“Her First Ball,” while a standalone story, can be thought of as a spin-off of Katherine Mansfield’s 1922 short story “The Garden Party.” Leila’s cousins, the Sheridans, are minor characters in “Her First Ball” but central in “The Garden Party,” which takes place in Wellington, New Zealand. The stories are also thematically linked, as “The Garden Party” revolves around time and mortality. Based on style and time period,
Mansfield’s writing is part of the Modernist tradition, though it doesn’t align with all characteristics of Modernism. For instance, Mansfield’s prose and story structures were often deceptively simple, but on the whole, modernist work tended toward the experimental, often using a stream-of-consciousness style to critique a fast-moving postwar society. Modernist work, including Mansfield’s, favored interiority over external events, and used layered imagery to reflect complex emotions. Virginia Woolf, one of Mansfield’s peers and acquaintances, was a key practitioner of Modernism, along with figures such as T.S. Eliot, Ezra Pound, James Joyce, and E.M. Forster. Though Woolf’s work was often denser than Mansfield’s, her novel
Orlando, like “Her First Ball,” dealt with questions of gender and the passage of time. Mansfield also helped to perfect the short story form, following in the footsteps of writers like Anton Chekhov, one of her literary influences. Chekhov’s stories, including “Gooseberries” and
“The Man in a Case,” mirror the ambiguity of “Her First Ball”; like Mansfield, Chekhov preferred to reveal information slowly.