Housekeeping

by Marilynne Robinson

Ruth Stone Character Analysis

Ruth is the novel’s narrator and protagonist, Helen’s daughter, and Lucille’s sister. As she looks back on her formative years, Ruth’s adult editorial intrusions often come through, rendering the narrative style of the novel a wistful, resonant dip into memory. Abandoned by their suicidal mother at a young age, Ruth and Lucille are raised for several years by their grandmother Sylvia. After Sylvia’s death, they enter the care of their great-aunts, Lily and Nona Foster, and are eventually surrendered to their mother’s eccentric sister, Sylvie Fisher. Through all of it, Ruth and Lucille are wide-eyed and almost numb—they absorb everything that happens to them but seem almost passive characters in their own lives. With the arrival of Sylvie, however, the girls begin testing the boundaries of the world around them, of their relationships with one another, and of their dreamy, eccentric, transient aunt’s true devotion to them. Ruth is, from the perch of adulthood, all-seeing and able to track the subtle but devastating shifts in love and loyalty between her younger self, Lucille, and Sylvie over the course of a couple potent months. While Lucille abandons her childhood games of exploring the woods with Ruth and grows obsessed with beauty, appearances, and manners, Ruth becomes even more wild, in thrall to Sylvie’s stories of life riding the rails and her unique relationship to nature. Ruth, slow to develop physically, feels barred from the gates of womanhood, and instead seeks refuge in her aunt’s attentions. Sylvie says at one point, of her sister Helen, that it’s “hard to describe someone you know so well,” and over the course of the novel, the same becomes true of Ruth. Privy to her every fleeting thought and passing whim, the reader becomes unable to separate the character of Ruth from the open-hearted, reverent, curious way she sees the world, people, and relationships all around her. Ruth’s grown-up meditations on nature, memory, love, loss, sisterhood, and religion intersperse with her recollections of her past, ultimately leaving readers with a portrait of a woman pushed to the brink by her loneliness, longing, and uncertainty.

Ruth Stone Quotes in Housekeeping

The Housekeeping quotes below are all either spoken by Ruth Stone or refer to Ruth Stone. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Women and Sisterhood Theme Icon
).

Chapter 1 Quotes

Now and then Molly searched Sylvie’s room for unreturned library books. Occasionally Helen made a batch of cookies. It was Sylvie who brought in bouquets of flowers. This perfect quiet had settled into their house after the death of their father. That event had troubled the very medium of their lives. Time and air and sunlight bore wave and wave of shock, until all the shock was spent, and time and space and light grew still again and nothing seemed to tremble, and nothing seemed to lean. The disaster had fallen out of sight, like the train itself, and if the calm that followed it was not greater than the calm that came before it, it had seemed so. And the dear ordinary had healed as seamlessly as an image on water.

Related Characters: Ruth Stone (speaker), Molly Foster, Sylvie Fisher, Helen Stone / Ruth and Lucille’s Mother, Edmund Foster, Sylvia Foster
Related Symbols: The Lake
Page Number and Citation: 15
Explanation and Analysis:

Lucille and me she tended with scrupulous care and little confidence, as if her offerings of dimes and chocolate-chip cookies might keep us, our spirits, here in her kitchen, though she knew they might not.

Related Characters: Ruth Stone (speaker), Lucille Stone , Sylvia Foster
Related Symbols: Housekeeping
Page Number and Citation: 25
Explanation and Analysis:

Chapter 2 Quotes

Lucille and I took our skates to school, so that we could go to the lake directly and stay there through the twilight. Usually we would skate along the edge of the swept ice, tracing its shape, and coming finally to its farthest edge, we would sit on the snow and look back at Fingerbone.

We felt giddily far from shore, though the lake was so solid that winter that it would certainly have supported the weight of the entire population of Fingerbone, past, present, and to come. Nevertheless, only we and the ice sweepers went out so far, and only we stayed.

Related Characters: Ruth Stone (speaker), Lucille Stone
Related Symbols: The Lake
Page Number and Citation: 33-34
Explanation and Analysis:

Chapter 3 Quotes

We had planned to try Sylvie, but perhaps because Sylvie had her coat on and appeared so very transient, Lucille did not wait till we knew her better, as we had agreed to do.

“Oh, she was nice,” Sylvie said. “She was pretty.”

“But what was she like?”

“She was good in school.”

Lucille sighed.

“It’s hard to describe someone you know so well.”

Related Characters: Ruth Stone (speaker), Sylvie Fisher (speaker), Lucille Stone (speaker), Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 51
Explanation and Analysis:

Chapter 4 Quotes

Altogether [the snowwoman’s] figure suggested a woman standing in a cold wind. It seemed that we had conjured a presence. We took off our coats and hats and worked about her in silence. […] We hoped the lady would stand long enough to freeze, but in fact while we were stamping the gray snow all smooth around her, her head pitched over and smashed on the ground. This accident cost her a forearm and a breast. We made a new snowball for a head, but it crushed her eaten neck, and under the weight of it a shoulder dropped away. We went inside for lunch, and when we came out again, she was a dog-yellowed stump in which neither of us would admit any interest.

Related Characters: Ruth Stone (speaker), Lucille Stone , Helen Stone / Ruth and Lucille’s Mother, Sylvie Fisher
Page Number and Citation: 61
Explanation and Analysis:

Chapter 5 Quotes

Thus finely did our house become attuned to the orchard and to the particularities of weather, even in the first days of Sylvie’s housekeeping. Thus did she begin by littles and perhaps unawares to ready it for wasps and bats and barn swallows. Sylvie talked a great deal about housekeeping. She soaked all the tea towels for a number of weeks in a tub of water and bleach. She emptied several cupboards and left them open to air, and once she washed half the kitchen ceiling and a door. Sylvie believed in stern solvents, and most of all in air. It was for the sake of air that she opened doors and windows, though it was probably through forgetfulness that she left them open.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 85
Explanation and Analysis:

I was content with Sylvie, so it was a surprise to me when I realized that Lucille had begun to regard other people with the calm, horizontal look of settled purpose with which, from a slowly sinking boat, she might have regarded a not-too-distant shore. She pulled all the sequins off the toes of the blue velveteen ballet slippers Sylvie bought us for school shoes the second spring after her arrival. Though the mud in the road still stood inches high and gleamed like aspic on either side where tires passed through the ruts, I had liked the slippers well enough.

Related Characters: Ruth Stone (speaker), Sylvie Fisher, Lucille Stone
Page Number and Citation: 92-93
Explanation and Analysis:

Chapter 6 Quotes

Lucille had startled us all, flooding the room so suddenly with light, exposing heaps of pots and dishes, the two cupboard doors which had come unhinged and were propped against the boxes of china. […] Everywhere the paint was chipped and marred. A great shadow of soot loomed up the wall and across the ceiling above the stove, and the stove pipe and the cupboard tops were thickly felted with dust. Most dispiriting, perhaps, was the curtain on Lucille’s side of the table, which had been half consumed by fire once when a birthday cake had been set too close to it. Sylvie had beaten out the flames with a back issue of Good Housekeeping, but she had never replaced the curtain.

Related Characters: Ruth Stone (speaker), Lucille Stone , Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 101
Explanation and Analysis:

I wanted to ask her if she knew what she thought, and if so, what the experience of that sort of knowledge was like, and if not, whether she, too, felt ghostly, as I imagined she must. I waited for Sylvie to say, “You’re like me.” […] I feared and suspected that Sylvie and I were of a kind, and waited for her to claim me, but she would not.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Page Number and Citation: 106
Explanation and Analysis:

Chapter 7 Quotes

Lucille’s mother was orderly, vigorous, and sensible, a widow (more than I ever knew or she could prove) who was killed in an accident. My mother presided over a life so strictly simple and circumscribed that it could not have made any significant demands on her attention. She tended us with a gentle indifference that made me feel she would have liked to have been even more alone—she was the abandoner, and not the one abandoned.

Related Characters: Ruth Stone (speaker), Lucille Stone , Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 109
Explanation and Analysis:

“I was a baby, lying on my back, yelling, and then someone came and started wrapping me up in blankets. She put them all over my face, so I couldn’t breathe. She was singing and holding me, and it was sort of nice, but I could tell she was trying to smother me.” Lucille shuddered.

“Do you know who it was?”

“Who?”

“The woman in the dream.”

“She reminded me of Sylvie, I guess.”

Related Characters: Lucille Stone (speaker), Ruth Stone (speaker), Sylvie Fisher, Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 120
Explanation and Analysis:

“I just want to go home,” I said, and pushed the door open. Lucille grabbed me by the flesh above my elbow. “Don’t!” she said, pinching me smartly for emphasis. She came with me out onto the sidewalk, still grasping the flesh of my arm. “That’s Sylvie’s house now.” She whispered hissingly and looked wrath. And now I felt her nails, and her glare was more pleading and urgent. “We have to improve ourselves!” she said. “Starting right now!’ she said. And again I could think of no reply.

Related Characters: Ruth Stone (speaker), Lucille Stone (speaker), Sylvie Fisher
Page Number and Citation: 123
Explanation and Analysis:

Chapter 8 Quotes

I found a bag of marshmallows among the odds and ends that Sylvie had bundled into a checkered tablecloth and brought along for lunch—a black banana, a lump of salami with a knife through it, a single yellow chicken wing like an elegant, small gesture of defeat, the bottom fifth of a bag of potato chips.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Page Number and Citation: 151
Explanation and Analysis:

I knew why Sylvie felt there were children in the woods. I felt so, too, though I did not think so. […] I knew that if I turned however quickly to look behind me the consciousness behind me would not still be there, and would only come closer when I turned away again. […] In that way it was persistent and teasing and ungentle, the way half-wild, lonely children are. This was something Lucille and I together would ignore, and I had been avoiding the shore all that fall, because when I was by myself and obviously lonely, too, the teasing would be much more difficult to disregard. Having a sister or a friend is like sitting at night in a lighted house. Those outside can watch you if they want, but you need not see them.

Related Characters: Ruth Stone (speaker), Sylvie Fisher, Lucille Stone
Related Symbols: The Lake
Page Number and Citation: 154
Explanation and Analysis:

I sat down on the grass, which was stiff with the cold, and I put my hands over my face, and I let my skin tighten, and let the chills run in ripples, like breezy water, between my shoulder blades and up my neck. I let the numbing grass touch my ankles. I thought, Sylvie is nowhere, and sometime it will be dark. I thought, Let them come unhouse me of this flesh, and pry this house apart.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Page Number and Citation: 159
Explanation and Analysis:

Chapter 9 Quotes

Who would think of dusting or sweeping the cobwebs down in a room used for the storage of cans and newspapers—things utterly without value? Sylvie only kept them, I think, because she considered accumulation to be the essence of housekeeping, and because she considered the hoarding of worthless things to be proof of a particularly scrupulous thrift.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 180
Explanation and Analysis:

Chapter 10 Quotes

[Sylvie] did not wish to remember me. She much preferred my simple, ordinary presence, silent and ungainly though I might be. For she could regard me without strong emotion—a familiar shape, a familiar face, a familiar silence. She could forget I was in the room. She could speak to herself, or to someone in her thoughts, with pleasure and animation, even while I sat beside her—this was the measure of our intimacy, that she gave almost no thought to me at all.

But if she lost me, I would become extraordinary by my vanishing.

Related Characters: Ruth Stone (speaker), Sylvie Fisher, Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 195
Explanation and Analysis:

Chapter 11 Quotes

Sylvie and I (I think that night we were almost a single person) could not leave that house, which was stashed like a brain, a reliquary, like a brain, its relics to be pawed and sorted and parceled out among the needy and the parsimonious of Fingerbone. […] We had to leave. I could not stay, and Sylvie would not stay without me. Now truly we were cast out to wander, and there was an end to housekeeping.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 209
Explanation and Analysis:

No one watching this woman smear her initials in the steam on her water glass with her first finger, or slip cellophane packets of oyster crackers into her handbag for the sea gulls, could know how her thoughts are thronged by our absence, or know how she does not watch, does not listen, does not wait, does not hope, and always for me and Sylvie.

Related Characters: Ruth Stone (speaker), Lucille Stone , Sylvie Fisher
Page Number and Citation: 219
Explanation and Analysis:
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Ruth Stone Character Timeline in Housekeeping

The timeline below shows where the character Ruth Stone appears in Housekeeping. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
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The novel’s narrator and protagonist, Ruth, introduces herself and describes the complex organization of her family. She and her sister, Lucille,... (full context)
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The accident turned three Fingerbone women in to widows—among them was Ruth’s grandmother Sylvia. Though the other two widows left town and moved away to be nearer... (full context)
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...peaceful years, Molly, the eldest, went off to China for missionary work while Helen—Lucille and Ruth’s mother—was courted by their father, a man neither Ruth nor Lucille can remember. (full context)
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...was a Sunday morning when she knew Sylvia would not be at home. She deposited Ruth and Lucille on the screened-in front porch with a box of graham crackers and left.... (full context)
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...urged Helen to go and visit her mother while she was still living. The visit, Ruth says, turned out to be a “fateful journey”—after dropping Lucille and Ruth at Sylvia’s house,... (full context)
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...bedroom, uninclined to move or go out. Her friends took turns looking after the shell-shocked Ruth and Lucille, and the girls took comfort in the company of Sylvia’s eccentric friends. Sylvia... (full context)
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...and small and thin. She began looking forward to leaving the house to Lucille and Ruth, and advised them to hang onto it by any means necessary, even if they had... (full context)
Chapter 2
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...house they seem not to know how to talk to or what to do with Ruth and Lucille, and feed them and put them to bed too early. Upstairs, Ruth and... (full context)
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...make friends in town or learn how to cook, and complain often of arthritis pain. Ruth and Lucille, though, enjoy the season, and go skating on the frozen-over lake every day... (full context)
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...in Montana. After the aunts devise a gentle response and send it off, Lucille and Ruth find themselves anticipating Sylvie’s arrival with excitement—they hope that she will look like their mother,... (full context)
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...the possibility of Sylvie’s arrival with excitement. They feel they have been chosen to be Ruth and Lucille’s guardians in error, and that even if Sylvie is the “errant” child, her... (full context)
Chapter 3
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...Lily and Nona about Sylvia’s death, the state of the house, and the presence of Ruth and Lucille, Sylvie finally arrives in Fingerbone. Nona greets her at the door and brings... (full context)
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After eating a poached egg on toast and warming up, Sylvie allows Lucille and Ruth to help her take her suitcases upstairs to her bedroom, a “narrow dormer” with a... (full context)
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Ruth writes that throughout her adulthood, she has often wondered what it was like for Sylvie... (full context)
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The day after Sylvie’s arrival, Lucille and Ruth wake early to “prowl the dawn”—a custom they both adopt on any day of major... (full context)
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...and “awfully quiet.” Sylvie asks the girls if they know where their father is, and Ruth says they do not—though once, she remembers, a letter came from him for their mother,... (full context)
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As Ruth studies Sylvie, she can’t help but think how much the woman looks like her mother.... (full context)
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Sylvie makes Ruth and Lucille cornflakes and cocoa for breakfast, and then tells them she’s going out for... (full context)
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Lucille and Ruth follow Sylvie in and approach her, fearing she’s leaving. Lucille tells Sylvie that she’s left... (full context)
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...but chide Sylvie for wearing only loafers out on the snowy roads and Lucille and Ruth for going out in their nightgowns and jeans. When the aunts ask why the three... (full context)
Chapter 4
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The week after Sylvie arrives in Fingerbone, the weather is sunny and balmy. Lucille and Ruth play in the snow and build a snow-woman who looks as if she’s “standing in... (full context)
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...that the first floor of the house is covered in four inches of water, and Ruth, Lucille, and Sylvie are forced to live upstairs for a number of days and wear... (full context)
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Ruth, Lucille, and Sylvie eat dinner upstairs, and afterwards, Sylvie suggests they play cards. Lucille, bored,... (full context)
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Lucille and Ruth are still uncertain that Sylvie will stay with them for good. She looks so much... (full context)
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...suggests they play cards after all, but before she sets up the game, she asks Ruth and Lucille to come downstairs with her and help her fetch warm bricks from the... (full context)
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Lucille snaps Ruth—and, it seems, Sylvie—from their moonlit trances by saying she’s tired of waiting. Sylvie goes over... (full context)
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Ruth goes downstairs and all through the house looking for Sylvie, and at last finds her... (full context)
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...into the lake and the river, leaving the earth “warped and awash in mud.” Sylvie, Ruth, and Lucille do not participate at all in the slow restoration of the town—they and... (full context)
Chapter 5
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After the mud has been cleared, school starts up again. Ruth and Lucille are in junior high, and attend school in a square, symmetrical red-brick building... (full context)
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...that someone from school will call Sylvie on the phone or come by the house, Ruth assures her everything will be fine. Still, as they approach the building, Lucille’s fear increases,... (full context)
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Every day that week, Lucille and Ruth skip school and spend their days down at the lake. They try to come up... (full context)
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The incident upsets Ruth and Lucille, who realize that their aunt is “not a stable person.” The girls, however,... (full context)
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Despite Ruth and Lucille’s worries after the incident on the bridge, they have a pleasant weekend with... (full context)
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...She only likes to eat supper after dark, and so during the summer Lucille and Ruth eat late and stay up late. Sylvie likes cold food, mostly—cheese, doughnuts, sardines, and fruit... (full context)
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...which open onto the orchard. Sylvie keeps the room furnished very plainly, and Lucille and Ruth occasionally spend time digging through the bottom drawer of a chest which once belonged to... (full context)
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Ruth is content with Sylvie and loves her very much. Lucille, however, begins appearing to Ruth... (full context)
Chapter 6
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Ruth begins to sense that Lucille’s loyalties lie in “the other world”—the world of normal people.... (full context)
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...the discomforts of female adolescence.” Sylvie’s notes are not entirely untrue: Lucille, though younger than Ruth, is becoming a “touchy, achy, tearful creature” whose clothes “bind and pull” as she develops... (full context)
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...as spring turns to summer, forced home only by the chill settling into the evenings. Ruth notices that she loves being in the woods “for the woods’ own sake,” while Lucille... (full context)
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...whom she knows “only by name”—will somehow find out about the strange way she and Ruth are living. Lucille complains to Ruth about Sylvie’s strange and embarrassing ways, but Ruth actually... (full context)
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...to Fingerbone—Lucille becomes irate and accuses Sylvie of acting embarrassingly. Lucille feels the constant pressure, Ruth notes, of wondering how people of “reasonableness and solidity [might] respond to such tales.” Lucille... (full context)
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One day, Lucille and Ruth are on their way to the post office when they see Sylvie sleeping on a... (full context)
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Sylvie and Ruth walk home together, and when they arrive, Lucille confronts both of them, shouting at Sylvie... (full context)
Chapter 7
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That summer, Lucille remains “loyal” to Ruth and Sylvie more out of necessity than anything else—they are both her “chief problem” and... (full context)
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...come to a place where Sylvie has not been before them. One night, Lucille and Ruth wander too far into the woods while trekking to a small inlet to do some... (full context)
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...tracks. They arrive home to find Sylvie waiting for them with quilts and tea, and Ruth, wrapped in a blanket, quickly falls asleep right at the kitchen table. Ruth has more... (full context)
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Ruth goes upstairs, where Lucille is getting dressed. As Lucille helps Ruth brush out her hair... (full context)
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Ruth is not enjoying the shopping trip and tells Lucille she wants to go home, but... (full context)
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As Ruth approaches the house, she feels comforted by the familiar sight of the orchard, but also... (full context)
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...fabric. Lucille describes the pattern for a skirt and small jacket in detail, and urges Ruth to help her sew it. They clear aside the cans and bottles Sylvie has collected... (full context)
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Lucille and Ruth don’t speak for several days, and Lucille often goes into town to spend time with... (full context)
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Ruth is hurt. Neither of them have ever really had any friends other than each other—Lucille’s... (full context)
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...doing exercises and brushing her hair a hundred strokes each night. School is approaching, and Ruth knows her sister is “determined now to make something of herself.” Lucille reads almost constantly... (full context)
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On the first day of school, Lucille leaves early, without Ruth. During first period, the girls are called to the principal’s office from their separate classes.... (full context)
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The girls hardly see each other at school anymore, and Ruth often eats lunch alone. She focuses on her schoolwork intently as a way of finding... (full context)
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One night, when Lucille goes out to a school dance, Sylvie excitedly tells Ruth that she has a “pretty” place to show her. Nearby, Sylvie says, there is a... (full context)
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...moment to announce that Lucille is not in the house. The next morning, Sylvie and Ruth will learn that Lucille went to the home of Miss Royce, her Home Economics teacher,... (full context)
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Before Sylvie and Ruth know any of this, though, they spend the night wondering whether they should call the... (full context)
Chapter 8
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Sylvie wakes Ruth very early the next morning so that they can eat breakfast and set out on... (full context)
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...covered with branches and needles—she unearths the boat and oars from beneath the hiding-place, and Ruth helps her push it into the water. As Ruth climbs in, she can hear a... (full context)
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...in the presence of wild children, but can never quite see them. Sylvie confesses to Ruth that she once tried to “catch one”—she left marshmallows on the branches of the apple... (full context)
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Sylvie grows quiet, and she and Ruth float across the lake in silence. The boat rows unevenly, and the two are pulled... (full context)
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Eventually, Sylvie and Ruth reach the outcrop they’ve been destined for and pull the boat to shore. They walk... (full context)
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Ruth builds a fire and toasts marshmallows while Sylvie naps. After a while, Sylvie wakes and... (full context)
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Ruth looks around and realizes that Sylvie is gone. She wonders whether her aunt is teasing... (full context)
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Ruth returns to the valley to wait for Sylvie there, but the stone steps of the... (full context)
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Ruth begins pulling loose planks from the ruins of the house to make a fire, and... (full context)
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Sylvie returns to the valley and wraps her arms around Ruth, startling the girl. They look at one another and say nothing. Sylvie bundles Ruth in... (full context)
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Sylvie and Ruth climb into the boat and set off back across the lake. Ruth is worried that... (full context)
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Sylvie rows the boat underneath the bridge, and she and Ruth sit and wait for the train in the dark. Ruth is tired and confused, and... (full context)
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Ruth tells Sylvie she’s cold, and Sylvie says they can go home. She rows the two... (full context)
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As the sun rises, Sylvie and Ruth drift to the lake’s opposite shore and clamber out of the boat and up onto... (full context)
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At home, Sylvie makes a fire for Ruth and then heads to bed. Ruth nearly falls asleep at the kitchen table, but snaps... (full context)
Chapter 9
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In the weeks following Ruth and Sylvie’s excursion to the lake, the sheriff comes by the house twice. Though the... (full context)
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Ruth suspects that transients are so “terrifying” to the citizens of Fingerbone because they are not... (full context)
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...bringing casseroles and cakes by the house, as well as knitted socks and caps for Ruth. They ask polite but probing questions about Sylvie’s odd methods of housekeeping, and Ruth finds... (full context)
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Sylvie and Ruth’s neighbors are disturbed but not panicked, and often try to visit with Sylvie and ask... (full context)
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One day, Ruth overhears a neighbor ask Sylvie about whether Ruth is all right leading a life that... (full context)
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The next day, when Ruth comes home from school, she finds that Sylvie has begun cleaning up the living room... (full context)
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It is late when Sylvie returns from Lucille’s. She sits down with Ruth and tells her that “women have been talking to Lucille”—Sylvie implies that the women in... (full context)
Chapter 10
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“The force behind the movement of time,” Ruth writes, “is a mourning that will not be comforted.” Citing the Bible, she states that... (full context)
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Ruth knows that Sylvie does not want to lose her; she does not want to have... (full context)
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...her mother Sylvia’s house by polishing the windows and straightening up. One afternoon, she and Ruth start a fire and burn old boxes, papers, and other hoarded things. Sylvie seems delighted... (full context)
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Ruth says she wants to go inside, and Sylvie agrees it’s time to put the fire... (full context)
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Ruth is startled from her game when she sees the sheriff walk up the porch and... (full context)
Chapter 11
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After the sheriff leaves, Sylvie and Ruth turn out the lights and work together to burn the house down. They have difficulty... (full context)
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Having set fire to the curtains and sofas and rugs, Sylvie hurries Ruth out of the house when they hear the whistle of an approaching train. They run... (full context)
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As the two of them make their way across the bridge over the lake, Ruth worries that a trail will come and crush them, but Sylvie insists there isn’t another... (full context)
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Ruth writes from the present day. Sylvie has, for years, kept a neatly folded newspaper clipping... (full context)
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Sylvie and Ruth go everywhere together, but never stay anywhere for long. Ruth occasionally takes jobs in restaurants... (full context)
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Ruth remembers a moment on the treacherous walk across the bridge when she and Sylvie heard... (full context)
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After leaving Fingerbone, Sylvie and Ruth traversed the Pacific Northwest hoping to “elude discovery.” They have been many places together, but... (full context)
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Ruth cannot explain why she never does get off the train in Fingerbone and go to... (full context)
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Ruth sometimes imagines Lucille in Boston, “tastefully dressed” and waiting at a table in a restaurant... (full context)