Housekeeping
by Marilynne Robinson
✓

or to save your progress

Women and Sisterhood Theme Analysis

Themes and Colors
Women and Sisterhood Theme Icon
Transience and Impermanence Theme Icon
Memory Theme Icon
Abandonment and Loss Theme Icon
Nature Theme Icon
LitCharts assigns a color and icon to each theme in Housekeeping, which you can use to track the themes throughout the work.
Women and Sisterhood Theme Icon
Women and Sisterhood Theme Icon

Marilynne Robinson’s novel Housekeeping is overwhelmingly populated by women. The women of the Foster family lose, eschew, or ignore their male partners completely, and devote themselves instead to the careful art of housekeeping and the collaborative bringing up of their younger generations. As the main characters Ruth and Lucille navigate their own relationship as sisters, they are brimming with questions about the relationship between their somewhat reluctant caregiver and aunt, Sylvie, and their mother, Helen, whose recent suicide has thrown the girls’ lives into turmoil. Surrounded by women but with little blueprint for how to navigate their burgeoning womanhood, Ruth and Lucille flail and fight as they try to discover how they should be—but are unable to find the answers in one another. As the novel progresses, Robinson explores, extolls, tests, and questions the bonds of sisterhood, ultimately suggesting that no matter how close any pair of sisters seems to be, and no matter how much their lives overlap, sisters can still be unknowable to one another.

Through two pairs of sisters—Helen and Sylvie, Ruth and Lucille—Robinson demonstrates the intense emotions and fraught decisions which comprise girlhood and womanhood. Robinson purposefully creates parallels and similarities between the two generations of sisters, but as the novel unfolds, she chooses to show how despite their shared blood, hometown, and ancestral living space, these two sets of sisters are essentially strangers to one another all throughout their lives. When Sylvie arrives in Fingerbone to take care of Lucille and Ruth, the girls pepper her almost nonstop with questions about their mother, Helen—what she was like as a girl, as a woman, as a sister. Sylvie’s answers are oblique and cryptic, and she insists that it’s “hard to describe someone you know so well.” Sylvie’s failure to be able to put her memories of her sister into words for the girls—or perhaps to access any memories at all other than the snippets and glimpses she ultimately provides—shows that sisterhood, though a sacred and intense bond, is a complicated one as well.

The distant relationship between Helen and Sylvie shows that physical proximity does not correlate with emotional closeness. The two sisters grew up in the same household, sharing clothes and space and food, but are revealed, ultimately, to know or understand very little about one another. Sylvie and Helen saw each other only a few times after leaving their hometown, and though their respective marriages seem to have both been fraught, unstable, and unimportant to the two women, they never bonded in adulthood over the hasty unions into which they plunged almost immediately upon leaving home. In the wake of Helen’s death, Sylvie’s befuddlement as to the truth of who her sister was deepens—and despite her duty to care for Lucille and Ruth and shepherd them through the difficult journey of sisterhood, she seems unprepared for the daunting task. Sylvie and Helen also have a third sister, Molly, whom they haven’t heard from in years since she left home as a teenager to become a missionary in China. Sisterhood does not guarantee closeness and understanding, and the fact that neither Helen nor Sylvie ever speaks of Molly or her whereabouts demonstrates this fact.

Ruth and Lucille’s relationship is the central one throughout most of the text. The girls, only a year apart, are constant companions at home and at school. They share a bed, they walk to and from their junior high together, and though they aren’t in the same classes, they make time for one another at lunch and recess. The girls begin cutting class together as well, spending their days exploring the shore and forests surrounding the large, dark lake at the heart of Fingerbone. They are physically together constantly, but when it comes to emotional connection and solidarity, the girls’ relationship is actually revealed to be quite shallow. Like Helen and Sylvie before them, the girls are mysterious to one another, unable to reach out across the large but ineffable chasm between them to help one another. Lucille gets her period and enters puberty earlier than Ruth, and Ruth feels the separation between her and her sister deepen as they struggle separately with their very different relationships to Sylvie. As the gulf between the pair widens and they eventually separate forever, it becomes clear that just because Ruth and Lucille are sisters—just because they share memories, traumas, and emotional and physical spaces—they are not bonded for life. Through Ruth and Lucille, just as through Helen and Sylvie, Robinson laments the fragility of a bond widely assumed to be unbreakable. By the end of the novel, Ruth has not spoken to her sister in more than seven years, and knows nothing about where she lives or who she is as a person. Ruth imagines that her sister watches and waits for her always, but has no way of knowing for sure whether Lucille still loves, misses, or wonders about her.

The confusing and ever-shifting rules and regulations of not just what it means to be a woman but what it means to be a sister define the emotional backbone of Housekeeping. Women are expected to be nurturers—to staunchly defend the bonds of family and support the women within their family units. The women of the Foster family, however, struggle with this role, and ultimately find themselves confused and confined by the expectations that come with being a woman and a sister.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Women and Sisterhood ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Women and Sisterhood appears in each chapter of Housekeeping. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Get the entire Housekeeping LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Housekeeping PDF

Women and Sisterhood Quotes in Housekeeping

Below you will find the important quotes in Housekeeping related to the theme of Women and Sisterhood.

Chapter 1 Quotes

Now and then Molly searched Sylvie’s room for unreturned library books. Occasionally Helen made a batch of cookies. It was Sylvie who brought in bouquets of flowers. This perfect quiet had settled into their house after the death of their father. That event had troubled the very medium of their lives. Time and air and sunlight bore wave and wave of shock, until all the shock was spent, and time and space and light grew still again and nothing seemed to tremble, and nothing seemed to lean. The disaster had fallen out of sight, like the train itself, and if the calm that followed it was not greater than the calm that came before it, it had seemed so. And the dear ordinary had healed as seamlessly as an image on water.

Related Characters: Ruth Stone (speaker), Molly Foster, Sylvie Fisher, Helen Stone / Ruth and Lucille’s Mother, Edmund Foster, Sylvia Foster
Related Symbols: The Lake
Page Number and Citation: 15
Explanation and Analysis:
In the opening pages of the novel, Ruth, narrates the things she has been able to glean about her mother’s youth with her sisters (Sylvie and Molly) and their mother, Sylvia, in the wake of losing their patriarch, Edmund. Ruth paints a serene and almost holy picture of the three girls, attending to the tasks of housekeeping and looking after one another against a backdrop of “perfect quiet.” Ruth suggests that the “dear ordinary” of their lives has returned in the wake of the accident, healing over the scars of their loss. However, in the story to come, Ruth will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accus

Lucille and me she tended with scrupulous care and little confidence, as if her offerings of dimes and chocolate-chip cookies might keep us, our spirits, here in her kitchen, though she knew they might not.

Related Characters: Ruth Stone (speaker), Lucille Stone , Sylvia Foster
Related Symbols: Housekeeping
Page Number and Citation: 25
Explanation and Analysis:
After Ruth and Lucille’s mother, Helen, commits suicide by driving into the lake—a devastating event spurred by mysterious forces unknown to the girls, who knew their mother as a quiet and distracted but kind woman—the young girls go to live with their grandmother, Sylvia Foster, in the town of Fingerbone, where their mother was raised. In her attentions to the girls, Sylvia is “scrupulous” but nervous. Sylvia has sustained the death of her husband (Edmund) and the departure of all three of her daughters (Helen, Sylvie, and Molly), and now has had to deal with the recent death of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Acc

Chapter 2 Quotes

Lucille and I took our skates to school, so that we could go to the lake directly and stay there through the twilight. Usually we would skate along the edge of the swept ice, tracing its shape, and coming finally to its farthest edge, we would sit on the snow and look back at Fingerbone.

We felt giddily far from shore, though the lake was so solid that winter that it would certainly have supported the weight of the entire population of Fingerbone, past, present, and to come. Nevertheless, only we and the ice sweepers went out so far, and only we stayed.

Related Characters: Ruth Stone (speaker), Lucille Stone
Related Symbols: The Lake
Page Number and Citation: 33-34
Explanation and Analysis:
Though the lake at the center of Fingerbone is vast, deep, and imposing, having claimed not just Ruth and Lucille’s grandfather’s life but also recently their mother’s life, the girls blithely and happily skate across its surface each day in winter. They are drawn to the lake, and have many happy times playing on or near it in all seasons of the year. The act of ice-skating across the surface of the lake, though safe due to the ice’s thickness, seems to be a direct provocation of fate and nature alike. The girls do not know why they are pulled Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates.

Chapter 3 Quotes

We had planned to try Sylvie, but perhaps because Sylvie had her coat on and appeared so very transient, Lucille did not wait till we knew her better, as we had agreed to do.

“Oh, she was nice,” Sylvie said. “She was pretty.”

“But what was she like?”

“She was good in school.”

Lucille sighed.

“It’s hard to describe someone you know so well.”

Related Characters: Ruth Stone (speaker), Sylvie Fisher (speaker), Lucille Stone (speaker), Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 51
Explanation and Analysis:
In this passage, shortly after Sylvie’s arrival in Fingerbone to take over housekeeping and care of the girls from their reluctant great-aunts Lily and Nona, Lucille begins peppering Sylvie with questions about their mother, Helen. The girls knew their mother as a remote and distant woman who spoke little of her past, and never shared her feelings. With the arrival of Sylvie, the girls feel they have a chance to reclaim—or even establish for the first time—some sense of who their mother truly was. They want to ask Sylvie their questions right away, as they fear that she, as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis con

Chapter 4 Quotes

Altogether [the snowwoman’s] figure suggested a woman standing in a cold wind. It seemed that we had conjured a presence. We took off our coats and hats and worked about her in silence. […] We hoped the lady would stand long enough to freeze, but in fact while we were stamping the gray snow all smooth around her, her head pitched over and smashed on the ground. This accident cost her a forearm and a breast. We made a new snowball for a head, but it crushed her eaten neck, and under the weight of it a shoulder dropped away. We went inside for lunch, and when we came out again, she was a dog-yellowed stump in which neither of us would admit any interest.

Related Characters: Ruth Stone (speaker), Lucille Stone , Helen Stone / Ruth and Lucille’s Mother, Sylvie Fisher
Page Number and Citation: 61
Explanation and Analysis:
In this passage, Ruth and Lucille build, unwittingly, a snow-person in the form of a woman “standing in a cold wind.” The girls are slightly spooked by their own creation, and though they struggle to refine her even in the face of their uncertainty, she resists being molded to their desires. Having failed to properly make the woman, the girls abandon her and ignore her. The snowwoman, in this passage, could either be seen as a metaphor for Helen, the girls’ mother, or Sylvie, their transient and unpredictable aunt. Both women seem to “stand in [the] wind” of their past Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaqu

Chapter 5 Quotes

Thus finely did our house become attuned to the orchard and to the particularities of weather, even in the first days of Sylvie’s housekeeping. Thus did she begin by littles and perhaps unawares to ready it for wasps and bats and barn swallows. Sylvie talked a great deal about housekeeping. She soaked all the tea towels for a number of weeks in a tub of water and bleach. She emptied several cupboards and left them open to air, and once she washed half the kitchen ceiling and a door. Sylvie believed in stern solvents, and most of all in air. It was for the sake of air that she opened doors and windows, though it was probably through forgetfulness that she left them open.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 85
Explanation and Analysis:
As Sylvie takes up housekeeping in earnest and decides to stay in Fingerbone to look after the girls for good, the girls notice that her notions of keeping house are very different from the examples they’ve seen from the other women in their family. Sylvie’s eccentric respect for the piles of leaves that gather in the corners of the house, her exciting plans and pitiful lack of follow-through, and her simple neglect make the house a strange place open to the influences of nature. Sylvie wants to be the kind of caregiver the girls need, but even as she gives Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati.

I was content with Sylvie, so it was a surprise to me when I realized that Lucille had begun to regard other people with the calm, horizontal look of settled purpose with which, from a slowly sinking boat, she might have regarded a not-too-distant shore. She pulled all the sequins off the toes of the blue velveteen ballet slippers Sylvie bought us for school shoes the second spring after her arrival. Though the mud in the road still stood inches high and gleamed like aspic on either side where tires passed through the ruts, I had liked the slippers well enough.

Related Characters: Ruth Stone (speaker), Sylvie Fisher, Lucille Stone
Page Number and Citation: 92-93
Explanation and Analysis:
As the months pass, Ruth delights in Sylvie’s company and her eccentricities—but Lucille, Ruth’s sister, becomes nervous and miserable in Sylvie’s presence. Lucille does not want to slip into strangeness and transience—she longs for sturdy possessions that will resist change and normalcy in all things. She destroys the pretty but totally impractical and whimsical slippers Sylvie procures for her and Ruth in a direct protest of Sylvie’s attempt to fill the girls’ lives with ephemeral, transient things. Lucille seems to want to be rescued from the “sinking boat” of her life, foreshadowing the desperate measures she will take in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia.

Chapter 6 Quotes

Lucille had startled us all, flooding the room so suddenly with light, exposing heaps of pots and dishes, the two cupboard doors which had come unhinged and were propped against the boxes of china. […] Everywhere the paint was chipped and marred. A great shadow of soot loomed up the wall and across the ceiling above the stove, and the stove pipe and the cupboard tops were thickly felted with dust. Most dispiriting, perhaps, was the curtain on Lucille’s side of the table, which had been half consumed by fire once when a birthday cake had been set too close to it. Sylvie had beaten out the flames with a back issue of Good Housekeeping, but she had never replaced the curtain.

Related Characters: Ruth Stone (speaker), Lucille Stone , Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 101
Explanation and Analysis:
In this passage, the girls are eating dinner with Sylvie in the dark one summer night. Sylvie adores the evening light, and insists they all eat supper with the lights off so that they can enjoy the peculiar light and sounds of insects and birds. When Lucille feels she has an itch one evening, she jumps up to turn on the light and look at her own skin to see if she has a bug bite—in the process, perhaps on purpose, she floods the kitchen in harsh and unforgiving light which exposes the shoddy job of cleaning and housekeeping that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

I wanted to ask her if she knew what she thought, and if so, what the experience of that sort of knowledge was like, and if not, whether she, too, felt ghostly, as I imagined she must. I waited for Sylvie to say, “You’re like me.” […] I feared and suspected that Sylvie and I were of a kind, and waited for her to claim me, but she would not.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Page Number and Citation: 106
Explanation and Analysis:
As Lucille begins to drift away from Ruth and Sylvie and toward the normal people in polite society, Ruth feels lonesome and longs to know that Sylvie loves and wants to “claim” her. She wants to be like Sylvie, though she knows that Sylvie’s ways are repulsive to Lucille—Ruth feels ghostlike and invisible most of the time, and has trouble articulating her present feelings and her past memories. She thinks that in being “claim[ed]” by Sylvie, she’ll have a blueprint for womanhood or at least for how to be and how to feel—but when Sylvie almost purposefully refuses to say Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore

Chapter 7 Quotes

Lucille’s mother was orderly, vigorous, and sensible, a widow (more than I ever knew or she could prove) who was killed in an accident. My mother presided over a life so strictly simple and circumscribed that it could not have made any significant demands on her attention. She tended us with a gentle indifference that made me feel she would have liked to have been even more alone—she was the abandoner, and not the one abandoned.

Related Characters: Ruth Stone (speaker), Lucille Stone , Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 109
Explanation and Analysis:
In this passage, Ruth begins to realize that she and Lucille have, over the years, begun to develop vastly different recognitions of their mother—despite the fact that they both knew her at the same time, in the same ways, and suffered the same abandonment through her suicide. Lucille, blind to the truth—or perhaps conscious of it but unwilling to entertain it—begins to remember her mother as an “orderly,” loving victim who lost her husband before tragically losing her own life in an “accident.” Ruth, however, knows that her mother was inattentive and “indifferen[t],” and abandoned the girls by selfishly taking Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem acc

“I was a baby, lying on my back, yelling, and then someone came and started wrapping me up in blankets. She put them all over my face, so I couldn’t breathe. She was singing and holding me, and it was sort of nice, but I could tell she was trying to smother me.” Lucille shuddered.

“Do you know who it was?”

“Who?”

“The woman in the dream.”

“She reminded me of Sylvie, I guess.”

Related Characters: Lucille Stone (speaker), Ruth Stone (speaker), Sylvie Fisher, Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 120
Explanation and Analysis:
After being forced to spend a night in the woods during a fishing trip gone wrong, Ruth and Lucille return home exhausted and slightly embarrassed. After napping, Lucille wakes up and begins setting her hair and picking out a fine outfit so that she can go into town and do some shopping. As she readies herself, she tells Ruth about a bad dream she had during her nap—a dream in which she was a baby, and a woman who “reminded [her] of Sylvie” was “smother[ing]” her. This dream can be interpreted several ways: either Lucille feels that Sylvie’s transient ways Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Ac

“I just want to go home,” I said, and pushed the door open. Lucille grabbed me by the flesh above my elbow. “Don’t!” she said, pinching me smartly for emphasis. She came with me out onto the sidewalk, still grasping the flesh of my arm. “That’s Sylvie’s house now.” She whispered hissingly and looked wrath. And now I felt her nails, and her glare was more pleading and urgent. “We have to improve ourselves!” she said. “Starting right now!’ she said. And again I could think of no reply.

Related Characters: Ruth Stone (speaker), Lucille Stone (speaker), Sylvie Fisher
Page Number and Citation: 123
Explanation and Analysis:
While in town to do some shopping, Ruth and Lucille run into a group of Lucille’s school acquaintances at the soda fountain—a run-in which seems to have been orchestrated on Lucille’s part. As the girls look through magazines and dress patterns, Ruth becomes bored and tries to leave, but Lucille almost hysterically tries to hold Ruth back and impress upon her the importance of starting to “improve” themselves, and ignore Sylvie. Ruth is stunned by this—she loves Sylvie, and is beginning to resent Lucille for going against their aunt at every opportunity. Ruth wants no part of the ways in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantiu

Chapter 8 Quotes

I knew why Sylvie felt there were children in the woods. I felt so, too, though I did not think so. […] I knew that if I turned however quickly to look behind me the consciousness behind me would not still be there, and would only come closer when I turned away again. […] In that way it was persistent and teasing and ungentle, the way half-wild, lonely children are. This was something Lucille and I together would ignore, and I had been avoiding the shore all that fall, because when I was by myself and obviously lonely, too, the teasing would be much more difficult to disregard. Having a sister or a friend is like sitting at night in a lighted house. Those outside can watch you if they want, but you need not see them.

Related Characters: Ruth Stone (speaker), Sylvie Fisher, Lucille Stone
Related Symbols: The Lake
Page Number and Citation: 154
Explanation and Analysis:
Sylvie has told Ruth that she believes there are feral children—perhaps numbering in the hundreds—living in the woods on the island in the center of the lake. Ruth is perplexed by Sylvie’s invocation of the children, and even more so by her aunt’s desire to catch and observe one of them—but is forced to admit, once she herself enters the woods, that she does sense a strange presence that reminds her of cackling, teasing children. Ruth is perturbed but intrigued by the presence, which she describes as a “consciousness.” The consciousness can be interpreted as many things—the awareness of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

I sat down on the grass, which was stiff with the cold, and I put my hands over my face, and I let my skin tighten, and let the chills run in ripples, like breezy water, between my shoulder blades and up my neck. I let the numbing grass touch my ankles. I thought, Sylvie is nowhere, and sometime it will be dark. I thought, Let them come unhouse me of this flesh, and pry this house apart.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Page Number and Citation: 159
Explanation and Analysis:
While looking at the abandoned house in the middle of the valley, Ruth becomes lost in thought, and doesn’t notice at first when Sylvie is no longer sitting beside her. As the minutes and perhaps even hours drag on, though, Ruth finds herself spiraling into a kind of madness as she grows to believe Sylvie has purposefully abandoned her in the woods. She is made so miserable by the thought of having lost her mother, her grandmother, her emotional connection with her sister, and now her aunt, too, that she begins having terrible thoughts and longing, in a way, for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nost

Chapter 10 Quotes

[Sylvie] did not wish to remember me. She much preferred my simple, ordinary presence, silent and ungainly though I might be. For she could regard me without strong emotion—a familiar shape, a familiar face, a familiar silence. She could forget I was in the room. She could speak to herself, or to someone in her thoughts, with pleasure and animation, even while I sat beside her—this was the measure of our intimacy, that she gave almost no thought to me at all.

But if she lost me, I would become extraordinary by my vanishing.

Related Characters: Ruth Stone (speaker), Sylvie Fisher, Helen Stone / Ruth and Lucille’s Mother
Page Number and Citation: 195
Explanation and Analysis:
As Ruth and Sylvie confront the possibility that they will be separated by the authorities after a night spent riding in a boxcar on a freight train, Ruth imagines Sylvie’s thought process—which she knows well. She knows that if Ruth is taken away or “vanish[ed],” she will become “extraordinary” in Sylvie’s mind, heart, and memory. The reason Ruth and Sylvie take such refuge in one another is because they see one another as unremarkable, unchanging constants. Their intimacy stems from the fact that they do not think or worry much about one another. If Ruth is taken away, however, her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium es

Chapter 11 Quotes

Sylvie and I (I think that night we were almost a single person) could not leave that house, which was stashed like a brain, a reliquary, like a brain, its relics to be pawed and sorted and parceled out among the needy and the parsimonious of Fingerbone. […] We had to leave. I could not stay, and Sylvie would not stay without me. Now truly we were cast out to wander, and there was an end to housekeeping.

Related Characters: Ruth Stone (speaker), Sylvie Fisher
Related Symbols: Housekeeping
Page Number and Citation: 209
Explanation and Analysis:
After Sylvie and Ruth realize that they are “doomed” to be separated by a hearing which will surely remove Ruth from the flighty, transient Sylvie’s custody, they decide to take matters into their own hands and escape Fingerbone—but not before burning their family’s ancestral home to the ground. As Sylvie and Ruth work to set the carpets, curtains, and furniture on fire, they work together as a “single person,” desperate to preserve the memories of their family and history by destroying it. They know that leaving their ancestor’s possessions in the house will cheapen and disgrace them—and yet, at the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Expli

No one watching this woman smear her initials in the steam on her water glass with her first finger, or slip cellophane packets of oyster crackers into her handbag for the sea gulls, could know how her thoughts are thronged by our absence, or know how she does not watch, does not listen, does not wait, does not hope, and always for me and Sylvie.

Related Characters: Ruth Stone (speaker), Lucille Stone , Sylvie Fisher
Page Number and Citation: 219
Explanation and Analysis:
In the novel’s final paragraphs, Ruth reveals that more than seven years after she and Sylvie departed Fingerbone—and were reported dead, claimed by the lake—neither of them has ever contacted Lucille to let her know they’re alive or find out where she lives or what she’s up to. Ruth passes her days often mired in specific and intense visions of her sister either taking up housekeeping in Fingerbone or living her life in a large, anonymous city (earlier in the novel, Lucille spoke of wanting to move to Boston when she grows up). In the novel’s final lines, Ruth constructs Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia s