House Made of Dawn
by N. Scott Momaday
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Themes and Colors
Home, Belonging, and Identity Theme Icon
Nature Theme Icon
Religion, Ceremony, and Tradition Theme Icon
Storytelling Theme Icon
Connection vs. Isolation Theme Icon
LitCharts assigns a color and icon to each theme in House Made of Dawn, which you can use to track the themes throughout the work.
Nature Theme Icon
Nature Theme Icon

The Native American characters of House Made of Dawn show great respect for the natural world, and the narrator follows suit; the story dedicates entire pages to descriptions of nature and characters’ reactions to it. Francisco, one of the oldest point-of-view characters, has the strongest connection to nature. He communes with the crops he plants, hearing and understanding the whispers of his corn. One of his last memories as he dies is a lesson he taught to his grandsons, imparting to them the importance of following nature’s rhythms. On the hunt that marks Francisco’s maturation into a man, he feels that both he and his horse have come of age at the same time.

Younger Indigenous characters share Francisco’s instinctual respect for nature, but modernization from outside their reservation interrupts their connection to nature. When Ben teaches Abel some Navajo songs, he describes them as songs about “the way it used to be, how there was nothing all around but the hills and the sunrise and the clouds.” Ben imagines a world without man-made inventions imposing on nature as holy and powerful, but that world is gone. At the end of the book, Abel runs across a valley to the point of exhaustion, until “he [can] see at last without having to think.” Freed from his own worries, he takes in the landscape and finally connects with it. Abel’s journey suggests that although Indigenous people’s ability to become one with the natural world is inhibited by the industrial trappings of colonialism, Native Americans can still pursue that union.

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Nature ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Nature appears in each chapter of House Made of Dawn. Click or tap on any chapter to read its Summary & Analysis.
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Nature Quotes in House Made of Dawn

Below you will find the important quotes in House Made of Dawn related to the theme of Nature.

Prologue Quotes

Dypaloh. There was a house made of dawn. It was made of pollen and of rain, and the land was very old and everlasting. There were many colors on the hills, and the plain was bright with different-colored clays and sands. Red and blue and spotted horses grazed in the plain, and there was a dark wilderness on the mountains beyond. The land was still and strong. It was beautiful all around.

Abel was running.

Related Characters: Abel
Related Symbols: Running and Races
Related Literary Devices:
Page Number and Citation: 1
Explanation and Analysis:
The novel opens with the word “dypaloh,” the Jemez equivalent to the English phrase “once upon a time”––in other words, a word that introduces a story. The story acknowledges that it is a story, but that does not mean it does not contain truth, or that it is unimportant. This opening also pays close attention to the landscape, and in fact introduces the features of the natural world before introducing the protagonist. Abel, the main character, is introduced in the context of the Southwestern landscape, establishing the importance of nature and of Abel’s personal relationship to the natural world. The Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debit

2. The Longhair, July 21 Quotes

[Abel’s] father was a Navajo, they said, or a Sia, or an Isleta, an outsider anyway, which made him and his mother and Vidal somehow foreign and strange. Francisco was the man of the family, but even […] the boy could sense his grandfather’s age, just as he knew that his mother was going to die of her illness. It was nothing he was told, but he knew it anyway and without understanding, as he knew already the motion of the sun and the seasons.

Related Characters: Vidal , Abel, Francisco
Related Literary Devices:
Page Number and Citation: 11
Explanation and Analysis:
Abel’s sense of isolation begins at a young age, as he feels alienated among his own people due to his father’s identity as an outsider. Though later chapters demonstrate that the Jemez people of Walatowa live in harmony with surrounding Indigenous tribes and nations, those other peoples are still outsiders. Abel’s father is one such outsider, and that alien status extends to his family, which establishes why Abel struggles to form meaningful connections even before he leaves Walatowa. Although Abel is the protagonist, the novel does not often explicitly relate Abel’s interior monologue to readers, and so this explanation of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ip

Then, through the falling leaves, he saw the machine. It rose up behind the hill, black and massive, looming there in front of the sun. He saw it swell, deepen, and take shape on the skyline, as if it were some upheaval of the earth […]. For a moment it seemed apart from the land; its great iron hull lay out against the timber and the sky, and the center of its weight hung away from the ridge. Then it came crashing down […].

Related Characters: Abel
Page Number and Citation: 22
Explanation and Analysis:
Abel leaves Walatowa for the first time to fight in World War II. In one flashback to his time in combat, he regains consciousness on a wooded hill littered with corpses, and he sees a tank coming over the horizon. The narration only ever refers to this tank as “the machine,” highlighting its status as an unnatural, manmade creation that Abel cannot even name. Despite this, Abel’s first glimpse of the tank portrays it as not entirely inorganic, but instead an aberration of something natural––“an upheaval of the earth” that moves on its own. As it comes closer, however, Abel Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consec

He made his way along the incline at the edge of the cultivated fields to the long row of foothills at the base of the red mesa. When the first breeze of the evening rose up in the shadow that fell across the hills, he sat down and looked out over the green and yellow blocks of farmland. He could see his grandfather, others, working below in the sunlit fields. The breeze was very faint, and it bore the scent of earth and grain; and for a moment everything was all right with him. He was at home.

Related Characters: Francisco, Abel
Page Number and Citation: 27
Explanation and Analysis:
Abel has spent most of this chapter reflecting on his past in Walatowa and on his time fighting in World War II. After coming to terms with this part of his life, he is able to appreciate his home. What Abel pays attention to as he looks out over Walatowa speaks to what he values about the village. He takes in the beauty of the land, which emphasizes once again the significance of his connection to the natural landscape of his homeland. He also finds peace watching other people work with the land, which highlights Abel’s appreciation for the community Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui au

3. The Longhair, July 24 Quotes

She could think of nothing more vile and obscene than the raw flesh and blood of her body, the raveled veins and the gore upon her bones. And now the monstrous fetal form, the blue, blind, great-headed thing growing within her and feeding upon her. […] And at odd moments she wished with all her heart to die by fire, fire of such intense heat that her body should dissolve in it all at once. There must be no popping of fat or any burning on of the bones. Above all she must give off no stench of death.

Related Characters: Angela St. John, Abel
Page Number and Citation: 31
Explanation and Analysis:
Angela is first introduced as a somewhat out-of-touch white woman imposing on Walatowa, but this glimpse into her mind reveals the hidden depths to her character. Unlike Abel and most of the novel’s other Native American characters, Angela feels no innate connection to the natural world, including her own body. The novel largely communicates the significance of the physical world by depicting characters in harmony with it, but Angela is disgusted with the body that grounds her in that physical reality. The fact Angela’s self-loathing manifests as a disgust for her own body highlights the importance of the physical and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mo

4. The Longhair, July 25 Quotes

[…] there was no longer a white house of stucco and stone, looming out against the leaves of the orchard, but a black organic mass the night had heaved up, even as long ago the canyon had been wrenched out of time […]. It was no longer the chance place of her visitation, but now the dominion of her next day and the day after, as far ahead as she cared to see. […] In fact it was secret like herself, the Benevides house.

Related Characters: Abel, Angela St. John
Page Number and Citation: 48-49
Explanation and Analysis:
After Angela attends festivities for the feast of Santiago in Walatowa, she returns home to the Benevides house and finds her perception of it has changed. It is no longer just a house, but a feature of the landscape, something as integral to terrain as the canyon. The description of the house mirrors the description of the tank Abel saw in the war; like the tank, the Benevides house becomes a “black […] mass” “looming out” from the trees. While the tank was a “machine,” however, the house is “organic.” The tank represented Abel’s unfamiliarity with manmade, colonialist technology, which Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusa

5. The Longhair, July 28 Quotes

These [animals]––and the innumerable meaner creatures, the lizard and the frog, the insect and the worm––have tenure in the land. The other, latecoming things––the beasts of burden and of trade, the horse and the sheep, the dog and the cat––these have an alien and inferior aspect, a poverty of vision and instinct, by which they are estranged from the wild land, and made tentative. They are born and die upon the land, but then they are gone away from it, as if they had never been. […] [M]an too, has tenure in the land; he dwelt upon the land twenty-five thousand years ago, and his gods before him.

Page Number and Citation: 52
Explanation and Analysis:
The novel’s narration consistently pays close attention to nature, but this passage specifically uses nature to discuss the strength and significance of indigeneity. Animals native to their habitat, regardless of their position in the ecosystem, are better suited to live in that habitat than foreign and invasive species, per the novel. These native animals have adapted over thousands of years to suit the environment, while the “other, latecoming things” adapted to foreign lands. These animals brought to America by colonizers lack the connection to and understanding of the land that native animals innately possess. As such, the land does not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore

The people of the town have little need. They do not hanker after progress and have never changed their essential way of life. Their invaders were a long time in conquering them; and now, after four centuries of Christianity, they still pray in Tanoan to the old deities of the earth and sky and make their living from the things that are and have always been within their reach; while in the discrimination of pride they acquire from their conquerors only the luxury of example. They have assumed the names and gestures of their enemies, but have held onto their own, secret souls; and in this there is a resistance and an overcoming, a long outwaiting.

Page Number and Citation: 52-53
Explanation and Analysis:
In this overview of the people of Walatowa, the omniscient narrator explains how holding onto tradition is a form of resistance. “Progress” is positioned as a colonialist pursuit that disrespects and devalues the Jemez people’s “essential way of life.” This perspective reframes a common racist, colonialist narrative that demeans Native Americans for being supposedly backwards or primitive. It asserts instead that the “progress”—of which European colonizers and their descendants are so proud—is not inherently good or valuable; in fact, holding to tradition instead of chasing progress is what makes Indigenous nations strong. This passage acknowledges the violent imposition of colonial Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et.

6. The Longhair, August 1 Quotes

It made him glad to be in the midst of talk and celebration, to savor the rich relief of the coming rain upon the rows of beans and chilies and corn, to see the return of weather, of trade and reunion upon the town. He tossed his head in greeting to the shy Navajo children who hid among the camps and peered, afraid of his age and affliction. For they, too, were a harvest, in some intractable sense the regeneration of his own bone and blood.

Related Characters: Francisco
Page Number and Citation: 68
Explanation and Analysis:
People from the pueblos surrounding Walatowa have come to the village to celebrate the Feast of Porcingula, and Francisco appreciates the festivities he walks through. The festival is a time for various towns and peoples to come together and celebrate their shared beliefs and heritage, and also to renew their commitment to friendship and unity. The Feast of Porcingula is a designated time for “trade and reunion.” Francisco appreciates both the human and the environmental elements of the festival, highlighting the importance he grants to both his community and the land. Francisco’s belief that the children at the festival are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accus

10. The Night Chanter, February 20 Quotes

He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out on the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home.

Related Characters: Ben Benally (speaker), Abel
Page Number and Citation: 166
Explanation and Analysis:
Ben narrates the implosion of Abel’s life in Los Angeles, and his subsequent decision to return to Walatowa; Ben has chosen not to return to his reservation. Ben’s repetition of “he was going home” has an almost jealous tone to it. It speaks to Ben’s own desire to return to his community, a fantasy that he indulges in with Abel. He imagines riding a horse again with his friend, and his narration emphasizes the landscape to demonstrate his desire to reconnect with the land. Ben imagines the reservation as a place of freedom and pleasure, where he and Abel can Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta

11. The Dawn Runner, February 27 Quotes

They must learn the whole contour of the black mesa. They must know it as they knew the shape of their hands, always and by heart. […] They must know the long journey of the sun on the black mesa, how it rode in the seasons and the years, and they must live according to the sun appearing, for only then could they reckon where they were, where all things were, in time. […]

These things he told to his grandsons carefully, slowly and at length, because they were old and true, and they could be lost forever as easily as one generation is lost to the next, as easily as one old man might lose his voice, having spoken not enough or not at all.

Related Characters: Vidal , Francisco, Abel
Page Number and Citation: 171
Explanation and Analysis:
As Francisco dies, he remembers a series of meaningful moments in his life. One of these is a memory of showing Vidal and Abel the landscape and teaching them how to measure time with the seasons—and, more broadly, how to live as one with nature. The Native American characters in the novel have continually emphasized the importance of connecting with land, and here Francisco explains one reason why this connection is so significant. His ancestors, and accordingly Vidal and Abel’s ancestors, established their place in the universe in relation to the natural world around them. As such, the Pueblo people Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

[…] he saw the dark shape sauntering among the trees, and then the others, sitting all around, motionless, the short pointed ears and the soft shining eyes, almost kindly and discreet, the gaze of gray heads bidding only welcome and wild good will. And he was young and it was the first time he had come among them and he brought the rifle up and made no sound. He swung the sights slowly around from one to another of the still, shadowy shapes, but they made no sign except to cock their heads a notch, sitting still and away in the darkness like a litter of pups, full of shyness and wonder and delight.

Related Characters: Francisco
Page Number and Citation: 175
Explanation and Analysis:
A young Francisco undertakes a hunting trip on his own to prove himself as a grown man and capable hunter in his community. When he makes camp for the night on this hunt, he wakes to find a pack of wolves watching him from the distance. Though the situation is dangerous, the narration holds no sense of urgency or fear. Instead, the wolves and Francisco regard each other with mutual curiosity and respect. The wolves recognize that Francisco lives in harmony with nature, so they bid him “welcome and wild good will.” Francisco is too young to entirely trust his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

12. The Dawn Runner, February 28 Quotes

He was running, and his body cracked open with pain, and he was running on. He was running and there was no reason to run but the running itself and the land and the dawn appearing. […] He saw the slim black bodies of the runners in the distance, gliding away without sound through the slanting light and the rain. […] His legs buckled and he fell in the snow. The rain fell around him in the snow and he saw his broken hands […]. And he got up and ran on. He was alone and running on. […] Pure exhaustion laid hold of his mind, and he could see at last without having to think. He could see the canyon and the mountains and the sky.

Related Characters: Francisco, Abel
Related Symbols: Running and Races
Related Literary Devices:
Page Number and Citation: 185
Explanation and Analysis:
After Francisco’s death, Abel runs into the plains to run the race of the dead, a tradition his grandfather taught him. He honors Francisco by finally embracing the traditions his grandfather valued, after spending the story torn between Jemez traditions and the lifestyles expected in urban America. Abel honors his late grandfather by following in Francisco’s footsteps as a runner. One of Francisco’s passions as a young man was running, which helped him connect with his community and his religion. Caring for the dying Francisco forced Abel to develop into a man mature enough to look after someone else in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta i