How it Feels to be Colored Me
by Zora Neale Hurston
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Zora Neale Hurston Character Analysis

Zora Neale Hurston describes herself at various stages of her still young life: as a young black girl holding impromptu performances for white tourists, as a teenager encountering explicit discrimination for the first time, and as a student and writer in New York City. At the time of writing, Hurston is thoughtful and confident, and her account of how it feels to be “colored” in the 20th century is distinguished by its optimism. She’s passionate and adventurous, convinced that the future will bring accomplishments and acclaim. At times her self-assurance crosses into mock-arrogance. In describing herself this way, Hurston signals that she’s unapologetic about her own merit. It’s also a way to highlight the absurdity of racism, that white Americans would ostracize talented and charming people for their skin color. As Hurston writes, “How can any deny themselves the pleasure of my company? It's beyond me.”

Zora Neale Hurston Quotes in How it Feels to be Colored Me

The How it Feels to be Colored Me quotes below are all either spoken by Zora Neale Hurston or refer to Zora Neale Hurston. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Race and Difference Theme Icon
).

How It Feels to Be Colored Me Quotes

I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother's side was not an Indian chief.

Related Characters: Zora Neale Hurston (speaker)
Page Number and Citation: 1
Explanation and Analysis:
Hurston begins her essay with a biting refusal to offer conditions for being African-American, illustrating immediately how that racial identity was something many felt the need to minimize or excuse. The efforts she invokes to revise family heritage are meant to break the binary of black and white and to complicate American understanding of race. The fact that the categories “white” or “black” do a poor job of describing an individual’s long and varied racial ancestry contributes to Hurston’s claim that race is a social rather than a biological distinction. Nevertheless, Hurston embraces the identity of “colored” or black wholeheartedly. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

I remember the very day that I became colored. Up to my thirteenth year I lived in the little Negro town of Eatonville, Florida. It is exclusively a colored town.

Related Characters: Zora Neale Hurston (speaker)
Page Number and Citation: 1-2
Explanation and Analysis:
Immediately after deeming herself “colored,” Hurston explains that this identity did not, as most would assume, begin at birth. Instead, Hurston places her first day as a black woman years later, after she turns thirteen. As a child, her deeper understanding of race was postponed while she lived in an “exclusively...colored town.” The suggestion is that race emerges less from the basic fact of skin color than it does from differences enforced by a larger society. While in an exclusively black town, “blackness” is a less, or not at all, important quality. Hurston thus shows how slippery race is as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam co

They liked to hear me "speak pieces" and sing and wanted to see me dance the parse-me-la, and gave me generously of their small silver for doing these things, which seemed strange to me for I wanted to do them so much that I needed bribing to stop, only they didn't know it. The colored people gave no dimes. They deplored any joyful tendencies in me, but I was their Zora nevertheless.

Related Characters: Zora Neale Hurston (speaker)
Related Literary Devices:
Page Number and Citation: 4-5
Explanation and Analysis:
While Hurston views the northern tourists as entertainment for her, she also performs for them. For this, she’s rewarded with money, which surprises her. This speaks to a burgeoning awareness that performance and creativity can be not only emotionally but financially rewarding. The financial relationship collapses some of the distance between Hurston and the white tourists. There’s a sense, however, that while there may be an equalizing of power between them, this doesn’t bring them emotionally closer. In contrast, the black residents of Eatonville don’t pay Hurston for her artistic efforts, and instead provide true affection and a sense of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accus

I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all but about it. Even in the helter-skelter skirmish that is my life, I have seen that the world is to the strong regardless of a little pigmentation more of less. No, I do not weep at the world—I am too busy sharpening my oyster knife.

Related Characters: Zora Neale Hurston (speaker)
Related Literary Devices:
Page Number and Citation: 6-7
Explanation and Analysis:
Here Hurston proposes a worldview that’s based around power rather than race. In the process, she diminishes other African-Americans who attribute their adversities to slavery and persistent racism. Given that Hurston is advancing this view in the 1920s, when Jim Crow segregation laws were ascendant, it’s a controversial read on history. It’s also an effort of will to turn herself towards the future and the possibility of increasing freedom and success. She doesn’t deny that the world is full of injustice, no small part of it borne by African-Americans. She acknowledges that the “world is to the strong” and, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Exp

It is a bully adventure and worth all that I have paid through my ancestors for it. No one on earth ever had a greater chance for glory. The world to be won and nothing to be lost. It is thrilling to think—to know that for any act of mine, I shall get twice as much praise or twice as much blame. It is quite exciting to hold the center of the national stage, with the spectators not knowing whether to laugh or to weep.

Related Characters: Zora Neale Hurston (speaker)
Related Literary Devices:
Page Number and Citation: 8-9
Explanation and Analysis:
Hurston’s view of history is primarily an optimistic one. But here, she lays bare the risk of failure, noting she may get “twice as much blame” or that the spectators may “weep.” Her assertion reflects the fact that African-Americans may be treated as representatives of their entire racial group rather than individuals. She places herself at the center of what’s at once a stage and an arena, and she incorporates the possibility of tragedy and humiliating defeat. What’s exciting to Hurston is not only the attention of the country and of history, her “national stage,” but also the quality of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus te

I do not always feel colored. Even now I often achieve the unconscious Zora of Eatonville before the Hegira. I feel most colored when I am thrown against a sharp white background. For instance at Barnard. "Beside the waters of the Hudson" I feel my race. Among the thousand white persons, I am a dark rock surged upon, and overswept, but through it all, I remain myself. When covered by the waters, I am; and the ebb but reveals me again.

Related Characters: Zora Neale Hurston (speaker)
Page Number and Citation: 9-10
Explanation and Analysis:
For the first thirteen years of her life, Hurston did not know what it meant to feel “colored.” After her move to Jacksonville, she felt like her previous identity was erased and replaced with that of a “little colored girl.” As an adult, Hurston moves between these poles, sometimes able to recover a racially neutral way of being and sometimes being forced to confront her race because of the way people impose it on her. But at Barnard, amongst an overwhelmingly white population, she introduces a much more positive metaphor for feeling her race. While the “thousand white persons” are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore

Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.

Related Characters: Zora Neale Hurston (speaker), The White Friend
Page Number and Citation: 13
Explanation and Analysis:
While at the jazz club with her white friend, Hurston describes an animalistic trance in which she communes with the jungle and a warlike past, shaking a spear and beating a war drum. When she returns to herself, she finds that her companion has had nothing resembling the same experience. She echoes his reply, “good music,” in a way that seems contemptuous. Her friend experiences the song as only something to be dimly entertained by, but for Hurston, it approaches what it means to live. Civilization, and the accompanying focus on rationality, stresses control of the emotions, but Hurston’s transporting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde e

Pour out the contents, and there is discovered a jumble of small things priceless and worthless. A first-water diamond, an empty spool, bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. In your hand is the brown bag.

Related Characters: Zora Neale Hurston (speaker)
Related Symbols: Bags
Page Number and Citation: 15
Explanation and Analysis:
Hurston’s differently colored bags close the essay with a powerful symbol of an individual’s worth, which is deeper than outward appearance. “In your hand is the brown bag,” she writes, but the sheer number of contents overwhelms the importance of the bag’s color—a flat and singular detail representative of race, which has received so much attention throughout the history of the United States and the wider world. In Hurston’s language, even the “worthless” contents of the bag—that is, the inner world of human beings—are so specifically and lovingly detailed that the reader forgets even what color bag is being discussed. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde
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Zora Neale Hurston Character Timeline in How it Feels to be Colored Me

The timeline below shows where the character Zora Neale Hurston appears in How it Feels to be Colored Me. The colored dots and icons indicate which themes are associated with that appearance.
How It Feels to Be Colored Me
Race and Difference Theme Icon
Zora Neale Hurston states that she is “colored” and does so without any apology or “extenuating circumstances.” She... (full context)
Race and Difference Theme Icon
Hurston claims she remembers the first day she “became colored,” which occurred when she was thirteen. (full context)
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Performance Theme Icon
Hurston describes her childhood growing up in Eatonville, Florida, a successful all-black community. The only time... (full context)
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Performance Theme Icon
Although some shied away from watching the tourists, Hurston loved to watch them and didn’t mind that the tourists noticed. She would speak and... (full context)
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Performance Theme Icon
When she was a child, Hurston believed the only difference between white and black people was that white people would pass... (full context)
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After Hurston turns thirteen, her family moves to Jacksonville, Florida, where the makeup of the community is... (full context)
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History and Opportunity Theme Icon
Hurston rejects the notion of being “tragically colored,” which she explains as nurturing a sense of... (full context)
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History and Opportunity Theme Icon
Instead of a backward-looking worldview that focuses on past wrongs, Hurston looks to the future and the possibility of greater freedom and achievement. Hurston specifically complains... (full context)
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Performance Theme Icon
History and Opportunity Theme Icon
Hurston describes her experience now as an adventure and a grand opportunity for glory. As an... (full context)
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History and Opportunity Theme Icon
...is to try to keep as much as he can of what he already has. Hurston’s task is to win it for herself. (full context)
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That said, Hurston notes that she doesn’t always feel “colored.” She feels it most in white places like... (full context)
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Performance Theme Icon
To illustrate this, Hurston tells a story about taking a white friend to a black jazz club. As the... (full context)
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Performance Theme Icon
History and Opportunity Theme Icon
While Hurston was in a trance, her friend had been smoking calmly. He seems untouched by the... (full context)
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Performance Theme Icon
History and Opportunity Theme Icon
At other times, Hurston feels like she has no race. She feels like the expression of an eternal femininity... (full context)
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Hurston describes herself as a brown bag among white, yellow, and red bags. Each bag has... (full context)
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...its own assortment of objects, they’re often similar to the objects in differently colored bags. Hurston supposes that all the bags could be emptied and replaced at random without altering the... (full context)