Leila Character Analysis

Oh dear, how hard it was to be indifferent like the others! She tried not to smile too much; she tried not to care. But every single thing was so new and exciting…Meg’s tuberoses, Jose’s long loop of amber, Laura’s little dark head, pushing above her white fur like a flower through snow. She would remember for ever.

Here the crowd was so great there was hardly space to take off their things; the noise was deafening. Two benches on either side were stacked high with wraps. Two old women in white aprons ran up and down tossing fresh armfuls. And everybody was pressing forward trying to get at the little dressing-table and mirror at the far end.

A great quivering jet of gas lighted the ladies’ room. It couldn't wait; it was dancing already. When the door opened again and there came a burst of tuning from the drill hall, it leaped almost to the ceiling.

Dark girls, fair girls were patting their hair, tying ribbons again, tucking hand-kerchiefs down the fronts of their bodies, smoothing marble-white gloves. And because they were all laughing it seemed to Leila that they were all lovely.

She quite forgot to be shy; she forgot how in the middle of dressing she had sat down on the bed with one shoe off and one shoe on and begged her mother to ring up her cousins and say she couldn't go after all. And the rush of longing she had had to be sitting on the veranda of their forsaken up-country home, listening to the baby owls crying ‘More pork’ in the moonlight, was changed to a rush of joy so sweet that it was hard to bear alone. She clutched her fan, and, gazing at the gleaming, golden floor, the azaleas, the lanterns, the stage at one end with its red carpet and gilt chairs and the band in a corner, she thought breathlessly, ‘How heavenly; how simply heavenly!

Strange faces smiled at Leila—sweetly, vaguely. Strange voices answered, ‘Of course, my dear.’ But Leila felt the girls didn’t really see her. They were looking towards the men. Why didn’t the men begin? What were they waiting for? There they stood, smoothing their gloves, patting their glossy hair and smiling among themselves.

[…] instead of replying the fat man wrote something, glanced at her again. ‘Do I remember this bright little face?’ he said softly. ‘Is it known to me of yore?’ At that moment the band began playing; the fat man disappeared. He was tossed away on a great wave of music that came flying over the gleaming floor, breaking the groups up into couples, scattering them, sending them spinning…

‘Quite a good floor, isn’t it?’ drawled a faint voice close to her ear.

‘I think it’s most beautifully slippery,’ said Leila.

‘Pardon!’ The faint voice sounded surprised, Leila said it again. And there was a tiny pause before the voice echoed, ‘Oh, quite!’ and she was swung round again.

He steered so beautifully. That was the great difference between dancing with girls and men, Leila decided. Girls banged into each other, and stamped on each other’s feet; the girl who was gentleman always clutched you so.

‘Floor’s not bad,’ said the new voice. Did one always begin with the floor? And then, ‘Were you at the Neaves’ on Tuesday?’ And again Leila explained. Perhaps it was a little strange that her partners were not more interested. For it was thrilling. Her first ball! She was only at the beginning of everything. It seemed to her that she had never known what the night was like before. Up till now it had been dark, silent, beautiful very often—oh yes—but mournful somehow. Solemn. And now it would never be like that again—it had opened dazzling bright.

…‘you can’t hope to last anything like as long as that. No-o,’ said the fat man, ‘long before that you'll be sitting up there on the stage, looking on, in your nice black velvet. And these pretty arms will have turned into little short fat ones, and you’ll beat time with such a different kind of fan—a black ebony one.’ The fat man seemed to shudder. ‘And you’ll smile away like the poor old dears up there, and point to your daughter, and tell the elderly lady next to you how some dreadful man tried to kiss her at the club ball. And your heart will ache, ache’—the fat man squeezed her closer still, as if he really was sorry for that poor heart—‘because no one wants to kiss you now. And you’ll say how unpleasant these polished floors are to walk on, how dangerous they, are.”

Was this first ball only the beginning of her last ball, after all? At that the music seemed to change; it sounded sad, sad; it rose upon a great sigh. Oh, how quickly things changed! Why didn't happiness last for ever? For ever wasn’t a bit too long.

Again the couples paraded. The swing doors opened and shut. Now new music was given out by the bandmaster. But Leila didn’t want to dance any more. She wanted to be home, or sitting on the veranda listening to those baby owls.

But in one minute, in one turn, her feet glided, glided. The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel. And when her next partner bumped her into the fat man and he said, ‘Pardon,’ she smiled at him more radiantly than ever. She didn’t even recognise him again.

Oh dear, how hard it was to be indifferent like the others! She tried not to smile too much; she tried not to care. But every single thing was so new and exciting…Meg’s tuberoses, Jose’s long loop of amber, Laura’s little dark head, pushing above her white fur like a flower through snow. She would remember for ever.

Here the crowd was so great there was hardly space to take off their things; the noise was deafening. Two benches on either side were stacked high with wraps. Two old women in white aprons ran up and down tossing fresh armfuls. And everybody was pressing forward trying to get at the little dressing-table and mirror at the far end.

A great quivering jet of gas lighted the ladies’ room. It couldn't wait; it was dancing already. When the door opened again and there came a burst of tuning from the drill hall, it leaped almost to the ceiling.

Dark girls, fair girls were patting their hair, tying ribbons again, tucking hand-kerchiefs down the fronts of their bodies, smoothing marble-white gloves. And because they were all laughing it seemed to Leila that they were all lovely.

She quite forgot to be shy; she forgot how in the middle of dressing she had sat down on the bed with one shoe off and one shoe on and begged her mother to ring up her cousins and say she couldn't go after all. And the rush of longing she had had to be sitting on the veranda of their forsaken up-country home, listening to the baby owls crying ‘More pork’ in the moonlight, was changed to a rush of joy so sweet that it was hard to bear alone. She clutched her fan, and, gazing at the gleaming, golden floor, the azaleas, the lanterns, the stage at one end with its red carpet and gilt chairs and the band in a corner, she thought breathlessly, ‘How heavenly; how simply heavenly!

Strange faces smiled at Leila—sweetly, vaguely. Strange voices answered, ‘Of course, my dear.’ But Leila felt the girls didn’t really see her. They were looking towards the men. Why didn’t the men begin? What were they waiting for? There they stood, smoothing their gloves, patting their glossy hair and smiling among themselves.

[…] instead of replying the fat man wrote something, glanced at her again. ‘Do I remember this bright little face?’ he said softly. ‘Is it known to me of yore?’ At that moment the band began playing; the fat man disappeared. He was tossed away on a great wave of music that came flying over the gleaming floor, breaking the groups up into couples, scattering them, sending them spinning…

‘Quite a good floor, isn’t it?’ drawled a faint voice close to her ear.

‘I think it’s most beautifully slippery,’ said Leila.

‘Pardon!’ The faint voice sounded surprised, Leila said it again. And there was a tiny pause before the voice echoed, ‘Oh, quite!’ and she was swung round again.

He steered so beautifully. That was the great difference between dancing with girls and men, Leila decided. Girls banged into each other, and stamped on each other’s feet; the girl who was gentleman always clutched you so.

‘Floor’s not bad,’ said the new voice. Did one always begin with the floor? And then, ‘Were you at the Neaves’ on Tuesday?’ And again Leila explained. Perhaps it was a little strange that her partners were not more interested. For it was thrilling. Her first ball! She was only at the beginning of everything. It seemed to her that she had never known what the night was like before. Up till now it had been dark, silent, beautiful very often—oh yes—but mournful somehow. Solemn. And now it would never be like that again—it had opened dazzling bright.

…‘you can’t hope to last anything like as long as that. No-o,’ said the fat man, ‘long before that you'll be sitting up there on the stage, looking on, in your nice black velvet. And these pretty arms will have turned into little short fat ones, and you’ll beat time with such a different kind of fan—a black ebony one.’ The fat man seemed to shudder. ‘And you’ll smile away like the poor old dears up there, and point to your daughter, and tell the elderly lady next to you how some dreadful man tried to kiss her at the club ball. And your heart will ache, ache’—the fat man squeezed her closer still, as if he really was sorry for that poor heart—‘because no one wants to kiss you now. And you’ll say how unpleasant these polished floors are to walk on, how dangerous they, are.”

Was this first ball only the beginning of her last ball, after all? At that the music seemed to change; it sounded sad, sad; it rose upon a great sigh. Oh, how quickly things changed! Why didn't happiness last for ever? For ever wasn’t a bit too long.

Again the couples paraded. The swing doors opened and shut. Now new music was given out by the bandmaster. But Leila didn’t want to dance any more. She wanted to be home, or sitting on the veranda listening to those baby owls.

But in one minute, in one turn, her feet glided, glided. The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel. And when her next partner bumped her into the fat man and he said, ‘Pardon,’ she smiled at him more radiantly than ever. She didn’t even recognise him again.