Henry VI Part 1

by William Shakespeare

Joan la Pucelle Character Analysis

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Joan la Pucelle, better known as Joan of Arc, is an advisor to the Dauphin Charles and the primary antagonist of King Henry VI and Lord Talbot. The daughter of a poor shepherd in France, Pucelle claims to have received visions from the Virgin Mary that she believes will guide France to victory against the English. Though Charles celebrates Joan for her military prowess, her ability to “enchant” others with her words, and her striking beauty, the play as a whole takes a much more negative view of Pucelle. Talbot in particular often insults Pucelle as a “witch,” a view the play supports when it is revealed that Pucelle’s visions come not from the Virgin Mary but from satanic “fiends.” The play also sexualizes Pucelle, depicting her as a “strumpet” who may or may not have slept with Charles and his courtiers Reignier and Alanson. Finally, just before being burned at the stake, Pucelle denies recognizing her own father (the shepherd), insisting that she is from “noble birth” even though she has previously admitted otherwise. By portraying Pucelle as impure, dishonest, and in league with the devil, Henry VI Part 1 works to undermine not only Pucelle but France as a whole, yet one more reflection of the play’s nationalist project—and of the role misogyny plays in that nationalism.

Joan la Pucelle Quotes in Henry VI Part 1

The Henry VI Part 1 quotes below are all either spoken by Joan la Pucelle or refer to Joan la Pucelle. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Individualism vs. Nationalism Theme Icon
).

Act 1, Scene 2 Quotes

CHARLES: Then come, o’ God’s name; I fear no woman.

JOAN LA PUCELLE: And while I live, I’ll ne’er fly from a man.

Here they fight, and JOAN LA PUCELLE overcomes

CHARLES: Stay, stay thy hands! thou art an Amazon
And fightest with the sword of Deborah.

JOAN LA PUCELLE: Christ’s mother helps me, else I were too weak.

CHARLES: Whoe’er helps thee, ‘tis thou that must help me:
Impatiently I burn with thy desire;
My heart and hands thou hast at once subdued.
Excellent Pucelle, if thy name be so,
Let me thy servant and not sovereign be:
‘Tis the French Dauphin sueth to thee thus.

JOAN LA PUCELLE: I must not yield to any rites of love,
For my profession’s sacred from above:
When I have chased all thy foes from hence,
Then will I think upon a recompense.

CHARLES: Meantime look gracious on thy prostrate thrall.

Related Characters: Joan la Pucelle (speaker), Dauphin Charles (speaker), Lord Talbot
Page Number and Citation: 1.2.107-123
Explanation and Analysis:

Act 1, Scene 5 Quotes

TALBOT: Where is my strength, my valour, and my force?
Our English troops retire, I cannot stay them:
A woman clad in armour chaseth them.

[…] Here, here she comes. I’ll have a bout with thee;
Devil or devil’s dam, I’ll conjure thee:
Blood will I draw on thee, thou art a witch,
And straightway give thy soul to him thou servest.

JOAN LA PUCELLE: Come, come, ‘tis only I that must disgrace thee.

Here they fight

TALBOT: Heavens, can you suffer hell so to prevail?
My breast I’ll burst with straining of my courage
And from my shoulders crack my arms asunder.
But I will chastise this high-minded strumpet.

[…] My thoughts are whirled like a potter’s wheel;
I know not where I am, nor what I do;
A witch, by fear, not force, like Hannibal,
Drives back our troops and conquers as she lists[.]

Related Characters: Joan la Pucelle (speaker), Lord Talbot (speaker), Earl of Salisbury
Page Number and Citation: 1.5.1-25
Explanation and Analysis:

Act 2, Scene 1 Quotes

BEDFORD: Coward of France! how much he wrongs his fame,
Despairing of his own arm’s fortitude,
To join with witches and the help of hell!

BURGUNDY: Traitors have never other company.
But what’s that Pucelle whom they term so pure?

TALBOT: A maid, they say.

BEDFORD: A maid! and be so martial!

BURGUNDY: Pray God she prove not masculine ere long,
If underneath the standard of the French
She carry armour as she hath begun.

TALBOT: Well, let them practise and converse with spirits:
God is our fortress, in whose conquering name
Let us resolve to scale their flinty bulwarks.

Related Characters: Duke of Burgundy (speaker), Duke of Bedford (speaker), Lord Talbot (speaker), Dauphin Charles, Joan la Pucelle
Page Number and Citation: 2.1.19-31
Explanation and Analysis:

Act 3, Scene 2 Quotes

TALBOT: Foul fiend of France, and hag of all despite,
Encompass’d with thy lustful paramours!
Becomes it thee to taunt his valiant age
And twit with cowardice a man half dead?
Damsel, I’ll have a bout with you again,
Or else let Talbot perish with this shame.

[…] Dare ye come forth and meet us in the field?

JOAN LA PUCELLE: Belike your lordship takes us then for fools,
To try if that our own be ours or no.

TALBOT: I speak not to that railing Hecate,
But unto thee, Alanson, and the rest;
Will ye, like soldiers, come and fight it out?

ALANSON: Signior, no.

TALBOT: Signior, hang! base muleters of France!
Like peasant foot-boys do they keep the walls
And dare not take up arms like gentlemen.

Related Characters: Lord Talbot (speaker), Duke of Alanson (speaker), Joan la Pucelle (speaker), Duke of Bedford, Duke of Burgundy
Page Number and Citation: 3.2.57-77
Explanation and Analysis:

An alarum: excursions. Enter FASTOLF and a CAPTAIN

CAPTAIN: Whither away, Sir John Fastolfe, in such haste?

FASTOLF: Whither away! to save myself by flight:
We are like to have the overthrow again.

CAPTAIN: What! will you fly, and leave Lord Talbot?

FASTOLF: Ay,
All the Talbots in the world, to save my life!

Exit

CAPTAIN: Cowardly knight! ill fortune follow thee!

Exit

Retreat: excursions. JOAN LA PUCELLE, ALANSON, and CHARLES fly

BEDFORD: Now, quiet soul, depart when heaven please,
For I have seen our enemies’ overthrow.
What is the trust or strength of foolish man?
They that of late were daring with their scoffs
Are glad and fain by flight to save themselves.

BEDFORD dies, and is carried in by two in his chair

Related Characters: Duke of Bedford (speaker), Sir John Fastolf (speaker), Dauphin Charles, Duke of Alanson, Joan la Pucelle, Lord Talbot
Related Symbols: The Body and the Body Politic
Page Number and Citation: 3.2.111-124
Explanation and Analysis:

Act 3, Scene 3 Quotes

JOAN LA PUCELLE: Look on thy country, look on fertile France,
And see the cities and the towns defaced
By wasting ruin of the cruel foe.
As looks the mother on her lowly babe
When death doth close his tender dying eyes,
See, see the pining malady of France;
Behold the wounds, the most unnatural wounds,
Which thou thyself hast given her woeful breast.
O, turn thy edged sword another way;
Strike those that hurt, and hurt not those that help.
One drop of blood drawn from thy country’s bosom
Should grieve thee more than streams of foreign gore:
Return thee therefore with a flood of tears,
And wash away thy country’s stained spots.

BURGUNDY: Either she hath bewitch’d me with her words,
Or nature makes me suddenly relent.

[…] I am vanquished; these haughty words of hers
Have batter’d me like roaring cannon-shot,
And made me almost yield upon my knees.

Related Characters: Joan la Pucelle (speaker), Duke of Burgundy (speaker), Lord Talbot, King Henry VI , Dauphin Charles
Page Number and Citation: 3.3.48-84
Explanation and Analysis:

Act 4, Scene 7 Quotes

CHARLES: Had York and Somerset brought rescue in,
We should have found a bloody day of this.

BASTARD OF ORLEANCE: How the young whelp of Talbot’s, raging-wood,
Did flesh his puny sword in Frenchmen’s blood!

JOAN LA PUCELLE: Once I encounter’d him, and thus I said:
‘Thou maiden youth, be vanquish’d by a maid:’
But, with a proud majestical high scorn,
He answer’d thus: ‘Young Talbot was not born
To be the pillage of a giglot wench:’
So, rushing in the bowels of the French,
He left me proudly, as unworthy fight.

BURGUNDY: Doubtless he would have made a noble knight[.]

Related Characters: Bastard of Orleance (speaker), Dauphin Charles (speaker), Duke of Burgundy (speaker), Joan la Pucelle (speaker), Lord Talbot, John Talbot, Richard Plantagenet, Duke of York, Duke of Somerset
Page Number and Citation: 4.7.34-45
Explanation and Analysis:

Act 5, Scene 3 Quotes

JOAN LA PUCELLE: The regent conquers, and the Frenchmen fly.
Now help, ye charming spells and periapts;
And ye choice spirits that admonish me
And give me signs of future accidents.

Thunder

[…] Enter fiends

This speedy and quick appearance argues proof
Of your accustom’d diligence to me.
Now, ye familiar spirits, that are cull’d
Out of the powerful regions under earth,
Help me this once, that France may get the field.

They walk, and speak not

Cannot my body nor blood-sacrifice
Entreat you to your wonted furtherance?
Then take my soul, my body, soul and all,
Before that England give the French the foil.

They depart

See, they forsake me! Now the time is come
That France must vail her lofty-plumed crest
And let her head fall into England’s lap.
My ancient incantations are too weak,
And hell too strong for me to buckle with:
Now, France, thy glory droopeth to the dust.

Related Characters: Joan la Pucelle (speaker)
Page Number and Citation: 5.3.1-31
Explanation and Analysis:

Act 5, Scene 4 Quotes

JOAN LA PUCELLE: I am with child, ye bloody homicides:
Murder not then the fruit within my womb,
Although ye hale me to a violent death.

[…] YORK: She and the Dauphin have been juggling:
I did imagine what would be her refuge.

[…] JOAN LA PUCELLE: You are deceived; my child is none of his:
It was Alanson that enjoy’d my love.

YORK: Alanson! that notorious Machiavel!
It dies, an if it had a thousand lives.

JOAN LA PUCELLE: O, give me leave, I have deluded you:
‘Twas neither Charles nor yet the duke I named,
But Reignier, king of Naples, that prevail’d.

[…] YORK: Why, here’s a girl! I think she knows not well,
There were so many, whom she may accuse.

WARWICK: It’s sign she hath been liberal and free.

YORK: And yet, forsooth, she is a virgin pure.
Strumpet, thy words condemn thy brat and thee:
Use no entreaty, for it is in vain.

Related Characters: Joan la Pucelle (speaker), Earl of Warwick (speaker), Richard Plantagenet, Duke of York (speaker), Dauphin Charles, Duke of Alanson, Reignier, Duke of Anjou
Page Number and Citation: 5.4.63-86
Explanation and Analysis:
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Joan la Pucelle Character Timeline in Henry VI Part 1

The timeline below shows where the character Joan la Pucelle appears in Henry VI Part 1. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 2
Gender and Politics Theme Icon
Religion, Power, and Manipulation Theme Icon
...of Orleance enters, telling Charles that he brings with him a “holy maid”: Joan la Pucelle.  Allegedly, this young woman has been sent a vision from heaven, instructing her on how... (full context)
Gender and Politics Theme Icon
Impressed, Charles sends the other lords out of the room, wanting to speak to Pucelle alone. Pucelle explains that she is a poor shepherd’s daughter. One day, while Pucelle was... (full context)
Individualism vs. Nationalism Theme Icon
Gender and Politics Theme Icon
To back up her story, Pucelle invites Charles to ask her any question, or to try her skill in combat (“thou... (full context)
Gender and Politics Theme Icon
Amazed, Charles confesses his attraction for Pucelle and asks her to be his lover. Pucelle refuses, insisting that her mission is too... (full context)
Impulse and History Theme Icon
Reignier and Alanson re-enter, and Pucelle advises them not to give up on Orleance. Swayed by Pucelle’s advice, Charles agrees to... (full context)
Act 1, Scene 4
Gender and Politics Theme Icon
...been victorious, in large measure because of the guidance French soldiers received from Joan la Pucelle. Salisbury, not yet fully dead, lets out one last groan. But Talbot is not so... (full context)
Act 1, Scene 5
Gender and Politics Theme Icon
Courage vs. Cowardice Theme Icon
Religion, Power, and Manipulation Theme Icon
...and a battle montage begins. First, Talbot chases the Dauphin Charles across the stage. Then, Pucelle pursues a group of English soldiers, forcing them to flee in fear. When Talbot sees... (full context)
Gender and Politics Theme Icon
Courage vs. Cowardice Theme Icon
The alarum goes off again, and Pucelle leads her French troops into Orleance, having successfully reconquered the city. Talbot is shocked and... (full context)
Act 1, Scene 6
Religion, Power, and Manipulation Theme Icon
Impulse and History Theme Icon
Joan la Pucelle enters, accompanied by the Dauphin Charles, Alanson, and the Reignier. With pride in her voice,... (full context)
Act 2, Scene 1
Gender and Politics Theme Icon
Courage vs. Cowardice Theme Icon
Religion, Power, and Manipulation Theme Icon
...of hell,” Reignier replies, “the heavens sure favor him.” Charles rushes in with Joan la Pucelle, explaining that the two of them been up all night talking. When Charles learns of... (full context)
Act 2, Scene 2
Gender and Politics Theme Icon
Courage vs. Cowardice Theme Icon
...French death toll from last night’s battle. Bedford and Burgundy pile on, mocking Charles and Pucelle for running away (“arm-in-arm […] like to a pair of turtledoves”) rather than joining the... (full context)
Act 3, Scene 2
Gender and Politics Theme Icon
Courage vs. Cowardice Theme Icon
The scene shifts to France, where Joan la Pucelle is readying a group of four soldiers to breach the walled city of Roan. Pucelle... (full context)
Gender and Politics Theme Icon
On the other side of the stage, Charles, the Bastard, Alanson, and Reignier wait for Pucelle to give them a sign. Sure enough, she appears on a tower, thrusting a torch... (full context)
Gender and Politics Theme Icon
Religion, Power, and Manipulation Theme Icon
...montage, Talbot, Bedford and Burgundy have been thrust out of the city. From her tower, Pucelle throws corn at the English, taunting them for believing that she and the other French... (full context)
Gender and Politics Theme Icon
Courage vs. Cowardice Theme Icon
Talbot refuses to talk to Pucelle any longer, not wanting to engage in such conversations with a woman. Instead, he calls... (full context)
Individualism vs. Nationalism Theme Icon
Courage vs. Cowardice Theme Icon
...even if it means abandoning Talbot. Just moments after Fastolf runs off, however, the French (Pucelle, Alanson and Charles) run on, pursued by English troops. Realizing that the English will be... (full context)
Act 3, Scene 3
Impulse and History Theme Icon
Though the French have just lost Roan, Pucelle assures Charles, the Bastard, and Alanson that the English triumph is only temporary. Charles trusts... (full context)
Religion, Power, and Manipulation Theme Icon
Offstage, the sounds of the English army’s march can be heard. Pucelle seizes the opportunity to talk to Burgundy, urging Charles to request a “parley” (meeting) with... (full context)
Individualism vs. Nationalism Theme Icon
Gender and Politics Theme Icon
Impulse and History Theme Icon
In her speech, Pucelle urges Burgundy to look on “fertile France” with the same tenderness that a mother might... (full context)
Individualism vs. Nationalism Theme Icon
Religion, Power, and Manipulation Theme Icon
Burgundy is deeply moved by Pucelle’s monologue (“she hath bewitched me with her words,” Burgundy reflects). Burgundy then embraces Charles, Alanson,... (full context)
Act 4, Scene 7
Individualism vs. Nationalism Theme Icon
Gender and Politics Theme Icon
An alarum sounds, ushering in Charles, Alanson, Burgundy, the Bastard, and Pucelle. Charles reflects that if York and Somerset had brought their forces to join Talbot, the... (full context)
Courage vs. Cowardice Theme Icon
Impulse and History Theme Icon
...all the titles the impressive general has earned over the course of his military career. Pucelle scoffs, mocking the English for the “stately style” they use to refer to noblemen—and informing... (full context)
Act 5, Scene 2
Individualism vs. Nationalism Theme Icon
Charles enters with Pucelle, Alanson, and the other courtiers. Charles is happy to hear, from Alanson, that the citizens... (full context)
Act 5, Scene 3
Individualism vs. Nationalism Theme Icon
Religion, Power, and Manipulation Theme Icon
An alarum sounds, and Pucelle enters, shocked that “the Regent” (the Duke of York) has been so victorious in battle.... (full context)
Gender and Politics Theme Icon
Religion, Power, and Manipulation Theme Icon
Pucelle grows more and more desperate, offering the fiends her body, her soul, and even “blood-sacrifice.” ... (full context)
Religion, Power, and Manipulation Theme Icon
In a montage, Burgundy and York fight hand-to-hand while English soldiers capture Pucelle. Now that Pucelle is in his clutches, York taunts her as an “ugly witch,” sneering... (full context)
Act 5, Scene 4
Gender and Politics Theme Icon
Religion, Power, and Manipulation Theme Icon
Impulse and History Theme Icon
York enters with Warwick, followed by Pucelle, who is now chained as a prisoner. As York orders Pucelle to be burned alive... (full context)
Individualism vs. Nationalism Theme Icon
Gender and Politics Theme Icon
Religion, Power, and Manipulation Theme Icon
Desperate to avoid her fate, Pucelle cries out that she is chaste and pure (“Joan of Arc hath been a virgin... (full context)