggling with alcoholism and Henry’s deep-seated antisemitism shows how much more difficult prejudice is to overcome when it is woven into the culture and social norms one grew up with.

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Prejudice Quotes in Have You Seen Us?

Below you will find the important quotes in Have You Seen Us? related to the theme of Prejudice.

Have You Seen Us? Quotes

Henry: (Pretend and pompous outrage) An overweight, uneducated Mexican waitress had once again humiliated me, Henry Parsons, PhD!

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 121
Explanation and Analysis:
In the play’s prologue, which occurs about two years after the main action of the play, protagonist Henry Parsons directly addresses the audience, giving backstory to the main action that the audience is about to see enacted. Specifically, Henry is explaining the state of his relationship with sandwich-shop waitress Adela Venegas leading into the main action of the play: he and Adela have a combative relationship in which Adela repeatedly “humiliate[s]” Henry. Here, Henry’s description of Adela both betrays the cultural prejudices he used to hold and foreshadows that he will overcome said prejudices over the course of the play’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci

Henry: So why was I in that crummy little sandwich shop? You tell me. Addicted to humiliation, maybe? Most likely. I know something about addiction . . . being one of Bill’s friends.

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 121
Explanation and Analysis:
In the play’s prologue, Henry rhetorically asks the audience why he kept going back to the sandwich shop where Adela worked, even though Adela repeatedly humiliated him by correctly identifying him as an alcoholic—and rubbing his alcoholism in his face. He speculates that he was “most likely” “addicted to humiliation.” Then he admits that he is “one of Bill’s friends,” a reference to Bill Wilson (1895–1971), a cofounder of Alcoholics Anonymous. That is, Henry is not only suggesting that he self-destructively seeks out Adela’s humiliations. He’s also admitting that he is an alcoholic, and he ties his alcoholism to his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Delenit

Adela: (Aggressively, as she makes his sandwich): Welcome back, my dear old borracho perdido. Sucio viejo borracho. You know that one, darling? I teach you. Yes, I like you so much you sucio viejo borracho perdido, I teach you speak my language. “Sucio” is meaning “dirty.” “Viejo” is “old.” Sí. There you have it.

Related Characters: Adela Venegas (speaker), Henry Parsons
Page Number and Citation: 125
Explanation and Analysis:
This quotation, which occurs during the main action of the play, occurs after Henry has surprised Adela by walking into the sandwich shop unnoticed while she was singing along with the radio. Due to her embarrassment at having been overheard, Adela “aggressively” verbally attacks Henry, calling him a “sucio viejo borracho perdido”—a “dirty old lost drunk.” The quotation serves several functions. First, it establishes Adela’s real and venomous personal prejudice against people struggling with alcoholism: without knowing Henry’s story or his repeated attempts to quit drinking, she rubs his face in his visible alcoholism as soon as she sees him. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos.

Henry: So go ahead and call the police if you want to. But before you do so let me just say I hope your papers are in order, darling, because that is the first thing they are going to ask for, you know. I’ve got no problem and I certainly hope for your sake that you haven’t any as well.

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 126
Explanation and Analysis:
When sandwich-shop waitress Adela insists that Henry eat the sandwich she made for him or exit the sandwich shop, Henry refuses, telling her that she can “call the police” on him but that she’d better have her “papers […] in order.” The implication is that because Adela is a Mexican immigrant, the police will harass her for proof of legal immigration status even if she calls them for help with an unruly customer, an issue totally unrelated to immigration. This quotation subtly highlights the difference in Henry and Adela’s immigration experiences. Though Adela doesn’t know it at this point, Henry Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea.

Adela: I’m telling it. So you listen and learn, gringo. Husband is beating wife, Adriana. Right? Wife calls police and wants divorce. Okay? Next stop: court case. Police and husband tell lies in court but judge believes him because they all gringos and husband is Vietnam vet. Verdict? Court gives baby Isabella to husband. They call it American justice. But not end of story because now comes Mexican justice. Beautiful Adriana waits for time when little Isabella is playing in the street. Adriana walks—very easy, like you know—to Isabella and says . . . “Hey baby! Come with Mama! We go eat ice cream.” . . . And off they go.

Related Characters: Adela Venegas (speaker), Henry Parsons
Related Symbols: Mailing Card
Page Number and Citation: 129
Explanation and Analysis:
Henry has brought a book to the sandwich shop where Adela works, and Adela notices that he is using a “missing persons” mailing card as a bookmark. In response to Henry’s callous lack of interest in the missing woman and girl on the card, Adriana and Isabella Larrañaga, Adela insists on narrating to him a whole speculative story about how Adriana and Isabella came to be missing. Adela’s speculative narration reveals her pessimistic viewpoint on U.S. culture: “American justice” involves white male “gringos” on the judicial bench and on the police force showing racist, sexist, anti-Hispanic solidarity with a “gringo” Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque

Henry: Well played! I’ll give you that point. I can’t trump your pride . . . and for the simple reason that I don’t think I’ve got any left. (He tries) “I am a South African!” Didn’t sound convincing, did it? Certainly didn’t feel it. But there was a time . . . oh yes, there was a time . . .

(He shakes his head ruefully.

Pause.

He starts eating his sandwich and waits, watching her at work behind the counter for a minute or so, beginning to see her as something more than just a target for his scorn and contempt. Eventually . . .)

Do you ever get homesick?

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 130
Explanation and Analysis:
After Adela proudly declares herself a Mexican, not a “gringo” like Henry regardless of his nationality, Henry thoughtfully declares that he “can’t trump [her] pride” in her country of origin because he has none in his own. Then, contemplating her national pride, he “begin[s] to see her as something more than just a target for his scorn and contempt” and asks her whether she “get[s] homesick.” This moment is an important turning point both for the audience’s understanding of Henry and for Henry and Adela’s relationship. First, when Henry declares that he is not proud to be a South African, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem haru

Henry: [T]hat was another terrible yearning . . . watching people live their lives . . . and understanding what those lives were all about. I can’t do that here in America. I understand nothing. When I stand on a street corner here in America I feel I don’t even speak the same language. Back there it was different . . . I knew them all . . . I knew their stories . . .

Related Characters: Henry Parsons (speaker), Adela Venegas
Related Symbols: Mailing Card
Page Number and Citation: 132
Explanation and Analysis:
Here, Henry is explaining to Adela the “terrible yearning” for South Africa he used to feel when he first moved to the U.S. Specifically, he felt a “yearning” to “watch[] people” and immediately “understand what [their] lives where all about,” something he pronounces that he “can’t do” in America but could do in South Africa. It's ambiguous whether the audience should take Henry as a reliable narrator here. Through Henry’s callous use of the “missing persons” mailing card as a bookmark, he has already revealed himself to be uninterested in the lives of people around him in the U.S.—a lack Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur

Henry: I am, Adela, by common definition, an alcoholic: you were right, borracho perdido. Ten years ago my very beautiful wife—Loretta—delivered an ultimatum: “Me or the bottle.”

Adela: (Nodding her head in an “I knew it!” response): And you choose bottle. You got beautiful wife and little girl but you want bottle.

Henry: No! It’s not as simple as that! I wanted them. I wanted my family. So I tried! Believe me, I really tried. Every Saturday night in the basement room of a church in Gramercy Park in New York.

Related Characters: Henry Parsons (speaker), Adela Venegas (speaker)
Page Number and Citation: 139
Explanation and Analysis:
After Adela sings for Henry, she shares some personal stories about herself and her family related to her singing. Afterward, she asks him about his own family. In response to Adela’s questioning, Henry eventually reveals that his wife Loretta left him and took their young daughter Kate back to South Africa after giving him “an ultimatum” about his drinking. Adela’s reaction, which the stage directions describe as an “‘I knew it!’ response,” emphasize her personal prejudice against alcoholics: she assumes that Henry immediately chose alcohol over his “beautiful wife” and “little girl.” After Henry insists to Adela that the story Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem.

Henry: You see, my daughter Kate has told me that she would love to come and visit me, provided I could stay sober for a year. So what do I do? I get to ten, sometimes even eleven months . . . and then I hit the bottle again. But I’m not fooling myself. I know what’s happening. Do I really want her to come over and look at me, look at what my life is now? Even if I was sober, what would she see?

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 140
Explanation and Analysis:
When Adela asks Henry how long it has been since he’s had alcohol, he tells her his last binge was three months prior and admits to her that his attempts to stay sober have become rather irresolute—because his daughter Kate is willing to come visit him if he “stay[s] sober for a year.” As a result, Henry has started “hit[ting] the bottle again” after 10 or 11 months of sobriety. When Henry says, “I’m not fooling myself” and “I know what’s happening,” he is signaling to Adela that he is self-consciously sabotaging his sobriety to keep his daughter from visiting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corpor

Henry: I get it now. When I first walked in here last Christmas and you saw another borracho perdido . . . and you saw Roberto. Right?

Related Characters: Henry Parsons (speaker), Adela Venegas
Related Symbols: Mailing Card
Page Number and Citation: 141
Explanation and Analysis:
Henry has asked Adela whether she sees him as an alcoholic lost cause, and she revealed to him that her former romantic partner Roberto was exactly that. He promised her that he would change and stop drinking, but eventually Roberto just abandoned her instead. When Henry replies, “I get it now,” it marks another important turning point for his character in two ways. First, Henry has previously stated that he doesn’t understand anyone in the U.S. While Henry seems to attribute his lack of understanding to cultural differences between the U.S. and South Africa, the audience may have wondered whether Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Dele

Henry: Two very lost old people from the look of things, don’t you think? I wouldn’t be surprised if I didn’t get a “missing persons” card in my mail next week with their pictures on it. “Have You Seen Us?” Oh yes! I have not only seen them, my dear Adela, what is amazing is I also happen to know them.

Related Characters: Henry Parsons (speaker), Solly, Rachel, Adela Venegas
Related Symbols: Mailing Card
Page Number and Citation: 143
Explanation and Analysis:
Elderly Jewish immigrant couple Solly and Rachel have entered the sandwich shop where Adela works, asked whether the shop sells chicken soup, and left upon learning that the answer is no. Afterward, Henry pronounces to Adela that the couple’s sudden appearance is “amazing” because he “happen[s] to know them.” Henry is referring to an incident on Christmas Eve several months prior, in which Henry casually wished Solly and Rachel a “happy Christmas” outside the sandwich shop and Solly gently informed Henry that he and his wife were Jewish. Here, Henry is an unreliable narrator: he claims to have seen Solly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi

Henry: . . . There . . . gouged out in the tarmac in front of one of the parking bays, and obviously intended for the car and its occupants that had been parked there, was the Star of David . . . Do you know what that is, Adela?

(He goes to the chalkboard menu, wipes away what was written, then takes a piece of chalk and draws the Star of David.)

The Jewish Star of David . . . the one Hitler pinned on the clothes of little boys and girls, marking them down for the grand “Final Solution.”

Related Characters: Henry Parsons (speaker), Adela Venegas
Related Symbols: Star of David
Page Number and Citation: 146–147
Explanation and Analysis:
Henry is describing to Adela the antisemitic graffiti he encountered in a parking lot near his apartment on his morning walk. Two elements of his description are notable. First, although the Star of David has represented Jewish heritage, culture, and religion generally for centuries, Henry defines the Star of David specifically according to its use in the Holocaust, describing it as “the one Hitler pinned on the clothes of little boys and girls, marking them down for the grand ‘Final Solution.’” Henry is referring to the World War II-era (1939–1945) Nazi legal requirement that Jewish people in Nazi-occupied territories wear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis.

Henry: Now listen, this monster . . . what do you call it . . . monstruo? . . .

(He now points at the menu.)

Is those three words . . . and those three words . . .

(He now points at his own chest.)

. . . are inside me.

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 148–149
Explanation and Analysis:
Henry is trying to explain his unwanted, deep-seated antisemitism to Adela through an extended metaphor involving the 1979 film Alien, starring Sigourney Weaver. He equates the monstrous alien parasite in the film to “those three words” (the antisemitic graffiti “Fuck You Jew,” which he has reproduced on the sandwich shop’s chalkboard menu) and says that that parasite is “inside” him. In the film, a crewmember on a spaceship named Kane is attacked by an alien and temporarily survives but—unbeknownst to him—is infected by the alien’s parasitic young. In arguably the film’s most famous scene, Kane thinks the danger is over Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam

Henry: The monster had got a name, you know. Prejudice! That’s the name of the disease, my darling. And the symptoms are the same, whether it’s Jew or black or coolie, that you happen to be looking at . . . hatred and fear of anything that is different. It’s endemic to that beautiful country of mine. Like all decent liberal-minded men and women back there, I, of course, thought I had cured myself of it. Maybe others did. I hadn’t. I’m rotten with it.

Related Characters: Henry Parsons (speaker), Adela Venegas
Page Number and Citation: 150
Explanation and Analysis:
Up to this point, Henry has been describing his unwanted but deep-seated antisemitism to Adela as a “monster” like the murderous alien parasites in the 1979 science-fiction film Alien. Here, he changes his metaphor from “monster” to “disease.” His metaphor switch subtly changes what he is implying about his own culpability for his antisemitism. The murderous parasites in Alien victimize their human prey in ways almost totally beyond the humans’ understanding or control. Thus, the metaphorical equation of prejudice with a monstrous alien parasite suggests that prejudiced people aren’t individually culpable for their prejudice—rather, cultural forces are infecting them and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. V

Solly: (Wagging a loving finger at Henry): Just like Aaron! (Nudging Rachel and pointing at Henry) You see him. In the book again. Just like Aaron.

Related Characters: Solly (speaker), Rachel, Henry Parsons
Page Number and Citation: 153
Explanation and Analysis:
Solly and Rachel have returned to the sandwich shop after failing to find adequate food elsewhere. After they order turkey sandwiches and sit at a table, Solly notices Henry reading and says, “Just like Aaron!” Notably, the stage directions describe Solly as “wagging a loving finger at Henry” as Solly makes the comparison between Aaron and Henry. It is later revealed that Aaron was Solly and Rachel’s beloved son who is now “gone,” presumably dead. This brief interaction is important because it sets Solly up as a foil for Henry. Henry has just described prejudice as a “hatred and fear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi om

Henry: I hated you.

Solly: I know.

(Pause. They look unflinchingly into each other’s eyes.)

But why?

Henry: You were ugly . . . you were a Jew . . .

Solly: I still am.

(A pause. Henry is shaking his head in denial.)

Speak. I will listen.

Henry: (After a gesture of utter helplessness): I don’t know . . . now you are beautiful . . . I . . . love you.

Solly: Then God will also forgive you.

Related Characters: Henry Parsons (speaker), Solly (speaker), Rachel, Adela Venegas
Page Number and Citation: 156
Explanation and Analysis:
After Solly and Rachel—at Henry and Adela’s urging—perform a Hebrew song that they used to sing with their much-beloved (and likely dead) son Aaron, an emotionally overwhelmed Henry begs Solly’s forgiveness for his prior antisemitic reaction to Solly and his wife. Though Solly does immediately forgive Henry, he also asks Henry gentle questions about what he is forgiving Henry for. Henry’s explanation that Solly was “ugly” to him because of Solly’s Jewishness but suddenly became “beautiful,” implicitly due to the Hebrew song Solly and Rachel performed, suggests that the song humanized Solly for Henry. The song likely humanized Solly in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. U

Henry: It’s my one and only souvenir of Adela, and what happened to me that night. Remember it? “Have You Seen Us?”

It’s a good question. I like to believe I did.

Related Characters: Henry Parsons (speaker), Adela Venegas, Solly, Rachel
Related Symbols: Mailing Card
Page Number and Citation: 158
Explanation and Analysis:
In the play’s epilogue, which takes place about two years after the play’s main events, Henry directly addresses the audience, revealing that he never saw Adela, Solly, or Rachel again after the dramatic evening that constitutes the majority of the play’s action. Several weeks after that evening, he returned to the sandwich shop with a gift for Adela only to find that the shop had closed. As such, the “missing persons” mailing card that he and Adela discussed that night is now is “one and only souvenir of Adela.” Previously in the play, the “missing persons” mailing card symbolized Henry’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earu

Henry: Good night and . . . happy holidays!

Related Characters: Henry Parsons (speaker), Solly, Rachel
Page Number and Citation: 158
Explanation and Analysis:
In Henry’s last words in the play before exiting the stage, he wishes the audience “good night” and “happy holidays.” When he wishes the audience “happy holidays,” it calls back to and contrasts with the inciting incident in the play. Henry wished Solly and Rachel a “happy Christmas,” forcing Solly to gently point out that he and Rachel were Jewish, a response that sent Henry into an unwilling antisemitic spiral. Whereas Henry’s previous “happy Christmas” salutation unthinkingly assumed that everyone is a Christian and thus betrayed his religious and cultural biases, Henry’s “happy holidays” goodbye to the audience shows that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corru