House Made of Dawn
by N. Scott Momaday
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Father Olguin is the Catholic priest in Walatowa. Most of the townspeople prefer the traditional Jemez religion to Catholicism, leaving Father Olguin an outsider in the community. He attempts different strategies to cope with this alienation. In 1945, he tries to convince himself that he is connected with the ancient land of the pueblo, despite his “fear and revulsion” toward the Jemez people who exclude him. By 1952, though, Father Olguin has given up all hopes of connecting to the land or its people. Instead, he interprets his distance from the community as a sign of his piety. In 1942, Father Olguin also develops an attraction to Angela St. John, and he takes pleasure and pride in resisting that attraction. He frequently looks to the journal of his predecessor, Nicolás, for insight into preaching to the townspeople. At the end of the book, when Abel wakes Father Olguin to bury Francisco, Father Olguin is struck with a revelation and cries out that he finally understands.

Father Olguin Quotes in House Made of Dawn

The House Made of Dawn quotes below are all either spoken by Father Olguin or refer to Father Olguin. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Home, Belonging, and Identity Theme Icon
).

8. The Priest of the Sun, January 26 Quotes

When he had told his story once, simply, Abel refused to speak. […] That was good, for he should not have known what more to say. Word by word by word these men were disposing of him in language, their language, and they were making a bad job of it.

Related Characters: Abel, Father Olguin, Juan Reyes Fragua/The Albino Man, Reverend John Big Buff Tosamah
Page Number and Citation: 90
Explanation and Analysis:
When Abel is put on trial for killing the albino man, he finds himself unable and unwilling to navigate the court system. He views the murder he committed as a reasonable, justified act, but he can’t express that to the court. The values that prompted him to violence are Jemez values, while the court operates in English as an agent of colonialist bureaucracy. Abel’s belief that he only needs to tell his story once, “simply”, also echoes Tosamah’s sermon on the differing approaches to storytelling and language taken by white and Native American people. Abel uses words “simply” and straightforwardly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volu

11. The Dawn Runner, February 27 Quotes

In the only possible way, perhaps, [Father Olguin] had come to terms with the town […]. To be sure, there was the matter of some old and final cleavage, of certain exclusion, the whole and subtle politics of estrangement, but that was easily put aside […]. That safety––that exclusive silence––was the sense of all his vows, certainly; it had been brought about by his own design, his act of renunciation, not the town’s. He had done well, by the town, after all. He had set an example of piety […].

Related Characters: Francisco, Father Olguin
Page Number and Citation: 170
Explanation and Analysis:
After the narrative moves away from Father Olguin for seven years, it finds him again just as alienated from the people of Walatowa as he was in 1952. Now, though, Father Olguin has convinced himself that this separation is proof of his holiness. As a representative of the colonial religion, Catholicism, Father Olguin has occupied a tenuous place in Walatowa throughout the novel. However, figures like Francisco demonstrate that many residents of Walatowa hold both Catholic and traditional religious beliefs. There might be, then, a way for Father Olguin himself to integrate into the Walatowa community, if he accepts that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupt
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Father Olguin Character Timeline in House Made of Dawn

The timeline below shows where the character Father Olguin appears in House Made of Dawn. The colored dots and icons indicate which themes are associated with that appearance.
2. The Longhair, July 21
Home, Belonging, and Identity Theme Icon
Religion, Ceremony, and Tradition Theme Icon
At the local mission, the priest Father Olguin prepares to say Mass for his congregation, which includes Francisco. An unfamiliar white woman enters,... (full context)
3. The Longhair, July 24
Nature Theme Icon
Religion, Ceremony, and Tradition Theme Icon
Father Olguin visits the Benevides house and invites Angela to the town’s celebration of the feast of... (full context)
4. The Longhair, July 25
Religion, Ceremony, and Tradition Theme Icon
Storytelling Theme Icon
At the feast of Santiago, Father Olguin tells a story about Santiago. In the story, Santiago disguises himself as a peasant and... (full context)
Religion, Ceremony, and Tradition Theme Icon
Later that afternoon, Father Olguin walks through Walatowa with Angela. He stops to talk to some townspeople, and Angela moves... (full context)
Religion, Ceremony, and Tradition Theme Icon
Storytelling Theme Icon
Late that night, a sleepless Father Olguin , dressed in a sweatshirt, smokes some cigarettes and reads a journal from 1874 written... (full context)
Religion, Ceremony, and Tradition Theme Icon
Father Olguin reads a letter written from Nicolás to Nicolás’s brother in October 1888. Nicolás thanks his... (full context)
Nature Theme Icon
Religion, Ceremony, and Tradition Theme Icon
Father Olguin finishes reading. He takes comfort in associating himself with the holy Nicolás. He goes back... (full context)
6. The Longhair, August 1
Religion, Ceremony, and Tradition Theme Icon
Connection vs. Isolation Theme Icon
Father Olguin goes about his life and work as usual, convincing himself that he is content and... (full context)
Religion, Ceremony, and Tradition Theme Icon
Angela invites Father Olguin in, and he doesn’t notice that she is surprised to see him. She has drawn... (full context)
Nature Theme Icon
Religion, Ceremony, and Tradition Theme Icon
Father Olguin drives recklessly back to town from the Benevides house, narrowly avoiding hitting several children and... (full context)
8. The Priest of the Sun, January 26
Home, Belonging, and Identity Theme Icon
Connection vs. Isolation Theme Icon
At the trial, Father Olguin argues that Abel was not in his right mind when he committed the murder. Father... (full context)
11. The Dawn Runner, February 27
Nature Theme Icon
Religion, Ceremony, and Tradition Theme Icon
Connection vs. Isolation Theme Icon
...Los Angeles. The valley is gray and cold, and the river is partly frozen over. Father Olguin sits alone in the rectory, having found peace in his exclusion from the townspeople. He... (full context)
12. The Dawn Runner, February 28
Religion, Ceremony, and Tradition Theme Icon
Storytelling Theme Icon
Connection vs. Isolation Theme Icon
Before dawn, Abel travels to Father Olguin ’s rectory and informs him, seemingly without emotion, that Francisco is dead. Father Olguin is... (full context)