Definition of Motif
Key Examples in Homegoing
It is little surprise that the characters in such a neatly structured novel turn to stories for the same sense of order themselves. Narratives—legends, myths, or otherwise—organize their lives and form a motif. Fables about Anansi’s webs recur throughout the first half of the novel, while horrific legends of genitals-turned-trees dissuade the unmarried from romantic intimacy. Homegoing’s African society is filled with tales that govern the characters’ understandings of the world.
The differences between light and dark—black and white—follow the novel from the moment the British make landfall in Africa, creating a motif. In Homegoing, they provide a stylistic throughline, explore deep-seated injustices, and interrogate the experience of race. Color writes itself across even the novel’s finest details: Rob’s creamy skin gives him the keys to a side of New York that Willie will never see. The moon resembles the “crooked, white-toothed smile of the dark-skinned night” as H trudges to work—which happens to be in none other than a coal mine. When Marcus and Marjorie revisit Cape Coast together, the Castle remains a disquieting, “glowing white.”