Her First Ball

by

Katherine Mansfield

Teachers and parents! Our Teacher Edition on Her First Ball makes teaching easy.

The Old Man Character Analysis

The old man is one of Leila’s dance partners, who fills out her dance card at the start of the story. His appearance shocks Leila, because it doesn’t fit with the beauty of the ball—the old man is fat, balding, and wears shabby clothing. He’s the first person to ask Leila if he recognizes her from a previous ball, hinting that Leila isn’t any different from the throngs of other young women who have attended these balls over the years. While dancing with Leila, the old man reveals that he’s been going to balls for 30 years, and he tells her—cruelly—that she can’t hope to attend for as long as he has. The old man can keep dancing (and even remain an in-demand partner) simply because he’s male, whereas older women are ignored and discarded, relegated to sitting on the stage and watching their daughters dance. Though Leila chooses to forget his warnings at the end of the story, the old man makes a significant impression on her, shattering her initial innocence and forcing her to reconsider her future.

The Old Man Quotes in Her First Ball

The Her First Ball quotes below are all either spoken by The Old Man or refer to The Old Man. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Youth, Novelty, and Aging Theme Icon
).
Her First Ball Quotes

She quite forgot to be shy; she forgot how in the middle of dressing she had sat down on the bed with one shoe off and one shoe on and begged her mother to ring up her cousins and say she couldn't go after all. And the rush of longing she had had to be sitting on the veranda of their forsaken up-country home, listening to the baby owls crying ‘More pork’ in the moonlight, was changed to a rush of joy so sweet that it was hard to bear alone. She clutched her fan, and, gazing at the gleaming, golden floor, the azaleas, the lanterns, the stage at one end with its red carpet and gilt chairs and the band in a corner, she thought breathlessly, ‘How heavenly; how simply heavenly!

Related Characters: Leila (speaker), The Old Man
Related Symbols: Baby Owls, The Dance Floor
Related Literary Devices:
Page Number: 101
Explanation and Analysis:

[…] instead of replying the fat man wrote something, glanced at her again. ‘Do I remember this bright little face?’ he said softly. ‘Is it known to me of yore?’ At that moment the band began playing; the fat man disappeared. He was tossed away on a great wave of music that came flying over the gleaming floor, breaking the groups up into couples, scattering them, sending them spinning…

Related Characters: The Old Man (speaker), Leila
Related Symbols: The Dance Floor
Page Number: 102
Explanation and Analysis:

…‘you can’t hope to last anything like as long as that. No-o,’ said the fat man, ‘long before that you'll be sitting up there on the stage, looking on, in your nice black velvet. And these pretty arms will have turned into little short fat ones, and you’ll beat time with such a different kind of fan—a black ebony one.’ The fat man seemed to shudder. ‘And you’ll smile away like the poor old dears up there, and point to your daughter, and tell the elderly lady next to you how some dreadful man tried to kiss her at the club ball. And your heart will ache, ache’—the fat man squeezed her closer still, as if he really was sorry for that poor heart—‘because no one wants to kiss you now. And you’ll say how unpleasant these polished floors are to walk on, how dangerous they, are.”

Related Characters: The Old Man (speaker), Leila
Related Symbols: The Dance Floor
Related Literary Devices:
Page Number: 103
Explanation and Analysis:

Was this first ball only the beginning of her last ball, after all? At that the music seemed to change; it sounded sad, sad; it rose upon a great sigh. Oh, how quickly things changed! Why didn't happiness last for ever? For ever wasn’t a bit too long.

Related Characters: Leila, The Old Man
Related Literary Devices:
Page Number: 103
Explanation and Analysis:

Again the couples paraded. The swing doors opened and shut. Now new music was given out by the bandmaster. But Leila didn’t want to dance any more. She wanted to be home, or sitting on the veranda listening to those baby owls.

Related Characters: Leila, The Old Man
Related Symbols: Baby Owls
Page Number: 104
Explanation and Analysis:

But in one minute, in one turn, her feet glided, glided. The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel. And when her next partner bumped her into the fat man and he said, ‘Pardon,’ she smiled at him more radiantly than ever. She didn’t even recognise him again.

Related Characters: Leila, The Old Man
Related Literary Devices:
Page Number: 104
Explanation and Analysis:
Get the entire Her First Ball LitChart as a printable PDF.
Her First Ball PDF

The Old Man Quotes in Her First Ball

The Her First Ball quotes below are all either spoken by The Old Man or refer to The Old Man. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Youth, Novelty, and Aging Theme Icon
).
Her First Ball Quotes

She quite forgot to be shy; she forgot how in the middle of dressing she had sat down on the bed with one shoe off and one shoe on and begged her mother to ring up her cousins and say she couldn't go after all. And the rush of longing she had had to be sitting on the veranda of their forsaken up-country home, listening to the baby owls crying ‘More pork’ in the moonlight, was changed to a rush of joy so sweet that it was hard to bear alone. She clutched her fan, and, gazing at the gleaming, golden floor, the azaleas, the lanterns, the stage at one end with its red carpet and gilt chairs and the band in a corner, she thought breathlessly, ‘How heavenly; how simply heavenly!

Related Characters: Leila (speaker), The Old Man
Related Symbols: Baby Owls, The Dance Floor
Related Literary Devices:
Page Number: 101
Explanation and Analysis:

[…] instead of replying the fat man wrote something, glanced at her again. ‘Do I remember this bright little face?’ he said softly. ‘Is it known to me of yore?’ At that moment the band began playing; the fat man disappeared. He was tossed away on a great wave of music that came flying over the gleaming floor, breaking the groups up into couples, scattering them, sending them spinning…

Related Characters: The Old Man (speaker), Leila
Related Symbols: The Dance Floor
Page Number: 102
Explanation and Analysis:

…‘you can’t hope to last anything like as long as that. No-o,’ said the fat man, ‘long before that you'll be sitting up there on the stage, looking on, in your nice black velvet. And these pretty arms will have turned into little short fat ones, and you’ll beat time with such a different kind of fan—a black ebony one.’ The fat man seemed to shudder. ‘And you’ll smile away like the poor old dears up there, and point to your daughter, and tell the elderly lady next to you how some dreadful man tried to kiss her at the club ball. And your heart will ache, ache’—the fat man squeezed her closer still, as if he really was sorry for that poor heart—‘because no one wants to kiss you now. And you’ll say how unpleasant these polished floors are to walk on, how dangerous they, are.”

Related Characters: The Old Man (speaker), Leila
Related Symbols: The Dance Floor
Related Literary Devices:
Page Number: 103
Explanation and Analysis:

Was this first ball only the beginning of her last ball, after all? At that the music seemed to change; it sounded sad, sad; it rose upon a great sigh. Oh, how quickly things changed! Why didn't happiness last for ever? For ever wasn’t a bit too long.

Related Characters: Leila, The Old Man
Related Literary Devices:
Page Number: 103
Explanation and Analysis:

Again the couples paraded. The swing doors opened and shut. Now new music was given out by the bandmaster. But Leila didn’t want to dance any more. She wanted to be home, or sitting on the veranda listening to those baby owls.

Related Characters: Leila, The Old Man
Related Symbols: Baby Owls
Page Number: 104
Explanation and Analysis:

But in one minute, in one turn, her feet glided, glided. The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel. And when her next partner bumped her into the fat man and he said, ‘Pardon,’ she smiled at him more radiantly than ever. She didn’t even recognise him again.

Related Characters: Leila, The Old Man
Related Literary Devices:
Page Number: 104
Explanation and Analysis: